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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Hymn Sacred
Non classifié
1 263
Piano & claviers
Piano seul
724
Piano, Voix et Guitare
377
Piano, Voix
342
Orgue
266
Accompagnement Piano
143
Piano Facile
126
Piano grosses notes
75
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
21
Instruments en Do
19
Piano Quatuor: piano, 2 violons, violoncelle
18
2 Pianos, 4 mains
9
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
6
Piano (partie séparée)
1
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Ukulele
18
Guitare notes et tablatures
14
Guitare
11
Banjo
3
Mandoline
3
Paroles et Accords
2
Ukulele Baryton
2
Dulcimer
2
Dobro
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
768
Chorale 2 parties
547
Chorale 3 parties
254
Voix duo, Piano
235
Chorale Unison
205
Voix duo
131
Pack Instrumental pour Chorale
46
Chorale TTBB
40
Voix Soprano, Piano
8
Chorale SSAA
7
Voix Tenor, Piano
4
Voix Alto, Piano
3
Voix moyenne, Piano
3
Voix haute
3
Voix Baryton, Piano
1
Voix seule
1
Chorale
1
Chorale SSATB
1
Voix Tenor
1
Voix basse
1
Voix, Guitare
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
136
Saxophone Alto et Piano
107
Clarinette et Piano
103
Saxophone Soprano et Piano
97
Saxophone Tenor et Piano
89
Quatuor de Saxophones: 4 saxophones
81
Flûte, Hautbois, Clarinette, Basson
77
2 Saxophones (duo)
75
Hautbois, Piano (duo)
68
Flûte, Clarinette (duo)
63
Flûte traversière
33
2 Flûtes traversières (duo)
31
2 Clarinettes (duo)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Quatuor de Clarinettes: 4 clarinettes
24
3 Clarinettes (trio)
20
3 Saxophones (trio)
19
Saxophone, Clarinette (duo)
18
Saxophone Baryton, Piano
15
Quatuor de Flûtes : 4 flûtes
15
Cor anglais, Piano
14
Clarinette, Violon (duo)
14
Clarinette
11
Flûte, Violon
11
Hautbois, Basson (duo)
11
Flûte à bec Soprano, Piano
11
2 Hautbois (duo)
10
Clarinette, Trompette (duo)
10
Trio de Flûtes: 3 flûtes
9
Hautbois, Clarinette (duo)
9
Flûte, Saxophone (duo)
8
Clarinette et Alto
8
Flûte, Violoncelle
7
Flûte, Alto (duo)
7
Quintette de Saxophone: 5 saxophones
7
Clarinette Basse, Piano
7
Hautbois (partie séparée)
7
Quatuor de Flûtes à bec
6
Hautbois, Flûte
6
Clarinette, Basson (duo)
6
Saxophone et Orgue
6
Flûte à bec Soprano
6
Flûte, Violon, Piano
5
Flûte, Trompette (duo)
5
Ensemble de Clarinettes
5
Hautbois
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette (partie séparée)
3
Ensemble de Flûtes
3
2 Saxophones, Piano
3
Clarinette, Harpe (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flute (partie séparée)
3
Flûte et Guitare
3
Clarinette, Violoncelle (duo)
3
Saxophone Tenor
3
Flûte, Trombone (duo)
2
Flûte à Bec
2
Saxophone et Harpe
2
Saxophone (partie séparée)
2
Flûte à bec Alto, Piano
2
Flute, Cor (duo)
2
Saxophone et Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Basson et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Ensemble De Flûte à bec
2
2 Flûtes traversières, Piano
2
Clarinette, Orgue
1
2 Clarinettes, Basson
1
Flûte, Alto et Piano
1
Ensemble de Hautbois
1
Clarinette Basse
1
Flûte, Violon et Violoncelle
1
Piccolo
1
Saxophone Alto
1
2 Flûtes traversières, Harpe
1
Hautbois et alto (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle, Piano (trio)
1
Cor Anglais
1
Hautbois, Harpe
1
Piccolo, Piano
1
Harmonica
1
Flûte à bec Alto
1
Flûte, trombone et piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûte à bec (duo)
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
+ 86 instrumentations
Retracter
Cuivres
Trombone et Piano
133
Trompette, Piano
113
Cor et Piano
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette
54
Quatuor de Cuivres: 2 trompettes, Cor, trombone
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Trompette, Cor (duo)
34
2 Trombones (duo)
25
2 Trompettes (duo)
24
Trompette, Trombone (duo)
19
Quatuor de Cuivres
15
Euphonium, Piano (duo)
14
Cor anglais, Piano
14
Tuba et Piano
14
Quatuor de cuivres: 4 cors
11
Trompette, Saxophone (duo)
11
2 Cors (duo)
10
Trombone
8
Tuba
6
3 Trombones (trio)
5
Trombone, Orgue
5
Cor
5
Trompette et Guitare
4
Quatuor de cuivres: 4 trombones
4
Trompette, Violoncelle et Piano
3
Quatuor de cuivres: 4 trompettes
2
Cor et Harpe
2
Euphonium, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor et Orgue
2
Trompette, Harpe
2
3 Trompettes (trio)
2
Trio de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Cors
2
2 Trombones, Piano
2
Trompette, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Cor (duo)
1
Ensemble de Trombones
1
Cor Anglais
1
4 Tubas
1
Trombone (partie séparée)
1
Clarinette, Cor (duo)
1
Cor (partie séparée)
1
2 Tubas (duo)
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
153
Quatuor à cordes: 2 violons, alto, violoncelle
114
Violoncelle, Piano
112
Alto, Piano
86
Violon, Violoncelle (duo)
48
Harpe
46
Piano Trio: Violon, Alto, Piano
36
Violon
28
Harpe, Flûte (duo)
26
2 Violoncelles (duo)
24
Trio à Cordes: violon, alto, violoncelle
21
Violon, Alto (duo)
21
2 Violons (duo)
19
Violoncelle
