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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Is Well - Full Score
Non classifié
3 041
Piano & claviers
Piano seul
1 179
Piano, Voix
360
Piano Facile
295
Piano, Voix et Guitare
295
Orgue
110
1 Piano, 4 mains
35
Accompagnement Piano
34
Piano Trio: piano, violon, violoncelle
27
Accordéon
22
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
7
Instruments en Do
6
Orgue, Trompette (duo)
5
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
2 Accordéons
1
Fake Book
1
1 Piano, 6 mains
1
+ 17 instrumentations
Retracter
Guitares
Ukulele
25
Basse electrique
23
Guitare
23
Piano, Guitare (duo)
19
Guitare notes et tablatures
16
4 Guitares (Quatuor)
15
2 Guitares (duo)
12
Banjo
5
3 Guitares (trio)
5
Mandoline
3
Dulcimer
2
Ensemble de guitares
2
Paroles et Accords
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
129
Chorale 3 parties
40
Chorale Unison
32
Chorale 2 parties
23
Chorale TTBB
14
Chorale SSAA
6
Pack Instrumental pour Chorale
5
Voix duo
4
Voix duo, Piano
4
Voix haute
3
Chorale
3
Voix basse, Piano
2
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Voix Baryton, Piano
2
Voix Alto, Piano
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Voix Soprano, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
186
Flûte traversière et Piano
179
Clarinette et Piano
149
2 Saxophones (duo)
139
Saxophone Alto et Piano
129
Quintette de Saxophone: 5 saxophones
125
Saxophone Tenor et Piano
118
Hautbois, Piano (duo)
117
Quatuor de Clarinettes: 4 clarinettes
114
Quatuor de Saxophones: 4 saxophones
107
2 Flûtes traversières (duo)
74
Saxophone Soprano et Piano
67
Flûte, Hautbois, Clarinette, Basson
61
2 Clarinettes (duo)
61
Ensemble de saxophones
58
Quatuor de Flûtes : 4 flûtes
55
Quintette de Flûte : 5 flûtes
47
Saxophone Baryton, Piano
36
Ensemble de Clarinettes
31
Cor anglais, Piano
30
Quintette de Clarinettes: 5 clarinettes
28
Ensemble de Flûtes
27
Flûte, Clarinette (duo)
26
Clarinette Basse, Piano
25
Flûte, Violon et Violoncelle
22
Clarinette, Violon (duo)
21
Clarinette
19
3 Saxophones (trio)
18
3 Clarinettes (trio)
16
Saxophone, Clarinette (duo)
15
Trio de Flûtes: 3 flûtes
14
Flûte, Clarinette, Piano (trio)
14
2 Hautbois (duo)
13
Flûte traversière
12
Flûte, Violon
12
Clarinette, Violoncelle, Piano (trio)
11
Hautbois, Basson (duo)
11
Flûte, trombone et piano
11
2 Flûtes traversières, Piano
10
Quatuor de Flûtes à bec
9
Flûte et Guitare
8
Flûte, Alto et Piano
8
Clarinette, Violoncelle (duo)
8
Flûte, Violon, Piano
8
Clarinette et Alto
8
Flûte, Violoncelle, Piano (trio)
8
Hautbois, Flûte
7
2 Flûte à bec (duo)
7
Ocarina
7
Hautbois, Clarinette (duo)
7
3 Flûtes à bec (trio)
6
Clarinette, Guitare (duo)
6
Clarinette, Basson (duo)
6
Flûte, Clarinette et Basson
5
Flûte, Saxophone (duo)
5
Flûte, Hautbois, Piano (trio)
5
Saxophone Alto
5
2 Clarinettes, Piano
5
Flûte, Hautbois, Basson
5
Piccolo, Piano
4
Clarinette, Trompette (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Flute, harpe et violon
4
Saxophone Tenor
3
Flûte, Violoncelle
3
Clarinette, Harpe (duo)
3
Flûte, Violoncelle, Guitare
3
Clarinette, trompette et piano
3
Flute (partie séparée)
3
Hautbois (partie séparée)
3
Cor anglais, Guitare (duo)
2
Hautbois
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Soprano
2
Ensemble à vent
2
Flûte, Alto (duo)
2
2 Saxophones, Piano
2
Flûte, Basson et Piano
2
Saxophone Baryton
2
Saxophone et Guitare
2
Flûte, Harpe et Violoncelle
2
Flûte, Hautbois (duo)
2
Clarinette (partie séparée)
1
Saxophone (partie séparée)
1
Clarinette, Trombone (duo)
1
Saxophone, Tuba (duo)
1
Ensemble de Hautbois
1
Harmonica
1
Saxophone et Harpe
1
5 Flûtes à bec
1
Hautbois, Guitare (duo)
1
Flûte à Bec
1
Hautbois, Basson et Piano
1
Clarinette, Alto et Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte à bec Soprano
1
Flûte traversière, Orgue (duo)
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
Flûte irlandaise
1
Flûte à bec Soprano, Piano
1
+ 98 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
195
Quatuor de Cuivres : 2 trompettes, trombone, tuba
194
Trombone et Piano
115
Trompette, Piano
97
Cor et Piano
65
Ensemble de Trompettes
57
Ensemble de Trombones
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
Euphonium, Piano (duo)
35
2 Trompettes (duo)
32
2 Trombones (duo)
32
Cor anglais, Piano
30
Quatuor de cuivres: 4 trombones
30
Tuba et Piano
29
Trompette
24
Quatuor de Cuivres
20
Trompette, Saxophone (duo)
19
2 Cors (duo)
19
Trompette, Trombone (duo)
15
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
