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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto for piano and orchestra
Non classifié
182
Piano & claviers
Piano seul
113
2 Pianos, 4 mains
23
Accompagnement Piano
5
Orgue, Piano (duo)
3
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
3
Piano Facile
3
Piano, Voix et Guitare
2
Orgue
1
Piano, Voix
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Accordéon et Orchestre
1
+ 10 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
3
Guitare
2
Voix
Chorale SATB
1
Chorale TTBB
1
Vents
Flûte traversière et Piano
20
Clarinette et Piano
15
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Clarinette
10
Saxophone Soprano et Piano
6
Saxophone Tenor et Piano
5
Cor anglais, Piano
4
Saxophone Baryton, Piano
4
Clarinette Basse, Piano
4
Flûte traversière
3
Flûte traversière, Orchestre
3
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte à Bec
1
Hautbois et Orchestre
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Harmonica, Piano
1
Quatuor de Flûtes : 4 flûtes
1
2 Saxophones (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone
1
+ 22 instrumentations
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Cuivres
Trombone et Piano
19
Trompette, Piano
10
Cor et Piano
9
Cor anglais, Piano
4
Tuba et Piano
3
Euphonium, Piano (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor
1
2 Trompettes (duo)
1
Trompette
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 7 instrumentations
Retracter
Cordes
Violon et Piano
46
Violoncelle, Piano
24
Alto, Piano
14
Quatuor à cordes: 2 violons, alto, violoncelle
11
Contrebasse, Piano (duo)
6
Alto seul
3
Alto et orchestre
3
Violoncelle, Basse continue
3
Violoncelle, Orchestre
1
Violon
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe et Piano
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre
102
Orchestre de chambre
85
Orchestre à Cordes
54
Piano et Orchestre
30
Orchestre d'harmonie
10
Jazz combo
4
Orchestre, Violon
3
Ensemble de Percussions
2
+ 3 instrumentations
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Autres
Instruments
ACCORDEON
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BALALAIKA
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Concerto for piano and orchestra
Clarinette
Partitions à imprimer
10 partitions trouvées
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1
Vivaldi : Concerto pour clarinette et orchestre n° 1 en si bémol majeur 'Sant' Angelo' - I. Allegro
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Clarinette
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AVANCÉ
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Classique
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Vivaldi
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Concerto pour clarinette et or
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - I. Allegro de Vivaldi. Par...
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Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - I. Allegro de Vivaldi. Partition pour Duo (Clarinette-Piano) -- Classique
6.99€
Vivaldi : Concerto pour clarinette et orchestre n° 1 en si bémol majeur 'Sant' Angelo' - II. Adagio
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Clarinette
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AVANCÉ
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Classique
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Vivaldi
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Concerto pour clarinette et or
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - II. Adagio de Vivaldi. Par...
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Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - II. Adagio de Vivaldi. Partition pour Duo (Clarinette-Piano) -- Classique
7.99€
Vivaldi : Concerto pour clarinette et orchestre n° 1 en si bémol majeur 'Sant' Angelo' - III. Molto Allegro
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Clarinette
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AVANCÉ
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Classique
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Vivaldi
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Concerto pour clarinette et or
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - III. Molto Allegro de Viva...
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Telechargez la partition Clarinette Concerto pour clarinette et orchestre n° 1 en si bemol majeur 'Sant' Angelo' - III. Molto Allegro de Vivaldi. Partition pour Duo (Clarinette-Piano) -- Classique
5.99€
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Concerto No. 3
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Clarinette
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Johann Melchior Molter
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Concerto No. 3
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Imagine Music - Digital
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SheetMusicPlus
E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Im...
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E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Imagine Music - Digital (IZ.PDP009). 9 x 12 in inches.Johann Melchior Molter achieved particular notoriety for his writing for unusual instruments, such as the chalumeau, the flauto d' amore, the flauto cornetto, and the harp. The clarinet was at the time a very new and quite unrefined instrument, but the Karlsruhe court orchestra possessed a musician (Johann Reusch) who played it. In 1747 Molter wrote four concerti for the piccolo clarinet in D, which are possibly the first clarinet concerti ever written. The motives and fanfare-like arpeggiated figures of these clarinet concerti reflect the early clarinet's reputed tonal similarity to the trumpet. It is interesting to note that the English referred to the early clarinet as the Mock Trumpet, and the name clarinet itself is derived from the Italian word for trumpet, clarino. The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and Stravinsky's Le sacre du printemps. The D clarinet is still in fairly common use today, but the majority of modem clarinetists perform parts written for the D clarinet on the much more common E-flat clarinet. For this arrangement I wished to allow the clarinetist to perform Molter's third concerto on the E-flat clarinet in the same key as it was written for the D clarinet. Therefore, I have transposed the piece from the original key of G to A-flat, which keeps the written solo part in the key of F. It is my sincere hope that this practicality will allow many more clarinetists to enjoy performing this historically significant piece of clarinet repertoire.
$20.00
Mozart 1791 KV 622 Clarinet in A With Piano Acc.
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Rainer's Rainbow
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R G Roth
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Mozart 1791 KV 622 Clarinet in
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Rainer's Rainbow
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SheetMusicPlus
A Clarinet Solo - Level 4 - SKU: A0.1277618 By Rainer's Rainbow. By Wolfgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Century,20th Century,C...
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A Clarinet Solo - Level 4 - SKU: A0.1277618 By Rainer's Rainbow. By Wolfgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Century,20th Century,Classical,Instructional,Romantic Period. Individual part. 108 pages. Rainer's Rainbow #869296. Published by Rainer's Rainbow (A0.1277618). This version of the Clarinet Concerto by Mozart closely follows the dynamics and articulations once played by Robert Marcellus. A piano score for the solo clarinet and piano are included. Separate clarinet solo and piano parts are also included. This is my own piano reduction from the large orchestra urtext.
$9.99
Verlornes Glück
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Verlornes Glück
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. ...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 30. 13 pages. Schott Music - Digital #Q53280. Published by Schott Music - Digital (S9.Q53280). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Verlornes Glück was published in 1854 (plate number 11437).
$3.99
Sternenhelle Nacht
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Sternenhelle Nacht
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudo...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 17. 22 pages. Schott Music - Digital #Q53278. Published by Schott Music - Digital (S9.Q53278). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Sternenhelle Nacht (plate number 6882) was published in 1843.
$4.99
Ein Abend auf den Bergen
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Ein Abend auf den Bergen
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited by Rainer Mohrs...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 25. 23 pages. Schott Music - Digital #Q53279. Published by Schott Music - Digital (S9.Q53279). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Ein Abend auf den Bergen was published in 1846 (plate number 8131).
$4.99
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Concerto for piano and orchestra
