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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ALTO
Sheetmusicplus
Non classifié
18 028
Piano & claviers
Piano, Voix
1 002
Piano Quatuor: piano, violon, alto, violoncelle
547
Piano Quintette: piano, 2 violons, alto, violoncelle
527
Piano seul
424
Accompagnement Piano
421
Piano, Voix et Guitare
402
Piano Facile
146
Piano (partie séparée)
133
Instruments en Do
89
Orgue
64
Orgue, Trompette (duo)
9
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Accordéon
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Accordéon, Voix
1
+ 15 instrumentations
Retracter
Guitares
Guitare (partie séparée)
264
Guitare notes et tablatures
33
Guitare
30
Paroles et Accords
19
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
9
Ukulele
2
Ensemble de guitares
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Mandoline
1
3 Guitares (trio)
1
Banjo
1
Ukulele Baryton
1
2 Guitares (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
1 619
Chorale 2 parties
1 492
Chorale 3 parties
1 038
Voix duo, Piano
968
Voix Alto, Piano
756
Pack Instrumental pour Chorale
660
Voix duo
407
Chorale SSAA
301
Chorale
60
Chorale TTBB
46
Voix seule
45
Chorale Unison
40
Voix Tenor, Piano
31
Voix Soprano, Piano
26
Voix Mezzo-Soprano, Piano
22
Voix, Guitare
16
Voix Baryton
15
Voix basse, Piano
13
Chorale SSAB a cappella
12
Voix moyenne, Piano
8
Voix Tenor
8
Chorale SSAB, Piano
6
Voix basse
5
Soli, choeur mixte et accompagnement
4
Voix Soprano
3
Chorale SSAATTBB
3
Voix Baryton, Piano
3
Voix duo, Orgue
2
Voix haute
1
Chorale SATBB
1
Chorale SAATB A Cappella
1
+ 26 instrumentations
Retracter
Vents
Saxophone (partie séparée)
9 911
Saxophone Alto
7 968
Quatuor de Saxophones: 4 saxophones
7 914
Saxophone Alto et Piano
7 359
2 Saxophones (duo)
4 326
Quintette de Saxophone: 5 saxophones
1 862
3 Saxophones (trio)
1 774
Clarinette (partie séparée)
1 169
Ensemble de saxophones
1 067
Quatuor de Flûtes : 4 flûtes
862
Ensemble de Flûtes
689
Quatuor de Clarinettes: 4 clarinettes
613
Flûte à bec Alto
536
Flûte traversière et Piano
503
2 Flûte à bec (duo)
446
2 Flûtes traversières (duo)
445
Saxophone Soprano et Piano
432
Saxophone Tenor et Piano
422
Ensemble de Clarinettes
403
Flûte à bec Alto, Piano
344
Flûte, Alto (duo)
322
Clarinette et Alto
306
Clarinette et Piano
282
Clarinette
261
Saxophone, Clarinette (duo)
256
2 Saxophones, Piano
251
Quintette de Flûte : 5 flûtes
245
Flûte, Saxophone (duo)
230
Quatuor de Flûtes à bec
224
2 Clarinettes (duo)
211
Quintette de Clarinettes: 5 clarinettes
201
Flûte traversière
198
Trio de Flûtes: 3 flûtes
180
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
3 Flûtes à bec (trio)
144
Saxophone et Guitare
138
Ensemble De Flûte à bec
131
Flûte, Hautbois, Clarinette, Basson
129
Flute (partie séparée)
111
Hautbois, Piano (duo)
107
Flûte et Guitare
103
Saxophone et Piano
95
Saxophone Tenor
92
Flûte à Bec
84
Flûte, Alto et Piano
81
Hautbois et alto (duo)
77
3 Clarinettes (trio)
75
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Saxophone
50
Clarinette, Alto et Piano (trio)
45
Flûte et Trio à cordes
45
Flûte à bec Alto, Basse continue
42
Flûte à bec, Guitare (duo)
42
Saxophone Baryton, Piano
39
Flûte, alto et harpe
37
5 Flûtes à bec
31
Saxophone et Harpe
30
2 Hautbois (duo)
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Saxophone et Orgue
27
Clarinette, Guitare (duo)
26
Hautbois (partie séparée)
26
Clarinette, Violon (duo)
25
Flûte, Clarinette (duo)
22
Saxophone, Violon (duo)
18
Clarinette Basse, Piano
17
Saxophone et Orchestre
15
Flûte, Violon
14
Cor anglais, Guitare (duo)
13
Clarinette, Trompette (duo)
12
Flûte, Alto et Violoncelle
11
Ensemble à vent
10
Flûte à bec Soprano
10
Hautbois, Basson (duo)
9
Saxophone, Tuba (duo)
9
Flûte à bec, Harpe
9
Hautbois, Flûte
8
4 Hautbois
8
Flûte à bec Tenor
8
3 Hautbois
7
Hautbois, Clarinette (duo)
7
Flûte, Trompette (duo)
6
Cor anglais, Piano
6
2 Flûtes traversières, Piano
5
