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Sonata for Clarinet Solo
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Clarinette
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AVANCÉ
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Henrique Rabelo
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Sonata for Clarinet Solo
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HENRIQUE PEIXOTO RABELO
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - SKU: A0.1486131 Composed by Henrique Rabelo. Classical,Contemporary,Folk,Medieval,Romantic Period. Individual part. 14 ...
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B-Flat Clarinet Solo - Level 5 - SKU: A0.1486131 Composed by Henrique Rabelo. Classical,Contemporary,Folk,Medieval,Romantic Period. Individual part. 14 pages. HENRIQUE PEIXOTO RABELO #1063188. Published by HENRIQUE PEIXOTO RABELO (A0.1486131). The Sonata for Clarinet Solo was written in Laramie, Wyoming, in 2022. It is dedicated to Blake McGee, who premiered the piece in February of 2023. The sonata is in two movements: Andante con affetto and Ballad. The first movement is in sonata form, written in a neo-romantic style and contrasts the different registers of the clarinet: the rich and beautiful chalumeau register in the first theme, with grim and melancholic character, and the more brilliant higher notes of the clarinet in the second theme, flowing and operatic. The theme on the second movement is meant to entice the imagination of the listener with the image of a minstrel telling of a journey made a long time ago, entertaining the audience with the variations that unfold, only to return with the opening melody back in the end, as if teaching the morals of the story.
$12.00
Carson Cooman: Shining Silhouette: Mt. Mansfield Sunset for solo Eb clarinet
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Clarinette
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Silhoue
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.533563 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publish...
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Clarinet Solo - Level 5 - SKU: A0.533563 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publishing #3022365. Published by Musik Fabrik Music Publishing (A0.533563). Shining Silhouette: Mt. Mansfield Sunset (2006) for solo Eï¢ clarinet was written for and isdedicated to Dennis Báthory-Kitsz and Stevie Balch on their 10th wedding anniversary.Although the work is intended as a stand-alone concert piece, there are references intertwinedthroughout to the couple’s life and work together. The overall inspiration comes from thelandscape of the state of Vermont and particularly Mt. Mansfield.The opening section is flexible and fantastic – forcefully full of energy and life. A deliberatepassage leads to the next section – fast and fleeting, with a “quicksilver†character that perhapsreflects the horses of the Argentum Fugit farm in Vermont. The final section recalls the mood ofthe opening, but more haltingly – bringing into play a brief quotation (which is shown has beenrelated to the musical material all along). After this aborted recapitulation winds down in asimilar way to the first section, a dramatic coda emerges – leading to the final notes of power,brightness and joy.In terms of musical material, the work is an exploration of the expansion and contraction of atotal chromatic row, settling into lyrical tonally centered gestures.
$7.75
Six Bagatelles for Beethoven 250
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Clarinette
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AVANCÉ
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Classique
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by J...
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Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
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