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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Composer\
Non classifié
7 167
Piano & claviers
Piano seul
6 130
Piano Facile
1 175
Piano, Voix
994
Orgue
855
Piano, Voix et Guitare
379
1 Piano, 4 mains
193
Instruments en Do
185
Accompagnement Piano
134
Piano Trio: piano, violon, violoncelle
124
2 Pianos, 4 mains
77
Piano Quintette: piano, 2 violons, alto, violoncelle
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Piano (duo)
23
Accordéon
21
Orgue, Trompette (duo)
14
Clavecin
14
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
6
2 Pianos, 8 mains
4
Fake Book
2
2 Accordéons
2
Accordéon, Piano
1
Clavier
1
Ensemble de Pianos
1
+ 20 instrumentations
Retracter
Guitares
Guitare
587
Ukulele
287
Guitare notes et tablatures
272
Ligne De Mélodie, (Paroles) et Accords
136
Piano, Guitare (duo)
129
2 Guitares (duo)
105
Guitare (partie séparée)
24
4 Guitares (Quatuor)
22
Mandoline
19
Basse electrique
14
3 Guitares (trio)
11
Guitare, Violon, Violoncelle (trio)
9
Mandoline, Guitare (duo)
7
Ensemble de guitares
5
Dulcimer
4
Ukulele Baryton
3
Paroles et Accords
2
Banjo
1
2 Mandolines (duo)
1
Orchestre à Plectres
1
Guitare, Quatuor à cordes
1
2 Ukuleles
1
Luth
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 051
Chorale 3 parties
486
Chorale 2 parties
211
Chorale Unison
196
Chorale TTBB
112
Voix Soprano, Piano
104
Voix haute
102
Chorale SSAA
84
Voix duo
62
Voix Alto, Piano
61
Voix Baryton, Piano
61
Voix Tenor, Piano
60
Voix moyenne, Piano
45
Voix duo, Piano
37
Voix seule
31
Chorale SSAATTBB
23
Voix basse, Piano
15
Voix Tenor
12
Voix Mezzo-Soprano, Piano
10
Voix basse
10
Chorale SSATTB
8
Voix Soprano
5
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Chorale
2
Chorale SSAB, Piano
1
Voix, Guitare
1
Voix Baryton
1
Chorale SSAATB
1
Chorale SSAB a cappella
1
Chorale SATBB
1
Chorale SAATB A Cappella
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 114
Clarinette et Piano
783
Hautbois, Piano (duo)
651
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
621
Saxophone Alto et Piano
594
Quatuor de Saxophones: 4 saxophones
429
2 Flûtes traversières (duo)
320
Quatuor de Clarinettes: 4 clarinettes
307
Saxophone Tenor et Piano
305
2 Saxophones (duo)
284
Flûte, Hautbois, Clarinette, Basson
245
Clarinette
234
Flûte traversière
227
Saxophone Soprano et Piano
204
Quintette de Saxophone: 5 saxophones
203
Quatuor de Flûtes : 4 flûtes
180
2 Clarinettes (duo)
173
Ensemble de Clarinettes
169
Saxophone Alto
146
Ensemble de Flûtes
135
Ensemble de saxophones
116
Saxophone (partie séparée)
115
Cor anglais, Piano
109
Quintette de Clarinettes: 5 clarinettes
95
Flûte, Violon, Piano
95
Flûte et Guitare
94
3 Clarinettes (trio)
86
Saxophone Baryton, Piano
86
Saxophone Tenor
82
3 Saxophones (trio)
77
Hautbois (partie séparée)
77
Clarinette, Guitare (duo)
67
Quintette de Flûte : 5 flûtes
66
2 Hautbois (duo)
49
Clarinette Basse, Piano
45
Flûte, Clarinette (duo)
43
Trio de Flûtes: 3 flûtes
40
Quatuor de Flûtes à bec
38
Flûte à bec Soprano
35
2 Flûte à bec (duo)
35
Ensemble De Flûte à bec
34
Saxophone, Clarinette (duo)
33
Hautbois, Basson (duo)
33
Clarinette, Violon (duo)
28
Flûte, Violon
26
Clarinette, Basson (duo)
25
Clarinette, Violoncelle (duo)
23
Flute (partie séparée)
22
Flûte, Violoncelle
19
Flûte à bec Tenor
19
Flûte à Bec
18
