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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto For Clarinet
Non classifié
225
Piano & claviers
Piano seul
47
Piano Facile
8
Accompagnement Piano
3
Orgue
2
Piano, Voix et Guitare
1
Guitares
Guitare
2
Guitare notes et tablatures
1
2 Guitares (duo)
1
Voix
Chorale SATB
1
Chorale TTBB
1
Chorale SSAA
1
Vents
Clarinette et Piano
145
Clarinette
111
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
Ensemble de Clarinettes
48
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Clarinettes: 4 clarinettes
41
Clarinette (partie séparée)
40
2 Clarinettes (duo)
38
Clarinette Basse, Piano
23
Quintette de Clarinettes: 5 clarinettes
14
3 Clarinettes (trio)
13
Saxophone (partie séparée)
11
Clarinette, Basson (duo)
7
Hautbois, Piano (duo)
7
Flûte, Clarinette (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette, Violon (duo)
5
Clarinette, Orchestre
5
Flûte et Guitare
4
Saxophone Alto et Piano
4
Clarinette, Harpe (duo)
4
Clarinette, Guitare (duo)
3
Saxophone
3
Flûte traversière
2
Saxophone Soprano et Piano
2
Ensemble de Flûtes
2
Clarinette, Violoncelle (duo)
2
Hautbois (partie séparée)
2
Flûte, Clarinette et Basson
2
Flûte traversière et Piano
2
Flûte, Clarinette, Piano (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Flute (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon
1
Flûte traversière, Orchestre
1
Clarinette Basse
1
Quatuor de Saxophones: 4 saxophones
1
Quatuor de Flûtes à bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
3 Saxophones (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones (duo)
1
Saxophone, Clarinette (duo)
1
Saxophone et Harpe
1
Clarinette, Alto et Piano (trio)
1
Clarinette et Alto
1
+ 47 instrumentations
Retracter
Cuivres
Cor (partie séparée)
3
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Trombone (partie séparée)
2
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Cor et Harpe
1
Cor
1
Trompette
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Trio à Cordes: violon, alto, violoncelle
8
Violon et Piano
7
Harpe
6
Violon
5
Violon (partie séparée)
5
Violoncelle, Piano
4
Alto seul
3
Alto et orchestre
2
Violon, Guitare (duo)
2
Harpe, Violoncelle (duo)
1
Alto (partie séparée)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Alto, Piano
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
4 Violoncelles
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
79
Orchestre de chambre
53
Orchestre
44
Orchestre à Cordes
7
Piano et Orchestre
3
Ensemble de Percussions
2
Timbales (partie séparée)
1
Percussion (partie séparée)
1
Cloches
1
Ensemble Jazz
1
Ensemble de cuivres
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Concerto For Clarinet
Clarinette
Partitions à imprimer
111 partitions trouvées
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101
Concerto For Clarinet
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Clarinette
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Rob...
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B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Robert C. Olivia #987223. Published by Robert C. Olivia (A0.1404050). This edition of the solo clarinet part of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture.Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. As many techniques as possible are carefully detailed to show ornaments, slurs, accents etc.The companion parts available here for big band and strings restores many elements missing in other versions available.  The strings here are restored to the original voicings so  important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available. I have performed from this solo part many times and I hope others will do so as well. I give great thanks to several people, who over the course of my career, taught me many skills that resulted in this. Special thanks to my teachers Bob Wilber, Leon Russianoff & Tom Martin and Marty Burlingame & JoAnn and Artie Kane.
