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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
His Words
Non classifié
590
Piano & claviers
Piano, Voix et Guitare
384
Piano seul
347
Piano, Voix
170
Orgue
23
Accompagnement Piano
19
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
9
Piano Facile
6
1 Piano, 4 mains
4
Clavecin
1
+ 5 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
13
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Piano, Guitare (duo)
1
Ukulele
1
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
416
Chorale 3 parties
149
Chorale TTBB
39
Chorale SSAA
34
Chorale 2 parties
29
Chorale Unison
22
Voix duo, Piano
18
Voix duo
13
Voix haute
7
Voix seule
7
Chorale SSAATTBB
3
Voix Soprano, Piano
3
Voix Alto, Piano
3
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Voix Soprano
1
+ 17 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
102
2 Saxophones (duo)
37
Flûte traversière et Piano
32
Hautbois, Piano (duo)
31
Quatuor de Clarinettes: 4 clarinettes
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Saxophone Alto et Piano
26
Clarinette et Piano
25
2 Clarinettes (duo)
24
Flûte, Hautbois, Clarinette, Basson
22
Quatuor de Flûtes : 4 flûtes
18
Clarinette, Violon (duo)
17
Saxophone, Clarinette (duo)
16
Saxophone Tenor et Piano
15
Flûte et Guitare
14
Saxophone Soprano et Piano
13
Quintette de Saxophone: 5 saxophones
13
Flûte traversière
13
Clarinette, Trompette (duo)
12
Cor anglais, Piano
12
Quatuor de Saxophones: 4 saxophones
11
Clarinette
10
Clarinette, Guitare (duo)
9
Flûte, Clarinette (duo)
9
2 Hautbois (duo)
9
Flûte, Saxophone (duo)
8
Saxophone Baryton, Piano
8
Hautbois, Flûte
7
Hautbois, Clarinette (duo)
7
Saxophone Alto
7
Hautbois, Basson (duo)
7
Clarinette et Alto
7
Saxophone Tenor
7
Ensemble de Clarinettes
7
Flûte, Alto (duo)
6
Clarinette Basse, Piano
6
Flûte, Trompette (duo)
6
Saxophone et Harpe
5
Ensemble de saxophones
5
Trio de Flûtes: 3 flûtes
5
Cor anglais, Guitare (duo)
5
Flûte, Violon
5
Ensemble de Flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Quintette de Flûte : 5 flûtes
4
2 Clarinettes, Piano
3
Hautbois, Harpe
2
3 Saxophones (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Basson et Piano
2
3 Clarinettes (trio)
2
Saxophone (partie séparée)
2
Flûte, Violoncelle, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Saxophone et Guitare
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Hautbois (partie séparée)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
+ 55 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trombone et Piano
19
Cor et Piano
15
Trompette, Saxophone (duo)
14
Trompette, Piano
13
Cor anglais, Piano
12
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette
9
Euphonium, Piano (duo)
7
2 Trombones (duo)
7
Tuba et Piano
6
Trompette, Trombone (duo)
6
Cor anglais, Guitare (duo)
5
Trombone
4
Quatuor de Cuivres
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
3
Cor et Harpe
3
Trompette, Harpe
2
Trompette (partie séparée)
2
Ensemble de Trombones
2
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba
1
Cor
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
40
2 Harpes (duo)
34
Violoncelle, Piano
31
Alto, Piano
27
Harpe
17
Violon, Violoncelle (duo)
15
2 Violons (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
2 Altos (duo)
9
Violon, Alto (duo)
9
2 Violoncelles (duo)
9
Violon
6
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Voix
6
Alto seul
6
Violoncelle
5
Trio à cordes
3
Contrebasse, Piano (duo)
3
Harpe, Violon (duo)
3
Alto, Guitare (duo)
3
Alto et Harpe
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violons
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Cloches
67
Orchestre d'harmonie
36
Orchestre
30
Orchestre à Cordes
27
Ensemble de cuivres
27
Orchestre de chambre
11
Ensemble Jazz
9
Marimba
8
Fanfare
2
Jazz combo
1
Batterie
1
Vibraphone
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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METHODE : ETUDES
METHODE : TECHNIQUES
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His Words
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Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
More Than Words
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Clarinette
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INTERMÉDIAIRE
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Extreme
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Jireh J
#
More Than Words
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Jireh J.
#
SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.1193610 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Singer/Songwriter,Wedding. ...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.1193610 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Singer/Songwriter,Wedding. Individual part. 3 pages. Jireh J. #793076. Published by Jireh J. (A0.1193610). This arrangement was made like the originial. Contains chords.
$4.99
More Than Words
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Clarinette
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INTERMÉDIAIRE
#
Extreme
#
Jireh J
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More Than Words
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Jireh J.
#
SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.1193584 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Singer/Songwriter,Wedding. ...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.1193584 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Singer/Songwriter,Wedding. Individual part. 3 pages. Jireh J. #793050. Published by Jireh J. (A0.1193584). This arrangement was made like the original. It doesn't contain chords.
$4.99
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Let It Be Christ (Solo Clarinet Part)
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Clarinette
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Ware
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Let It Be Christ
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Michael Ware Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.889062 By Michael Ware. By Michael Ware. Classical,Praise & Worship,Sacred,Traditional. Individual part. 2 page...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.889062 By Michael Ware. By Michael Ware. Classical,Praise & Worship,Sacred,Traditional. Individual part. 2 pages. Michael Ware Music #495345. Published by Michael Ware Music (A0.889062). Let It Be Christ is Michael Ware’s choral adaptation of a little know hymn text by James Montgomery. The lyrics are inspired from Paul’s words in Philippians 1:21, “For me to live is Christ, and to die is gain.†This stately anthem which was commissioned for the 2022 Baptist Church Music Conference features an instrumental solo which can be played on violin, flute, or clarinet. SATB and TTBB versions are available.
$5.00
Variations on And ye shall walk in silk attire for 3 clarinets
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Clarinette
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INTERMÉDIAIRE
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Traditional
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David Warin Solomons
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Variations on And ye shall wal
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David Warin Solomons
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.580686 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Celtic,Folk,Romantic Period. Individual...
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Clarinet Solo - Level 3 - SKU: A0.580686 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Celtic,Folk,Romantic Period. Individual part. 12 pages. David Warin Solomons #5902519. Published by David Warin Solomons (A0.580686). The words to this song were written by Miss Susanna Blamire (1747-1794).
$10.00
Serenity
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Clarinette
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INTERMÉDIAIRE
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Eugene Magalif
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Serenity
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Forton Music - Digital
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SheetMusicPlus
Clarinet and Piano - Intermediate-Advanced - SKU: F2.FM287 Composed by Eugene Magalif. Score and Part. 10 pages. Forton Music - Digital #FM287. Publishe...
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Clarinet and Piano - Intermediate-Advanced - SKU: F2.FM287 Composed by Eugene Magalif. Score and Part. 10 pages. Forton Music - Digital #FM287. Published by Forton Music - Digital (F2.FM287). ISBN 9790570481866.Clarinet and Piano. Written almost as a song without words with a flowing, singing melody, this piece is also available for other instruments.
$9.95
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