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CITHARE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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ASIE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FUNK
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HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Non classifié
4796
PIANO & CLAVIERS
Piano seul
107
Piano, Voix
79
Piano Trio: piano, violon, violoncelle
66
1 Piano, 4 mains
51
Piano Quatuor: piano, violon, alto, violoncelle
49
Accompagnement Piano
45
Piano, Voix et Guitare
24
2 Pianos, 4 mains
18
Piano Facile
18
Piano Quintette: piano, 2 violons, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
15
Orgue
9
Piano (partie séparée)
8
Instruments en Do
6
Clavier
4
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
4
Accordéon
2
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
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GUITARES
2 Guitares (duo)
34
Guitare
30
Guitare notes et tablatures
22
4 Guitares (Quatuor)
20
Ukulele
18
Basse electrique
14
Guitare (partie séparée)
12
Ensemble de Ukulélés
7
2 Dulcimers (duo)
3
3 Guitares (trio)
3
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Ensemble de guitares
2
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
1
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
Banjo
1
Instrumentations suivantes
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VOIX
Chorale SATB
246
Chorale 3 parties
91
Chorale 2 parties
52
Chorale TTBB
42
Chorale SSAA
26
Chorale Unison
22
Voix duo, Piano
13
Voix duo
12
Voix Soprano, Piano
4
Male Voice
3
Voix, Guitare
2
Chorale
2
Chorale SSAATTBB
2
Chorale SSAB a cappella
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix seule
1
Instrumentations suivantes
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VENTS
Clarinette et Piano
223
2 Saxophones (duo)
215
Flûte traversière et Piano
209
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
201
Flûte, Hautbois, Clarinette, Basson
113
2 Clarinettes (duo)
92
Hautbois, Piano (duo)
77
Saxophone Alto et Piano
67
2 Flûtes traversières (duo)
65
Quatuor de Clarinettes: 4 clarinettes
63
Clarinette, Violon (duo)
60
Saxophone (partie séparée)
48
Quintette de Saxophone: 5 saxophones
45
Ensemble de saxophones
41
Flûte et Guitare
40
Quatuor de Saxophones: 4 saxophones
39
Saxophone Soprano et Piano
38
Saxophone Tenor et Piano
38
2 Flûte à bec (duo)
27
Flûte, Clarinette (duo)
27
Quatuor de Flûtes : 4 flûtes
26
Ensemble de Flûtes
25
Ensemble de Clarinettes
24
Hautbois, Basson (duo)
22
Saxophone, Clarinette (duo)
22
Ensemble De Flûte à bec
20
Clarinette
20
Quatuor de Flûtes à bec
18
Flûte, Violon
16
3 Clarinettes (trio)
16
3 Saxophones (trio)
16
Cor anglais, Piano
15
Clarinette, Trompette (duo)
13
Clarinette et Alto
12
Flûte, Alto (duo)
11
Clarinette, Basson (duo)
11
Flûte, Violoncelle, Piano (trio)
11
Flûte, Saxophone (duo)
10
Trio de Flûtes: 3 flûtes
10
Quintette de Clarinettes: 5 clarinettes
10
Flûte, Trompette (duo)
9
Saxophone Baryton, Piano
9
Hautbois, Flûte
8
Quintette de Flûte : 5 flûtes
8
Clarinette, Guitare (duo)
8
Flûte, Violoncelle
7
Hautbois, Clarinette (duo)
7
2 Hautbois (duo)
7
Hautbois (partie séparée)
7
Saxophone Alto
6
Flute (partie séparée)
6
Flûte, Violon, Piano
5
Saxophone et Guitare
5
Flûte, Alto et Piano
5
Clarinette (partie séparée)
5
Flûte traversière
5
Flûte, Hautbois, Piano (trio)
4
5 Flûtes à bec
4
Flûte à bec Alto, Piano
4
Flûte à bec Soprano, Piano
4
Hautbois, Guitare (duo)
4
Flûte, Violon et Violoncelle
4
Flûte, Hautbois, Clarinette (trio)
4
Flute, harpe et violon
4
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano
3
2 Saxophones, Piano
