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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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Bach: The Art of Fugue,
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Non classifié
286
Piano & claviers
Piano seul
53
Orgue
19
Piano Facile
6
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
1 Piano, 4 mains
1
Orgue, Piano (duo)
1
Piano, Voix et Guitare
1
+ 4 instrumentations
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Guitares
Guitare
11
Guitare notes et tablatures
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Voix
Chorale SATB
3
Vents
Quatuor de Clarinettes: 4 clarinettes
63
Quatuor de Saxophones: 4 saxophones
61
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quatuor de Flûtes : 4 flûtes
25
Flûte, Hautbois, Clarinette, Basson
24
Quintette de Clarinettes: 5 clarinettes
20
Quintette de Flûte : 5 flûtes
19
Quintette de Saxophone: 5 saxophones
11
Flûte traversière et Piano
9
Saxophone Alto et Piano
6
Clarinette et Piano
6
Clarinette
6
3 Clarinettes (trio)
6
Saxophone Baryton, Piano
5
Hautbois, Piano (duo)
5
Saxophone Soprano et Piano
5
Saxophone Tenor et Piano
5
Ensemble de Flûtes
4
Cor anglais, Piano
4
3 Saxophones (trio)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette et Basson
3
Ensemble de saxophones
3
Ensemble de Clarinettes
3
Clarinette Basse, Piano
3
Clarinette (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes (duo)
2
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Piccolo, Piano
1
Flûte, Violoncelle
1
Flûte traversière
1
Flûte et Guitare
1
2 Flûtes traversières (duo)
1
Saxophone Alto
1
Clarinette, Harpe (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Alto (duo)
1
Hautbois, Basson (duo)
1
+ 36 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Ensemble de Trombones
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quatuor de cuivres: 4 trombones
15
Trombone et Piano
6
Euphonium, Piano (duo)
6
Ensemble de Trompettes
4
Cor anglais, Piano
4
Cor et Piano
3
Trompette (partie séparée)
3
Trombone (partie séparée)
3
2 Euphoniums et 2 Tubas
3
Cor (partie séparée)
3
Trompette
2
Euphonium, Tuba (duo)
2
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trombone
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Trombone (duo)
1
4 Tubas
1
Quatuor de Cuivres
1
Trompette, Piano
1
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
2 Cors (duo)
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
88
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
6
2 Violons (duo)
6
Violon
6
Violon et Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Violoncelle (duo)
5
Alto, Piano
5
Violoncelle
3
Violoncelle, Piano
3
Trio à cordes
3
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Alto seul
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
99
Ensemble de cuivres
37
Orchestre à Cordes
34
Orchestre de chambre
8
Orchestre
5
Percussion (partie séparée)
2
Ensemble Jazz
1
Ensemble de Percussions
1
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CLARINETTE
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Vous avez sélectionné:
Bach: The Art of Fugue,
SheetMusicPlus
Partitions à imprimer
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Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Prelude and Fugue in B-flat Minor
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kathryn Woodard
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Prelude and Fugue in B-flat Mi
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Sonic Crossroads
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.816462 Composed by Johann Sebastian Bach. Arranged by Kathryn Woodard. Baroque,Standards. Individual part. 19 pages. S...
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Clarinet Solo - Level 3 - SKU: A0.816462 Composed by Johann Sebastian Bach. Arranged by Kathryn Woodard. Baroque,Standards. Individual part. 19 pages. Sonic Crossroads #2025051. Published by Sonic Crossroads (A0.816462). This is an arrangement for 5-part clarinet choir of one of Bach's Preludes and Fugues from the Well-Tempered Clavier. Prelude calls for divisi in some places. Fugue can be performed by 5 players. Edited with dynamics. Subject entries in the fugue are indicated in the parts, making this an excellent instructional piece for Baroque counterpoint. Score and parts, 19 pp.
$5.95
Bach BWV 565 Tocata & Fugue in Dm Fantasy for Solo Unaccompanied Clarinet
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Clarinette
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AVANCÉ
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Classique
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Johann Sebastian Bach
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R G Roth
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Bach BWV 565 Tocata & Fugu
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Rainer's Rainbow
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.902125 Composed by Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual part. 41 p...
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Clarinet Solo - Level 5 - SKU: A0.902125 Composed by Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual part. 41 pages. Rainer's Rainbow #6404467. Published by Rainer's Rainbow (A0.902125). Bach wrote this Tocata & Fugue for Organ sometime in the years between 1730 and 1740. It wasn't published until the mid 19th century at the behest of Felix Mendelssohn. It is perhaps one of the most recognizable pieces for Organ. However, it is also one of the most often arranged themes. I have written it here for the first time for a single woodwind (Clarinet) and changed the barlines and time signatures, but melody is the same. I have also transposed for various harmony clarinets so it can be used as a technical study.
$4.99
'Fugue In D# Minor' J.S.Bach BWV 877
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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'Fugue In D# Minor' J.S.Bach B
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Stephen Davies
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.891982 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Individual part. 14 pages. St...
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Clarinet Solo - Level 4 - SKU: A0.891982 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Individual part. 14 pages. Stephen Davies #6645099. Published by Stephen Davies (A0.891982). The often avoided key of D# Minor gets an outing here with the Fugue No.8 from the second book of Preludes & Fugues BWV877 by J.S.Bach. With all its 6 sharps and attendant double sharps, this should prove to be a challenge!!..... The dynamics and articulation are my interpretation. .....don't worry though, they're only notes!! it's just 46 bars of absolutely exquisite harmony... Enjoy!
$15.99
Chromatic Fantasia BWV 903 (Clarinet)
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Clarinette
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AVANCÉ
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Classique
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Johann Sebastian Bach
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John Romano
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Chromatic Fantasia BWV 903
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John Romano
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.874586 Composed by Johann Sebastian Bach. Arranged by John Romano. Baroque. Individual part. 7 pages. John Romano #462...
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Clarinet Solo - Level 5 - SKU: A0.874586 Composed by Johann Sebastian Bach. Arranged by John Romano. Baroque. Individual part. 7 pages. John Romano #4625501. Published by John Romano (A0.874586). The Chromatic Fantasia (BWV 903) is a unique example of Bach's tonal experimentation that has been regarded as a masterpiece since the time of it's composition. A transcription for solo clarinet was done by Gustave Lengenus in the 1940s but has been permanently out of print for years. This current arrangement resurrects the monumental piece from oblivion and returns it the repertoire of the clarinet. The key has been kept in the original d minor to match the bass clarinet version and to work with the Chromatic Fugue for clarinet trio (sold separately).
$15.00
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