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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
movement.
Sheetmusicplus
Non classifié
4 880
Piano & claviers
Piano seul
3 098
Piano Facile
727
Orgue
279
Piano, Voix
225
1 Piano, 4 mains
103
Piano Trio: piano, violon, violoncelle
93
Piano, Voix et Guitare
88
2 Pianos, 4 mains
75
Accompagnement Piano
51
Instruments en Do
46
Piano Quintette: piano, 2 violons, alto, violoncelle
38
Clavecin
33
Piano Quatuor: piano, violon, alto, violoncelle
31
Orgue, Piano (duo)
22
Piano Quatuor: piano, 2 violons, violoncelle
18
Orgue, Trompette (duo)
8
Piano grosses notes
5
Accordéon
5
2 Pianos, 8 mains
4
Accordéon, Piano
4
Clavier
2
Ensemble d'Accordéons
2
Fake Book
2
1 Piano, 6 mains
2
Piano (partie séparée)
1
2 Accordéons
1
Ensemble de Pianos
1
+ 22 instrumentations
Retracter
Guitares
Guitare
206
Guitare notes et tablatures
114
2 Guitares (duo)
41
Piano, Guitare (duo)
14
Ukulele
10
Basse electrique
9
Mandoline
8
4 Guitares (Quatuor)
8
Ligne De Mélodie, (Paroles) et Accords
6
Dulcimer
3
Ensemble de guitares
2
Banjo
2
Guitare, Flûte, Clarinette
2
Guitare, Quatuor à cordes
2
3 Guitares (trio)
1
2 Mandolines (duo)
1
Ensemble de Ukulélés
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
688
Chorale 3 parties
153
Chorale 2 parties
98
Chorale Unison
55
Chorale TTBB
49
Chorale SSAA
48
Voix duo
14
Voix duo, Piano
12
Voix Baryton, Piano
8
Chorale SSAATTBB
6
Voix haute
5
Voix Soprano, Piano
5
Voix Tenor, Piano
5
Chorale SSATB
4
Chorale
3
Chorale SSAB a cappella
3
Voix Alto, Piano
3
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
2
Voix, Guitare
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix seule
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
583
Flûte traversière et Piano
389
Quatuor de Saxophones: 4 saxophones
363
Clarinette et Piano
348
Quatuor de Clarinettes: 4 clarinettes
227
Saxophone Alto et Piano
225
Hautbois, Piano (duo)
221
Flûte, Hautbois, Clarinette, Basson
214
2 Flûtes traversières (duo)
179
Clarinette (partie séparée)
169
Quintette de Saxophone: 5 saxophones
161
Clarinette
144
Flûte traversière
135
2 Clarinettes (duo)
124
2 Saxophones (duo)
118
Ensemble de Clarinettes
117
Saxophone Tenor et Piano
117
Quatuor de Flûtes : 4 flûtes
114
Saxophone Soprano et Piano
105
Saxophone (partie séparée)
103
Ensemble de saxophones
95
Quintette de Clarinettes: 5 clarinettes
81
Hautbois (partie séparée)
76
3 Clarinettes (trio)
73
Flûte, Clarinette (duo)
69
3 Saxophones (trio)
66
Ensemble de Flûtes
60
Saxophone Alto
58
Saxophone Baryton, Piano
56
Flute (partie séparée)
54
Flûte et Guitare
51
Hautbois, Basson (duo)
47
Trio de Flûtes: 3 flûtes
44
Cor anglais, Piano
43
Clarinette Basse, Piano
39
Flûte, Hautbois, Clarinette (trio)
39
Quintette de Flûte : 5 flûtes
37
Flûte, Violoncelle
34
Saxophone Tenor
33
Flûte, Clarinette et Basson
30
2 Flûtes traversières, Piano
29
Clarinette, Basson (duo)
28
2 Hautbois (duo)
27
Clarinette, Violoncelle (duo)
27
Clarinette, Violon (duo)
27
Clarinette et Alto
26
Hautbois, Clarinette (duo)
26
Quatuor de Flûtes à bec
25
3 Flûtes à bec (trio)
22
Hautbois, Clarinette, Basson (trio d'anches)
20
2 Flûte à bec (duo)
20
Flûte, Alto (duo)
19
Hautbois
18
Flûte à bec Alto
17
Flûte à bec Soprano
17
Saxophone, Clarinette (duo)
16
Flûte, Violon
16
5 Flûtes à bec
16
Clarinette, Guitare (duo)
15
