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AUTRES INST…
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CLOCHES
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COR
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
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ORCHESTRE
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PARTITIONS …
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PERCUSSION
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TROMPETTE
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
104284
PIANO & CLAVIERS
Piano seul
75565
Piano, Voix
40174
Piano Facile
28592
Piano, Voix et Guitare
23498
Orgue
8173
Instruments en Do
6711
Accompagnement Piano
4625
Piano grosses notes
4114
1 Piano, 4 mains
2575
Accordéon
1337
Piano Trio: piano, violon, violoncelle
1069
Piano (partie séparée)
792
2 Pianos, 4 mains
600
Piano Quatuor: piano, violon, alto, violoncelle
301
Piano Quatuor: piano, 2 violons, violoncelle
278
Piano Quintette: piano, 2 violons, alto, violoncelle
218
Orgue, Piano (duo)
189
Orgue, Trompette (duo)
185
Clavecin
135
Clavier
115
1 Piano, 6 mains
95
2 Pianos, 8 mains
43
2 Accordéons
29
Ensemble d'Accordéons
21
Accordéon, Voix
8
Fake Book
8
Tous Les Instruments
8
Accordéon, Piano
5
2 Orgues (duo)
4
Accordéon, Corde(s)
3
Accordéon et Orchestre
3
Orgue, Voix
3
3 Pianos
2
Ensemble de Pianos
2
Concertina
2
Orgue et Orchestre
1
Piano Trio: Instruments de chambre mixtes
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
16940
Guitare
7239
Ligne De Mélodie, (Paroles) et Accords
6741
Ukulele
4426
Paroles et Accords
4135
Basse electrique
3696
Guitare (partie séparée)
1097
2 Guitares (duo)
772
Mandoline
708
Piano, Guitare (duo)
530
Dulcimer
491
Banjo
435
4 Guitares (Quatuor)
298
Basse électrique (partie séparée)
137
Ensemble de guitares
125
3 Guitares (trio)
122
Ukulele Baryton
118
Ensemble de Ukulélés
57
Guitare Pedal Steel
52
2 Dulcimers (duo)
39
Guitare, Violon, Violoncelle (trio)
24
Mandoline, Guitare (duo)
20
2 Ukuleles
17
Dobro
16
Mandoline, Piano (duo)
14
Guitare, Flûte, Clarinette
9
Cithare
8
Guitare Tab, Voix, Basse, Batterie
8
Luth
7
2 Mandolines (duo)
6
3 Dulcimers (trio)
4
Guitare, Quatuor à cordes
4
Guitare, Orchestre
4
Bouzouki
2
Orchestre à Plectres
1
2 Guitares et Orchestre
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
36483
Chorale 3 parties
12329
Chorale 2 parties
9278
Pack Instrumental pour Chorale
7992
Chorale TTBB
7021
Chorale Unison
5128
Chorale SSAA
3804
Voix duo, Piano
2680
Voix duo
1162
Chorale
1125
Voix seule
1101
Voix Soprano, Piano
865
Voix haute
704
Voix Alto, Piano
603
Voix Tenor, Piano
555
Voix Baryton, Piano
364
Voix basse, Piano
259
Voix moyenne, Piano
221
Voix Tenor
118
Chorale SSAATTBB
111
Chorale SSATB
110
Voix Soprano
54
Voix Mezzo-Soprano, Piano
49
Chorale SSATTB
46
Soli, choeur mixte et accompagnement
40
Voix basse
39
Chorale SSAB a cappella
34
Voix, Guitare
28
Chorale SSAB, Piano
27
Voix Baryton
18
Voix haute, Piano
17
Chorale SSAATB
16
Chorale, Orgue
12
Chorale SATBB
10
Voix Moyenne
9
Male Voice
8
Voix Soprano, Orchestre
6
Chorale SAATB A Cappella
6
Chorale SATTBB A Cappella
4
Voix (avec Boîtes d'Accords)
3
Paroles Seulement
2
Chorale SSAATB A Cappella
1
Chorale SSATBB
1
Voix d'Enfants
1
Voix duo, Orgue
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
10379