Hautbois, Harpe
4
Clarinette, Harpe (duo)
4
Flûte, Clarinette et Basson
4
Ocarina
3
Saxophone Soprano
3
Flûte, Violoncelle
3
Clarinette, Violoncelle (duo)
3
2 Flûtes à bec, Piano
3
Flûte, Violon, Piano
3
Hautbois
2
Cor Anglais
2
Clarinette, Basson (duo)
2
Hautbois, violon (duo)
2
Hautbois, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
2 Flûtes traversières, Guitare
1
2 Clarinettes, Piano
1
Clarinette, Orgue
1
Flute, alto, violoncelle et guitare
1
Clarinette, Saxophone, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec, Piano
1
Saxophone et violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Melodica
1
2 Flûtes à bec, Guitare
1
Instruments en Mib
1
Flûte, Clarinette, Violon (trio)
1
Piccolo
1
Flûte, Hautbois, Piano (trio)
1
Saxophone, Basson (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Soprano, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Basson
1
+ 116 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
637
Trompette (partie séparée)
486
Trombone et Piano
370
Trompette, Saxophone (duo)
282
Cor (partie séparée)
112
Tuba (partie séparée)
100
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
84
Trompette, Piano
81
Cor et Piano
58
Trombone
55
2 Trombones (duo)
50
Ensemble de Trombones
48
Trompette
37
2 Trompettes (duo)
34
Trombone, Alto (duo)
28
Quatuor de cuivres: 4 trombones
26
Tuba et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
2 Cors (duo)
22
2 Tubas (duo)
18
Trompette, Trombone (duo)
16
Tuba
16
Euphonium
14
Cor anglais, Guitare (duo)
13
Cor
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
7
Cor anglais, Piano
6
3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
5
4 Tubas
4
Cor et Harpe
4
Euphonium, Tuba (duo)
3
Trompette, Harpe
3
Trombone basse
3
Cor Anglais
2
Trombone, Tuba (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
2 Cors Anglais Et Pianoforte
2
Cor, Tuba (duo)
1
Trompette, Trombone, Piano
1
Ensemble de Trompettes
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Trompette, violon (duo)
1
Quatuor de Cuivres
1
Instruments en Sib
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29 992
Alto, Piano
7 962
Alto seul
6 031
Trio à Cordes: violon, alto, violoncelle
4 208
Alto (partie séparée)
2 895
Violon, Alto (duo)
2 405
2 Altos (duo)
2 037
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 721
Alto, Violoncelle (duo)
1 319
Piano Trio: Violon, Alto, Piano
683
Trio à Cordes: 2 violons, alto
365
Quatuor à cordes : 4 altos
340
Trio à cordes: 3 altos
327
Alto, Guitare (duo)
308
Alto et Basson
165
Quintette à cordes: 2 violons, 2 altos, violoncelle
157
Violon et Piano
156
Contrebasse (partie séparée)
153
Quintette à cordes : 2 violons, alto et 2 violoncelles
91
Violoncelle, Piano
84
Alto et Harpe
72
2 Altos, Piano
63
Violon
63
Harpe
38
Harpe, Flûte (duo)
35
2 Violons (duo)
32
Ensemble d'Altos
29
2 Violoncelles (duo)
26
Alto et orchestre
19
Harpe, Violon (duo)
19
Violoncelle
16
2 Contrebasses (duo)
16
Alto, Orgue
16
Harpe, Violoncelle (duo)
15
Contrebasse, Piano (duo)
15
Harpe, Voix
12
2 Harpes (duo)
10
Violon, Guitare (duo)
10
Violon, Violoncelle (duo)
9
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
5
Contre Basse
5
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
2 Violons, Piano
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 597
Ensemble Jazz
2 901
Fanfare
1 456
Jazz combo
428
Orchestre
402
Orchestre de chambre
142
Batterie (partie séparée)
135
Ensemble de cuivres
115
Orchestre à Cordes
64
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Ensemble de Percussions
56
Percussion (partie séparée)
31
Batterie
23
Cloches
18
Vibraphone
15
Marimba
13
Xylophone, Piano
10
Timbales (partie séparée)
6
Big band
5
Quintette à Vent
3
Ensemble d'École
3
Percussion
2
Vibraphone (partie séparée)
1
Instrumentation Flexible
1
Piano et Orchestre
1
Xylophone
1
+ 21 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
ALTO
SheetMusicPlus
Partitions à imprimer
261 partitions trouvées
