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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Erin M
Sheetmusicplus
Non classifié
368
Piano & claviers
Piano, Voix
301
Piano seul
117
Piano Facile
86
Piano, Voix et Guitare
15
Instruments en Do
14
Orgue
8
1 Piano, 4 mains
5
Accordéon
4
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
31
Guitare notes et tablatures
12
Guitare
10
4 Guitares (Quatuor)
6
Ukulele
4
2 Guitares (duo)
4
Paroles et Accords
1
+ 2 instrumentations
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Voix
Chorale SATB
76
Chorale 3 parties
21
Pack Instrumental pour Chorale
17
Chorale TTBB
11
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
4
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Chorale
1
Voix seule
1
Chorale SSAB, Piano
1
Voix haute
1
+ 11 instrumentations
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Vents
Clarinette et Piano
21
Saxophone Alto et Piano
18
Flûte traversière et Piano
17
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
15
Ensemble de saxophones
14
Clarinette
13
Flûte à bec Soprano
9
Quintette de Saxophone: 5 saxophones
9
Cor anglais, Piano
9
Saxophone Baryton, Piano
8
Ensemble de Clarinettes
8
Saxophone Tenor
6
Saxophone Soprano et Piano
6
Flûte traversière
6
Ensemble de Flûtes
6
Saxophone Alto
5
Ocarina
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Flûtes : 4 flûtes
4
Clarinette Basse, Piano
4
Saxophone Soprano
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Harpe (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Flûte à bec (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Flûte, Clarinette (duo)
2
Hautbois
2
Saxophone (partie séparée)
2
Flûte et Guitare
2
2 Flûtes traversières (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Quatuor de Flûtes à bec
2
Piccolo, Piano
1
Saxophone
1
Flûte à Bec
1
2 Saxophones (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto
1
Harmonica, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Saxophone et Orgue
1
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
Hautbois, Harpe
1
+ 45 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Trompette
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor anglais, Piano
9
Trombone et Piano
8
Euphonium, Piano (duo)
7
Ensemble de Trombones
6
Trompette, Piano
6
Quatuor de cuivres: 4 cors
4
Cor
4
Trombone
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trompettes
2
Tuba
2
Tuba et Piano
2
Trompette (partie séparée)
1
Trompette, Harpe
1
Ensemble de Cors
1
Cor et Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Cor (partie séparée)
1
+ 18 instrumentations
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Cordes
Violon et Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
26
Harpe
22
Violon
18
Alto, Piano
17
Violoncelle, Piano
14
Violoncelle
9
Alto seul
8
2 Violoncelles (duo)
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
3
Violon, Alto (duo)
3
Alto (partie séparée)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
26
Orchestre
13
Orchestre d'harmonie
7
Ensemble Jazz
4
Orchestre de chambre
4
Ensemble de cuivres
3
Cloches
2
Jazz combo
2
Fanfare
1
Marimba
1
+ 5 instrumentations
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
Erin M
SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
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1
Clarinet Quarter-Tone & Altissimo Fingering Chart
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Clarinette
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Jason Alder
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Clarinet Quarter-Tone & Al
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AMA Editions
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA ...
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A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA Editions #898359. Published by AMA Editions (A0.1309185). This is the newly updated 3rd Edition of the most comprehensive fingering chart for clarinet. The 2nd Edition became widely popular and used by clarinetists around the world, and this new 3rd Edition adds 127 fingerings for a total offering of over 300 fingerings through four and a half octaves in quarter-tones for clarinet, from written E3 to A7.Author's Notes:Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.The first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.The next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.
$9.00
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
Old Rugged Cross
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Clarinette
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DÉBUTANT
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Musique Sacrée
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Freedom Cries
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Josiel Oliveira
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Old Rugged Cross
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M das Melodias
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SheetMusicPlus
A Clarinet Solo - Level 1 - SKU: A0.1099131 By Freedom Cries. By George Bennard and John Ryan. Arranged by Josiel Oliveira. Christian,Praise & Worship,R...
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A Clarinet Solo - Level 1 - SKU: A0.1099131 By Freedom Cries. By George Bennard and John Ryan. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious. Individual part. 1 pages. M das Melodias #703001. Published by M das Melodias (A0.1099131). Play this beautiful song with your instrument. Sheet music for Clarinet in A, based on Elvis Presley's chant The Old Rugged Cross. On a hill far away stood an old rugged cross The emblem of suffering and shame And I love that old cross where the dearest and best For a world of lost sinners was slain So I'll cherish the old rugged cross (rugged cross) Till my trophies at last I lay down I will cling to the old rugged cross And exchange it some day for a crown To the old rugged cross I will ever be true It's shame and reproach gladly bear Then he'll call me some day to my home far away Where his glory forever I'll share And I'll cherish the old rugged cross (rugged cross) Till my trophies at last I lay down And I will cling to the old rugged cross And exchange it some day for a crown I will cling to the old rugged cross And exchange it some day for a crown.
