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Trombone et Piano
5
Cor (partie séparée)
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Trompette
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Euphonium, Piano (duo)
3
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2
2 Trombones (duo)
2
Cor
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Trompette, Saxophone (duo)
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2 Cors (duo)
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Trompette, Trombone (duo)
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Trompette, Harpe
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Quatuor de cuivres: 4 trombones
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2 Trompettes (duo)
1
Cor anglais, Piano
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Cor et Harpe
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Tuba et Piano
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Trompette, Basson (duo)
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CORDES
2 Violoncelles (duo)
45
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
23
2 Violons (duo)
15
Trio à Cordes: violon, alto, violoncelle
15
Violoncelle, Piano
10
Violon
9
Violon (partie séparée)
8
Alto, Piano
7
Harpe
6
Violon, Violoncelle (duo)
4
Violoncelle (partie séparée)
3
Harpe, Flûte (duo)
3
2 Harpes (duo)
3
Alto (partie séparée)
3
Violoncelle , Guitare (duo)
3
Alto, Guitare (duo)
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Violon, Alto (duo)
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
4 Violoncelles
1
Violoncelle, Orgue
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Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto et Harpe
1
Violoncelle
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
Harpe, Violoncelle (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
224
Orchestre à Cordes
41
Batterie
16
Orchestre
9
Ensemble de cuivres
9
Batterie (partie séparée)
8
Fanfare
7
Orchestre de chambre
4
Cloches
3
Percussion (partie séparée)
3
Quintette de Cuivres: autres combinaisons
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Ukiyo-e: Pictures of the Floating World
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.787200 Composed by Greg Bartholo…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.787200 Composed by Greg Bartholomew. 20th Century,Contemporary,Standards. Individual part. 7 pages. Burke & Bagley #48421. Published by Burke & Bagley (A0.787200). Ukiyo-e (literally pictures of the floating world) is a genre of Japanese woodblock prints and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters. It is the main artistic genre of woodblock printing in Japan. Usually the word ukiyo is literally translated as floating world, referring to a conception of an evanescent world, impermanent, fleeting beauty and a realm of entertainments (kabuki, courtesans, geisha) divorced from the responsibilities of the mundane, everyday world; pictures of the floating world, i.e. ukiyo-e, are considered a genre unto themselves. The novelist Asai Ryoi, in his Ukiyo monogatari (Tales of the Floating World, c. 1661), provides some insight into the concept of the floating world: ... Living only for the moment, turning our full attention to the pleasures of the moon, the snow, the cherry blossoms and the maple leaves; singing songs, drinking wine, diverting ourselves in just floating, floating; ... refusing to be disheartened, like a gourd floating along with the river current: this is what we call the floating world... Ukiyo-e: Pictures of the Floating World was composed for clarinetist Thomas Piercy and pianist Claudine Hickman, who gave the world premiere performance in New York on April 8, 2012, as part of the 15 Minutes of Fame program on the Composer's Voice Concert Series. Duration 1 minute.Download free piano accompaniment track: Â http://www.gregbartholomew.com/piano/BB321P.mp3.
$5.95
5.48 €
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Clarinette
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Greg Bartholomew
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Ukiyo-e: Pictures of the Floating World
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Burke & Bagley
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.36 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.548464 Composed by Johan…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.36 €
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Clarinette
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
22.99 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Solo Pieces for the Advanced Clarinetist
Clarinette
By Dr. Norman Heim. For Clarinet. Classic. 128 pages. Published by Mel Bay Publications - …
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By Dr. Norman Heim. For Clarinet. Classic. 128 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610650281. Nine outstanding clarinet solos with keyboard accompaniment. Includes works by J.S. Bach, Brahms, Dvorak, Mendelssohn, Von Weber, Tschaikovsky, Schumann, and Haydn. The music has been composed by master composers who lived in the 18th and 19th centuries, and the music has been adapted here for clarinet performance. The music used represents a variety of musical styles, thus giving the player a wide performance experience. Metronome markings have been suggested for each work to give the player a guideline for tempo.
$17.99
16.58 €
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Clarinette
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Dr
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Solo Pieces for the Advanced Clarinetist
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Technical Development for the Clarinetist
Clarinette
By Dr. Norman Heim. For Clarinet. All Styles. 64 pages. Published by Mel Bay Publications …
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By Dr. Norman Heim. For Clarinet. All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112254. Contains scales, chords and routines which are written for the technical advancement of the intermediate-level clarinetist. The material is presented with varied articulations, meters, rhythms, and dynamics in order to enhance the experience of the clarinetist. The emphasis for most of the book is placed on materials in keys through four accidentals, using the major and minor scheme. More advanced keys and scale patterns are presented later in the book alongwith routines which may be used as daily warmup material. Each of the scales, chords and routines have suggested dynamic markings and breaths in order to make each item a musical experience. The stylistic content of the music in this book reflects the musical styles prevalent in the eighteenth and nineteenth centuries. Mastery of this materials will provide the clarinetistwith good technical facility to play music written before the twentieth century, and will give a good technical background for playing contemporary music.
$12.99
11.97 €
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Clarinette
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Dr
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Technical Development for the Clarinetist
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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