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COR ANGLAIS
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
572
PIANO & CLAVIERS
Piano seul
233
Piano, Voix
120
Piano Facile
89
Piano, Voix et Guitare
79
Instruments en Do
30
1 Piano, 4 mains
21
Accompagnement Piano
14
2 Pianos, 4 mains
7
Orgue
6
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Accordéons
1
Piano (partie séparée)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
131
Guitare
23
Basse electrique
22
Ligne De Mélodie, (Paroles) et Accords
11
Paroles et Accords
4
2 Guitares (duo)
3
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Ukulele
2
Piano, Guitare (duo)
2
Dulcimer
1
Ensemble de guitares
1
Mandoline
1
Banjo
1
Instrumentations suivantes
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VOIX
Chorale SATB
136
Chorale 3 parties
68
Chorale 2 parties
28
Chorale TTBB
20
Chorale SSAA
12
Chorale Unison
10
Voix duo
6
Voix Soprano, Piano
6
Voix duo, Piano
3
Voix basse, Piano
3
Voix basse
2
Voix haute
2
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Voix Alto, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
78
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quintette de Saxophone: 5 saxophones
58
Saxophone, Clarinette (duo)
53
Quatuor de Saxophones: 4 saxophones
47
Flûte traversière
45
Saxophone Alto
41
2 Clarinettes (duo)
40
Saxophone Tenor
39
Saxophone Alto et Piano
35
Flûte, Hautbois, Clarinette, Basson
35
2 Flûtes traversières (duo)
35
Clarinette, Violon (duo)
34
Flûte traversière et Piano
33
Hautbois, Basson (duo)
29
Clarinette, Trompette (duo)
27
Hautbois, Piano (duo)
26
Saxophone (partie séparée)
22
Clarinette
20
Clarinette et Piano
19
Clarinette et Alto
19
Saxophone Tenor et Piano
18
Flûte, Saxophone (duo)
18
Flûte, Clarinette (duo)
18
2 Hautbois (duo)
17
Hautbois (partie séparée)
17
Hautbois, Clarinette (duo)
16
Ensemble de Clarinettes
15
Flûte, Trompette (duo)
14
Flûte, Violon
14
Hautbois, Flûte
13
Flûte, Alto (duo)
12
Flûte et Guitare
11
Quatuor de Flûtes : 4 flûtes
11
Saxophone Soprano et Piano
11
Flûte, Trombone (duo)
10
Ensemble de saxophones
9
Quatuor de Clarinettes: 4 clarinettes
8
Ensemble de Flûtes
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
6
Clarinette Basse, Piano
6
Clarinette, Guitare (duo)
5
Cor anglais, Piano
5
Quintette de Flûte : 5 flûtes
5
2 Flûte à bec (duo)
3
Ensemble De Flûte à bec
3
3 Saxophones (trio)
3
Quatuor de Flûtes à bec
2
Saxophone Soprano
2
Flûte à bec Soprano
2
Clarinette, Violoncelle (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto, Piano
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
Saxophone et Orgue
1
Ensemble à vent
1
Flûte et Trio à cordes
1
Ocarina
1
5 Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
72
Trompette
50
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Trompette, Saxophone (duo)
32
Trombone
31
Trompette, Piano
18
Trompette, Trombone (duo)
17
2 Trombones (duo)
17
Cor et Piano
16
Trombone et Piano
16
2 Trompettes (duo)
15
Cor
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trombones
9
Quatuor de Cuivres
8
Tuba et Piano
6
Ensemble de Trompettes
5
2 Euphoniums et 2 Tubas
5
Cor anglais, Piano
5
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
4
Tuba
3
4 Tubas
2
Trio de Cuivres
1
3 Trombones (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Euphonium
1
Ensemble de Cors
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon
50
Violon et Piano
44
Violoncelle
31
Violon, Violoncelle (duo)
25
Alto seul
25
2 Violons (duo)
21
Harpe
20
Violon, Alto (duo)
19
Violoncelle, Piano
19
2 Violoncelles (duo)
18
Alto, Piano
17
2 Altos (duo)
16
Alto (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
5
Ensemble d'Altos
5
Violon (partie séparée)
4
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
3
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
1
Violon, Orgue
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Cloches
93
Orchestre d'harmonie
64
Orchestre
46
Ensemble Jazz
42
Batterie
40
Orchestre à Cordes
29
Ensemble de cuivres
23
Orchestre de chambre
9
Jazz combo
8
Ensemble de Percussions
5
Fanfare
2
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
live version.
Guitare
Partitions à imprimer
23 partitions trouvées
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1
LIVE Guitar Duets
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.870346 Composed by Markus Plattner…
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Solo Guitar - Level 1 - Digital Download SKU: A0.870346 Composed by Markus Plattner. Blues,Jazz. Individual part. 17 pages. Markus Plattner #4409447. Published by Markus Plattner (A0.870346). 5 great sounding guitar duets for teaching, learning, playing at home with a fellow guitarist etc. 7 playbacks with gtr1 and/or 2 omitted, bass and drums as well as slower versions to facilitate learning are embedded in the file. Print versions included.You will need Adobe Acrobat Reader DC (free) to hear the playbacks.ezPDF Reader can play the playbacks on tablets and smartphones, both Android and Apple.