3
Ensemble de Hautbois
3
Cor anglais, Guitare (duo)
3
Flûte, Basson et Piano
3
Hautbois, Harpe
2
Flûte, Hautbois (duo)
2
Flûte, Trombone (duo)
2
4 Hautbois
2
Clarinette, Harpe (duo)
2
2 Flûtes traversières, Guitare
2
Clarinette, Basson, Piano (trio)
2
Saxophone et Harpe
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Flûte à bec Tenor
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Piano
1
Clarinette Basse, Piano
1
Cor Anglais
1
Flûte à bec Alto
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
Flûte traversière, Orchestre
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Piano
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Guitare
1
Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, alto et harpe
1
Saxophone, Tuba (duo)
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
303
Quatuor de Cuivres: 2 trompettes, Cor, trombone
165
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
163
Trompette, Piano
71
Trompette, Trombone (duo)
62
2 Cors (duo)
36
Trombone (partie séparée)
34
Trompette (partie séparée)
31
Trombone et Piano
29
Quatuor de cuivres: 4 trombones
26
Trompette, Saxophone (duo)
23
Quatuor de Cuivres
23
2 Tubas (duo)
22
Ensemble de Trombones
18
Trompette
18
2 Trompettes (duo)
17
Cor et Piano
17
Ensemble de Trompettes
15
Quatuor de cuivres: 4 trompettes
15
Cor anglais, Piano
15
Quatuor de cuivres: 4 cors
13
2 Trombones (duo)
12
Trombone
11
Cor (partie séparée)
10
Tuba
9
Tuba et Piano
9
3 Trompettes (trio)
9
Euphonium, Piano (duo)
7
Trombone, Tuba (duo)
6
Trio de Cuivres
6
3 Trombones (trio)
6
Trompette, Cor (duo)
5
Cor
5
Ensemble de Cors
5
Tuba (partie séparée)
5
Euphonium
4
4 Tubas
4
Trombone basse
3
Trombone, Cor (duo)
3
Trombone, Orgue
3
Cor anglais, Guitare (duo)
3
Cor et Harpe
2
4 Euphoniums
2
3 Cors (trio)
2
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette et Guitare
1
2 Cors, Piano
1
3 Euphoniums
1
Trompette, Harpe
1
2 Euphoniums et 2 Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor, Violoncelle (duo)
1
Tuba et Orgue
1
Trompette, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
945
Violon et Piano
267
Violon, Violoncelle (duo)
226
Alto, Piano
223
Violoncelle, Piano
210
Trio à Cordes: violon, alto, violoncelle
160
Trio à Cordes: 3 violoncelles
78
2 Violons (duo)
73
Violon
59
Violon, Alto (duo)
57
Trio à Cordes: 2 violons, violoncelle
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
4 Violoncelles
35
Harpe
29
2 Harpes (duo)
28
2 Violoncelles (duo)
26
Violon, Guitare (duo)
24
Violoncelle (partie séparée)
21
2 Contrebasses (duo)
20
Alto, Violoncelle (duo)
18
Piano Trio: Violon, Alto, Piano
14
Violon (partie séparée)
13
Quatuor à cordes : 4 altos
12
Violoncelle, Contrebasse (duo)
12
Contrebasse (partie séparée)
11
2 Altos (duo)
11
Quatuor à cordes: 4 violons
10
Alto seul
10
Harpe, Flûte (duo)
10
Violoncelle , Guitare (duo)
10
Violoncelle
9
Alto (partie séparée)
8
Ensemble de Violons
8
Trio à cordes: 3 violins
8
Trio à cordes
7
Contre Basse
7
Ensemble de Violoncelles
6
2 Violons, Piano
6
Harpe, Violon, Violoncelle
5
Ensemble d'Altos
5
Flûte, Contrebasse (duo)
4
Trio à cordes: 3 altos
4
Harpe, Violon (duo)
4
Alto, Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Quatuor à cordes
2
Harpe et Piano
2
3 Harpes
2
Harpe (partie séparée)
2
Harpe, Violoncelle (duo)
2
Harpe, Voix
2
5 Harpes
2
Contrebasse, Piano (duo)
1
4 Harpes
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
602
Orchestre d'harmonie
559
Orchestre à Cordes
525
Ensemble de cuivres
323
Orchestre de chambre
244
Ensemble Jazz
238
Jazz combo
84
Ensemble de Percussions
84
Fanfare
41
Batterie
36
Cloches
22
Batterie (partie séparée)
6
Ensemble d'École
5
