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Aubade: A Pairing with Beethoven's Symphony #1 - Clarinet 1 in Bb
Clarinette
Clarinet Solo - Level 4 - Digital Download SKU: A0.1018906 Composed by Benjamin Har…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.1018906 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. Published by Benjamin Sajo (A0.1018906). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.17 €
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Clarinette
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Clarinet 1 in Bb
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Benjamin Sajo
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir A…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.4 €
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Clarinette
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
Clarinette
Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Har…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.17 €
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Clarinette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
O Little Town of Bethlehem - Advanced Clarinet and Piano
Clarinette
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.880692 Composed by Louis…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.880692 Composed by Louis H. Redner. Arranged by Lisa Nelson. Christmas. Score and part. 7 pages. Lisa Nelson #6567881. Published by Lisa Nelson (A0.880692). Written for an advanced soloist and collaborative pianist, this arrangement is a perfect option for anyone wanting a featured instrumental solo. Â The soloist presents this well-loved melody in a simple fashion with just enough counter melodies and piano interludes to make this classic Christmas carol shine. Â Audio file features trombone solo.For other instrumental solos and customization options, visit kcmusicstudio.com
$9.99
9.05 €
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Clarinette
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Louis H
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Lisa Nelson
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O Little Town of Bethlehem - Advanced Clarinet and Piano
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Lisa Nelson
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SheetMusicPlus
Potpourri sur un thème suisse
Clarinette
Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53271 …
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Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53271 „Alpenlied. Composed by Joseph Kuffner. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 190. 20 pages. Schott Music - Digital #Q53271. Published by Schott Music - Digital (S9.Q53271). German • Danish.Joseph Küffner was born into a family of musicians in Würzburg. He learned to play several instruments including violin, flute, trombone, guitar and also clarinet. Küffner began working as a military musician in the Elector of Würzburg’s orchestra, moved to the court orchestra in the course of secularization (1806–1814) and later returned to military music in the Bavarian army. From 1825 Küffner worked as a teacher, composer and arranger in Würzburg. He composed symphonies, overtures, military and chamber music for wind instruments and strings with piano or guitar accompaniment. Schott also published his clarinet method ‘Principes Élémentaires de la Musique et Gamme de Clarinette suvis de 24 Duos instructifs (...) pour deux Clarinettes, op. 200‘. The Potpourri sur un thème suisse on a Swiss alpine melody was published in 1838 (plate number 2590). The theme is an old yodelling melody. A melodic introduction is followed by a theme and five variations. In the final Rondo, the triad motives of the opening are taken up again.
$4.99
4.52 €
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Clarinette
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Joseph Kuffner
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Potpourri sur un thème suisse
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Schott Music - Digital
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SheetMusicPlus
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