Flûte, Hautbois, Basson
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violon et Violoncelle
10
Flûte, Saxophone (duo)
9
Flûte à Bec
9
Flûte, Violon, Piano
8
Hautbois, Flûte
8
Clarinette, Violoncelle, Piano (trio)
8
Flûte à bec Soprano, Piano
7
Flûte, Trompette (duo)
7
Flûte, Alto et Piano
7
Saxophone et Guitare
6
Clarinette Basse
6
Hautbois, Guitare (duo)
6
Clarinette, Trompette (duo)
6
2 Cors Anglais Et Pianoforte
6
Ensemble De Flûte à bec
6
Flûte, Hautbois (duo)
5
Piccolo
5
3 Hautbois
5
Cor Anglais
5
Hautbois, Violoncelle
5
Flûte, Violoncelle, Piano (trio)
5
Saxophone et Orgue
5
2 Saxophones, Piano
5
Clarinette, Basson, Piano (trio)
4
Flûte à bec Tenor
4
Flûte, Alto et Violoncelle
4
Hautbois, violon (duo)
4
Saxophone Soprano
4
Clarinette, Harpe (duo)
4
Flûte, Basson et Piano
4
Flûte, Trombone (duo)
4
Piccolo, Piano
4
Flûte irlandaise
3
Clarinette, Quatuor à cordes et Piano
3
Flute, harpe et violon
3
Flûte, alto et harpe
3
Hautbois, Harpe
3
2 Clarinettes, Basson
3
2 Clarinettes, Piano
3
Flûte à bec Alto, Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Ocarina
2
Clarinette, Orchestre
2
Saxophone
2
4 Hautbois
2
Cor anglais et Harpe (duo)
1
Hautbois et alto (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Tuba (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Harmonica
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte traversière, Orchestre
1
Hautbois et Orchestre
1
Flûte, Harpe et Violoncelle
1
Clarinette, Orgue
1
Cor anglais, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Saxophone et Harpe
1
Saxophone, Violon (duo)
1
Saxophone, Basson (duo)
1
Flûte et Trio à cordes
1
Saxophone, Tuba (duo)
1
+ 125 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
364
Quatuor de Cuivres : 2 trompettes, trombone, tuba
243
Trombone et Piano
231
Cor
209
Trompette, Piano
177
Trompette
174
Trompette (partie séparée)
160
Trombone (partie séparée)
155
Cor et Piano
126
Euphonium, Piano (duo)
108
Tuba et Piano
83
Trombone
76
Cor (partie séparée)
65
Ensemble de Trombones
63
Ensemble de Trompettes
60
Quatuor de cuivres: 4 trombones
55
Quatuor de Cuivres
50
2 Trompettes (duo)
48
Cor anglais, Piano
43
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Tuba
33
2 Trombones (duo)
32
Tuba (partie séparée)
30
Quatuor de cuivres: 4 cors
27
Trompette, Trombone (duo)
26
3 Trombones (trio)
26
2 Cors (duo)
21
4 Tubas
20
Ensemble de Cors
20
Trompette, Cor (duo)
18
2 Euphoniums et 2 Tubas
14
Quatuor de cuivres: 4 trompettes
11
Tuba et Orgue
10
Trompette, Saxophone (duo)
10
3 Trompettes (trio)
9
Trio de Cuivres
9
3 Euphoniums
8
2 Tubas (duo)
8
3 Tubas (trio)
7
Trombone, Orgue
7
Trombone basse
7
Euphonium
6
Cor, Violoncelle (duo)
6
2 Cors Anglais Et Pianoforte
6
Euphonium, Tuba (duo)
5
Cor Anglais
5
Trombone, Cor (duo)
5
Cor et Harpe
4
3 Cors (trio)
4
Trombone basse et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Tuba (duo)
3
Trompette, violon (duo)
3
Trombone, violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
2 Euphoniums (duo)
2
Trompette, Harpe
2
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor anglais, Guitare (duo)
1
Trombone et orchestre
1
Cor, Tuba (duo)
1
Ensemble de Tubas
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 240
Violon et Piano
526
Violoncelle, Piano
297
Alto, Piano
274
Violon
266
Trio à Cordes: violon, alto, violoncelle
195