$15.00
13.66 €
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Guitare
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Markus Plattner
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LIVE Guitar Duets
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Markus Plattner
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SheetMusicPlus
KriyÄ (Direction, Goal) for 10-String Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Juli…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
9.1 €
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Guitare
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Julian Bertino
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KriyÄ
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Julian Bertino
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SheetMusicPlus
The Riddle
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1427195 By Nik Kershaw. By Nik Ker…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1427195 By Nik Kershaw. By Nik Kershaw. Arranged by Josef Peter Traun. Pop. Individual part. 4 pages. Traun #1007910. Published by Traun (A0.1427195). An arrangement for Guitar solo (GS) - Live Version.
$6.00
5.46 €
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Guitare
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Nik Kershaw
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Josef Peter Traun
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The Riddle
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Traun
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SheetMusicPlus
Obsession (guitar quintet or guitar orchestra)
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1322943 By Clive Lane. By Clive Lane. A…
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Guitar - Level 4 - Digital Download SKU: A0.1322943 By Clive Lane. By Clive Lane. Arranged by Clive Lane. 21st Century,Classical. 19 pages. Clive Lane #911215. Published by Clive Lane (A0.1322943). Obsession is a piece for guitar quintet (four guitars & bass guitar, or requinto, three guitars & bass guitar)The title refers to the obsessive 7/8 rhythm in Guitar 4.Duration: 2' 35Score and parts(See also my version for guitar quartet - four standard guitars).
$3.99
3.63 €
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Guitare
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Clive Lane
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Clive Lane
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Obsession
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Clive Lane
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SheetMusicPlus
"Girl on a Swing" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1368030 By Keith Gehle. By Keith W…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1368030 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 2 pages. Keith Gehle #952383. Published by Keith Gehle (A0.1368030). â??Girl on a Swingâ? was recorded as part of Keithâ??s 2016 album Space and Time. The title of this piece was inspired by the lyrics of the 2005 song â??Simpleâ? by Glen Phillips when he compared his wifeâ??s love to the gentle beauty of a little girl on a playground swing. The lyrics are as follows:I'm complicationLive wire downI'm agitationDistorted soundYou're celebrationGirl on a swingPassion and patienceUnbroken ringYou're simple, simpleYou're simpleSimply all I needWhile the album version features additional instruments, the piece works well as a guitar solo. This PDF includes detailed fingerings in standard notation. Thereâ??s also a version available with TAB on this site.
$1.99
1.81 €
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Guitare
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Keith Gehle
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"Girl on a Swing" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Evil Ways
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.582339 By Santana. By Sonny Henry.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.582339 By Santana. By Sonny Henry. Arranged by Jeff Tincher. Latin,Pop,Rock. Individual part. 11 pages. Jeff Tincher #3024585. Published by Jeff Tincher (A0.582339). This is a guitar tab/vocal arrangement of Santana's first big hit. This is the single version, which appears on the Greatest Hits CD. The single version does not have the complete organ solo. This is a score transcription from the original key. Great for any live performances of playing along with the record. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftinktincher.
$4.99
4.54 €
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Guitare
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Santana
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Jeff Tincher
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Evil Ways
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Jeff Tincher
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SheetMusicPlus
Ain't Always The Cowboy
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney…
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
4.54 €
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Guitare
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Jon Pardi
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Kyle Pudenz
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
Let It Go
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1285956 By Idina Menzel. By Kriste…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1285956 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Steven Michael King. Broadway,Children,Christmas,Contemporary,Film/TV,Musical/Show. Individual part. 4 pages. STEVEN KING #877075. Published by STEVEN KING (A0.1285956). This version is an instrumental lead sheet with melody, chord symbols, no lyrics, for easy performance by a band or soloist at a live gig.
$4.99
4.54 €
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Guitare
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Idina Menzel
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Steven Michael King
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Let It Go
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STEVEN KING
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SheetMusicPlus
Blackbird
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1293785 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1293785 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tim Rushworth. 20th Century,Folk,Pop. Individual part. 3 pages. Tim Rushworth #884230. Published by Tim Rushworth (A0.1293785). I've enjoyed playing the accompaniment to this song for many years. This new arrangement now includes the song melody in amongst the guitar part, set at an easier pitch, to help with playability. Please listen to the mp3 for an impression, live recording will be available soon, as well as YouTube video. Tab version also available. Enjoy!