Flûte traversière et Piano
8669
Quatuor de Saxophones: 4 saxophones
7222
Flûte traversière
6213
Clarinette et Piano
5960
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5091
Saxophone Alto
5014
Clarinette
4985
Hautbois, Piano (duo)
4966
Flûte, Hautbois, Clarinette, Basson
4893
Saxophone Alto et Piano
4636
Clarinette (partie séparée)
4586
2 Saxophones (duo)
4509
Saxophone Tenor
4390
Quatuor de Clarinettes: 4 clarinettes
3920
2 Flûtes traversières (duo)
3657
Saxophone Tenor et Piano
3422
Hautbois (partie séparée)
3144
2 Clarinettes (duo)
3064
Flute (partie séparée)
2290
Saxophone Soprano et Piano
2189
Quintette de Saxophone: 5 saxophones
2128
Quatuor de Flûtes : 4 flûtes
2010
3 Saxophones (trio)
1680
3 Clarinettes (trio)
1591
Flûte, Clarinette (duo)
1399
Ensemble de Clarinettes
1236
Trio de Flûtes: 3 flûtes
1070
Saxophone Baryton, Piano
1022
Ensemble de Flûtes
964
Quintette de Clarinettes: 5 clarinettes
935
Flûte et Guitare
900
2 Hautbois (duo)
876
Hautbois
866
Ensemble de saxophones
853
Hautbois, Basson (duo)
682
2 Flûte à bec (duo)
677
Cor anglais, Piano
677
Clarinette, Violon (duo)
662
Flûte à bec Soprano
652
Flûte, Violon
595
Hautbois, Clarinette (duo)
555
Saxophone Soprano
552
Saxophone, Clarinette (duo)
549
Flûte, Hautbois, Clarinette (trio)
467
Harmonica
457
Flûte, Violon, Piano
449
Flûte à bec Alto
429
Flûte, Clarinette et Basson
408
Ocarina
386
Flûte à Bec
383
Clarinette Basse, Piano
377
Quatuor de Flûtes à bec
360
Flûte, Violoncelle
359
Clarinette, Basson (duo)
352
Quintette de Flûte : 5 flûtes
338
Flûte, Hautbois (duo)
334
Clarinette, Guitare (duo)
316
Flûte, Hautbois, Basson
314
Clarinette, Trompette (duo)
305
Hautbois, Flûte
305
Flûte, Alto (duo)
275
Hautbois, Clarinette, Basson (trio d'anches)
273
Clarinette et Alto
262
Saxophone Baryton
251
Clarinette, Violoncelle (duo)
228
Flûte, Saxophone (duo)
228
Clarinette, Harpe (duo)
225
Flûte, Trompette (duo)
222
Flûte, Clarinette, Piano (trio)
221
Cor Anglais
217
Flûte, Violon et Violoncelle
207
Flûte, Violoncelle, Piano (trio)
205
Hautbois, Violoncelle
183
2 Flûtes traversières, Piano
150
Flûte à bec Alto, Piano
139
Piccolo
138
Flûte à bec Soprano, Piano
132
Ensemble De Flûte à bec
132
2 Saxophones, Piano
131
3 Flûtes à bec (trio)
129
2 Clarinettes, Piano
128
3 Hautbois
125
Saxophone
122
Clarinette Basse
119
Flûte, Trombone (duo)
114
Hautbois, violon (duo)
110
Flûte, Hautbois, Violon
106
Flûte irlandaise
105
Flûte, Clarinette, Violon (trio)
102
Flûte à bec Tenor
98
Saxophone et Guitare
97
Flûte, Basson et Piano
96
Hautbois, Guitare (duo)
96
Clarinette, Violoncelle, Piano (trio)
94
5 Flûtes à bec
90
Saxophone et Piano
85
Flûte, Hautbois, Piano (trio)
81
Hautbois et alto (duo)
75
Flute, harpe et violon
74
Cor anglais, Guitare (duo)
73
2 Clarinettes, Basson
67
Flûte, Harpe et Violoncelle
67
Flûte, Alto et Piano
64
Piccolo, Piano
64
Clarinette, Trombone (duo)
63
Instruments en Mib
61
Flûte à Bec, Piano
53
4 Hautbois
51
Saxophone et Orgue
51
Flûte, Clarinette, Cor, Basson (Quartet)
49
Cornemuse
48
Flûte, Violon, Violoncelle et Piano
44
Saxophone, Violon (duo)
41
Flûte, Tuba (duo)
40
Saxophone et Harpe
36
Hautbois, Harpe
35
Flûte traversière, Orgue (duo)
34
Clarinette, Basson, Piano (trio)
34
Hautbois, Trompette (duo)
31
Hautbois, trombone (duo)
30
Flûte, trombone et piano
30
Clarinette, Tuba
29