$4.99
Old Rugged Cross
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Clarinette
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DÉBUTANT
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Musique Sacrée
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Freedom Cries
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Josiel Oliveira
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Old Rugged Cross
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M das Melodias
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1099132 By Freedom Cries. By George Bennard and John Ryan. Arranged by Josiel Oliveira. Christian,Praise & Wors...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1099132 By Freedom Cries. By George Bennard and John Ryan. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious. Individual part. 1 pages. M das Melodias #703002. Published by M das Melodias (A0.1099132). Play this beautiful song with your instrument. Sheet music for Clarinet in Bb, based on Elvis Presley's chant The Old Rugged Cross. On a hill far away stood an old rugged cross The emblem of suffering and shame And I love that old cross where the dearest and best For a world of lost sinners was slain So I'll cherish the old rugged cross (rugged cross) Till my trophies at last I lay down I will cling to the old rugged cross And exchange it some day for a crown To the old rugged cross I will ever be true It's shame and reproach gladly bear Then he'll call me some day to my home far away Where his glory forever I'll share And I'll cherish the old rugged cross (rugged cross) Till my trophies at last I lay down And I will cling to the old rugged cross And exchange it some day for a crown I will cling to the old rugged cross And exchange it some day for a crown.
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
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Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Star Spangled Banner - Clarinet
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Clarinette
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FACILE
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Patriotique
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John Stafford Smith
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L
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Star Spangled Banner - Clarine
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Müller Publishing company
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1376339 Composed by John Stafford Smith. Arranged by L. Müller. 20th Century,Classical,Holiday,Instructional...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1376339 Composed by John Stafford Smith. Arranged by L. Müller. 20th Century,Classical,Holiday,Instructional,Patriotic. Individual part. 1 pages. Müller Publishing company #960882. Published by Müller Publishing company (A0.1376339). Star Spangled Banner - Melody Sheet Music for Clarinet Arranged by L. MüllerExperience patriotic fervor with our meticulously arranged sheet music for clarinet, featuring Star Spangled Banner composed by John Stafford Smith. This arrangement by L. Müller provides the melody, offering a versatile and engaging rendition of this iconic anthem.Smith's composition, set in the key of D major, captures the grandeur and resilience of the American national anthem. Clarinetists of varying skill levels can confidently perform this piece with ease.Immerse yourself in the stirring melodies of Star Spangled Banner as you showcase your clarinet skills. Whether performing solo or as part of an ensemble, this high-resolution sheet music ensures clarity and precision in every note.Elevate your performances and awaken patriotic pride with this special arrangement of Star Spangled Banner for clarinet. Invest in spreading the message of unity and freedom through the power of music and inspire audiences with the timeless beauty of this beloved anthem.
$1.99
Star Spangled Banner - Clarinet with Chords
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Clarinette
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FACILE
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Patriotique
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John Stafford Smith
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L
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Star Spangled Banner - Clarine
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Müller Publishing company
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1376335 Composed by John Stafford Smith. Arranged by L. Müller. 20th Century,Classical,Holiday,Instructional...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1376335 Composed by John Stafford Smith. Arranged by L. Müller. 20th Century,Classical,Holiday,Instructional,Patriotic. Individual part. 1 pages. Müller Publishing company #960878. Published by Müller Publishing company (A0.1376335). Star Spangled Banner - Melody Sheet Music for Clarinet Arranged by L. Müller (with Chords)Experience patriotic fervor with our meticulously arranged sheet music for clarinet, featuring Star Spangled Banner composed by John Stafford Smith. This arrangement by L. Müller provides the melody along with chord symbols, offering a versatile and engaging rendition of this iconic anthem.Smith's composition, set in the key of D major, captures the grandeur and resilience of the American national anthem. Clarinetists of varying skill levels can confidently perform this piece with ease.Immerse yourself in the stirring melodies of Star Spangled Banner as you showcase your clarinet skills. Whether performing solo or as part of an ensemble, this high-resolution sheet music ensures clarity and precision in every note.Elevate your performances and awaken patriotic pride with this special arrangement of Star Spangled Banner for clarinet. Invest in spreading the message of unity and freedom through the power of music and inspire audiences with the timeless beauty of this beloved anthem.
$1.99
When The Saints Go Marching In
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Clarinette
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DÉBUTANT
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James M
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Sales
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When The Saints Go Marching In
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Lucas Sales
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1351649 Composed by James M. Black and Katherine E. Purvis. Arranged by Sales. Blues,Early Music,Jazz,Tradition...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1351649 Composed by James M. Black and Katherine E. Purvis. Arranged by Sales. Blues,Early Music,Jazz,Traditional. Individual part. 1 pages. Lucas Sales #936476. Published by Lucas Sales (A0.1351649).
