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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chara
Non classifié
149
Piano & claviers
Piano seul
153
Piano, Voix
119
Piano, Voix et Guitare
25
Orgue
18
Instruments en Do
17
1 Piano, 4 mains
6
2 Pianos, 4 mains
2
Clavecin
1
Fake Book
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
36
Guitare notes et tablatures
11
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
39
Chorale TTBB
11
Voix Soprano, Piano
9
Chorale SSAA
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Chorale 3 parties
2
Voix haute
2
Voix duo, Piano
2
Chorale 2 parties
1
Voix Baryton, Piano
1
Chorale
1
Voix seule
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Clarinette et Piano
13
2 Clarinettes (duo)
12
Flûte traversière et Piano
12
Saxophone, Clarinette (duo)
11
Clarinette, Violon (duo)
9
Flûte, Clarinette (duo)
8
Clarinette
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Violon
6
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
6
Flûte traversière
5
Hautbois, Flûte
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Hautbois, Basson (duo)
5
Ensemble de saxophones
5
Flûte, Alto (duo)
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
4
2 Hautbois (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Flûte à Bec
3
Saxophone Soprano et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble de Flûtes
3
Flûte, Trompette (duo)
3
Saxophone et Orgue
2
Quintette de Flûte : 5 flûtes
2
2 Flûte à bec (duo)
2
Clarinette Basse, Piano
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Saxophone Baryton, Piano
2
Piccolo, Piano
2
Hautbois (partie séparée)
2
Clarinette, Basson (duo)
2
Cor Anglais
1
Clarinette, Violoncelle (duo)
1
Flute (partie séparée)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Cor anglais, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
Flûte, alto et harpe
1
Flûte, Violon, Piano
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Saxophone (duo)
10
Trompette, Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone et Piano
5
Quatuor de cuivres: 4 trombones
5
Trompette, Trombone (duo)
5
Trompette
5
2 Trompettes (duo)
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
4
Cor
4
Ensemble de Trombones
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
3
Trompette (partie séparée)
2
Tuba
2
Quatuor de Cuivres
2
Cor Anglais
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Cor anglais, Piano
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Tuba et Piano
1
Trombone
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
16
Violoncelle, Piano
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
6
Alto seul
6
Alto, Piano
6
Violon, Alto (duo)
5
2 Altos (duo)
5
Violon
5
2 Violoncelles (duo)
5
2 Violons (duo)
4
Violon, Orgue
3
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Orchestre
1
Alto (partie séparée)
1
Violoncelle, Orgue
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
44
Orchestre
33
Orchestre d'harmonie
19
Ensemble Jazz
11
Orchestre de chambre
9
Ensemble de cuivres
6
Ensemble de Percussions
4
Jazz combo
2
Cloches
2
Fanfare
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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Clarinette
Partitions à imprimer
7 partitions trouvées
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Chansons de la nature pour la Clarinette for solo B-flat clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jenni Brandon
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II. Le Poisson
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Chansons de la nature pour la
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Jenni Brandon Music
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.918679 Composed by Jenni Brandon. Contemporary. Individual part. 12 pages. Jenni Brandon Music #5709149. Published by ...
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Clarinet Solo - Level 4 - SKU: A0.918679 Composed by Jenni Brandon. Contemporary. Individual part. 12 pages. Jenni Brandon Music #5709149. Published by Jenni Brandon Music (A0.918679). Chansons de la nature pour la Clarinette (JB 110) by Jenni Brandon.The solo B-flat clarinet sings the 'songs of nature' in these seven short character pieces loosely based on Aesop's fables, from the shimmering stars, to the tortoise and the hare, to the slippery serpent. Multi-movement work:I. Les Oiseaux; II. Le Poisson; III. Le Papillon; IV. Le Lièvre et la Tortue; V. L'Etoile; VI. Dansez!; Le SerpentRecording found on Song of California: Music for Winds and Piano by Jenni Brandon, Jenni Brandon Music. Duration 10:00Programming: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP
$12.00
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. ...
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Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Verlornes Glück
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Verlornes Glück
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. ...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 30. 13 pages. Schott Music - Digital #Q53280. Published by Schott Music - Digital (S9.Q53280). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Verlornes Glück was published in 1854 (plate number 11437).
$3.99
Sternenhelle Nacht
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Sternenhelle Nacht
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudo...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 17. 22 pages. Schott Music - Digital #Q53278. Published by Schott Music - Digital (S9.Q53278). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Sternenhelle Nacht (plate number 6882) was published in 1843.
$4.99
Ein Abend auf den Bergen
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Ein Abend auf den Bergen
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited by Rainer Mohrs...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 25. 23 pages. Schott Music - Digital #Q53279. Published by Schott Music - Digital (S9.Q53279). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Ein Abend auf den Bergen was published in 1846 (plate number 8131).
$4.99
Sonata A major
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Johanna Senfter
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Sonata A major
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Schott Music - Digital
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SheetMusicPlus
Clarinet (in A) and piano - intermediate to advanced - SKU: S9.Q6646 Composed by Johanna Senfter. This edition: Sheet music. Clarinet Library. Downloada...
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Clarinet (in A) and piano - intermediate to advanced - SKU: S9.Q6646 Composed by Johanna Senfter. This edition: Sheet music. Clarinet Library. Downloadable. Op. 57. Duration 18 minutes. Schott Music - Digital #Q6646. Published by Schott Music - Digital (S9.Q6646). Key: A major.The biography of the reserved and withdrawn composer Johanna Senfter is not characterized by any outstanding events or incidents. Born in Oppenheim on the Rhine on 27 November 1879, the composer chose to live on the Sparrhof, her family's estate, all her life until her death on 11 August 1961. Her amazing musicality already showed at an early age and was early recognized and actively encouraged by her parents. Max Reger repeatedly testified to his pupil's 'extraordinary compositional talent'. The works by Johanna Senfter are mainly influenced by Brahms and Reger, but she knew pretty soon how to further develop Reger's personal style individually in her own works without ever crossing the - widely drawn - boundaries of a harmony based on the functional theory. The time of creation of the Sonata for A clarinet (or viola) and piano Op. 57 can only be estimated: probably around 1925. There is only solid evidence of the place and date of the world premiere: Karlsruhe, 8 December 1932. This edition of the previously unprinted sonata is based on the composer's autograph kept at the library of the Cologne Academy of Music.
$21.99
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