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
27
Flûte et Trio à cordes
27
Clarinette, Alto et Piano (trio)
25
Flûte, Violoncelle, Guitare
20
Hautbois, Violoncelle et Piano
19
Flûte à bec Alto, Basse continue
19
Hautbois, Basson et Piano
19
Saxophone, Basson (duo)
18
2 Cors Anglais Et Pianoforte
18
Clarinette, trompette et piano
18
Flûte à bec, Guitare (duo)
18
Ensemble à vent
18
Hautbois, Clarinette et Piano (Trio)
15
Clarinette, Orgue
14
Clarinette, Contrebasse (duo)
14
Hautbois, Violon, Piano
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
Flûte, alto et harpe
12
Flute, Cor (duo)
11
Saxophone et violoncelle
11
Ensemble de Hautbois
11
2 Hautbois, Piano
10
2 Flûtes à bec, Piano
10
Flûte, Violon, Guitare
10
Flûte traversière, Basse continue
9
Harmonica, Piano
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
9
Clarinette, Orchestre
7
Flûte de Pan
6
Flûte et Quatuor à Cordes
6
2 Flûtes traversières, Guitare
6
2 Harmonicas
6
Cor anglais et Harpe (duo)
5
Flûte à bec, Harpe
5
Flûte traversière, Orchestre
5
Melodica
4
2 Flûtes, 2 Clarinettes (Quatuor)
4
2 Hautbois et Basson
3
2 Flûtes traversières, Harpe
3
Clarinette, Saxophone, Piano
3
2 Hautbois et Cor anglais
3
Flûte à bec Soprano, Basse continue
3
Saxophone, Tuba (duo)
2
Flûte, Alto et Violoncelle
2
2 Flûtes à bec, Guitare
2
2 Hautbois, 2 Cors et 2 Bassons
1
3 Flûtes à bec, Piano
1
Hautbois et Orchestre
1
Hautbois, Orgue
1
2 Flûtes, Basse continue
1
Flute, alto, violoncelle et guitare
1
Flûte, Guitare, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6694
Trompette (partie séparée)
6538
Trombone (partie séparée)
6527
Trompette
5292
Trompette, Piano
4392
Trombone
4117
Trombone et Piano
4062
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3501
Cor
3217
Cor et Piano
2909
Cor (partie séparée)
2270
Tuba (partie séparée)
1689
2 Trompettes (duo)
1611
Tuba
1588
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1461
2 Trombones (duo)
1422
Quatuor de Cuivres
1294
Tuba et Piano
1287
Trompette, Trombone (duo)
904
Quatuor de cuivres: 4 trombones
801
2 Cors (duo)
792
Cor anglais, Piano
677
Euphonium, Piano (duo)
655
Quatuor de cuivres: 4 cors
640
Euphonium
525
Trompette, Saxophone (duo)
454
Trompette, Cor (duo)
441
2 Euphoniums et 2 Tubas
386
Ensemble de Trombones
369
3 Trombones (trio)
287
Trio de Cuivres
268
2 Tubas (duo)
265
Cor Anglais
217
Ensemble de Trompettes
201
4 Tubas
197
Ensemble de Cors
173
3 Trompettes (trio)
164
Bass Clef Instruments
160
Quatuor de cuivres: 4 trompettes
151
Tuba ou Euphonium ou Saxhorn
126
Tuba et Orgue
122
Trompette, Tuba (duo)
110
Trombone, Tuba (duo)
93
Quatuor de cuivres: 2 trompettes, 2 trombones
92
Euphonium, Tuba (duo)
81
Cornet A Pistons
75
Trombone basse et Piano
75
Cor anglais, Guitare (duo)
73
Cor, Violoncelle (duo)
71
Trompette, violon (duo)
67
Trombone, Cor (duo)
65
Trombone basse
62
2 Trompettes, Clavier (piano ou orgue)
62
Trompette, Violoncelle (duo)
61
Trompette, Basson (duo)
57
Cor, Tuba (duo)
54
Trombone, Violon (duo)
51
Instruments en Sib
49
3 Cors (trio)
47
Cor et Harpe
46
Trombone, Orgue
43
2 Euphoniums (duo)
42
Trombone, violoncelle (duo)
40
Trompette, Harpe
33
Trompette, Trombone, Piano
32
Trompette, Violoncelle et Piano
30
Cor et Basson (duo)
29
Clarinette, Cor (duo)
22
3 Tubas (trio)
22
Euphonium (partie séparée)
21
2 Trombones, Piano
19
2 Cors Anglais Et Pianoforte
18