$35.00
Concertino for Solo Clarinet and Clarinet Choir
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Clarinette
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INTERMÉDIAIRE
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Classique
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Carl Maria von Weber
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Matt Johnston
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Concertino for Solo Clarinet a
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ALRY Publications, LLC
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1232519 Composed by Carl Maria von We...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1232519 Composed by Carl Maria von Weber. Arranged by Matt Johnston. Classical. 61 pages. ALRY Publications, LLC #828183. Published by ALRY Publications, LLC (A0.1232519). The Concertino of Carl Maria von Weber was originally composed in Spring 1811 over the course of three days for German clarinet virtuoso Heinrich Joseph Baermann. It was a particularly productive year for Weber, as he also composed the two concertos for clarinet, a bassoon concerto, and the clarinet quintet, among other pieces. A tour with Baermann from December 1811 through March 1812 performing these clarinet works was a turning point in Weber’s career, after which his music gained popularity and was more universally accepted.Arranged here for Solo Clarinet, Eb Clarinet, 4 Bb Clarinets, Alto Clarinet/Basset Horn/Clarinet 5, Bass Clarinet, Contrabass Clarinet/Contralto Clarinet/String Bass, and optional Timpani.
$30.00
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Max Bruch : Double concerto pour clarinette et alto en mi mineur, Op. 88 - I. Andante con moto (clarinette en la)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - I. Andante con moto (clarinette en la) de Bruch. Partition po...
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Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - I. Andante con moto (clarinette en la) de Bruch. Partition pour Trio -- Classique
7.99€
Max Bruch : Double concerto pour clarinette et alto en mi mineur, Op. 88 - III. Allegro molto (clarinette en la)
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Clarinette
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AVANCÉ
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Classique
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - III. Allegro molto (clarinette en la) de Bruch. Partition pou...
(+)
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - III. Allegro molto (clarinette en la) de Bruch. Partition pour Trio -- Classique
6.99€
Max Bruch : Double concerto pour clarinette et alto en mi mineur, Op. 88 - II. Allegretto moderato (clarinette en la)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - II. Allegretto moderato (clarinette en la) de Bruch. Partitio...
(+)
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - II. Allegretto moderato (clarinette en la) de Bruch. Partition pour Trio -- Classique
6.99€
O'Carolan's Concerto for clarinet and alto clarinet
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Clarinette
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INTERMÉDIAIRE
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Turlough O'carolan
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David Warin Solomons
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O'Carolan's Concerto for clari
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David Warin Solomons
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SheetMusicPlus
B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 3 - SKU: A0.578944 Composed by Turlough O'carolan. Arranged by David Warin Solomons. 20th Century,Baro...
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B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 3 - SKU: A0.578944 Composed by Turlough O'carolan. Arranged by David Warin Solomons. 20th Century,Baroque,Celtic,Classical,World. Individual part. 5 pages. David Warin Solomons #2062385. Published by David Warin Solomons (A0.578944). Arrangement of Turlough O'Carolan's Concerto. The melody switches between the instruments. The sound sample is an electronic preview.
$7.00
Vivaldi : Concerto pour clarinette et orchestre n° 1 en si bémol majeur 'Sant' Angelo' - I. Allegro
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Clarinette
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AVANCÉ
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Classique
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Vivaldi
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Concerto pour clarinette et or
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - I. Allegro de Vivaldi. Par...
(+)
Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - I. Allegro de Vivaldi. Partition pour Duo (Clarinette-Piano) -- Classique
6.99€
Vivaldi : Concerto pour clarinette et orchestre n° 1 en si bémol majeur 'Sant' Angelo' - II. Adagio
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Clarinette
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AVANCÉ
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Classique
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Vivaldi
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Concerto pour clarinette et or
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - II. Adagio de Vivaldi. Par...
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Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - II. Adagio de Vivaldi. Partition pour Duo (Clarinette-Piano) -- Classique
7.99€
Vivaldi : Concerto pour clarinette et orchestre n° 1 en si bémol majeur 'Sant' Angelo' - III. Molto Allegro
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Clarinette
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AVANCÉ
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Classique
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Vivaldi
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Concerto pour clarinette et or
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - III. Molto Allegro de Viva...
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Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - III. Molto Allegro de Vivaldi. Partition pour Duo (Clarinette-Piano) -- Classique
5.99€
Max Bruch : Double concerto pour clarinette et alto en mi mineur, Op. 88 - II. Allegretto moderato
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Max Bruch
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Double concerto pour clarinett
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Tomplay
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - II. Allegretto moderato de Bruch. Partition pour Trio -- Clas...