Violon, Violoncelle (duo)
161
Violon (partie séparée)
159
Violoncelle
133
2 Violons (duo)
118
Violon, Alto (duo)
112
Alto seul
112
Harpe
96
Contrebasse (partie séparée)
69
2 Violoncelles (duo)
67
Trio à Cordes: 2 violons, violoncelle
57
2 Altos (duo)
54
Contrebasse, Piano (duo)
46
Violoncelle (partie séparée)
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
4 Violoncelles
44
Alto (partie séparée)
41
Trio à cordes: 3 violins
37
Quatuor à cordes: 4 violons
35
Alto, Violoncelle (duo)
31
Contre Basse
28
Trio à Cordes: 3 violoncelles
27
Trio à cordes: 3 altos
26
Quatuor à cordes : 4 altos
23
Violoncelle, Contrebasse (duo)
22
Violon, Guitare (duo)
17
Piano Trio: Violon, Alto, Piano
16
Trio à Cordes: 2 violons, alto
16
Harpe, Flûte (duo)
14
Violon, Basson (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Violoncelle , Guitare (duo)
11
Ensemble de Violons
10
Alto, Guitare (duo)
10
2 Violons, Piano
9
Ensemble d'Altos
9
Harpe, Violon (duo)
9
Violoncelle, Orchestre
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Flûte, Contrebasse (duo)
7
2 Violoncelles, Piano
6
2 Harpes (duo)
6
Harpe, Violoncelle (duo)
5
4 Contrebasses
5
2 Contrebasses (duo)
5
2 Altos, Piano
4
Violon, Violoncelle, Clarinette
3
Violon, Clarinette, Piano (trio)
3
Trio à cordes
3
Violoncelle, Orgue
3
Harpe et Piano
3
Alto et Harpe
2
3 Contrebasses
2
Violon, Orgue
2
Harpe, Trombone (duo)
2
Alto et orchestre
2
Harpe et mandoline
1
Harpe, Quatuor à cordes
1
Violon, Basse continue
1
Harpe, Violon, Violoncelle
1
Ensemble de Violoncelles
1
Violoncelle, Basse continue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 478
Orchestre
1 001
Orchestre à Cordes
989
Orchestre de chambre
369
Ensemble de cuivres
196
Percussion (partie séparée)
65
Fanfare
63
Cloches
58
Ensemble de Percussions
36
Ensemble Jazz
34
Timbales (partie séparée)
29
Batterie
16
Jazz combo
11
Marimba
10
Percussion
9
Vibraphone
8
Piano et Orchestre
7
Orchestre, Violon
6
Xylophone, Piano
5
Batterie (partie séparée)
4
Vibraphone et Marimba
3
2 Xylophones
2
Xylophone
2
Voix Mezzo-Soprano, Orchestre
1
2 Marimbas
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
Vibraphone (partie séparée)
1
2 Caisses Claires (duo)
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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movement.
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Partitions à imprimer
206 partitions trouvées
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201
Winter Movement 2
#
Guitare
#
Classique
#
Antonio Vivaldi
#
Robert McCormack
#
Winter Movement 2
#
Robert McCormak
#
SheetMusicPlus
Solo Guitar - SKU: A0.483302 Composed by Antonio Vivaldi. Arranged by Robert McCormack. Baroque,Christmas,Classical,Holiday. Individual part. 2 pages. P...
(+)
Solo Guitar - SKU: A0.483302 Composed by Antonio Vivaldi. Arranged by Robert McCormack. Baroque,Christmas,Classical,Holiday. Individual part. 2 pages. Published by Robert McCormak (A0.483302). This arrangement of Vivaldi's familiar Winter, Second Movement, drops the bass E string to D and is very playable for intermediate classical guitar. Consistent with the movement itself, it is slow and designed for relaxed listening and, in this case, playing. His signature lyric sequences are set up for graceful position changes and opportunities to show off your vibrato. Improvise to taste.