Flûte, Violoncelle, Piano (trio)
18
Clarinette, Trompette (duo)
17
Hautbois, Flûte
17
Flûte à bec Alto
16
Hautbois
15
Hautbois, Clarinette (duo)
15
Clarinette et Alto
15
Flûte, Hautbois, Clarinette (trio)
15
Flûte, Alto (duo)
14
5 Flûtes à bec
14
Saxophone Soprano
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Cor Anglais
12
Flûte, Clarinette, Piano (trio)
12
Flûte, Saxophone (duo)
12
3 Flûtes à bec (trio)
11
Hautbois, Violoncelle
11
Clarinette (partie séparée)
10
Flûte, Hautbois, Piano (trio)
10
2 Clarinettes, Piano
10
Piccolo, Piano
10
Flûte, Clarinette et Basson
10
2 Flûtes traversières, Piano
9
Flûte à bec, Guitare (duo)
9
Ocarina
9
Flûte, Trompette (duo)
9
Clarinette, Harpe (duo)
9
Harmonica
8
Flûte à bec Soprano, Piano
8
Flûte à bec Alto, Piano
7
Clarinette, Violoncelle, Piano (trio)
7
Saxophone et Guitare
7
Flûte, Hautbois (duo)
7
Saxophone Baryton
7
Flûte, Alto et Piano
6
2 Clarinettes, Basson
6
Piccolo
6
Cor anglais, Guitare (duo)
5
2 Saxophones, Piano
5
Saxophone et Harpe
5
Flûte à Bec, Piano
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Violon et Violoncelle
4
Flûte, Hautbois, Basson
4
Flûte, Violoncelle, Guitare
4
2 Cors Anglais Et Pianoforte
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Hautbois, Harpe
3
Cor anglais et Harpe (duo)
3
4 Hautbois
3
Flûte, Basson et Piano
3
Saxophone et Orgue
3
Saxophone
3
Flûte à bec, Harpe
2
Flûte, Trombone (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
3 Hautbois
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec Alto, Basse continue
2
Hautbois, Guitare (duo)
2
Flûte traversière, Orgue (duo)
2
2 Hautbois, Piano
2
Flûte, Clarinette, Violon (trio)
2
Saxophone et Piano
2
Flûte, alto et harpe
2
Flûte, Harpe et Violoncelle
1
Ensemble de Hautbois
1
Hautbois, Violoncelle et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
Flûte et Trio à cordes
1
Flûte et Quatuor à Cordes
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Orgue
1
2 Flûtes traversières, Harpe
1
Clarinette Basse
1
Flûte irlandaise
1
Hautbois, Violon, Piano
1
2 Flûtes, Basse continue
1
Flute, harpe et violon
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Orchestre
1
+ 128 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
761
Trombone et Piano
422
Trompette, Piano
343
Quatuor de Cuivres : 2 trompettes, trombone, tuba
334
Trompette
310
Cor et Piano
244
Trombone
144
Tuba et Piano
124
Quatuor de Cuivres: 2 trompettes, Cor, trombone
115
Cor anglais, Piano
109
Euphonium, Piano (duo)
108
Ensemble de Trombones
87
Quatuor de Cuivres
82
Trompette (partie séparée)
76
Trombone (partie séparée)
68
Quatuor de cuivres: 4 trombones
68
2 Trompettes (duo)
65
2 Cors (duo)
61
Cor
60
Ensemble de Trompettes
56
2 Trombones (duo)
50
Tuba
42
Quatuor de cuivres: 4 cors
35
Trompette, Trombone (duo)
31
Trompette, Saxophone (duo)
23
Quatuor de cuivres: 4 trompettes
20
Cor (partie séparée)
19
Ensemble de Cors
18
Tuba (partie séparée)
13
Cor Anglais
12
2 Euphoniums et 2 Tubas
11
3 Trombones (trio)
10
4 Tubas
10
2 Tubas (duo)
9
Trio de Cuivres
8
3 Tubas (trio)
8
Trombone basse et Piano
8
Trombone basse
7
Euphonium
7
Trompette, Cor (duo)
7
Euphonium, Tuba (duo)
6
2 Euphoniums (duo)
6
Cor anglais, Guitare (duo)
5
Cor et Harpe
5
Trombone, Cor (duo)
5
Cor, Violoncelle (duo)
4
2 Cors Anglais Et Pianoforte
4
3 Trompettes (trio)
3
3 Cors (trio)
3
Tuba et Orgue
3
Trombone, Tuba (duo)