8
Trio de Cuivres
8
2 Tubas (duo)
5
Trombone, Orgue
5
3 Trompettes (trio)
5
Euphonium, Tuba (duo)
4
Trompette, Cor (duo)
4
Trombone
4
Cor
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, violon (duo)
3
2 Euphoniums et 2 Tubas
3
Tuba
2
Cor anglais, Guitare (duo)
2
4 Tubas
2
Cor, Tuba (duo)
2
Ensemble de Cors
2
Cor (partie séparée)
2
3 Trombones (trio)
1
Trompette, Violoncelle et Piano
1
3 Euphoniums
1
Cor et Orgue
1
Clarinette, Cor (duo)
1
Cor et Harpe
1
Euphonium
1
Ensemble de Tubas
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Trombone (partie séparée)
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
496
Trio à Cordes: violon, alto, violoncelle
188
Violon, Violoncelle (duo)
183
Alto, Piano
167
Violoncelle, Piano
126
Violon
122
Violon et Piano
111
Harpe
81
2 Violoncelles (duo)
51
2 Altos (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Trio à Cordes: 2 violons, violoncelle
33
Violon, Alto (duo)
32
2 Violons (duo)
30
Ensemble de Violons
18
Ensemble d'Altos
17
4 Violoncelles
11
Contrebasse, Piano (duo)
10
Quatuor à cordes: 4 violons
9
Alto seul
9
Trio à cordes: 3 violins
9
Trio à Cordes: 3 violoncelles
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
7
Contre Basse
6
Piano Trio: Violon, Alto, Piano
6
Violoncelle
6
Trio à Cordes: 2 violons, alto
5
4 Contrebasses
4
Violon (partie séparée)
4
Harpe, Flûte (duo)
4
Harpe, Violon (duo)
4
2 Harpes (duo)
3
2 Violoncelles, Piano
3
2 Violons, Piano
3
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Trio à cordes
2
Alto (partie séparée)
2
Alto et Basson
1
Violoncelle, Orchestre
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Alto, Orgue
1
3 Contrebasses
1
Harpe, Trombone (duo)
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
442
Orchestre à Cordes
304
Ensemble de cuivres
173
Ensemble Jazz
170
Cloches
134
Jazz combo
61
Orchestre de chambre
59
Ensemble de Percussions
35
Orchestre
18
Fanfare
16
Batterie
10
Ensemble d'École
5
Vibraphone
3
Piano et Orchestre
2
2 Marimbas
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Percussion (partie séparée)
1
Marimba
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
3 Marimbas
1
+ 16 instrumentations
Retracter
Autres
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ACCORDEON
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNEMUSE
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DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
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NOUVEAUTÉS
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GENRES
|
20eme siecle
Bluegrass
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Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
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Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
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PIANO
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INSTRUMENTAL
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ORCHESTRE
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CHORALE / VOIX
|
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2 parties
Voix
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Voix seule
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GENRES
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NOËL
|
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20
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PIANO
|
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Meilleures Ventes
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Chorale UNISON
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FLUTE
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Enfant
Europe de l'Est
Examen
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
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OCARINA
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PERCUSSION
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ENFANTS : EVEIL - IN…
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All Is Well - Full Score
Clarinette
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19 partitions trouvées
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Christmas and Carols to download for clarinet solo
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Clarinette
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DÉBUTANT
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Noël
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for clarinet solo of VERY EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the...