Percussion (partie séparée)
3
Piano et Orchestre
2
Vibraphone
1
2 Marimbas
1
Marimba
1
Percussion
1
Marimba, Piano (duo)
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
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Guitare
Partitions à imprimer
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Son California score and parts - Score Only
Guitare
Guitar - Level 5 - Digital Download SKU: A0.1130044 Composed by Teresa Madiedo. Cla…
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Guitar - Level 5 - Digital Download SKU: A0.1130044 Composed by Teresa Madiedo. Classical,Latin. 17 pages. Tmadiedo #729855. Published by Tmadiedo (A0.1130044). Music for 4 Guitars score and parts.
$12.00
11.02 €
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Guitare
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Teresa Madiedo
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Son California score and parts - Score Only
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Tmadiedo
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SheetMusicPlus
It's Only A Paper Moon
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #894466. Published by Christopher J. Malin (A0.1305049). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. The film Papermoon was named after the song! Very unusual.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I also wrote the lyrics under the chords/notes in the B section to help with the timing. This song is in an ABABA format. I love the light, childlike melody! Sounds great on acoustic and electric guitars.
$5.99
5.5 €
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Guitare
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Billy Rose, E
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Christopher J
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It's Only A Paper Moon
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Christopher J. Malin
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SheetMusicPlus
Menuetto from string quartet No. 8 for guitar trio - Score Only
Guitare
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.531890 Composed by Fran…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.531890 Composed by Franz Joseph Haydn. Arranged by Klas Krantz. Classical,Wedding. Score and parts. 8 pages. Amadeus Music #26971. Published by Amadeus Music (A0.531890). Joseph Haydn (1732 – 1809), was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the Father of the Symphony and Father of the String Quartet because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
$5.95
5.46 €
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Guitare
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Franz Joseph Haydn
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Klas Krantz
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Menuetto from string quartet No. 8 for guitar trio - Score Only
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Amadeus Music
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SheetMusicPlus
For Love
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1075481 By Peng Chen. By Peng Chen…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1075481 By Peng Chen. By Peng Chen. Arranged by Peng Chen. Contemporary,Country,Folk,Jazz,Romantic Period. Individual part. 5 pages. JCmusic.com #679595. Published by JCmusic.com (A0.1075481). Nice fingerstyle acoustic guitar and electric slide guitar duet, both guitars are in stand tuning, this PDF is for acoustic guitar parts only, please watch my YouTube video before learn it. It is one of my early original music composing, had been reproduced with better sounding.