$4.99
4.54 €
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Guitare
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The Beatles
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Tim Rushworth
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Blackbird
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Tim Rushworth
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SheetMusicPlus
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
$8.00
7.28 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Dodici Monferrine opera 12
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Socrates Arvanitakis
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SheetMusicPlus
Waves
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.527336 Composed by Richard Hirsch.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.527336 Composed by Richard Hirsch. 20th Century,Classical,Contemporary,Instructional. Individual part. 3 pages. Richard Hirsch #137832. Published by Richard Hirsch (A0.527336). A nice arpeggio piece for solo steel string acoustic or classical guitar. The piece has a meditative almost hypnotic character and was called lullaby by my daughters which is a good alternative title. It can be played at different tempos and changes character according to tempo. The faster versions border on the minimalism of Steve Reich and the slower versions tend toward the contemplations of Arvo Pärt. I created the piece as a study in arpeggio for intermediate to advanced students of guitar and hope it will fill a gap in the modern repertoire of arpeggio studies. It has been a favorite with audiences over the years at my live performances. In the YouTube link I play on a steel string guitar. The piece works just as well, though with a slightly more mellow sound, on a nylon string classical guitar.
$4.99
4.54 €
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Guitare
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Richard Hirsch
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Waves
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Richard Hirsch
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.63 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By …
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Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
7.28 €
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Guitare
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Villancico de Navidad
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165551 By Agustin Barrios. By Agu…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165551 By Agustin Barrios. By Agustin Barrios. Arranged by Ivan Paschoito. 20th Century,Christmas,Latin. Individual part. 3 pages. Ivan Paschoito #765915. Published by Ivan Paschoito (A0.1165551). Villancico de Navidad (Christmas Carol) was composed on December 23, 1943, months before Barrios’ death in El Salvador, the last country in which he lived. The piece was not recorded by him and has survived only thanks to the, for now, only known manuscript. This corrected version puts the harmonics in the right place.
$4.99
4.54 €
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Guitare
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Agustin Barrios
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Ivan Paschoito
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Villancico de Navidad
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Ivan Paschoito
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SheetMusicPlus
All You Need Is Love
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1413879 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1413879 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Individual part. 2 pages. Keith Gehle #995661. Published by Keith Gehle (A0.1413879). Released as a single in 1967 during the famed Summer of Love, this Beatles hippie era classic is one of the songs that best captures that unique moment in time. Today, its beauty lives on as a real crowd pleaser at festive gatherings and a popular recessional at weddings for all generations. The arrangement includes detailed fingerings in standard notation. There's also a version with TAB on this site at no extra charge. Itâ??s just one of many Lennon/McCartney songs tastefully arranged for solo guitar by Keith Gehle.
$4.99
4.54 €
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Guitare
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The Beatles
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Keith W
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All You Need Is Love
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Keith Gehle
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SheetMusicPlus
André (Guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Sout…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
7.28 €
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Guitare
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
All You Need Is Love
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1313612 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1313612 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Individual part. 6 pages. Keith Gehle #902345. Published by Keith Gehle (A0.1313612). Released as a single in 1967 during the famed Summer of Love, this Beatles hippie era classic is one of the songs that best captures that unique moment in time. Today, its beauty lives on as a real crowd pleaser at festive gatherings and a popular recessional at weddings for all generations. The arrangement includes detailed fingerings, standard notation with tablature for ease of learning as well as a two page NOTES ONLY version for more experienced music readers. It’s just one of many Lennon/McCartney songs tastefully arranged for solo guitar by Keith Gehle.
$4.99
4.54 €
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Guitare
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The Beatles
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Keith W
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All You Need Is Love
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Keith Gehle
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SheetMusicPlus
Bourrée in E MInor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
4.54 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
KAI
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1106564 Composed by Dale K. Rodger…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1106564 Composed by Dale K. Rodgers. Celtic,Classical,Contemporary,Contest,Festival,Irish,Wedding. Individual part. 5 pages. Dale K. Rodgers #709610. Published by Dale K. Rodgers (A0.1106564). Solo piece for classical or finger-style guitarists. Celebrating the pending birth of new baby Kai. Celtic style. Key Em - G major. VERY lively. 4/4 time @ 130 bpm. Advanced Intermediate level. Approximately 3 1/2 minutes. Two versions provided: one in standard notation for guitar, and one in standard notation with complete fingerings,including TAB. This one is FUN to play. Perfect for recital.
$4.99
4.54 €
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Guitare
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Dale K
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KAI
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Dale K. Rodgers
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SheetMusicPlus
"Winter Won't Let Me Go"
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodger…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodgers. Arranged by Dale K. Rodgers. 20th Century,Chamber,Classical,Contest,Festival,Wedding. Individual part. 6 pages. Dale K. Rodgers #898703. Published by Dale K. Rodgers (A0.1309543). This is a lively solo for finger-style or classical guitar. One of my best. Key of Am with well developed chords (maj7, add 9, flat 5ths, etc), harmonics, the entire fretboard is utilized.  4/4 time, Tempo 120 with some rapid time signature changes. Good piece to include in concert programs. Audiences have reacted most favorably to it. Two versions are provided: one in standard notation with extensive fingerings, and another with TAB also included.
$4.99
4.54 €
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Guitare
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Dale K
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Dale K
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"Winter Won't Let Me Go"
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Dale K. Rodgers
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitare
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.66 €
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Guitare
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.54 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
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