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Are You Out There?
Clarinette
Partitions à imprimer
5 partitions trouvées
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
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Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
To Boldly Go
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Clarinette
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INTERMÉDIAIRE
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Contemporain
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Alexander Courage, Gene Rodden
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. ...
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Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Individual part. 5 pages. Sophia Transistor #6302451. Published by Sophia Transistor (A0.851132). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for single clarinet solo performance (or any instrument notated in treble clef in Bb). A symphonic suite arranged for Bb-clarinet instrumentation. This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trumpet brass players. Breething signs and spaces are included. Special spherical effects are notated as well.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid woodwind only Star Trek performance.Score is available in Bb in treble clef with 5 pages in DIN-A4 format.Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab'' There is even a High ringing Db''' for the very ambitious clarinet player (but the higher notes are also notated one octave lower).Thanks!YouTube Playalong: https://youtu.be/Qf2-xo7nnVYGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für klarinette notiert in Bb im Violinschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Klarinette angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Holzblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Auch spherische Klang-Effekte finden Beachtung.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur gibt es als Klarinette in Bb im Violinschlüssel notiert auf 5 Seiten in DIN-A4.Viele der melodischen Spannungbögen enden auf ein klingendes Ab''Es gibt sogar Stellen, die auf ein hohes klingendes Db''' enden, für alle ambitionierte KlarinettenspielerInnen (nach unten transponieren immer möglich).Epische Filmmusiknoten für Klarinette: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictclarinetArtists: Michael Giacchino, Alexander Courage, Gene RoddenberryArranger: Sophia Johanna TransistorDanke fürs anschauen!TAGS:STAR TREK theme, star trek clarinet, Noten, sheet music, score, arrangement, clarinet arrangement, to boldly go, filmmusic for clarinet, epic film music, Klarinette, Star Trek Klarinette, Star Trek Music, star trek arrangement, Star Trek solo performance, #startrekmusic, #startrektheme, #smppr.
$6.99
David W. Solomons: Shem Ru’ahh for clarinet solo
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Clarinette
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INTERMÉDIAIRE
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David Warin Solomons
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David W. Solomons: Shem Ru&rsq
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.533473 Composed by David Warin Solomons. Contemporary,Jewish,Standards. Individual part. 3 pages. Musik Fabrik Music P...
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Clarinet Solo - Level 3 - SKU: A0.533473 Composed by David Warin Solomons. Contemporary,Jewish,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2994075. Published by Musik Fabrik Music Publishing (A0.533473). Shem Ru’ahh for clarinet solo by David W SolomonsThe significance of the title relates to the fact that the clarinet is a wind instrument of great importance in Jewish culture, and the music reflects a somewhat Westernised view of this culture. The word “ â€×©× (shem) is often translated as “nameâ€, although it is not as abstract as the modern meaning of the word “name†because it also holds the underlying meaning of the name – for example one might call a person “Adam†and think of it as an abstract sequence of letters, which just happens to be a name, but the underlying meaning, or “shemâ€, is that the first Adam was so called because he came from out of the ground (“adamahâ€). The word “ רוח †(ru’ahh) means wind, but is often translated as “spiritâ€. The modern meaning of “spirit†evokes something incorporeal, but the word ru’ahh represents the very essence of what you are or what God is. In the case of God, it is a mighty rushing wind which fills the world and is everywhere. The significance of the title is therefore: The “name is the spirit†or rather, more literally, “the significance is the windâ€.
$7.75
Shem Ruahh for solo clarinet mp3
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Clarinette
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József Dávid
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Shem Ruahh for solo clarinet m
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David Warin Solomons
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SheetMusicPlus
Clarinet - SKU: A0.1103221 By József Dávid. By David Warin Solomons. Chamber,Jewish,Multicultural,World. Full Performance. Duration 175. David War...
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Clarinet - SKU: A0.1103221 By József Dávid. By David Warin Solomons. Chamber,Jewish,Multicultural,World. Full Performance. Duration 175. David Warin Solomons #706116. Published by David Warin Solomons (A0.1103221). The significance of the title relates to the fact that the clarinet is a wind instrument of great importance in Jewish culture, and the music reflects a somewhat Westernised view of this culture. The word “ש׆(shem) is often translated as “nameâ€, although it is not as abstract as the modern meaning of the word “name†because it also holds the underlying meaning of the name – for example one might call a person “Adam†and think of it as an abstract sequence of letters, which just happens to be a name, but the underlying meaning, or “shemâ€, is that the first Adam was so called because he came from out of the ground (“adamahâ€). The word “רוח†(ru’ahh) means wind, but is often translated as “spiritâ€. The modern meaning of “spirit†evokes something incorporeal, but the word ru’ahh represents the very essence of what you are or what God is. In the case of God, it is a mighty rushing wind which fills the world and is everywhere. The significance of the title is therefore: The “name is the spirit†or rather, more literally, “the significance is the windâ€.
$4.50
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Are You Out There?