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This is an exclusive arrangements for clarinet solo of VERY EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, Greensleeves, greensleaves, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, jesu joy of man desiring, green sleeves, greensleves, the first noel,adeste fedelis,adeste fidelis,adeste fideles,adeste fedeles,no.1,douce nuit, sainte nuit / christmas,winter,holiday,christian,inspirational,traditional,children,hymn,sacred,advent,carol,festival
$5.75
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
To Boldly Go
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Clarinette
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INTERMÉDIAIRE
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Contemporain
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Alexander Courage, Gene Rodden
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. ...
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Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Individual part. 5 pages. Sophia Transistor #6302451. Published by Sophia Transistor (A0.851132). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for single clarinet solo performance (or any instrument notated in treble clef in Bb). A symphonic suite arranged for Bb-clarinet instrumentation. This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trumpet brass players. Breething signs and spaces are included. Special spherical effects are notated as well.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid woodwind only Star Trek performance.Score is available in Bb in treble clef with 5 pages in DIN-A4 format.Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab'' There is even a High ringing Db''' for the very ambitious clarinet player (but the higher notes are also notated one octave lower).Thanks!YouTube Playalong: https://youtu.be/Qf2-xo7nnVYGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für klarinette notiert in Bb im Violinschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Klarinette angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Holzblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Auch spherische Klang-Effekte finden Beachtung.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur gibt es als Klarinette in Bb im Violinschlüssel notiert auf 5 Seiten in DIN-A4.Viele der melodischen Spannungbögen enden auf ein klingendes Ab''Es gibt sogar Stellen, die auf ein hohes klingendes Db''' enden, für alle ambitionierte KlarinettenspielerInnen (nach unten transponieren immer möglich).Epische Filmmusiknoten für Klarinette: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictclarinetArtists: Michael Giacchino, Alexander Courage, Gene RoddenberryArranger: Sophia Johanna TransistorDanke fürs anschauen!TAGS:STAR TREK theme, star trek clarinet, Noten, sheet music, score, arrangement, clarinet arrangement, to boldly go, filmmusic for clarinet, epic film music, Klarinette, Star Trek Klarinette, Star Trek Music, star trek arrangement, Star Trek solo performance, #startrekmusic, #startrektheme, #smppr.
$6.99
And Then I Found Myself
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Clarinette
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AVANCÉ
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Eric Salazar
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And Then I Found Myself
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Eric Joel Salazar
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1029266 Composed by Eric Salazar. 20th Century,Contemporary. Individual part. 4 pages. Eric Joel Salazar #4844767. Pub...
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Clarinet Solo - Level 5 - SKU: A0.1029266 Composed by Eric Salazar. 20th Century,Contemporary. Individual part. 4 pages. Eric Joel Salazar #4844767. Published by Eric Joel Salazar (A0.1029266). AND THEN I FOUND MYSELFA ROCKING PIECE FOR CLARINET AND LOOPSTATIONAnd Then I Found Myself is a loosely structured piece for clarinet + loopstation (or loop pedal). This eight minute work is a great addition to the repertoire of a professional who is well equipped to perform with electronics, or has an aspiration to perform with electronics. The score comes with a diagram and instructions on how to operate a loopstation or loop pedal, making it ideal for that first experience performing with a looper.And Then I Found Myself will allow anyone to perform a compelling melody, with a slight feel of improvisation, all while accompanying oneself with an in-the-moment creation of a recording. Unlike some of my other works for clarinet + electronics where the media is fixed, the electronics in And Then I Found Myself are created right there during the performance - which offers the audience a unique perspective as the performer builds the piece right in front of them.