3
Trompette, Harpe
3
Trompette, Basson (duo)
3
Cor anglais et Harpe (duo)
3
Trompette, violon (duo)
3
Trombone et orchestre
3
Cor, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
Trompette et Guitare
2
Trombone, Orgue
2
3 Euphoniums
2
Cor et Orgue
1
Trompette, Violoncelle et Piano
1
Cor et Basson (duo)
1
Clarinette, Cor (duo)
1
Cornet et orchestre
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 448
Violon et Piano
1 291
Violoncelle, Piano
718
Alto, Piano
669
Violon
320
Violoncelle
235
Trio à Cordes: violon, alto, violoncelle
172
2 Violons (duo)
153
Harpe
150
Violon, Violoncelle (duo)
135
Alto seul
109
Violon, Guitare (duo)
108
2 Violoncelles (duo)
100
2 Altos (duo)
87
Violon, Alto (duo)
80
Violoncelle , Guitare (duo)
69
Contrebasse, Piano (duo)
65
Alto, Guitare (duo)
64
Trio à Cordes: 2 violons, violoncelle
48
Quintette à cordes: 2 violons, 2 altos, violoncelle
47
4 Violoncelles
45
Trio à cordes: 3 violins
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Violon (partie séparée)
38
Alto, Violoncelle (duo)
37
Alto (partie séparée)
32
Harpe, Flûte (duo)
29
Contre Basse
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
21
Trio à Cordes: 3 violoncelles
19
Harpe, Violon (duo)
17
Violoncelle, Contrebasse (duo)
15
Piano Trio: Violon, Alto, Piano
15
Quatuor à cordes : 4 altos
15
Trio à Cordes: 2 violons, alto
14
Trio à cordes: 3 altos
14
Quatuor à cordes: 4 violons
12
Ensemble de Violons
11
Harpe, Violoncelle (duo)
11
Ensemble d'Altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violon, Basson (duo)
8
Violoncelle, Orgue
7
2 Contrebasses (duo)
7
Alto et Harpe
6
Alto et Basson
4
Harpe, Trombone (duo)
4
Flûte, Contrebasse (duo)
4
Violon, Clarinette, Piano (trio)
4
Violoncelle (partie séparée)
4
Ensemble de Violoncelles
4
3 Harpes
3
Harpe et Piano
3
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
2
Violoncelle, Basse continue
2
Harpe et mandoline
2
Alto, Orgue
2
Harpe et Orgue
2
4 Contrebasses
2
Violon, Basse continue
2
2 Violons, Piano
1
2 Violoncelles, Piano
1
Violon, Orgue
1
4 Harpes
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 798
Orchestre
791
Orchestre à Cordes
668
Orchestre de chambre
354
Ensemble de cuivres
278
Cloches
269
Ensemble Jazz
200
Ensemble de Percussions
74
Jazz combo
73
Fanfare
65
Marimba
28
Batterie
17
Vibraphone
15
Batterie (partie séparée)
13
Piano et Orchestre
8
Percussion (partie séparée)
5
Xylophone, Piano
3
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre, Violon
2
Ensemble d'École
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Marimba et Orgue
1
2 Marimbas
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
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ASIE
BLUEGRASS
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CHANSON FRANÇAISE
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COMEDIES MUSICALES -…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Composer\
Clarinette
Partitions à imprimer
234 partitions trouvées
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1
26
51
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226
Take On Me
#
Clarinette
#
FACILE
#
Contemporain
#
a-ha
#
Take On Me
#
Sheet Music Boss
#
SheetMusicPlus
Clarinet Solo - Level 2 - SKU: A0.853673 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Andrew Wrangell, Samuel Dickenson. Contemporary. Ind...