$4.99
To Boldly Go
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Clarinette
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INTERMÉDIAIRE
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Contemporain
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Alexander Courage, Gene Rodden
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. ...
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Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Individual part. 5 pages. Sophia Transistor #6302451. Published by Sophia Transistor (A0.851132). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for single clarinet solo performance (or any instrument notated in treble clef in Bb). A symphonic suite arranged for Bb-clarinet instrumentation. This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trumpet brass players. Breething signs and spaces are included. Special spherical effects are notated as well.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid woodwind only Star Trek performance.Score is available in Bb in treble clef with 5 pages in DIN-A4 format.Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab'' There is even a High ringing Db''' for the very ambitious clarinet player (but the higher notes are also notated one octave lower).Thanks!YouTube Playalong: https://youtu.be/Qf2-xo7nnVYGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für klarinette notiert in Bb im Violinschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Klarinette angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Holzblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Auch spherische Klang-Effekte finden Beachtung.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur gibt es als Klarinette in Bb im Violinschlüssel notiert auf 5 Seiten in DIN-A4.Viele der melodischen Spannungbögen enden auf ein klingendes Ab''Es gibt sogar Stellen, die auf ein hohes klingendes Db''' enden, für alle ambitionierte KlarinettenspielerInnen (nach unten transponieren immer möglich).Epische Filmmusiknoten für Klarinette: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictclarinetArtists: Michael Giacchino, Alexander Courage, Gene RoddenberryArranger: Sophia Johanna TransistorDanke fürs anschauen!TAGS:STAR TREK theme, star trek clarinet, Noten, sheet music, score, arrangement, clarinet arrangement, to boldly go, filmmusic for clarinet, epic film music, Klarinette, Star Trek Klarinette, Star Trek Music, star trek arrangement, Star Trek solo performance, #startrekmusic, #startrektheme, #smppr.
$6.99
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
The french touch collection - Book 3 : Sea shanties
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Clarinette
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Maëla Raoult
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Maëla Raoult
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The french touch collection -
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Maëla Raoult
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SheetMusicPlus
B-Flat Clarinet Solo - SKU: A0.1219935 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual p...
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B-Flat Clarinet Solo - SKU: A0.1219935 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual part. 27 pages. Maëla Raoult #816303. Published by Maëla Raoult (A0.1219935). Embark on a musical journey with “Book III: Sea Shanties,†thoughtfully arranged by the talented Maëla Raoult, and now available on sheetmusic direct and sheetmusic plus.Dive into the captivating world of “The French Touch’ Collection†as we unveil Book III, a collection of timeless Sea Shanties meticulously selected and expertly arranged by Maëla Raoult. This enchanting repertoire is tailored to nurture the young clarinetist’s development, offering an assortment of the most famous sailors’ songs. A Musical Voyage Within these pages, aspiring clarinetists, both young and old, will have the opportunity to expand their musical repertoire with a selection of beloved sea shanties. Rediscover the merriment of songs such as “Tri Martolod,†“Paddy Doyle’s Boots,†“A Sailor Went to Sea Sea Sea,†“Avec Jean Bart,†“Bonny Was a Warrior,†“Le Père Lancelot,†“Marins de Groix,†“Cheerly Man,†“Au Fait du Mât d’Misaine,†“Amsterdam Maid,†and many more. Perfectly Tailored for Second or Third-Year Clarinetists This method is thoughtfully designed for second or third-year clarinetists, providing an engaging repertoire to practice register transitions on the instrument. Most songs are initially presented in the lower notes and subsequently in the upper octave. These awesome melodies offer a comprehensive approach to improve various technical aspects encountered in the second or third year, including rhythms, articulations, ternary structures, register transitions, nuances, and more—all while enjoying the music. Video accompaniement for Enhanced Autonomy To facilitate your musical journey, each song is thoughtfully linked to a freely accessible video. Simply scan the QR code with your phone or tablet to immerse yourself in the melody of each composition. These videos empower students to learn and practice independently, with or without the guidance of a teacher, and to access the songs at their convenience. The French Touch Collection, Where Learning Meets Fun “The French Touch’ Collection†is the ultimate clarinet method that seamlessly blends learning with enjoyment. Transform yourself into a true musical pirate and bring to life the most renowned sea shanties.“The French Touch’ Collection – Sea Shanties – Book 3†is available in both eBook and print formats, on sheetmusic direct and sheetmusic plus. Don’t miss your chance to become a musical pirate and enjoy the most famous sea shanties.
$19.40
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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