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TRI ET FILTRES
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Non classifié
2066
PIANO & CLAVIERS
Piano seul
1618
Piano, Voix
1004
Piano, Voix et Guitare
914
Piano Facile
821
Accompagnement Piano
149
Instruments en Do
82
1 Piano, 4 mains
43
2 Pianos, 4 mains
34
Piano Trio: piano, violon, violoncelle
16
Orgue
13
Orgue, Piano (duo)
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano (partie séparée)
4
Clavier
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
Clavecin
2
Accordéon
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
55
Piano, Guitare (duo)
9
Guitare
9
Guitare notes et tablatures
6
Ukulele
2
2 Mandolines (duo)
2
Guitare (partie séparée)
2
Basse electrique
2
Paroles et Accords
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
384
Chorale 3 parties
169
Chorale 2 parties
82
Voix Soprano, Piano
53
Chorale TTBB
52
Chorale SSAA
42
Chorale Unison
26
Voix Tenor, Piano
22
Voix duo, Piano
21
Voix duo
16
Voix Alto, Piano
14
Voix basse, Piano
10
Voix haute
5
Voix basse
4
Voix Tenor
4
Chorale SSAB, Piano
3
Voix seule
2
Voix moyenne, Piano
2
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
267
Clarinette et Piano
214
Hautbois, Piano (duo)
196
Saxophone Alto et Piano
157
Saxophone Tenor et Piano
133
Saxophone Soprano et Piano
83
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Saxophone Baryton, Piano
71
2 Saxophones (duo)
61
Flûte, Hautbois, Clarinette, Basson
55
Quintette de Saxophone: 5 saxophones
54
Quatuor de Saxophones: 4 saxophones
46
Clarinette
45
Saxophone (partie séparée)
37
Clarinette Basse, Piano
26
Cor anglais, Piano
26
3 Saxophones (trio)
25
2 Flûtes traversières (duo)
25
Flûte traversière
21
2 Clarinettes (duo)
19
2 Hautbois (duo)
17
Flûte à bec Soprano
16
Saxophone Alto
15
Hautbois (partie séparée)
14
Quatuor de Clarinettes: 4 clarinettes
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Cor Anglais
12
Flûte, Hautbois, Clarinette (trio)
11
Clarinette, Violon (duo)
10
Hautbois, Clarinette (duo)
9
Flûte, Clarinette (duo)
8
Hautbois, Flûte
8
Hautbois, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Trompette (duo)
6
Flûte, Violon
6
Saxophone, Clarinette (duo)
6
3 Clarinettes (trio)
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Ensemble de Clarinettes
5
Clarinette et Alto
5
Flûte, Hautbois (duo)
4
Flûte à Bec
4
Trio de Flûtes: 3 flûtes
4
Flûte, Violon, Piano
4
Hautbois, Violoncelle
3
Flûte et Guitare
3
Flûte à bec Alto, Piano
3
Flûte à bec Alto
3
2 Clarinettes, Piano
3
Flûte, Basson et Piano
3
Flûte, Trompette (duo)
3
Saxophone Baryton
2
Flûte à bec Tenor
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
Hautbois, violon (duo)
2
Flûte, Violoncelle
2
Clarinette, Basson (duo)
2
Hautbois
2
2 Flûtes traversières, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Trombone (duo)
2
Saxophone Soprano
2
Flûte, Alto (duo)
2
Flûte à bec Soprano, Piano
2
Saxophone Tenor
2
Flûte, Saxophone (duo)
2
Flute (partie séparée)
1
Ensemble De Flûte à bec
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Piccolo, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Guitare (duo)
1
Ensemble de Flûtes
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Tuba
1
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CUIVRES
Trompette, Piano
180
Trombone et Piano
168
Cor et Piano
145
Tuba et Piano
87
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Euphonium, Piano (duo)
41
Quatuor de Cuivres
35
Cor anglais, Piano
26
Trompette
25
2 Trompettes (duo)
18
2 Trombones (duo)
15
Tuba
15
Trombone
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor Anglais
12
Tuba et Orgue
11
Cor
9
Trompette (partie séparée)
9
2 Cors (duo)
9
Euphonium
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Trombone (duo)
6
Trompette, Saxophone (duo)
6
Trombone (partie séparée)
5
Trompette, Cor (duo)
4
2 Tubas (duo)
4
Trompette, Tuba (duo)
2
Trombone, Violon (duo)
2
2 Trombones, Piano
1
Cor (partie séparée)
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 cors
1
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CORDES
Violon et Piano
341
Alto, Piano
242
Violoncelle, Piano
216
Quatuor à cordes: 2 violons, alto, violoncelle
138
Contrebasse, Piano (duo)
72
Quintette à cordes: 2 violons, alto, violoncelle, basse
62
Violon
34
2 Altos (duo)
23
Trio à Cordes: violon, alto, violoncelle
23
2 Violoncelles (duo)
22
2 Violons (duo)
21
Alto seul
18
Violon, Violoncelle (duo)
17
Violoncelle (partie séparée)
17
Piano Trio: Violon, Alto, Piano
10
Violoncelle
10
Violon, Alto (duo)
10
Violoncelle, Contrebasse (duo)
7
Harpe
6
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
3
Violon, Tuba (duo)
2
Flûte, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Basson (duo)
2
Violon (partie séparée)
2
4 Violoncelles
2
Violon, Clarinette, Piano (trio)
2
Harpe et Piano
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon, Violoncelle
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles, Piano
1
Harpe, Flûte (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
180
Orchestre d'harmonie
133
Orchestre
84
Jazz combo
61
Orchestre à Cordes
36
Orchestre de chambre
27
Xylophone, Piano
16
Ensemble de cuivres
8
Ensemble d'École
6
Marimba
3
Vibraphone
2
Cloches
2
Ensemble de Percussions
2
Big band
2
Marimba, Piano (duo)
1
Batterie
1
Xylophone
1
Instrumentations suivantes
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AUTRES