Ensemble de Tubas
16
Cor et Orgue
16
Trompette et Guitare
15
Cor, Trompette, Trombone (trio)
13
3 Euphoniums
10
2 Cors, Piano
10
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
10
Trombone, Alto (duo)
9
Cornet et Piano
8
Cor, Orchestre
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Trombone et orchestre
7
Instruments en Fa
7
4 Euphoniums
6
Trompette, Orchestre
6
Cor anglais et Harpe (duo)
5
G Instruments
4
Bugle
2
Cornet et orchestre
2
Trompette, Euphonium (duo)
2
Cor, Violoncelle et Piano
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
18113
Violon et Piano
10388
Violon
8238
Violoncelle, Piano
6580
Harpe
5897
Violoncelle
5886
Alto, Piano
5153
Alto seul
4096
Violon, Violoncelle (duo)
3617
Violon (partie séparée)
3116
Trio à Cordes: violon, alto, violoncelle
2981
2 Violons (duo)
2968
2 Violoncelles (duo)
2037
Contrebasse (partie séparée)
1927
Violon, Alto (duo)
1717
Alto (partie séparée)
1494
Quintette à cordes: 2 violons, alto, violoncelle, basse
1456
Contre Basse
1365
2 Altos (duo)
1283
Contrebasse, Piano (duo)
1218
Trio à Cordes: 2 violons, violoncelle
1097
Violoncelle (partie séparée)
903
Alto, Violoncelle (duo)
786
Trio à cordes: 3 violins
607
4 Violoncelles
564
2 Harpes (duo)
563
Piano Trio: Violon, Alto, Piano
552
Harpe, Flûte (duo)
527
Violon, Guitare (duo)
430
Trio à Cordes: 3 violoncelles
347
Harpe, Violon (duo)
318
Quatuor à cordes: 4 violons
295
Violoncelle , Guitare (duo)
279
2 Contrebasses (duo)
244
Trio à cordes: 3 altos
205
Trio à Cordes: 2 violons, alto
202
Violoncelle, Contrebasse (duo)
190
Alto, Guitare (duo)
189
Quatuor à cordes : 4 altos
183
Violon, Basson (duo)
172
Trio à cordes
156
2 Violons, Piano
113
Quintette à cordes: 2 violons, 2 altos, violoncelle
91
Alto et Basson
87
Harpe, Violoncelle (duo)
76
Violon, Clarinette, Piano (trio)
71
Harpe et Piano
61
Harpe, Voix
57
Alto et Harpe
55
Quintette à cordes : 2 violons, alto et 2 violoncelles
50
Flûte, Contrebasse (duo)
48
Violoncelle, Orgue
45
4 Contrebasses
44
2 Violoncelles, Piano
43
Harpe, Violon, Violoncelle
42
Ensemble de Violons
36
Violon, Orgue
35
Ensemble de Violoncelles
34
Violon, Tuba (duo)
31
Ensemble d'Altos
31
Harpe (partie séparée)
30
Violoncelle, Orchestre
26
Harpe et mandoline
23
3 Harpes
19
2 Altos, Piano
19
Violon, Basse continue
18
3 Contrebasses
16
Harpe, Trombone (duo)
14
Violon, Violoncelle, Clarinette
13
Autoharp
11
Violoncelle, Basse continue
10
Violon, Trompette et Piano
8
Alto, Orgue
7
Harpe et Orgue
6
Violon, Contrebasse (duo)
5
4 Harpes
4
Harpe, Quatuor à cordes
4
2 Violons et Basse continue
2
Alto et orchestre
2
5 Harpes
2
Harpe, Orchestre
2
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
35822
Orchestre à Cordes
8187
Orchestre
7638
Ensemble Jazz
6678
Fanfare
6070
Cloches
4160
Ensemble de cuivres
3891
Percussion (partie séparée)
3055
Batterie
2500
Orchestre de chambre
2169
Jazz combo
1622
Batterie (partie séparée)
1026
Ensemble de Percussions
805
Percussion
742
Timbales (partie séparée)
682
Marimba
267
Vibraphone
206
Xylophone
200
Timbales
191
Xylophone, Piano
112
Quintette à Vent
108
Caisse Claire
77
Piano et Orchestre
69
2 Xylophones
52
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
49
Orchestre, Violon
35
Quintette de Cuivres: autres combinaisons
26
Big band
24
Quatuor à Vent : 4 instruments à vents
22
Vibraphone (partie séparée)
21
