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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Common Time
Non classifié
431
Piano & claviers
Piano seul
125
Piano, Voix
31
Piano Facile
14
Instruments en Do
14
Piano, Voix et Guitare
9
Orgue
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Accordéon
1
Clavecin
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
13
Banjo
3
Basse electrique
3
Mandoline
3
Dulcimer
3
2 Guitares (duo)
2
Ukulele
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
56
Chorale 2 parties
20
Chorale 3 parties
13
Voix duo, Piano
5
Chorale Unison
4
Voix seule
4
Chorale TTBB
4
Voix duo
3
Voix Tenor
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
Chorale SSAA
1
+ 7 instrumentations
Retracter
Vents
Ensemble de saxophones
38
Quintette de Saxophone: 5 saxophones
24
Flûte traversière et Piano
19
Clarinette et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
13
Hautbois, Piano (duo)
13
Ensemble de Clarinettes
12
Clarinette
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Soprano et Piano
8
Flûte, Hautbois, Clarinette, Basson
8
Quatuor de Saxophones: 4 saxophones
7
2 Saxophones (duo)
6
Saxophone Baryton, Piano
6
2 Flûtes traversières (duo)
5
Clarinette Basse, Piano
5
Cor anglais, Piano
5
Ensemble de Flûtes
4
Flûte traversière
4
Quintette de Flûte : 5 flûtes
4
3 Saxophones (trio)
3
Saxophone, Clarinette (duo)
3
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
3 Clarinettes (trio)
1
Hautbois (partie séparée)
1
Saxophone Alto
1
Flûte, Violon
1
Cor anglais et Harpe (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Flûte
1
Flûte, Alto (duo)
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Saxophone et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
5 Flûtes à bec
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
Saxophone
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone et Piano
18
Trompette
13
Ensemble de Trombones
11
Cor et Piano
11
Quatuor de Cuivres
10
Ensemble de Trompettes
7
Tuba et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium, Piano (duo)
6
Cor anglais, Piano
5
Ensemble de Cors
4
Trompette, Piano
4
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Cor anglais et Harpe (duo)
1
Trombone
1
Tuba
1
Trompette, Cor (duo)
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
Tuba et Orgue
1
2 Tubas (duo)
1
Trombone basse et Piano
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Alto, Piano
18
Trio à Cordes: violon, alto, violoncelle
14
Violon et Piano
14
Harpe
13
Violoncelle, Piano
11
Ensemble d'Altos
5
Ensemble de Violons
5
Violon
5
2 Harpes (duo)
4
Violoncelle
4
Violon, Violoncelle (duo)
4
2 Violons (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contre Basse
3
Harpe, Flûte (duo)
2
Violon (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
113
Orchestre à Cordes
22
Orchestre
10
Ensemble de cuivres
10
Ensemble de Percussions
6
Orchestre de chambre
6
Cloches
5
Instrumentation Flexible
3
Batterie
2
Jazz combo
2
Fanfare
2
Ensemble Jazz
2
Ensemble d'École
2
+ 8 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Common Time
Clarinette
Partitions à imprimer
8 partitions trouvées
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Balkan Dance (Solo Bb Clarinet Part)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Samuel A
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Balkan Dance
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T.U.X. People's Music
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.832023 Composed by Samuel A. Livingston. Contemporary,Contest,Festival,Multicultural,Standards,World. Individual part....
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Clarinet Solo - Level 4 - SKU: A0.832023 Composed by Samuel A. Livingston. Contemporary,Contest,Festival,Multicultural,Standards,World. Individual part. 2 pages. T.U.X. People's Music #6092745. Published by T.U.X. People's Music (A0.832023). This dance-inspired tune for clarinet and wind ensemble is a perfect exploration of less-common time! Livingston’s rhythmic writing is complemented by his lush orchestration in this shorter work for band and soloist!This download ONLY includes the solo part, purchase the full set at Tuxpeoplesmusic.com or your favorite local retailer!