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251
Theme and Variations on Minuet in G - solo for alto clarinet
#
Clarinette
#
AVANCÉ
#
Neille Williams
#
Theme and Variations on Minuet
#
Neille Williams
#
SheetMusicPlus
E-Flat Clarinet Solo - Level 5 - SKU: A0.1478325 Composed by Neille Williams. Baroque,Classical,Contest,Festival. Individual part. 7 pages. Neille Willi...
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E-Flat Clarinet Solo - Level 5 - SKU: A0.1478325 Composed by Neille Williams. Baroque,Classical,Contest,Festival. Individual part. 7 pages. Neille Williams #1055705. Published by Neille Williams (A0.1478325). Solo for Alto Clarinet. Bach's sparkling minuet gets a lovely reimagining in this unaccompanied solo for alto clarinet, exploring the expressive qualities and large range of this dynamic and under-appreciated instrument. After a simple statement of the theme, there are five variations - a delightful journey for both the soloist and listener alike.
$9.95
Chalumeau - for clarinet (or alto saxophone) and piano
#
Clarinette
#
Rick Robertson
#
Chalumeau - for clarinet
#
Rick Robertson
#
SheetMusicPlus
Clarinet Solo - SKU: A0.877858 Composed by Rick Robertson. 20th Century,Contemporary,Instructional. Individual part. 5 pages. Rick Robertson #42355. Pub...
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Clarinet Solo - SKU: A0.877858 Composed by Rick Robertson. 20th Century,Contemporary,Instructional. Individual part. 5 pages. Rick Robertson #42355. Published by Rick Robertson (A0.877858). This is a short, lyrical piece of moderate difficulty that showcases the lower register of the clarinet. It can be played on alto saxophone or alto clarinet as well, and a part is included. Both the clarinet and piano parts are of moderate difficulty, and this piece is playable by high school students. It is also appropriate for church service music. You can view a video performance here: https://youtu.be/qBijGCCBYDY.
$5.99
Hungarian Dance No. 5 by Brahms for Alto Clarinet Solo
#
Clarinette
#
FACILE
#
Classique
#
Johannes Brahms
#
Rika K
#
Hungarian Dance No. 5 by Brahm
#
Rika K.
#
SheetMusicPlus
E-Flat Clarinet Solo - Level 2 - SKU: A0.1395074 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional....
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E-Flat Clarinet Solo - Level 2 - SKU: A0.1395074 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Individual part. 1 pages. Rika K. #978542. Published by Rika K. (A0.1395074). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Alto Clarinet Solo.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$1.99
Hungarian Dance No. 5 by Brahms for Alto Clarinet Solo
#
Clarinette
#
FACILE
#
Classique
#
Johannes Brahms
#
Rika K
#
Hungarian Dance No. 5 by Brahm
#
Rika K.
#
SheetMusicPlus
E-Flat Clarinet Solo - Level 2 - SKU: A0.1395075 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional....
(+)
E-Flat Clarinet Solo - Level 2 - SKU: A0.1395075 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Individual part. 1 pages. Rika K. #978543. Published by Rika K. (A0.1395075). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Alto Clarinet Solo.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$1.99
Higher Ground, Gospel Hymn for Alto Clarinet and Piano
#
Clarinette
#
FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
J Oatman Jr
#
David McKeown
#
Higher Ground, Gospel Hymn for
#
David McKeown
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592812 Composed by J Oatman Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592812 Composed by J Oatman Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6413071. Published by David McKeown (A0.592812). Higher Ground is a beautiful gospel song arranged here for Solo Alto Clarinet and Piano.Higher Ground was written Johnson Oatman Jr in 1898. Oatman, a part-time preacher, was a prolific hymn writer with some three thousand compositions to his credit.
