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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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PIANO & CLAVIERS
Piano, Voix
658
Piano seul
254
Piano Facile
108
Accompagnement Piano
69
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40
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35
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31
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30
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25
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14
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8
Ukulele
6
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5
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5
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5
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380
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331
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215
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30
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16
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10
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3
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2
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1
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104
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101
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94
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89
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63
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58
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46
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31
Cor anglais, Piano
28
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22
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15
Flûte et Guitare
14
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13
Clarinette
13
2 Clarinettes (duo)
13
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11
Clarinette Basse, Piano
10
Saxophone et Orgue
9
Saxophone Tenor
9
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8
Flûte, Violon, Piano
7
3 Saxophones (trio)
7
Saxophone Alto
7
Saxophone
6
3 Clarinettes (trio)
6
Hautbois (partie séparée)
5
Saxophone, Clarinette (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
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3
2 Flûte à bec (duo)
3
Clarinette, Guitare (duo)
3
Ensemble de Clarinettes
3
Flûte à bec Soprano
3
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3
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2
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2
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2
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2
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2
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1
Piccolo, Piano
1
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1
Clarinette et Alto
1
2 Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte et Trio à cordes
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte à bec Alto, Basse continue
1
Hautbois, Clarinette (duo)
1
Harmonica
1
Hautbois, Flûte
1
Flûte, Clarinette, Piano (trio)
1
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CUIVRES
Trombone et Piano
154
Trompette, Piano
115
Cor et Piano
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Trompette, Cor (duo)
38
Trompette
38
Cor anglais, Piano
28
2 Trompettes (duo)
23
Euphonium, Piano (duo)
18
2 Trombones (duo)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette, Trombone (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone
12
Trombone, Orgue
6
Trombone (partie séparée)
4
2 Cors (duo)
4
Trompette, Saxophone (duo)
3
Cor et Orgue
3
Quatuor de Cuivres
3
Trompette (partie séparée)
3
2 Trombones, Piano
2
Quatuor de cuivres: 4 trombones
2
Cor
2
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
Tuba et Piano
1
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CORDES
Violoncelle, Piano
94
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon et Piano
75
Alto, Piano
70
Piano Trio: Violon, Alto, Piano
49
Violon, Violoncelle (duo)
36
Trio à Cordes: violon, alto, violoncelle
23
Violon
19
2 Violons (duo)
15
Violon, Alto (duo)
14
Trio à Cordes: 2 violons, violoncelle
14
2 Violoncelles (duo)
12
Violoncelle
11
Harpe
10
Alto seul
10
2 Altos (duo)
4
Violoncelle, Orgue
3
4 Violoncelles
2
2 Violons, Piano
2
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
49
Ensemble de cuivres
33
Cloches
29
Orchestre à Cordes
22
Batterie
10
Ensemble Jazz
9
Orchestre
8
Orchestre de chambre
8
Fanfare
6
Ensemble de Percussions
2
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
Jazz combo
1
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AUTRES
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Harry Styles : Sign of the Times (niveau facile)
Clarinette
Téléchargez la partition Clarinette Sign of the Times (niveau facile) de Har…
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Téléchargez la partition Clarinette Sign of the Times (niveau facile) de Harry Styles. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99 €
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Clarinette
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Harry Styles
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Sign of the Times
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Tomplay
Bach: Wachet auf for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johan…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
22.65 €
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Clarinette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Nobody Knows the Trouble I've Seen, Gospel Song for Alto Clarinet and Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.593012 Composed by Tradi…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.593012 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415229. Published by David McKeown (A0.593012). Nobody Knows the Trouble I’ve Seen is a beautiful spiritual arranged here for Solo Alto Clarinet and Piano.Nobody Knows the Trouble I’ve Seen is a spiritual that was published in 1867. It has been recorded countless times by many famous artists from Paul Robeson to Louis Armstrong
$2.49
2.26 €
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Clarinette
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Traditional
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David McKeown
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Nobody Knows the Trouble I've Seen, Gospel Song for Alto Clarinet and Piano
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David McKeown
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SheetMusicPlus
Lift High The Cross (Bb-Clarinet solo and Organ)
Clarinette
B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1147009 By Stephen DeCesa…
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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1147009 By Stephen DeCesare. By Sydney H. Nicholson. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Standards. Individual part. 9 pages. Exultet Music #747213. Published by Exultet Music (A0.1147009). The majestic and festive Christian hymn about Christ's Cross has now been freshly arranged for a Bb-Clarinet solo with Organ accompaniment. Accessible and appropriate for any church setting. Can be used for various times throughout the liturgical year.
