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In Concert! for SSA
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25
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Piano seul
50
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6
Orgue
3
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 2 instrumentations
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Guitare
6
Orchestre à Plectres
1
Voix
Chorale SATB
16
Voix Soprano, Piano
7
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5
Chorale SSAA
4
Chorale SSAATTBB
3
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2
Voix haute
2
Voix Baryton, Piano
1
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1
Voix duo, Piano
1
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6
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4
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3
Clarinette
3
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3
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1
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1
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1
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1
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7
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4
Cor
3
Quatuor de Cuivres
2
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
1
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1
Cor et Harpe
1
Tuba et Piano
1
Ensemble de Trombones
1
Trombone
1
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8
Violon
7
Violon et Piano
5
Violoncelle
3
2 Violoncelles (duo)
2
Harpe, Flûte (duo)
2
Violoncelle, Piano
1
Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Harpe
1
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Orchestre
17
Orchestre d'harmonie
16
Orchestre de chambre
4
Ensemble de cuivres
4
Ensemble de Percussions
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Ensemble Jazz
1
Orchestre à Cordes
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAVECIN
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CORNET
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In Concert! for SSA
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Clarinette
Partitions à imprimer
3 partitions trouvées
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Six Bagatelles for Beethoven 250
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Clarinette
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AVANCÉ
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Classique
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by J...
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Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
Carson Cooman: Shining Silhouette: Mt. Mansfield Sunset for solo Eb clarinet
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Clarinette
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Silhoue
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.533563 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publish...
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Clarinet Solo - Level 5 - SKU: A0.533563 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publishing #3022365. Published by Musik Fabrik Music Publishing (A0.533563). Shining Silhouette: Mt. Mansfield Sunset (2006) for solo Eï¢ clarinet was written for and isdedicated to Dennis Báthory-Kitsz and Stevie Balch on their 10th wedding anniversary.Although the work is intended as a stand-alone concert piece, there are references intertwinedthroughout to the couple’s life and work together. The overall inspiration comes from thelandscape of the state of Vermont and particularly Mt. Mansfield.The opening section is flexible and fantastic – forcefully full of energy and life. A deliberatepassage leads to the next section – fast and fleeting, with a “quicksilver†character that perhapsreflects the horses of the Argentum Fugit farm in Vermont. The final section recalls the mood ofthe opening, but more haltingly – bringing into play a brief quotation (which is shown has beenrelated to the musical material all along). After this aborted recapitulation winds down in asimilar way to the first section, a dramatic coda emerges – leading to the final notes of power,brightness and joy.In terms of musical material, the work is an exploration of the expansion and contraction of atotal chromatic row, settling into lyrical tonally centered gestures.
$7.75
Reflections on Europa for clarinet and piano
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Clarinette
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AVANCÉ
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Julietta Anne Rabens
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Reflections on Europa for clar
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Juliettamusic
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.867175 Composed by Julietta Anne Rabens. Concert,Contemporary. Individual part. 46 pages. Juliettamusic #1750225. Publ...
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Clarinet Solo - Level 5 - SKU: A0.867175 Composed by Julietta Anne Rabens. Concert,Contemporary. Individual part. 46 pages. Juliettamusic #1750225. Published by Juliettamusic (A0.867175). The ice covered Europa is one of the principle moons of Jupiter. The sound world, which is meant to evoke this frigid environment, is created by using the high registers of both the clarinet and piano and by using square, metrical, brittle rhythms. In the first two movements, motives, and sometimes entire sections, are repeated in retrograde or inversion to further enhance this image of reflective ice. There is a progression from atonal writing which contains many chromatic passages in the first movements to more modal writing in the last movements. This narrowing of pitch material is intended to evoke a movement from the impersonal to the personal. The poetic idea behind the piece begins with an image of a moon in complete isolation which then makes a connection with the distant stars, and then the not so distant clouds surrounding the giant Jupiter which hangs heavily in its sky, and finally with an inward awakening of oceans which could be filled with life beneath the surface of ice. This intended for performers with an advanced level of skill.
$15.00
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