Instrumentation Flexible
16
Ensemble d'École
16
Vibraphone et Marimba
13
Xylophone (partie séparée)
10
3 Marimbas
8
Xylophone ou Marimba ou Vibraphone
7
Trio à Vent: 3 instruments à vents
5
Bongos
4
3 Percussions
3
Voix et Orchestre
3
Marimba, Piano (duo)
3
Bodhran
3
2 Marimbas
3
Cajon
2
Conga
2
Marimba ou Xylophone et Piano
2
Marimba et Orgue
2
2 Caisses Claires (duo)
1
Marimba, Saxophone (duo)
1
Voix Mezzo-Soprano, Orchestre
1
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Guitar Theory Modules
Guitare
Guitar, Music Theory - Intermediate - Digital Download Composed by Tom Godfrey. Met…
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Guitar, Music Theory - Intermediate - Digital Download Composed by Tom Godfrey. Method, Etudes and Exercises, General Instructional. 233 pages. Published by Tom Godfrey
Most music theory books are written from a piano perspective, but Guitar Theory Modules is written for the guitar player. You'll learn basic music theory in a series 80 bite-sized modules of 1-4 pages each. You'll learn how scales and chords are put together, and there are plenty of playing exercises so you can apply theory to the fretboard. It's best to work through Guitar Theory Modules with a teacher, but in case you are learning on your own, there is an answer section in the back so you can check your work on the written exercises. A deeper understanding of how music is put together can improve your music reading, give you ideas for writing, and help you become a more well-rounded musician. Before beginning Guitar Theory Modules, you should know how to read music in standard notation, be familiar with the concept of sharps and flats, and know (or be learning) the note names on each string up to the 12th fret. Need help? Check out www.godfreyguitarlessons.com for online lesson information.<br> Most music theory books are written from a piano perspective, but Guitar Theory Modules is written for the guitar player. You'll learn basic music theory in a series 80 bite-sized modules of 1-4 pages each. You'll learn how scales and chords are put together, and there are plenty of playing exercises so you can apply theory to the fretboard. It's best to work through Guitar Theory Modules with a teacher, but in case you are learning on your own, there is an answer section in the back so you can check your work on the written exercises. A deeper understanding of how music is put together can improve your music reading, give you ideas for writing, and help you become a more well-rounded musician. Before beginning Guitar Theory Modules, you should know how to read music in standard notation, be familiar with the concept of sharps and flats, and know (or be learning) the note names on each string up to the 12th fret. Need help? Check out www.godfreyguitarlessons.com for online lesson information.<br>
$16.00
14.67 €
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Guitare
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Tom Godfrey
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Guitar Theory Modules
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Tom Godfrey
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.59 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Prelude No 4 in Em (Fire In The Sky)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.