$4.99
4.53 €
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Clarinette
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Stephen DeCesare
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Stephen DeCesare
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Lift High The Cross
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Exultet Music
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SheetMusicPlus
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.1464964 Composed by Joe Davis an…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.1464964 Composed by Joe Davis and Osvaldo Farres. Arranged by Leo Silva. Pop. Individual part. 1 pages. MP Sheet Music #1043666. Published by MP Sheet Music (A0.1464964). Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps), sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.53 €
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Clarinette
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Joe Davis and Osvaldo Farres
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Leo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.91 €
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Clarinette
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Quizas, Quizas, Quizas (perhaps, Perhaps, Perhaps)
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.484753 Composed by Joe Davis and…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.484753 Composed by Joe Davis and Osvaldo Farres. Arranged by Leonardo Silva. Latin. Individual part. 1 pages. MP Sheet Music #103972. Published by MP Sheet Music (A0.484753). Quizás, Quizás, Quizás, sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.53 €
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Clarinette
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Joe Davis and Osvaldo Farres
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Leonardo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Quizas, Quizas, Quizas (perhaps, Perhaps, Perhaps)
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.484754 Composed by Joe Davis and…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.484754 Composed by Joe Davis and Osvaldo Farres. Arranged by Leonardo Silva. Latin. Individual part. 1 pages. MP Sheet Music #103973. Published by MP Sheet Music (A0.484754). Quizás, Quizás, Quizás, sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.53 €
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Clarinette
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Joe Davis and Osvaldo Farres
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Leonardo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Brahms' Lullaby - Bb Clarinet Solo - W/Chords
Clarinette
B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1298239 Composed by Johan…
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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1298239 Composed by Johannes Brahms. Arranged by César Madeira. 19th Century,Children,Classical,Lent,Romantic Period. Individual part. 1 pages. Sheet Music To Play Editions #888219. Published by Sheet Music To Play Editions (A0.1298239). Lullaby from Wiegenlied, Op.49 by Johannes Brahms. With Individual Bb Clarinet Part with Chords. Enjoy it!Johannes Brahms (1833 - 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.53 €
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Clarinette
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Johannes Brahms
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César Madeira
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Brahms' Lullaby - Bb Clarinet Solo - W/Chords
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Sheet Music To Play Editions
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SheetMusicPlus
Clarinet Solos on Balkan Folk Songs and Dances
Clarinette
By Costel Puscoiu. For Clarinet. Baltic. 28 pages. Published by Mel Bay Publications - Dig…
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By Costel Puscoiu. For Clarinet. Baltic. 28 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112520. Clarinet/Solos. A small, but representative collection of well-known and lesser-known beautiful melodies from the Balkans. The carefully-chosen melodies offer a rich, enjoyable and varied book. The arrangements and other adaptations (keys, ornaments, etc.) have been introduced to make this beautiful South-Eastern European music more suitable for performance on the clarinet. It is recommended to repeat each piece 3-4 times because the melodies (like all folk songs in the world) are very short. A free piano accompaniment plus audio downloads are available for use with this title. Free audio files and piano accompaniment available.
$9.99
9.07 €
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Clarinette
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Costel Puscoiu
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Clarinet Solos on Balkan Folk Songs and Dances
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Daily Exercises
Clarinette
Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. …
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Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. This edition: Sheet music. Musikpadagogik, Klarinette, Clarinet. Downloadable. Op. 63. Schott Music - Digital #Q25351. Published by Schott Music - Digital
When the clarinet method was revised and newly published, the Daily Exercises, which were originally a part of the Clarinet Method Op. 63 by Carl Baermann, were published as a separate edition. The essential improvement consists in the arrangement of the individual exercises, which simplifies their use in teaching practice. As with the two volumes of the Clarinet Method, the musical text is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. By adding exercises with fourths, fifths, sevenths and octaves, the Daily Exercises contain everything that is necessary for the thorough technical education of a clarinettist and thus are an independent volume that can be used either as a supplement to the Baermann method or totally independently of it.<br> <br> Thanks to the revision by Robert Erdt, the result is a textbook that is oriented towards the original as regards content and, at the same time, has been adjusted to the current times with regard to language, education and instrumental technique so that this clarinet method by Carl Baermann can maintain its position in modern clarinet lessons as important educational literature for the classical clarinet.
$17.99
16.33 €
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Clarinette
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Daily Exercises
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Schott Music - Digital
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SheetMusicPlus
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