$9.99
9.18 €
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Guitare
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Peng Chen
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Peng Chen
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For Love
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JCmusic.com
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SheetMusicPlus
Sweet Caroline
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamon…
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Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
$7.95
7.3 €
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Guitare
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Neil Diamond
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Dan Jones www
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Sweet Caroline
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DanJonesGuitarist
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SheetMusicPlus
He's A Pirate
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, H…
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Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Film/TV. 31 pages. DanJonesGuitarist #914884. Published by DanJonesGuitarist (A0.1326741). The Theme from Pirates of the CaribbeanArranged for Guitar Ensemble by Dan Jones www.danjonesguitarist.comArrangé pour ensemble de guitares par Dan Jones www.danjonesguitarist.comThe Theme from Pirates of the Caribbean is arranged for l'Ensemble Guitare de Basse-Goulaine. I would like to thank them for asking me to make the arrangement and for their hard work.Le thème de Pirates des Caraïbes est arrangé pour l'Ensemble Guitare de Basse-Goulaine. Je voudrais les remercier de m'avoir demandé de faire l'arrangement et pour leur travail.A single download of the sheet music will give you:(1) A title page(2) A score in notes and TAB(3) A score with notes only (to help directors with page turns)(4) All parts in notes and TAB(5) All parts with notes only.Un seul téléchargement de la partition vous donnera :(1) Une page de titre(2) Une partition en notes et TAB(3) Une partition avec notes uniquement (pour aider les réalisateurs à tourner les pages)(4) Toutes les parties avec les notes et TAB(5) Toutes les parties avec notes uniquement.www.danjonesguitarist.com.
$7.95
7.3 €
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Guitare
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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Dan Jones www
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He's A Pirate
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DanJonesGuitarist
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SheetMusicPlus
Mad World
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1321656 By Michael Andrews Feat. Gary J…
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Guitar - Level 2 - Digital Download SKU: A0.1321656 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Film/TV,Pop. 24 pages. DanJonesGuitarist #910133. Published by DanJonesGuitarist (A0.1321656). Mad WorldTears for Fears - as Performed by Gary JulesMad World is a song taken from the 1983 album of the British band Tears for Fears. It enjoyed a second round of success when it was covered by Gary Jules in 2001 and became and unexpected Christmas number one single in 2003 in the UK.The arrangement presented here is inspired by the beautiful, minimalist version performed by Gary Jules. It is suitable for early-intermediate players.This download contains:A score in notes and TABAll parts in notes and TABAll parts in notes onlyA score with notes only.For a huge range of original arrangements and compositions for guitar, please visit:www.danjonesguitarist.comA film of this arrangement will be visible here before the end of 2023.I hope you enjoy playing Mad World as much as I have.Dan Jones, France 2023.
$6.95
6.38 €
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Guitare
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Michael Andrews Feat
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Dan Jones www
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Mad World
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DanJonesGuitarist
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
The Winner Takes It All
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1283320 By ABBA. By Benny Andersson and…
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Guitar - Level 3 - Digital Download SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #874514. Published by Derek Hasted (A0.1283320). THE WINNER TAKES IT ALL - Great concert piece for 4 GUITARS or larger ensemblePrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar only.Derek Hasted writes This is a concert crowd-pleaser perfect for intermediate or advanced intermediate guitarists!One reason ABBA songs are so memorable isn’t the strong melody line, it’s all the other clever harmonies and countermelodies that lurk just under the surface to make a crafted masterpiece.My arrangement uses guitar-friendly shapes to capture the whole song and many of the countermelodies that make the original such a great listen.The dynamics on the score tie in with the orchestration, so that the quiet sections are slow-moving and the louder sections are busy, adding yet more notes before the previous ones fade away. I’ve added just a little fingering here and there if there’s really only one place on the neck to play what’s on the page. Elsewhere, please choose the sweet spot that gives you, the player, the best mix of tone, sustain, playability and confidence.I hope you enjoy performing this as much as the audience will enjoy hearing it!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.58 €
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Guitare
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ABBA
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Derek Hasted
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The Winner Takes It All
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Derek Hasted
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Moves Like Jagger
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.496393 By Maroon 5 Featuring Chris…
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Solo Guitar - Level 3 - Digital Download SKU: A0.496393 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellback. Arranged by TopDots Orchestrations. Contemporary,Pop. Individual part. 15 pages. TopDots Orchestrations #110597. Published by TopDots Orchestrations (A0.496393). Key Gm. NOTE: DOWN 4 SEMITONES FROM ORIGINAL RECORDED KEY Tempo 128bpm Based upon the live recording, this classic song has been faithfully reproduced, playable by an ensemble of 4 rhythm section players, 4 front line players plus singers – lead and group. * Our Professional Arranger series includes parts of the highest quality and are note-for-note accurate to the original recording. All solos are meticulously and faithfully recreated so that bands and ensembles can authentically reproduce the sound of the original. All audio examples are produced ONLY from the musical parts contained in this arrangement. As a professional product, our audio examples do not include the vocal melody of the song. *Additional parts to supplement and augment this arrangement are included in the Educational Edition of this work. Separate Xtra Packs are available for this song. (Also available in keys of Bm and Em).