$3.99
Mendelssohn's Andante - Excerpt from Violin Concert #1 in E minor, 2nd Movement
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Tom Salvatori
#
Tom Salvatori
#
Mendelssohn's Andante - Excerp
#
Salvatori Productions, Inc.
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1473187 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classical,Romantic Per...
(+)
Solo Guitar - Level 3 - SKU: A0.1473187 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classical,Romantic Period. Individual part. 1 pages. Salvatori Productions, Inc. #1050809. Published by Salvatori Productions, Inc. (A0.1473187). A note about this Guitar Arrangement - This piece presents a reimagined excerpt from Felix Mendelssohn's Violin Concerto #1 in E minor, 2nd Movement. My goal in the arrangement was to stay strongly reverent to the original form and structure of the composition, but to present it in a manner that I anticipate even Mendelssohn himself would have never expected to hear his work...as a solo nylon string guitar lullaby. My hope is that you will enjoy listening to it in it's new form, and that it will help bring Felix Mendelssohn's composing work newly to the ears of folks who may not be inclined to attend Classical Symphony concerts. - Tom Salvatori, Guitar ArrangerShow less.
$3.99
Moonlight Sonata C# Minor 3rd Movement mp3
#
Guitare
#
Classique
#
Ludwig van Beethoven
#
John Hurford
#
Moonlight Sonata C# Minor 3rd
#
John Hurford
#
SheetMusicPlus
Guitar - SKU: A0.1070164 Composed by Ludwig van Beethoven. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards. Accompaniment. Duration ...
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Guitar - SKU: A0.1070164 Composed by Ludwig van Beethoven. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards. Accompaniment. Duration 421. John Hurford #4840971. Published by John Hurford (A0.1070164). Moonlight sonata 3rd movement mp3.
$1.99
Ode To joy (Symphony 9 5th movement)
#
Guitare
#
DÉBUTANT
#
Classique
#
Davi Rocha Campos
#
Davi Rocha Campos
#
Ode To joy
#
Davi Rocha Campos
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1222701 By Davi Rocha Campos. By Ludwig van Beethoven (1770 - 1827). Arranged by Davi Rocha Campos. 19th Century,Christi...
(+)
Solo Guitar - Level 1 - SKU: A0.1222701 By Davi Rocha Campos. By Ludwig van Beethoven (1770 - 1827). Arranged by Davi Rocha Campos. 19th Century,Christian,Classical,Folk,Romantic Period. Individual part. 4 pages. Davi Rocha Campos #818979. Published by Davi Rocha Campos (A0.1222701). A nice arrangement for the song Ode To joy (Symphony 9 5th movement) by Beethoven for guitar duo tablature.
$1.99
w.a.mozart symphonie n 40-1st movement-easy version for guitar duet
#
Guitare
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Sergio Vettore
#
w.a.mozart symphonie n 40-1st
#
Sergio Vettore
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.934293 Composed by Wolfgang Amadeus Mozart. Arranged by Sergio Vettore. Classical. Individual part. 5 pages. Sergio Vett...
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Solo Guitar - Level 2 - SKU: A0.934293 Composed by Wolfgang Amadeus Mozart. Arranged by Sergio Vettore. Classical. Individual part. 5 pages. Sergio Vettore #6169445. Published by Sergio Vettore (A0.934293). AN EASY VERSION AND WRITTEN IN A TONE EASY FOR THE GUITAR, OF THE FAMOUS FIRST MOVEMENT OF THE SYMPHONY N 40 BY W.A.MOZART. THE ENSEMBLE IS THAT OF THE DUO GUITAR. ACCURATE FINGERING PRESENT FOR BOTH GUITARS. THE LEVEL IS THE FIRST INTERMEDIATE.IN THE PREFACE, 2nd PAGE, YOU'LL FIND THE LINK TO LISTEN TO THE ENTIRE PIECE AND ANOTHER ONE WITH JUST THE SECOND GUITAR, TO PRACTISE THE MELODY .
$4.49
Ode To joy (Symphony 9 5th movement)
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Guitare
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DÉBUTANT
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Classique
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Davi Rocha Campos
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Davi Rocha Campos
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Ode To joy
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Davi Rocha Campos
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1222703 By Davi Rocha Campos. By Ludwig van Beethoven (1770 - 1827). Arranged by Davi Rocha Campos. 19th Century,Christi...