$10.00
The french touch collection - Book 1 : Absolute beginner
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Clarinette
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DÉBUTANT
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Maëla Raoult
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Maëla Raoult
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The french touch collection -
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Maëla Raoult
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1219858 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. In...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1219858 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual part. 51 pages. Maëla Raoult #816220. Published by Maëla Raoult (A0.1219858). Unlock the world of music with “Book I: Absolute Beginner,†expertly composed and arranged by the talented Maëla Raoult. This fantastic resource is readily available on sheetmusic direct and sheet music plus, making it accessible to aspiring clarinetists of all ages. Discover the Joy of Clarinet Step by Step Welcome to Book I of “The French Touch’ Collection.†This meticulously crafted method, thoughtfully designed by Maëla Raoult, offers a delightful journey for beginners as they embark on their clarinet-playing adventure.Each song is linked to a freely accessible video while scanning the QR code. Journey Through Timeless Melodies Through the enchanting power of famous nursery rhymes in both English and French, combined with Maëla’s own captivating compositions, you’ll embark on a voyage of musical discovery. Recognize beloved tunes like “Une souris verte,†“Sur le pont d’Avignon,†and “Frère Jacques,†as well as surprises such as “Hickory Dickory Dock,†“Mary had a little lamb,†and “Humpty Dumpty.†To enhance the learning experience, lyrics are thoughtfully included after each song, allowing you or your child to sing along before taking up the clarinet. Explore Maëla’s Personal Compositions Delve into Maëla’s personal compositions, expertly integrated into the book. These compositions serve as your daily companions on the path to mastering the instrument, guiding you through each musical concept and technical challenge with a gradual and nurturing approach. Precise Guidance Every Step of the Way As you navigate your clarinet journey, you’ll encounter clear visual aids in the form of small pictures, helping you grasp correct fingerings whenever a new note is introduced. The art of staccato is introduced through purposeful exercises, while various rhythms and ternary pulsations are skillfully woven throughout the method. For those looking to expand their repertoire, some songs even offer a piano accompaniment, enabling wind musicians to embark on their duet debut. Adaptable for Various Instrument Flexibility is key, as the scores within this book can also be applied to other instruments in Eb, C, or Bb. Simply consult your teacher to determine the appropriate fingerings for your specific instrument. This method is thoughtfully tailored to ensure an evolutionary learning experience, free from unnecessary difficulties, suitable for both young or mature beginner musicians. Video accompaniement for Enhanced Autonomy To empower independent learning, each song is accompanied by a QR code-linked video. A quick scan with your smartphone grants you access to a visual and auditory guide corresponding to the song. Each song is thoughtfully paired with two videos, catering to both C or Bb clarinets. This thoughtful approach accommodates beginners with small hands, who may opt for a C clarinet in their first year. The videos enable students to read, listen, and play their scores with or without a teacher. Dive into the world of sounds, melodies, and techniques at your own pace, with the added benefit of visualizing fingerings and techniques whenever needed. Rediscover Music with Joy and Family If you or your child yearns to embark on a musical journey, this method offers a joyful and playful approach to learning the clarinet. Rediscover the songs of your childhood alongside your family, all while progressing at your own pace. Whether with or without a teacher, the accompanying videos ensure a rich and rewarding learning experience week after week.Begin your clarinet adventure today!
$25.80
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Six Bagatelles for Beethoven 250
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Clarinette
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AVANCÉ
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Classique
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by J...
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Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
Test Drive
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Clarinette
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INTERMÉDIAIRE
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Film/TV
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John Powell
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Glauco Fernandes
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Test Drive
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Glauco Fernandes
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.1375864 By John Powell. By John Powell. Arranged by Glauco Fernandes. Film/TV. Individual part. 2 pages. Glauco...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.1375864 By John Powell. By John Powell. Arranged by Glauco Fernandes. Film/TV. Individual part. 2 pages. Glauco Fernandes #960414. Published by Glauco Fernandes (A0.1375864). Discover the magic of music with the exclusive arrangement of the iconic Test Drive by John Powell, from the epic movie How To Train Your Dragon. This score has been meticulously crafted to meet the needs of musicians of all levels and styles.Looking for an exciting challenge? This arrangement provides a captivating musical experience, perfect for students looking to expand their horizons and enrich their repertoires. With a combination of energetic rhythms and engaging melodies, Test Drive offers a unique opportunity to enhance your musical skills.Music teachers will find in this arrangement a valuable tool for their instrument or chamber music classes. The score offers a variety of techniques and nuances that can be explored together with students, encouraging musical growth and development.For professional musicians seeking a high-quality score, this is the ideal choice. The precision and detail of this score ensure an impressive performance at a variety of events, from recitals and concerts to wedding ceremonies. The captivating melody of Test Drive is sure to delight audiences and add a touch of magic to any occasion.Don't miss the opportunity to acquire this exceptional arrangement of Test Drive by John Powell. Immerse yourself in the beauty of music and let yourself be carried away by this thrilling sonic journey. Get your score now and bring this musical masterpiece to life in your own hands.