(+)
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - II. Allegretto moderato de Bruch. Partition pour Trio -- Classique
6.99€
Max Bruch : Double concerto pour clarinette et alto en mi mineur, Op. 88 - I. Andante con moto
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - I. Andante con moto de Bruch. Partition pour Trio -- Classiqu...
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Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - I. Andante con moto de Bruch. Partition pour Trio -- Classique
7.99€
Max Bruch : Double concerto pour clarinette et alto en mi mineur, Op. 88 - III. Allegro molto
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Clarinette
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AVANCÉ
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Classique
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - III. Allegro molto de Bruch. Partition pour Trio -- Classique...
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Telechargez la partition Clarinette Double concerto pour clarinette et alto en mi mineur, Op. 88 - III. Allegro molto de Bruch. Partition pour Trio -- Classique
6.99€
Concerto For Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Artie Shaw
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transcribed by D
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Concerto For Clarinet
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D. Musheff
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - SKU: A0.968636 By Artie Shaw. By Artie Shaw. Arranged by transcribed by D. Musheff. Jazz. Individual part. 2 pages. D. ...
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B-Flat Clarinet Solo - Level 4 - SKU: A0.968636 By Artie Shaw. By Artie Shaw. Arranged by transcribed by D. Musheff. Jazz. Individual part. 2 pages. D. Musheff #5992235. Published by D. Musheff (A0.968636). The cadenzas in the published version of the Artie Shaw Concerto are not entirely accurate. This transcription provides a closer approximation of the cadenzas as recorded by Artie Shaw. This is not the complete solo part-only the cadenzas.
$4.99
Handel: Largo from Xerxes for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Crusell Concerto for Clarinet No. 1 Op. 1 Part 3 Rondo
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Clarinette
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Classique
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Bernhard Henrik Crusell
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Christian Roßmeißl
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Crusell Concerto for Clarinet
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Christian Rossmeissl
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SheetMusicPlus
Clarinet Solo - SKU: A0.957608 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Romantic Period. Individual part. ...
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Clarinet Solo - SKU: A0.957608 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Romantic Period. Individual part. 7 pages. Christian Rossmeissl #6249011. Published by Christian Rossmeissl (A0.957608). Part 3, playback available ! Also Part 2 Adagio and Part 1 Allegro.
$4.99
Crusell Concerto for Clarinet No. 1 Op. 1 Part 2 Adagio
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Clarinette
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Classique
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Bernhard Henrik Crusell
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Christian Roßmeißl
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Crusell Concerto for Clarinet
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Christian Rossmeissl
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SheetMusicPlus
Clarinet Solo - SKU: A0.957606 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Romantic Period. Individual part. ...
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Clarinet Solo - SKU: A0.957606 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Romantic Period. Individual part. 2 pages. Christian Rossmeissl #6249009. Published by Christian Rossmeissl (A0.957606). Part 2, playback available ! Also Part 1 Allegro and Part 3 Rondo.
$4.99
Crusell Concerto for Clarinet No. 1 Op. 1 Part 1 Allegro
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Clarinette
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Classique
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Bernhard Henrik Crusell
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Christian Roßmeißl
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Crusell Concerto for Clarinet
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Christian Rossmeissl
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SheetMusicPlus
Clarinet Solo - SKU: A0.957607 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Romantic Period. Individual part. ...
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Clarinet Solo - SKU: A0.957607 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Romantic Period. Individual part. 8 pages. Christian Rossmeissl #6249007. Published by Christian Rossmeissl (A0.957607). Part 1, Playback available ! Also Part 2 Adagio and Part 3 Rondo.
$4.99
Concerto pour clarinette
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Jacques Hetu
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Concerto pour clarinette
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Les Editions Doberman-Yppan
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SheetMusicPlus
By Jacques Hetu. For clarinet solo. Level 4. 68 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Jacques Hetu. For clarinet solo. Level 4. 68 pages. Published by Les Editions Doberman-Yppan (digital)
$42.95
Six Bagatelles for Beethoven 250
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Clarinette
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AVANCÉ
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Classique
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by J...