$2.99
2.74 €
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Guitare
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Simon James
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Prelude No 4 in Em
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DML
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.42 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Guitar Reading and Technique, The New All-Fret Approach
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1251016 By Donald B. Miller. By Do…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1251016 By Donald B. Miller. By Donald B. Miller. Instructional. Individual part. 96 pages. Donald Miller Music #845311. Published by Donald Miller Music (A0.1251016). Why is it of paramount importance to approach guitar reading tech- nique by working from the lower strings upward rather than from the top string downward? There are many reasons, but two of the most important ones are that chords are built vertically, from the bottom up, and that the lower notes frequently determine the exact fret( s) for these upper and mid- dle neck areas. Therefore this book is based on the only natural approach to guitar reading: from lower strings upward. And it should be noted that this method has met with 100 percent success, whether with students who are beginning non-readers or those who have studied the instrument but read poorly or not at all.
$20.00
18.34 €
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Guitare
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Donald B
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Guitar Reading and Technique, The New All-Fret Approach
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Donald Miller Music
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SheetMusicPlus
"Hark!", the Herald Angels Sing
Guitare
Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelsso…
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Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
3.66 €
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Guitare
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Felix Bartholdy Mendelssohn
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Robert McCormack
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"Hark!", the Herald Angels Sing
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Robert McCormak
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SheetMusicPlus
Mastering the Classical Guitar Book 1A
Guitare
Guitar (classical and lute) - Beginning - Digital Download Composed by Wissam Abboud. …
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Guitar (classical and lute) - Beginning - Digital Download Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. 72 pages. Mel Bay Publications - Digital Sheet Music #30683MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118515.<br> <br> Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.ISBN 9781619118515.<br> <br> Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.
$17.99
16.5 €
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Guitare
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Wissam Abboud
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Mastering the Classical Guitar Book 1A
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.29 €
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.58 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.34 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092). Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first NativeAmerican to publish a musical work using Western European notation. The work, Indian Melodies, is a shape‐notehymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.Guitar Sonata on themes by Thomas Commuck is a traditional four‐movement work with an opening sonatamovement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.You can hear the second movement herehttps://youtu.be/OR8NMAyXlRkand the third movement herehttps://youtu.be/OjF7SxlQok0I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.
$5.00
4.59 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata on Themes by Thomas Commuck
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Jeremiah Lawson
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SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.59 €
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Guitare
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Nocturne
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Maggie Creek Music
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SheetMusicPlus
In the Outhouse Blues, guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947497 Composed by George Arvola, …
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Solo Guitar - Level 4 - Digital Download SKU: A0.947497 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Individual part. 7 pages. George Arvola and Virginia Mathews #496617. Published by George Arvola and Virginia Mathews (A0.947497). Includes piano accompaniment and bass parts. arpeggioartistry.com shows all 12 inspiring arpeggio studies and full recordings from our book, Delicious Licorice. A 2015 new release, 2:30 in length, In the Outhouse Blues is a fun, relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies!