11
2 Altos (duo)
11
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
10
Harpe, Violon (duo)
6
Harpe, Violoncelle (duo)
6
4 Violoncelles
6
Alto seul
5
Alto et Harpe
5
Harpe, Voix
4
Violoncelle, Orgue
4
Violon (partie séparée)
4
Violoncelle (partie séparée)
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes
3
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
2
Contre Basse
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Basson (duo)
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Harpe, Trombone (duo)
1
Autoharp
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Cloches
243
Orchestre d'harmonie
81
Ensemble de cuivres
55
Orchestre
52
Orchestre à Cordes
37
Ensemble Jazz
24
Orchestre de chambre
15
Jazz combo
6
Marimba
5
Percussion (partie séparée)
3
Vibraphone
2
Timbales
1
+ 7 instrumentations
Retracter
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CORNEMUSE
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE
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HARMONICA
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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PUNK
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Vous avez sélectionné:
Can Hymn Sacred
Clarinette
Partitions à imprimer
11 partitions trouvées
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1
O Little Town of Bethlehem and Once in Royal David's City - Clarinet descants
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Clarinette
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FACILE
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Noël
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Henry John Gauntlett and Louis
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Diana Meux
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first is sample page)
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O Little Town of Bethlehem and
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Download Church Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1142137 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holid...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1142137 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742511. Published by Download Church Music (A0.1142137). Two different Bb clarinet descants for the Christmas hymns O Little Town of Bethlehem and Once in Royal David’s City, including intro and interlude that connects the hymns. For concert key of F major. Based on the tunes ST. LOUIS by Lewis H. Redner and IRBY by Henry J. Gauntlett. 1 page (file is 2 pages; first is sample page). Use hymnal or other source for accompaniment. Descants for both hymns fit Lutheran Worship (LW) settings, and Lutheran Service Book (LSB) provided the C is changed to C# in measure 36:4. “O Little Town of Bethlehem†also fits the Lutheran Book of Worship (LBW) setting. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:1-4, with clarinet playing solo intro, descants, and solo interlude, such as: - Reading: Luke 2:1-4 - Clarinet solo intro - Hymn: O Little Town of Bethlehem, stanza 1 [with descant] - Clarinet solo interlude - Hymn: Once in Royal David’s City, stanza 1 [with descant] Or use descants separately and omit interlude.
$2.25
Christ the Lord is Risen Today; Alleluia - Bb clarinet Melody & Descant
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Clarinette
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FACILE
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Musique Sacrée
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Robert Williams
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Diana Meux
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Alleluia
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Christ the Lord is Risen Today
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Download Church Music
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SheetMusicPlus
Clarinet Solo - Level 2 - SKU: A0.796324 Composed by Robert Williams. Arranged by Diana Meux. Easter,Sacred. Individual part. 2 pages. Download Church M...
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Clarinet Solo - Level 2 - SKU: A0.796324 Composed by Robert Williams. Arranged by Diana Meux. Easter,Sacred. Individual part. 2 pages. Download Church Music #3482941. Published by Download Church Music (A0.796324). Melody and descant for Bb clarinet on the Easter hymn Christ the Lord is Risen Today; Alleluia. [Tune: LLANFAIR]. 1 page (file is 2 pages, but the 1st page is sample page only).For concert key of F major. Use hymnal or other source for accompaniment. Â Descant fits the hymn settings in the hymnals Lutheran Worship (LW), Lutheran Service Book (LSB), and Lutheran Book of Worship (LBW). Â The descant may also fit settings in other hymnals.Music for C instrument (flute, oboe, violin) also available separately.
$1.99
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
"Amazing Grace" - Beautiful easy version for CLARINET solo.