$15.00
(Everything I Do) I Do It For You
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Clarinette
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INTERMÉDIAIRE
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Bryan Adams
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James M
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(Everything I Do) I Do It For
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548295 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548295 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233887. Published by jmsgu3 (A0.548295). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
Halo
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Soul/R&B
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Beyonce
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James M
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Halo
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.548274 By Beyonce. By Beyonce Knowles, Evan Bogart, and Ryan Tedder. Arranged by James M. Guthrie, ASCAP. Hip-...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.548274 By Beyonce. By Beyonce Knowles, Evan Bogart, and Ryan Tedder. Arranged by James M. Guthrie, ASCAP. Hip-Hop,Pop,R & B. Score and part. 16 pages. Jmsgu3 #3228741. Published by jmsgu3 (A0.548274). Duration: 4:15, Score: 12 pages, part: 4 pages, meter: common time, tempo: quarter = 84, Measures: 73. Suitable for recital, church, or combo performance.
$62.95
Every Breath You Take
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Clarinette
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FACILE
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Rock
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The Police
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James M
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Every Breath You Take
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.548379 By The Police. By Sting. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.548379 By The Police. By Sting. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3246379. Published by jmsgu3 (A0.548379). Duration: 2:52, score: 11 pages, part: 2 pages, 67 measures in common time, MM:quarter = 115. Suitable for recital, church or jazz combo performance.
$29.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Concerto No. 3
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Clarinette
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Johann Melchior Molter
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Concerto No. 3
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Imagine Music - Digital
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SheetMusicPlus
E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Im...
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E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Imagine Music - Digital (IZ.PDP009). 9 x 12 in inches.Johann Melchior Molter achieved particular notoriety for his writing for unusual instruments, such as the chalumeau, the flauto d' amore, the flauto cornetto, and the harp. The clarinet was at the time a very new and quite unrefined instrument, but the Karlsruhe court orchestra possessed a musician (Johann Reusch) who played it. In 1747 Molter wrote four concerti for the piccolo clarinet in D, which are possibly the first clarinet concerti ever written. The motives and fanfare-like arpeggiated figures of these clarinet concerti reflect the early clarinet's reputed tonal similarity to the trumpet. It is interesting to note that the English referred to the early clarinet as the Mock Trumpet, and the name clarinet itself is derived from the Italian word for trumpet, clarino. The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and Stravinsky's Le sacre du printemps. The D clarinet is still in fairly common use today, but the majority of modem clarinetists perform parts written for the D clarinet on the much more common E-flat clarinet. For this arrangement I wished to allow the clarinetist to perform Molter's third concerto on the E-flat clarinet in the same key as it was written for the D clarinet. Therefore, I have transposed the piece from the original key of G to A-flat, which keeps the written solo part in the key of F. It is my sincere hope that this practicality will allow many more clarinetists to enjoy performing this historically significant piece of clarinet repertoire.
$20.00
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Clef and Key Studies for Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Brett L
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Clef and Key Studies for Clari
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Sonata Grendel Publishing
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SheetMusicPlus
Clarinet - Advanced Intermediate - Digital Download Composed by Brett L. Wery. Romantic Period, Classical Period, Method, Etudes and Exercises, Techn...
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Clarinet - Advanced Intermediate - Digital Download Composed by Brett L. Wery. Romantic Period, Classical Period, Method, Etudes and Exercises, Technique Training. Individual Part. 292 pages. Published by Sonata Grendel Publishing
Clefand Key Studies for Clarinet is intended toprovide a comprehensive grounding in the melodic and harmonic gestures of eachkey center so that ?muscle memory? and automaticity aid in the development ofclef reading and transposition skills. Performers should find themselvesreading transpositions the same way they read treble and bass clefs?with noongoing, intervening calculation; transposing musical gestures, not individualnotes. In addition to over five hundred scales and arpeggios and over two hundredshort technical exercises, Clef and KeyStudies for Clarinet provides a wealth of slow melodic studies aimed atdeveloping tone and intonation. All exercises are placed within the context ofkeys and tonal centers so that the performer develops a vocabulary of musicalstructures that share a common syntax.
Clefand Key Studies for Clarinet isdesigned to be adaptable for a number of pedagogical and professional purposes.Work one key at a time or one key signature (major plus following relativeminor) at a time. Pick and choose which clefs to focus on or ignore the exoticclefs altogether. Use clef studies and transposition drills as warm up tunes.Use the extensive indexing to create personalized practice routines. There aremany ways to apply the drills and exercises in Clef and Key Studies forClarinet to meet each performer?s goals and objectives.
$35.95
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