$4.99
4.58 €
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Guitare
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Maroon 5 Featuring Christina Aguilera
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TopDots Orchestrations
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Moves Like Jagger
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TopDots Orchestrations
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SheetMusicPlus
L'Esprit Manouche
Guitare
Guitar (all) - Intermediate-Advanced - Digital Download SKU: M0.20014BCDEB A Com…
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Guitar (all) - Intermediate-Advanced - Digital Download SKU: M0.20014BCDEB A Comprehensive Study of Gypsy Jazz Guitar. Composed by Romane. Solos. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20014BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20014BCDEB). ISBN 9781610651004. 8.75x11.75 inches.This massive book offers a comprehensive study of the Gypsy jazz or Manouche guitar style as perceived by French guitarists Derek Sebastian and Romane, two of the finest modern day practitioners of the Django Reinhardt style.Each of the book's thirty-six progressive chapters consists of four parts: A.) Technique developed through exercises, chord progressions/diagrams, and illustrations of fingerboard positions; B.) A harmony lesson with leads in the Manouche style; C.) Soloing techniques based on the harmonic structure of a given theme; and D.) Self-testing materials with answers provided at the close of the book.The companion audio for L'Esprit Manouche is unique in that it provides 98 play-along MIDI files that exactly parallel the order of the exercises, examples and pieces in the book as well as audio tracks of excerpts from eighteen Romane favorites from the Gypsy jazz repertoire. The MIDI tracks, which can be accessed via most audio players on PC or Macintosh computers, allow the student to play along with both short phrases and extensive rhythm tracks- at any desired tempoL'Esprit Manouche not only makes Gypsy jazz accessible; it offers an opportunity to master the Manouche style. While many exercises and tunes appear in both standard notation and tab, not to mention chord or fretboard diagrams, standard notation is predominant. Audio available for download online.
$34.99
32.14 €
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Guitare
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Romane
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B
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L'Esprit Manouche
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hotel California
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1264942 By The Eagles. By Don Felder, D…
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Guitar - Level 4 - Digital Download SKU: A0.1264942 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by LINCOLN BRADY. Chamber,Classical,Latin,Pop,Rock. 32 pages. LINCOLN BRADY #857782. Published by LINCOLN BRADY (A0.1264942). Arranged for Guitar Quartet (Ensemble) with optional Bass.Intermediate standard.5 mins duration.Notation only.Suitable for all types of guitar: electric, acoustic, classical.Score & parts.
$14.99
13.77 €
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Guitare
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The Eagles
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LINCOLN BRADY
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parts.