$2.49
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Go Tell It On The Mountain, Gospel Song for Alto Clarinet and Piano
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Clarinette
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Go Tell It On The Mountain, Go
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592762 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. ...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592762 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6412417. Published by David McKeown (A0.592762). Go Tell It on The Mountain is a beautiful gospel song arranged here for Solo Alto Clarinet and Piano.Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere; Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963.
$2.49
Vivaldi: Sonata No. 4 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet Solo - Level 3 - SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. In...
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E-Flat Clarinet Solo - Level 3 - SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Individual part. 21 pages. Jmsgu3 #4641515. Published by jmsgu3 (A0.550478). Sonata da Chiesa No. 4 in Bb Major for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
We Wish You A Merry Christmas, score and alto clarinet melody for the beginning musician (easy).
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Clarinette
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DÉBUTANT
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Noël
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Public Domain
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Rene Alves
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We Wish You A Merry Christmas,
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Rene Alves
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SheetMusicPlus
E-Flat Clarinet Solo - Level 1 - SKU: A0.1108703 Composed by Public Domain. Arranged by Rene Alves. Children,Multicultural,Pop,Traditional,Wedding,World...
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E-Flat Clarinet Solo - Level 1 - SKU: A0.1108703 Composed by Public Domain. Arranged by Rene Alves. Children,Multicultural,Pop,Traditional,Wedding,World. Individual part. 2 pages. Rene Alves #711351. Published by Rene Alves (A0.1108703). Alto clarinet score and melody of the Christmas song, We Wish You A Merry Christmas, for the beginning musician. The sheet music is in large size, great for reading on tablets.
$3.00
The Favorite for solo Alto Clarinet and Piano
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Clarinette
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Alto Cla
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime....
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E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and individual part. 7 pages. David McKeown #696756. Published by David McKeown (A0.1092655). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Alto Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Nobody Knows the Trouble I've Seen, Gospel Song for Alto Clarinet and Piano
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Clarinette
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Nobody Knows the Trouble I've
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.593012 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.593012 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415229. Published by David McKeown (A0.593012). Nobody Knows the Trouble I’ve Seen is a beautiful spiritual arranged here for Solo Alto Clarinet and Piano.Nobody Knows the Trouble I’ve Seen is a spiritual that was published in 1867. It has been recorded countless times by many famous artists from Paul Robeson to Louis Armstrong
$2.49
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Joshua Fought the Battles of Jericho, Gospel Song for Alto Clarinet and Piano
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Clarinette
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Joshua Fought the Battles of J
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592862 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592862 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413219. Published by David McKeown (A0.592862). Joshua Fought the Battle of Jericho is a beautiful spiritual arranged here for Solo Alto Clarinet and Piano.Joshua Fought the Battle of Jericho is a nineteenth century spiritual, though details of its exact origins are impossible to trace. It was first published in 1882 and recorded as early as 1922.
$2.49
Go Down Moses, Gospel Song for Alto Clarinet and Piano
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Clarinette
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FACILE
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592737 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. ...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592737 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411897. Published by David McKeown (A0.592737). Go Down Moses is a beautiful gospel song arranged here for Solo Alto Clarinet and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Down by the Riverside, Gospel Song for Alto Clarinet and Piano
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Clarinette
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592712 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592712 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411791. Published by David McKeown (A0.592712). Down by the Riverside is a beautiful gospel song arranged here for Solo Alto Clarinet and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
O Mary Don't You Weep, Gospel Song for Alto Clarinet and Piano
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Clarinette
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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O Mary Don't You Weep, Gospel
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.593062 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.593062 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415511. Published by David McKeown (A0.593062). O Mary Don’t You Weep is a beautiful spiritual arranged here for Solo Alto Clarinet and Piano.O Mary Don’t You Weep dates back to the American Civil War and was recorded as early as 1915. It was later covered by Aretha Franklin and became a favourite in the ‘sixties folk revival.
$2.49
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