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Nadir
Guitare
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20t…
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
8.3 €
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Guitare
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
No. 3 "con afflizione" from Feuilles d'Automne, Op. 29
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1127005 Composed by Vladimer Rebik…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1127005 Composed by Vladimer Rebikov (1866-1920). Arranged by Eric J Roth. 19th Century,20th Century,Classical,Romantic Period. Individual part. 2 pages. Eric J Roth #727643. Published by Eric J Roth (A0.1127005). Arrangement for solo classical guitar of Op. 29, No. 3 composed by Russian late Romantic/early Impressionist composer, Vladimir Rebikov. This delightful piano miniature is the third in a set of six from Feuilles d'Automne (Autumn Leaves). Although untitled, the composer marks the character as con afflizione, (with affliciton). The original key of the piano piece is F sharp minor, transposed here to A minor for ease on the guitar.
$2.99
2.76 €
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Guitare
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Vladimer Rebikov
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Eric J Roth
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No. 3 "con afflizione" from Feuilles d'Automne, Op. 29
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Eric J Roth
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.68 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Can't Help Falling In Love
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1421246 By Elvis Presley. By Georg…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1421246 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 7 pages. Benzaiten Editions #1002638. Published by Benzaiten Editions (A0.1421246). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • acoustic guitar sheet music w/ piano accompaniment [chords] Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Acoustic guitar part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$6.99
6.46 €
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Guitare
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Elvis Presley
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Benzaiten Editions
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Can't Help Falling In Love
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Benzaiten Editions
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SheetMusicPlus
Can't Help Falling In Love
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1421244 By Elvis Presley. By Georg…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1421244 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 7 pages. Benzaiten Editions #1002636. Published by Benzaiten Editions (A0.1421244). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • acoustic guitar sheet music w/ piano accompaniment Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Acoustic guitar part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$6.99
6.46 €
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Guitare
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Elvis Presley
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Benzaiten Editions
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Can't Help Falling In Love
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Benzaiten Editions
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SheetMusicPlus
"Seven Guitar Solos from Space and Time"
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
13.84 €
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Guitare
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Keith Gehle
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"Seven Guitar Solos from Space and Time"
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Keith Gehle
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SheetMusicPlus
Guitar Sonata No. 5 in G major (open G tuning)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
9.19 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Tune That Thang. Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, …
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Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Standards. Individual part. 9 pages. George Arvola and Virginia Mathews #512573. Published by George Arvola and Virginia Mathews (A0.947516). New release,late 2015, this arpeggio study is 2:36 in length. With piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book, Delicious Licorice for multi-instruments. Tired of all of the standard Latin favourites? Here is an arpeggio exercise which can be used as a fun substitute for some of the old tired melodies. This tune has a sophisticated chord progression and an off the beaten path melody to suit.
$5.99
5.53 €
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Guitare
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George Arvola, Virginia Mathews
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Tune That Thang. Guitar
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George Arvola and Virginia Mathews
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SheetMusicPlus
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