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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Being Me
Non classifié
137
Piano & claviers
Piano seul
119
Piano, Voix
53
Piano, Voix et Guitare
34
Instruments en Do
29
Piano Facile
7
Accompagnement Piano
2
1 Piano, 4 mains
2
Orgue
2
+ 3 instrumentations
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Guitares
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
2
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2
Guitare notes et tablatures
1
Mandoline
1
+ 1 instrumentations
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Voix
Chorale SATB
60
Chorale 3 parties
25
Chorale 2 parties
17
Chorale TTBB
17
Voix duo, Piano
9
Chorale SSAA
8
Chorale Unison
6
Voix Soprano, Piano
4
Voix Tenor, Piano
2
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 6 instrumentations
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Vents
Clarinette
7
3 Clarinettes (trio)
7
Hautbois, Piano (duo)
6
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5
Flûte, Hautbois, Clarinette, Basson
5
Clarinette et Piano
5
Flûte traversière
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois (partie séparée)
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Flute (partie séparée)
3
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3
Saxophone Tenor
2
Saxophone Alto
2
Saxophone
2
Hautbois
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Guitare (duo)
1
2 Flûtes traversières (duo)
1
Saxophone Soprano
1
Saxophone (partie séparée)
1
Saxophone Soprano et Piano
1
Saxophone Alto et Piano
1
2 Clarinettes (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 21 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
8
Cor
4
Trombone et Piano
3
Tuba et Piano
3
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Cor et Piano
1
Trompette, Piano
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
13
Violon
12
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
7
Harpe, Voix
5
Violoncelle, Piano
4
Alto seul
4
Alto, Piano
4
Violon, Violoncelle (duo)
3
Harpe
3
2 Violoncelles (duo)
3
Violon, Alto (duo)
2
Contre Basse
2
Alto (partie séparée)
1
2 Violons (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Harpes (duo)
1
2 Altos (duo)
1
+ 14 instrumentations
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Orchestre d'harmonie
50
Orchestre
19
Orchestre à Cordes
11
Orchestre de chambre
9
Ensemble de cuivres
5
Ensemble Jazz
4
Jazz combo
3
Cloches
1
Piano et Orchestre
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CORNET
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Vous avez sélectionné:
Being Me
Clarinette
Partitions à imprimer
7 partitions trouvées
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1
Someone You Loved
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Clarinette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by...
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Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
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Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
My Immortal
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Clarinette
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
A Clarinet Solo - SKU: A0.1014850 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. In...
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A Clarinet Solo - SKU: A0.1014850 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619482. Published by M das Melodias (A0.1014850). Sheet music for Clarinet in A My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #clarinet I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99
Rolling In The Deep
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Clarinette
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DÉBUTANT
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Adele
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Erik B
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Rolling In The Deep
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Erik Brandão
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SheetMusicPlus
A Clarinet Solo - Level 1 - SKU: A0.1446864 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Indivi...
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A Clarinet Solo - Level 1 - SKU: A0.1446864 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Individual part. 3 pages. Erik Brandão #1026630. Published by Erik Brandão (A0.1446864). PLAY THE SONG ROLLING IN THE DEEP ON THE CLARINET IN A!Rolling in the Deep is a song by British singer Adele, released in 2010 as part of her album “21.” This song became a major commercial and critical success, solidifying Adele as one of the most distinctive voices of her generation.Meaning and Emotions: The song is an emotional powerhouse, capturing the pain, betrayal, and resilience that often accompany the end of a romantic relationship. Adele’s powerful vocals convey a mix of anger, heartache, and determination. The phrase “rolling in the deep” suggests being immersed in something profound and intense, whether it’s love or the pain of loss. Adele’s heart is still burning (“fire starting in my heart”) despite the darkness of the breakup. The repetition of “You’re gonna wish you never had met me” serves as both a warning and a curse, implying regret for the ex-lover’s actions.
$9.00
Rolling In The Deep
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Clarinette
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DÉBUTANT
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Adele
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Erik B
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Rolling In The Deep
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Erik Brandão
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1446857 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. I...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1446857 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Individual part. 3 pages. Erik Brandão #1026623. Published by Erik Brandão (A0.1446857). PLAY THE SONG ROLLING IN THE DEEP ON THE CLARINET IN Bb!Rolling in the Deep is a song by British singer Adele, released in 2010 as part of her album “21.” This song became a major commercial and critical success, solidifying Adele as one of the most distinctive voices of her generation.Meaning and Emotions:The song is an emotional powerhouse, capturing the pain, betrayal, and resilience that often accompany the end of a romantic relationship. Adele’s powerful vocals convey a mix of anger, heartache, and determination.The phrase “rolling in the deep” suggests being immersed in something profound and intense, whether it’s love or the pain of loss. Adele’s heart is still burning (“fire starting in my heart”) despite the darkness of the breakup.The repetition of “You’re gonna wish you never had met me” serves as both a warning and a curse, implying regret for the ex-lover’s actions.
$9.00
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. ...
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Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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Being Me
