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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E Bach
Non classifié
116
Piano & claviers
Piano seul
214
Piano, Voix
65
Accompagnement Piano
11
Piano Facile
5
Orgue
4
2 Pianos, 4 mains
4
Instruments en Do
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
Piano, Voix et Guitare
1
1 Piano, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
14
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
Ensemble de guitares
1
Mandoline
1
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
11
Chorale Unison
5
Chorale SSAA
2
Voix Tenor, Piano
2
Voix Tenor
2
Voix, Guitare
1
Voix seule
1
Chorale TTBB
1
+ 3 instrumentations
Retracter
Vents
Saxophone (partie séparée)
21
Hautbois (partie séparée)
15
Clarinette et Piano
13
Flûte traversière et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto et Piano
11
Flûte traversière
11
2 Clarinettes (duo)
10
2 Flûte à bec (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Flûte à Bec
8
3 Clarinettes (trio)
8
2 Flûtes traversières (duo)
8
Clarinette
8
Hautbois, Piano (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
Quintette de Saxophone: 5 saxophones
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
2 Saxophones (duo)
5
3 Saxophones (trio)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Saxophone Soprano et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Baryton, Piano
3
3 Flûtes à bec (trio)
3
Quatuor de Saxophones: 4 saxophones
3
Flûte, Violon, Piano
2
Saxophone Alto
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Clarinettes
2
Saxophone Tenor
2
Saxophone Tenor et Piano
2
Flûte, Clarinette et Basson
1
Ensemble de Flûtes
1
Flute (partie séparée)
1
Flûte, Clarinette (duo)
1
Cor anglais, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
2 Hautbois (duo)
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Basson (duo)
1
Ensemble à vent
1
Clarinette Basse
1
+ 42 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
15
Trombone (partie séparée)
8
Trompette
6
Euphonium, Piano (duo)
4
Ensemble de Trompettes
4
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
2
Cor
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cor anglais, Piano
1
2 Cors (duo)
1
3 Trompettes (trio)
1
Cor et Piano
1
Quatuor de Cuivres
1
Trombone
1
Trompette, Tuba (duo)
1
Ensemble de Cors
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon et Piano
18
Alto, Piano
15
Violon
11
Violoncelle, Piano
10
Violon (partie séparée)
9
Violon, Violoncelle (duo)
9
Alto (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
8
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Harpe
5
Violoncelle
4
2 Altos (duo)
3
Alto seul
3
2 Violoncelles (duo)
2
Violoncelle (partie séparée)
2
4 Violoncelles
1
Contrebasse (partie séparée)
1
Violon, Orgue
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
20
Orchestre à Cordes
6
Orchestre d'harmonie
4
Cloches
3
Ensemble Jazz
3
Orchestre
3
Fanfare
1
Percussion
1
Vibraphone
1
Batterie (partie séparée)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
E Bach
intermédiaire
Clarinette
Partitions à imprimer
8 partitions trouvées
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Bach : Bourrée en mi mineur, BWV 996
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Clarinette
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INTERMÉDIAIRE
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Classique
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Bach
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Bourrée en mi mineur, BWV 996
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Tomplay
Telechargez la partition Clarinette Bourree en mi mineur, BWV 996 de Bach. Partition pour Clarinette avec piano d‘accompagnement -- Classique...
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Telechargez la partition Clarinette Bourree en mi mineur, BWV 996 de Bach. Partition pour Clarinette avec piano d‘accompagnement -- Classique
2.99€
BACH: Sonata BWV 1031 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
#
BACH: Sonata BWV 1031 for Alto
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.551862 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards. S...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.551862 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards. Score and part. 38 pages. Jmsgu3 #5769959. Published by jmsgu3 (A0.551862). J. S. BACH: Sonata BWV 1031
$32.95
Bach: Air on a G String for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
#
Johann Sebastian Bach
#
James M
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Bach: Air on a G String for Al
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548913 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548913 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 10 pages. Jmsgu3 #3434907. Published by jmsgu3 (A0.548913). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach
$32.95
Baroque Music for Clarinet
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Clarinette
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INTERMÉDIAIRE
#
Classique
#
Dr
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Baroque Music for Clarinet
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Clarinet - Intermediate - Composed by Dr. Norman Heim. Solos. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #30904EB. Publis...
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Clarinet - Intermediate - Composed by Dr. Norman Heim. Solos. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #30904EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119932.
This collection of Baroque music is arranged for the intermediate level clarinetist with the piano part being of equal skill level. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions.
$17.99
Johann Sebastian Bach: Bourree In E Minor - clarinet solo
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Clarinette
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INTERMÉDIAIRE
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Classique
#
Johann Sebastian Bach
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Virtualsheetmusic
Instantly printable sheet music by Johann Sebastian Bach for clarinet solo of MEDIUM skill level. / classical
Instantly printable sheet music by Johann Sebastian Bach for clarinet solo of MEDIUM skill level. / classical
$3.97
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Vivaldi: Sonata No. 4 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
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James M
#
Vivaldi: Sonata No. 4 for Alto
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet Solo - Level 3 - SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. In...
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E-Flat Clarinet Solo - Level 3 - SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Individual part. 21 pages. Jmsgu3 #4641515. Published by jmsgu3 (A0.550478). Sonata da Chiesa No. 4 in Bb Major for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
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