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Hotel California
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LINCOLN BRADY
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SheetMusicPlus
Brindisi (Libiamo ne' lieti calici) from La Traviata
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi…
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Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future. Â
$7.95
7.3 €
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Guitare
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Dan Jones
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Dan Jones www
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Brindisi
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DanJonesGuitarist
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.58 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
La Barca
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1209369 Composed by Roberto Cantor…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1209369 Composed by Roberto Cantoral. Arranged by Fernando Neves. 20th Century,Contemporary,Latin,Multicultural,Pop,World. Individual part. 7 pages. Fernando Neves #807484. Published by Fernando Neves (A0.1209369). La Barca is a bolero composed by the Mexican Composer Roberto Cantoral. This song was recorded by several interpreters incluing Luis Miguel.This version was arranged for fingerstyle guitar by Fernando Neves and is perfect for presentations, regional Music, lounges playing and many others. The arrangement is in E major with guitar chords, guitar fingering and tablatures. You will find a PDF file that contais 3 pages for the complete arrangement with 2 staves (Guitar with chords and tablature), another 2 pages with the guitar arrangement only and more 2 pages with tablature alone. Sheet Music with complete arrangement and parts. 7 pages.
$18.97
17.42 €
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Guitare
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Roberto Cantoral
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Fernando Neves
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La Barca
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Fernando Neves
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.58 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Quartet for Open Strings
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1291010 Composed by Daniel Whitting. Ch…
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Guitar - Level 1 - Digital Download SKU: A0.1291010 Composed by Daniel Whitting. Chamber,Classical,Instructional. 6 pages. Daniel Whitting #881699. Published by Daniel Whitting (A0.1291010). Piece for 4 guitars using only open strings. I wrote this to encourage ensemble playing as early as possible in a pupil's learning.Score and 4 parts.
$9.99
9.18 €
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Guitare
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Daniel Whitting
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Quartet for Open Strings
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Daniel Whitting
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SheetMusicPlus
In Motion - for Guitar Orchestra
Guitare
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Brit…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Britt Andrew Burns. Contemporary. Score and parts. 24 pages. Indie Classical Publications #3141393. Published by Indie Classical Publications (A0.971811). IN MOTION was written in the Summer of 2017 as a result of a friend's suggestion. This is the first time I have attempted to compose for a guitar orchestra ensemble, which has only emerged in recent years. This somewhat syncopated work is meant to be both fun for the performers and the audience. The 5th Guitar 's sixth string must be tuned down to drop-D tuning. The rest of the guitars are in standard tuning. It is recommended to double each part with at least three guitarists if possible. The key signatures represent A Dorian and F Lydian. Level: grade 4 (intermediate). Duration: About 2 minutes, 5 seconds. Instrumentation: Five Nylon-String Guitars (15 players or more).
$25.00
22.96 €
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Guitare
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Britt Andrew Burns
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In Motion - for Guitar Orchestra
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Indie Classical Publications
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SheetMusicPlus
Graded Guitar Duos, Volume 1
Guitare
Composed by Mark Small. For Guitar (Classical). Classic. Beginning. E-book. 32 pages. Publ…
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Composed by Mark Small. For Guitar (Classical). Classic. Beginning. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742041. This volume contains sixteen pieces for the beginning classical guitar duo. Efforts have been made to include composers of note from various periods such as Tchaikovsky, Dowland, Beethoven, Bartok, and Bach, yet the music is not above the abilities of beginning readers. By and large, the key signatures have only one sharp or flat and the accidentals are minimal. The music falls within first position and difficult bar chords have been avoided. The book will provide beginning duos access to music by great composers that is not beyond their capabilities. Written in standard notation only with suggested left hand fingering. This book contains the score and parts for guitars I and II.
$17.99
16.52 €
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Guitare
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Mark Small
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Graded Guitar Duos, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Adagio
Guitare
By Tomaso Giovanni Albinoni (1671-1751). For Guitar (Classical). Classic. 40 pages. Publis…
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By Tomaso Giovanni Albinoni (1671-1751). For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744229. This is an adaptation of the well-known "Adagio" by Tomaso Albinoni. Especially noted for its depth and beauty, this piece is arranged for the intermediate-level classical quartet (or large ensemble). Includes score and individual parts plus optional parts for contrabass guitar and soprano guitar. Written in standard notation only.
$14.99
13.77 €
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Guitare
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Tomaso Giovanni Albinoni
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Adagio
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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