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Solo Guitar - Level 1 - SKU: A0.1222703 By Davi Rocha Campos. By Ludwig van Beethoven (1770 - 1827). Arranged by Davi Rocha Campos. 19th Century,Christian,Classical,Folk,Romantic Period. Individual part. 4 pages. Davi Rocha Campos #818981. Published by Davi Rocha Campos (A0.1222703). A nice arrangement for the song Ode To joy (Symphony 9 5th movement) by Beethoven for guitar duo tablature.
$1.99
Key West Suite for Two Guitars. In three movements: 1. Seven-Mile Bridge, 2. Bolero del Atardecer,
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Guitare
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AVANCÉ
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Jose Lezcano
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Best wishes, Jose
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Key West Suite for Two Guitars
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Jose Manuel Lezcano
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Publ...
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Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Published by Jose Manuel Lezcano (A0.1009964). Key West Suite was composed in 2013 on commission from the Amaral Duo, Jorge Amaral and Mia Pomerantz. The three movements are inspired by various places in Key West, Florida, where I was serving as an Artist in Residence at the Studios of Key West in June 2013. I'm a Cuban-American born in Havana, and my influences include Cuban popular music (of course), Jazz, and the contrapuntal music of Bach and other Baroque composers. I think you can hear all of that in this piece. Jorge and MIa perform it beautifully on their CD, Key West, which I highly recommend. I'm a member of ASCAP and you can read more about my work and purchase other compositions at these sites. Best wishes, Jose.www.joselezcanocomposer.webs.com
$30.00
The Traveler - Solo Guitar piece in three movements
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Guitare
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AVANCÉ
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Ayala Asherov
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The Traveler - Solo Guitar pie
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Mix Meter Music Publishing Company
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.960824 Composed by Ayala Asherov. Contemporary,Instructional,Jewish,Standards. Individual part. 10 pages. Mix Meter Musi...
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Solo Guitar - Level 5 - SKU: A0.960824 Composed by Ayala Asherov. Contemporary,Instructional,Jewish,Standards. Individual part. 10 pages. Mix Meter Music Publishing Company #5718479. Published by Mix Meter Music Publishing Company (A0.960824). The Traveler is a solo guitar piece in three movements, challenging melodic and fun. 7 min.
$10.99
4 Movements from Suite BWV 820
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Guitare
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Classique
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Johann Sebastian Bach
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Jose Mora-Jimenez
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4 Movements from Suite BWV 820
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Jose Mora-Jimenez
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SheetMusicPlus
Solo Guitar - SKU: A0.502589 Composed by Johann Sebastian Bach. Arranged by Jose Mora-Jimenez. Baroque. Individual part. 4 pages. Published by Jose Mora...
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Solo Guitar - SKU: A0.502589 Composed by Johann Sebastian Bach. Arranged by Jose Mora-Jimenez. Baroque. Individual part. 4 pages. Published by Jose Mora-Jimenez (A0.502589). Four movements from Suite BWV 820 original for harpsichord by J. S. Bach, transcribed for the classical guitar. Suitable for students and intermediate players.
$5.00
"The movement of time." Prelude in A Minor for Guitar.
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Guitare
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INTERMÉDIAIRE
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Valery Dzyabenko
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"The movement of time.&qu
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Valery Dzyabenko
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.978115 Composed by Valery Dzyabenko. Contemporary,Country,World. Individual part. 9 pages. Valery Dzyabenko #5347659. Pu...
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Solo Guitar - Level 3 - SKU: A0.978115 Composed by Valery Dzyabenko. Contemporary,Country,World. Individual part. 9 pages. Valery Dzyabenko #5347659. Published by Valery Dzyabenko (A0.978115). Very beautiful dynamic polyphonic music for classical guitar. The combination arpeggio style is applied to the performance. This composition has won numerous awards at guitar competitions.
$3.70
Moonlight Sonata - 1st movement
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Guitare
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AVANCÉ
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Classique
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Ludwig v Beethoven
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Chin Tan
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Moonlight Sonata - 1st movemen
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Chin Tan
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1018062 Composed by Ludwig v Beethoven. Arranged by Chin Tan. Romantic Period. Individual part. 3 pages. Chin Tan #64139...