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Clarinet Solo - Level 2 - SKU: A0.853673 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Andrew Wrangell, Samuel Dickenson. Contemporary. Individual part. 2 pages. Sheet Music Boss #3050625. Published by Sheet Music Boss (A0.853673). Take On Me is the 1985 hit by Norwegian A-ha, famous for its unforgettable music video featuring rotoscoped comic-style black and white animation. Having sold over 7 millions copies worldwide, Take On Me is one of best-selling singles of all time.This arrangement, professionally prepared by Andrew Wrangell and Samuel Dickenson is sure to be a fantastic repertoire choice and not too difficult to play!Sheet Music Boss tutorials here: https://www.youtube.com/SheetMusicBossAbout the arranger:Andrew Wrangell is a composer and arranger from Brisbane, Australia. He began adapting music for piano as soon as he began learning at the age of 5, playing his favourite TV show themes on piano. He has been arranging music for all sorts of instrument combinations ever since, and has 90 piano arrangements to his name and counting!https://www.facebook.com/composer1992/https://twitter.com/composer1992/https://www.youtube.com/composer1992/About the arranger and editor:Samuel is a composer and engraver from Brisbane, Australia. He regularly edits music for professional composers and ensembles. Clients include The Camerata of St. John's, Greg Andrew (Elton John Experience), Sydney based Fluteworthy and various community and youth orchestras.https://www.samueldickenson.com/
$4.99
Brahms,Schubert,Schumann (Robert),Stamitz,Weber : Les plus beaux morceaux de compositeurs allemands à jouer à la clarinette
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Clarinette
#
Classique
#
Brahms,Schubert,Schumann (Robe
#
Les plus beaux morceaux de com
#
Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs allemands à jouer à la clarinette. Partition pour Duo (Clarinette-Pian...
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Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs allemands à jouer à la clarinette. Partition pour Duo (Clarinette-Piano) -- Classique
22.99€
Debussy,Fauré,Gounod,Massenet,Saint-Saëns,Poulenc : Les plus beaux morceaux de compositeurs français à jouer à la clarinette
#
Clarinette
#
Classique
#
Debussy,Fauré,Gounod,Ma
#
Les plus beaux morceaux de com
#
Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs français à jouer à la clarinette . Partition pour Duo (Clarinet...
(+)
Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs français à jouer à la clarinette . Partition pour Duo (Clarinette-Piano) -- Classique
19.99€
Gardel,Rosas,Villoldo,Piazzolla Astor : Les plus beaux morceaux de compositeurs sud-américains à jouer à la clarinette
#
Clarinette
#
Latin/Musique du monde
#
Gardel,Rosas,Villoldo,Piazzoll
#
Les plus beaux morceaux de com
#
Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs sud-americains à jouer à la clarinette. Partition pour Clarinette avec...
(+)
Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs sud-americains à jouer à la clarinette. Partition pour Clarinette avec piano d‘accompagnement -- Classique
19.99€
Bellini,Donizetti,Verdi,Albinoni,Caccini,Ennio Morricone : Les plus beaux morceaux de compositeurs italiens à jouer à la clarinette
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Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Bellini,Donizetti,Verdi,Albino
#
Les plus beaux morceaux de com
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Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs italiens à jouer à la clarinette. Partition pour Clarinette avec accom...
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Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs italiens à jouer à la clarinette. Partition pour Clarinette avec accomp. orchestre -- Classique
22.99€
Debussy,Fauré,Rachmaninoff,Satie,Piazzolla Astor : Les plus beaux morceaux de la période moderne à jouer à la clarinette, Intermédiaire, Vol. 1
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Clarinette
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INTERMÉDIAIRE
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Classique
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Debussy,Fauré,Rachmanin
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Les plus beaux morceaux de la
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Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Intermediaire, Vol. 1. Partition pour D...
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Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Intermediaire, Vol. 1. Partition pour Duo (Clarinette-Piano) -- Classique
18.99€
Bridge,Byrd,Delius,Elgar,Vaughan Williams : Les plus beaux morceaux de compositeurs anglais à jouer à la clarinette
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Clarinette
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INTERMÉDIAIRE
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Classique
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Bridge,Byrd,Delius,Elgar,Vaugh
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Les plus beaux morceaux de com
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Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs anglais à jouer à la clarinette. Partition pour Clarinette avec piano ...
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Telechargez la partition Clarinette Les plus beaux morceaux de compositeurs anglais à jouer à la clarinette. Partition pour Clarinette avec piano d‘accompagnement -- Classique
18.99€
Debussy,Fauré,Poulenc,Gershwin,Piazzolla Astor : Les plus beaux morceaux de la période moderne à jouer à la clarinette, Difficile, Vol. 1
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Clarinette
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AVANCÉ
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Classique
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Debussy,Fauré,Poulenc,G
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Les plus beaux morceaux de la
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Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Difficile, Vol. 1. Partition pour Duo (...