$5.99
5.49 €
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Guitare
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George Arvola, Virginia Mathews
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In the Outhouse Blues, guitar.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Mastering the Classical Guitar Book 2B
Guitare
Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and onl…
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Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30686MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119314.<br> <br> Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.ISBN 9781619119314.<br> <br> Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.
$17.99
16.5 €
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Guitare
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Wissam Abboud
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Mastering the Classical Guitar Book 2B
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Variation über ein Thema von Haydn
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahm…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahms. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 4 pages. Songbooks.info #904103. Published by songbooks.info (A0.1315371). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.28 €
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Guitare
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Johannes Brahms
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Bettina Schipp
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Variation über ein Thema von Haydn
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songbooks.info
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SheetMusicPlus
Thema aus dem Trompetenkonzert in Es-Dur
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315369 Composed by Franz Joseph H…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315369 Composed by Franz Joseph Haydn. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 2 pages. Songbooks.info #904101. Published by songbooks.info (A0.1315369). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.28 €
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Guitare
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Franz Joseph Haydn
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Bettina Schipp
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Thema aus dem Trompetenkonzert in Es-Dur
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songbooks.info
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SheetMusicPlus
Mother's Way
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1434548 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1434548 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Individual part. 8 pages. Geofonica Artistworks #1014684. Published by Geofonica Artistworks (A0.1434548). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation... (a version in Standard notation with TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.58 €
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Guitare
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
The Art of Tremolo
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download A Comprehensive A…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download A Comprehensive Analysis of the Tremolo Technique. Composed by Ioannis Anastassakis. Style. E-book. 150 pages. Mel Bay Publications - Digital Sheet Music #20394EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740702. Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose Antonio Rodriguez, Paco Serrano, and many more.ISBN 9781609740702.
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose Antonio Rodriguez, Paco Serrano, and many more.
$24.99
22.92 €
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Guitare
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Ioannis Anastassakis
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The Art of Tremolo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Grace Found in the Beautiful (Bumblebees, Butterflies and Hummingbirds)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. Christian,Concert,Contemporary,New Age. Individual part. 10 pages. Dan Riordan #3481991. Published by Dan Riordan (A0.1031608). A fresh new 21st century musical composition for classical guitar that is 31/2 minutes long and will thrill an audience. Using the guitar, the music presents themes that mimic three beautiful creatures as they dash around fulfilling their purpose while revealing something about their creator. It holds within it a deep spiritual message that will engage an audience of all ages. It can be used in a worship service with other media. https://youtu.be/GJvPES0zgpM. It is also excellent as a program piece used for concerts, weddings and other special events.
$3.99
3.66 €
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Guitare
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Dan Riordan
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Grace Found in the Beautiful
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Dan Riordan
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SheetMusicPlus
The Pink Panther from THE PINK PANTHER
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Individual part. 9 pages. F & N Enterprise #3015821. Published by F & N Enterprise (A0.632487). An excellent arrangement of famous Song The Pink Panther for Guitar and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.58 €
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Guitare
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Henry Mancini
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Fishel Pustilnik
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The Pink Panther from THE PINK PANTHER
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F & N Enterprise
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SheetMusicPlus
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
Guitare
Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon M…
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Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
16.5 €
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Guitare
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Gordon Mizzi
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Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart H…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #899378. Published by Christopher J. Malin (A0.1310263). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bart Howard's finer pieces. He's from Iowa! This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. There are many arrangements of this song. Give mine a go, it's a bit different. Sounds great on acoustic and electric guitars.
$4.99
4.58 €
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Guitare
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Tony Bennett
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Christopher J
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Fly Me To The Moon
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Christopher J. Malin
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SheetMusicPlus
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