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Solo Guitar - Level 5 - SKU: A0.1018062 Composed by Ludwig v Beethoven. Arranged by Chin Tan. Romantic Period. Individual part. 3 pages. Chin Tan #6413931. Published by Chin Tan (A0.1018062). This arrangement for classical guitar is suitable for advanced players.
$4.99
Winter, 2nd movement (Largo) - A. Vivaldi, Guitar arrangement
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Carolina Diez
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Winter, 2nd movement
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Carolina Díez
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by Carolina Diez. Baroque, Wedding, World. Individual part. 1 pages. Carolina Díez #6271885. ...
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Composed by Antonio Vivaldi (1678-1741). Arranged by Carolina Diez. Baroque, Wedding, World. Individual part. 1 pages. Carolina Díez #6271885. Published by Carolina Díez
$5.99
"KABBALAH" one-movement sonata for solo guitar
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Guitare
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AVANCÉ
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Contemporain
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Oleg Boyko
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"KABBALAH" one-movement sonata
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Oleg Boyko
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SheetMusicPlus
Composed by Oleg Boyko. Contemporary. Individual part. 10 pages. Oleg Boyko #684644. Published by Oleg Boyko ...
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Composed by Oleg Boyko. Contemporary. Individual part. 10 pages. Oleg Boyko #684644. Published by Oleg Boyko
$17.00
Into the Movement
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Guitare
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INTERMÉDIAIRE
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Atanas Ourkouzounov
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Into the Movement
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Les Editions Doberman-Yppan
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SheetMusicPlus
By Atanas Ourkouzounov (1970-). For solo guitar. Level 3.5. 6 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Atanas Ourkouzounov (1970-). For solo guitar. Level 3.5. 6 pages. Published by Les Editions Doberman-Yppan (digital)
$6.95
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
Peated Waltzes
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Guitare
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AVANCÉ
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ...
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Guitar - Advanced - SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
Amigo do peito Op. 30
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Ivan Lyran
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Amigo do peito Op. 30
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IVAN LYRAN
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202604 Composed by Ivan Lyran. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. IVAN LYRAN #80136...
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Solo Guitar - Level 4 - SKU: A0.1202604 Composed by Ivan Lyran. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. IVAN LYRAN #801364. Published by IVAN LYRAN (A0.1202604). Amigo do peito (Friend of the chest) is a declared tribute by the composer to the guitar, his friend and faithful companion in many good and bad moments of adolescence. The piece is characterized by a mixture of rhythm and lyricism well distributed among the movements. The first of them Guitar companion uses a rhythmic motif in sixteenth and eighth notes combined with ripped lines in most of the movement, in addition to our most famous rhythm, samba. In part B, we find a slightly more lyrical melody that develops until the initial rhythmic theme is resumed. The second movement Interlúdio has a more romantic character, well singable, a simple and succinct melody that conveys a feeling of nostalgia. The third movement is an Etude in E minor, the initial idea came about as an exercise for the index and middle fingers making a downward movement from the first to the sixth string in an E minor chord.
$4.99
Guitar Sonata No. 2 in C major
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jerem...
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Solo Guitar - Level 3 - SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
The Color of Fire is
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Guitare
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David Lucas Frith
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The Color of Fire is
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David Frith
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SheetMusicPlus
Solo Guitar - SKU: A0.904118 Composed by David Lucas Frith. Concert,Contemporary. Individual part. 17 pages. David Frith #33299. Published by David Frit...
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Solo Guitar - SKU: A0.904118 Composed by David Lucas Frith. Concert,Contemporary. Individual part. 17 pages. David Frith #33299. Published by David Frith (A0.904118). The Color of Fire is, for guitar and piano, paints a picture of a fire in various scenes. This piece was written for Jacob Cypranowski. It's three movements, I. Brilliant, II. Changing, and III. Renewed are all inspired by fire. The first movement is all about the brilliance of color in a flame, and how calming it can be to just watch a fire. The second movement is about how quickly a fire can change, and how dangerous it can become. The final movement is about how the color of a flame is constantly renewed and fresh, even as the flame dies.
$1.99
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jere...
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Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
Gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
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