$4.99
Test Drive
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Clarinette
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INTERMÉDIAIRE
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Film/TV
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John Powell
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Glauco Fernandes
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Test Drive
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Glauco Fernandes
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.1375865 By John Powell. By John Powell. Arranged by Glauco Fernandes. Film/TV. Individual part. 2 pages. Glauco...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.1375865 By John Powell. By John Powell. Arranged by Glauco Fernandes. Film/TV. Individual part. 2 pages. Glauco Fernandes #960415. Published by Glauco Fernandes (A0.1375865). Discover the magic of music with the exclusive arrangement of the iconic Test Drive by John Powell, from the epic movie How To Train Your Dragon. This score has been meticulously crafted to meet the needs of musicians of all levels and styles.Looking for an exciting challenge? This arrangement provides a captivating musical experience, perfect for students looking to expand their horizons and enrich their repertoires. With a combination of energetic rhythms and engaging melodies, Test Drive offers a unique opportunity to enhance your musical skills.Music teachers will find in this arrangement a valuable tool for their instrument or chamber music classes. The score offers a variety of techniques and nuances that can be explored together with students, encouraging musical growth and development.For professional musicians seeking a high-quality score, this is the ideal choice. The precision and detail of this score ensure an impressive performance at a variety of events, from recitals and concerts to wedding ceremonies. The captivating melody of Test Drive is sure to delight audiences and add a touch of magic to any occasion.Don't miss the opportunity to acquire this exceptional arrangement of Test Drive by John Powell. Immerse yourself in the beauty of music and let yourself be carried away by this thrilling sonic journey. Get your score now and bring this musical masterpiece to life in your own hands.
$4.99
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for A Clarinet
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Clarinette
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DÉBUTANT
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Classique
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Peter Ilyich Tchaikovsky
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Leyandder Trustworthy
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3 popular and easy themes by T
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Leyandder Trustworthy
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SheetMusicPlus
A Clarinet,Piano - Level 1 - SKU: A0.964522 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period,We...
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A Clarinet,Piano - Level 1 - SKU: A0.964522 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period,Wedding,World. Score and part. 6 pages. Leyandder Trustworthy #6340837. Published by Leyandder Trustworthy (A0.964522). Swan Lake is a dramatic ballet in four acts by Russian composer Piotr Ilitch Tchaikovski and with the libretto by Vladimir Begitchev and Vasily Geltzer. Its premiere took place at the Bolshoi Theater in Moscow on February 20, 1877, and was a failure not because of the music, but because of the poor performance of the orchestra and dancers, as well as the choreography and set design. The ballet was commissioned by the Bolshoi Theater in 1876 and the composer soon began writing.
$4.99
Prelude and Fugue in B-flat Minor
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kathryn Woodard
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Prelude and Fugue in B-flat Mi
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Sonic Crossroads
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.816462 Composed by Johann Sebastian Bach. Arranged by Kathryn Woodard. Baroque,Standards. Individual part. 19 pages. S...
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Clarinet Solo - Level 3 - SKU: A0.816462 Composed by Johann Sebastian Bach. Arranged by Kathryn Woodard. Baroque,Standards. Individual part. 19 pages. Sonic Crossroads #2025051. Published by Sonic Crossroads (A0.816462). This is an arrangement for 5-part clarinet choir of one of Bach's Preludes and Fugues from the Well-Tempered Clavier. Prelude calls for divisi in some places. Fugue can be performed by 5 players. Edited with dynamics. Subject entries in the fugue are indicated in the parts, making this an excellent instructional piece for Baroque counterpoint. Score and parts, 19 pp.
$5.95
Londonderry Air (Danny Boy) for Clarinet and Organ
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Clarinette
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FACILE
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Traditional
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Emily Gray
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Londonderry Air
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Emily Gray
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1402789 Composed by Traditional. Arranged by Emily Gray. Celtic,Folk,Irish,Traditional. Individual part. 4 page...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1402789 Composed by Traditional. Arranged by Emily Gray. Celtic,Folk,Irish,Traditional. Individual part. 4 pages. Emily Gray #986016. Published by Emily Gray (A0.1402789). Londonderry Air, also known as Danny Boy, is a well-known piece of music. This fairly easy arrangement is for clarinet and organ. The choice of which stops to use is decided by the organist.This edition includes score and all parts.
$11.99
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