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Clarinette
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DÉBUTANT
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John Newton
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Iury Cardoso
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"Amazing Grace" - Be
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Iury Cardoso
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1425993 Composed by John Newton. Arranged by Iury Cardoso. Praise & Worship,Religious,Sacred,Spiritual,Traditio...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1425993 Composed by John Newton. Arranged by Iury Cardoso. Praise & Worship,Religious,Sacred,Spiritual,Traditional. Individual part. 2 pages. Iury Cardoso #1006781. Published by Iury Cardoso (A0.1425993). Easy CLARINET SOLO arrangement of the hymn: Amazing Grace by John NewtonThis arrangement of the classic hymn Amazing Grace transforms the original song into a easy version for CLARINET SOLO. In this arrangement, the simplified chords and melody make it easy to learn, so get the sheet music for “Amazing Grace” now and play this beautiful song that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: so you can play along with another accompaniment instrument.- Other versions available: On this site, there is also a version of this same arrangement with the piano accompaniment and also versions for WOODWIND QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy amazing grace for clarinet soloeasy clarinet sheet musicamazing grace easy clarinet for beginnersamazing grace easy clarinet sheet musiceasy clarinet worshipeasy clarinet spiritualsheet musiceasy amazing grace sheet musicamazing grace for clarinet soloamazing grace clarinet sheet musicamazing grace easy clarineteasy clarinetamazing grace but on the clarinet easy clarinet hymn sheet musiceasy clarinet amazing graceamazing grace sheet music.
$2.99
Let It Be Christ (Solo Clarinet Part)
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Clarinette
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Ware
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Let It Be Christ
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Michael Ware Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.889062 By Michael Ware. By Michael Ware. Classical,Praise & Worship,Sacred,Traditional. Individual part. 2 page...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.889062 By Michael Ware. By Michael Ware. Classical,Praise & Worship,Sacred,Traditional. Individual part. 2 pages. Michael Ware Music #495345. Published by Michael Ware Music (A0.889062). Let It Be Christ is Michael Ware’s choral adaptation of a little know hymn text by James Montgomery. The lyrics are inspired from Paul’s words in Philippians 1:21, “For me to live is Christ, and to die is gain.†This stately anthem which was commissioned for the 2022 Baptist Church Music Conference features an instrumental solo which can be played on violin, flute, or clarinet. SATB and TTBB versions are available.
$5.00
My Jesus, I Love Thee Medley
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Clarinette
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INTERMÉDIAIRE
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Joseph Y
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Faith Winston
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My Jesus, I Love Thee Medley
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Faith Winston
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SheetMusicPlus
Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.885525 Composed by Joseph Y. Peek and Adoniram J. Gordon. Arranged by Faith Winston. Romantic Perio...
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Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.885525 Composed by Joseph Y. Peek and Adoniram J. Gordon. Arranged by Faith Winston. Romantic Period,Sacred. Score and individual part. 3 pages. Faith Winston #2024437. Published by Faith Winston (A0.885525). This Medley of hymn tunes (My Jesus, I Love Thee and I Would Be True) can be used as an offertory or meditation in a church setting.
$4.99
Lift High The Cross (Bb-Clarinet solo and Organ)
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Clarinette
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Lift High The Cross
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Exultet Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1147009 By Stephen DeCesare. By Sydney H. Nicholson. Arranged by Stephen DeCesare. Christian,Easter,Praise & Wo...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1147009 By Stephen DeCesare. By Sydney H. Nicholson. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Standards. Individual part. 9 pages. Exultet Music #747213. Published by Exultet Music (A0.1147009). The majestic and festive Christian hymn about Christ's Cross has now been freshly arranged for a Bb-Clarinet solo with Organ accompaniment. Accessible and appropriate for any church setting. Can be used for various times throughout the liturgical year.
$4.99
Amazing Grace - Solo Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Traditional American Melody
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James Michael Stevens
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Amazing Grace - Solo Clarinet
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James M Stevens Music ASCAP
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Piano - Level 3 - SKU: A0.572823 Composed by Traditional American Melody. Arranged by James Michael Stevens. Contempora...
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Instrumental Duet,Piano Clarinet,Piano - Level 3 - SKU: A0.572823 Composed by Traditional American Melody. Arranged by James Michael Stevens. Contemporary,Holiday,Multicultural,Sacred,World. Score and part. 7 pages. James M Stevens Music ASCAP #4333409. Published by James M Stevens Music ASCAP (A0.572823). This is an original arrangement for Clarinet and Piano of the classic devotional hymn, Amazing Grace. There is a separate clarinet part in the score and track as heard is available under Amazing Grace Piano Track - E Flat Major. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=qC4NUzEGHDU
$6.99
AMAZING GRACE (Bb Clarinet 1 & 2 with Piano - Score & Parts included)
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Clarinette
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional American Melody
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Gary Lanier
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AMAZING GRACE
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The Lanier Company
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.617167 Composed by Traditional American Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Individual pa...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.617167 Composed by Traditional American Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Individual part. 11 pages. The Lanier Company #4744587. Published by The Lanier Company (A0.617167). AMAZING GRACE is an arrangement for Bb Clarinet 1 & 2 with Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (11 pages).
$8.99
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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