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Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Difficile, Vol. 1. Partition pour Duo (Clarinette-Piano) -- Classique
19.99€
Elgar,Fauré,Gretchaninov,Satie,Finzi : Les plus beaux morceaux de la période moderne à jouer à la clarinette, Intermédiaire, Vol. 2
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Clarinette
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INTERMÉDIAIRE
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Classique
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Elgar,Fauré,Gretchanino
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Les plus beaux morceaux de la
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Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Intermediaire, Vol. 2. Partition pour D...
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Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Intermediaire, Vol. 2. Partition pour Duo (Clarinette-Piano) -- Classique
17.99€
Busoni,Penderecki,Stravinsky,Piazzolla Astor : Les plus beaux morceaux de la période moderne à jouer à la clarinette, Difficile, Vol. 2
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Clarinette
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AVANCÉ
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Classique
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Busoni,Penderecki,Stravinsky,P
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Les plus beaux morceaux de la
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Tomplay
Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Difficile, Vol. 2. Partition pour Duo (...
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Telechargez la partition Clarinette Les plus beaux morceaux de la periode moderne à jouer à la clarinette, Difficile, Vol. 2. Partition pour Duo (Clarinette-Piano) -- Classique
18.99€
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Pas de Deux from The Satyricon Ballet Bb Clarinet and Piano
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Clarinette
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INTERMÉDIAIRE
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James Nathaniel Holland
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Pas de Deux from The Satyricon
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James Nathaniel Holland
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.730264 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 pages. James ...
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Clarinet Solo - Level 3 - SKU: A0.730264 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 pages. James Nathaniel Holland #1910777. Published by James Nathaniel Holland (A0.730264). Arranged for Bb Clarinet solo and Orchestra Reduction Piano Accompaniment (Duration: 5:12) Enjoy playing this beautiful Pas de Deux from James Nathaniel Holland's ballet The Satyricon Meditative and relaxing, a nice addition to cafe music repertoire, weddings and special music for religious services. Originally written for viola, violin and orchestra. Piano full score and part included. Full score is in concert pitch. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$3.95
Aubade: A Pairing with Beethoven's Symphony #1 - Clarinet 1 in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1018906 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. ...
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Clarinet Solo - Level 4 - SKU: A0.1018906 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. Published by Benjamin Sajo (A0.1018906). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Vivaldi: Sonata No. 4 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet Solo - Level 3 - SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. In...
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E-Flat Clarinet Solo - Level 3 - SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Individual part. 21 pages. Jmsgu3 #4641515. Published by jmsgu3 (A0.550478). Sonata da Chiesa No. 4 in Bb Major for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
The Beethoven Duets For Clarinet Complete Collection (All 9 Scherzi)
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Clarinette
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Clarin
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876480 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 163 pag...
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Clarinet Solo - Level 5 - SKU: A0.876480 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 163 pages. JoeCopio Music LLC #1910115. Published by JoeCopio Music LLC (A0.876480). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$49.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
The Beethoven Duets For Clarinet Scherzo No. 3
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Clarinette
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Clarin
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876470 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 17 page...
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Clarinet Solo - Level 5 - SKU: A0.876470 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 17 pages. JoeCopio Music LLC #1910053. Published by JoeCopio Music LLC (A0.876470). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by ...
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Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by Benjamin Sajo (A0.1018879). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
The Beethoven Duets For Clarinet Scherzo No. 7
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Clarinette
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Clarin
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876474 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 25 page...
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Clarinet Solo - Level 5 - SKU: A0.876474 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 25 pages. JoeCopio Music LLC #1910113. Published by JoeCopio Music LLC (A0.876474). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
The Beethoven Duets For Clarinet Scherzo No. 6
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Clarinette
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Clarin
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876473 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 15 page...
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Clarinet Solo - Level 5 - SKU: A0.876473 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 15 pages. JoeCopio Music LLC #1910097. Published by JoeCopio Music LLC (A0.876473). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
The Beethoven Duets For Clarinet Scherzo No. 9
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Clarinette
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Clarin
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876476 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 38 page...
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Clarinet Solo - Level 5 - SKU: A0.876476 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 38 pages. JoeCopio Music LLC #1910111. Published by JoeCopio Music LLC (A0.876476). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
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