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Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
Concerto No. 3
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Clarinette
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Johann Melchior Molter
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Concerto No. 3
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Imagine Music - Digital
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SheetMusicPlus
E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Im...
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E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Imagine Music - Digital (IZ.PDP009). 9 x 12 in inches.Johann Melchior Molter achieved particular notoriety for his writing for unusual instruments, such as the chalumeau, the flauto d' amore, the flauto cornetto, and the harp. The clarinet was at the time a very new and quite unrefined instrument, but the Karlsruhe court orchestra possessed a musician (Johann Reusch) who played it. In 1747 Molter wrote four concerti for the piccolo clarinet in D, which are possibly the first clarinet concerti ever written. The motives and fanfare-like arpeggiated figures of these clarinet concerti reflect the early clarinet's reputed tonal similarity to the trumpet. It is interesting to note that the English referred to the early clarinet as the Mock Trumpet, and the name clarinet itself is derived from the Italian word for trumpet, clarino. The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and Stravinsky's Le sacre du printemps. The D clarinet is still in fairly common use today, but the majority of modem clarinetists perform parts written for the D clarinet on the much more common E-flat clarinet. For this arrangement I wished to allow the clarinetist to perform Molter's third concerto on the E-flat clarinet in the same key as it was written for the D clarinet. Therefore, I have transposed the piece from the original key of G to A-flat, which keeps the written solo part in the key of F. It is my sincere hope that this practicality will allow many more clarinetists to enjoy performing this historically significant piece of clarinet repertoire.
$20.00
Rubank Book of Clarinet Solos – Intermediate Level
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Clarinette
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Various
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Rubank Book of Clarinet Solos
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Rubank Publications
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SheetMusicPlus
Clarinet - Grade 3 SKU: HL.160726 Book with Online Audio (stream or download). Composed by Various. Rubank Book/Audio Products. Classical, Contest...
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Clarinet - Grade 3 SKU: HL.160726 Book with Online Audio (stream or download). Composed by Various. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.160726). ISBN 9781495065057. UPC: 888680623814. 9.0x12.0x0.072 inches.This compilation of 11 clarinet solos from the legendary Rubank educational library now includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment files • PLAYBACK+ A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: Adagio and Meneutto (Mozart) • Alleluja from Exultate, Jubilate (Mozart) • Bel Canto (Johnson) • Chansonette (Barret) • Concerto in G Minor (Handel) • Estilian Caprice (Paul) • Fantasy-Piece, Op. 73 No. 1 (Schumann) • Lamento (Bassi) • Menuet from Divertimento in D, K. 334 (Mozart) • Nocturne from Concerto in G Minor (Verhey) • Romance, Op. 3 (Becker).
Song List
: Alleluia Adagio & Meneutto (Mozart) Bel Canto (Johnson) Chansonette (Barret) Concerto In G Minor (Handel) Menuet(Div.In D K334) Mozart Nocturne(Con. In G Min)-Verhey Romance, Op.3 (Becker) Estilian Caprice (Paul G) Lamento (Bassi) Fantasy-Piece, Op. 73, No. 1
$12.99
Bach : Concerto pour violon et hautbois en ré mineur, BWV 1060R - II. Adagio (transcrit pour clarinette)
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Clarinette
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FACILE
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Classique
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Bach
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Concerto pour violon et hautbo
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Tomplay
Telechargez la partition Clarinette Concerto pour violon et hautbois en re mineur, BWV 1060R - II. Adagio (transcrit pour clarinette) de Bach. Partition pour Tr...
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Telechargez la partition Clarinette Concerto pour violon et hautbois en re mineur, BWV 1060R - II. Adagio (transcrit pour clarinette) de Bach. Partition pour Trio -- Classique
6.99€
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Concerto For Clarinet
