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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Famous One
Non classifié
1 798
Piano & claviers
Piano seul
553
Piano, Voix
412
Piano Facile
145
Piano, Voix et Guitare
82
Instruments en Do
51
Orgue
43
1 Piano, 4 mains
18
Accompagnement Piano
14
Piano Trio: piano, violon, violoncelle
14
Orgue, Trompette (duo)
10
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
2
2 Pianos, 4 mains
2
1 Piano, 6 mains
1
2 Accordéons
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
63
Guitare
46
2 Guitares (duo)
28
Ligne De Mélodie, (Paroles) et Accords
18
Ukulele
18
Piano, Guitare (duo)
10
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Basse electrique
8
3 Guitares (trio)
2
Paroles et Accords
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
Mandoline
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
179
Chorale 3 parties
84
Chorale 2 parties
60
Chorale TTBB
58
Voix Soprano, Piano
37
Chorale SSAA
31
Voix Baryton, Piano
30
Voix Tenor, Piano
26
Voix duo, Piano
26
Chorale Unison
21
Voix Alto, Piano
20
Voix duo
10
Voix haute
8
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSAATTBB
2
Voix Soprano
1
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Voix basse
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
Saxophone Alto et Piano
525
Saxophone Tenor et Piano
464
Quatuor de Saxophones: 4 saxophones
459
2 Saxophones (duo)
250
Quintette de Saxophone: 5 saxophones
201
Flûte traversière et Piano
142
Saxophone Alto
137
Saxophone Soprano et Piano
132
Clarinette et Piano
113
Flûte, Hautbois, Clarinette, Basson
105
Hautbois, Piano (duo)
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Quatuor de Clarinettes: 4 clarinettes
94
Saxophone Baryton, Piano
90
Saxophone Tenor
88
Saxophone (partie séparée)
87
Ensemble de saxophones
85
3 Saxophones (trio)
70
2 Flûtes traversières (duo)
65
Clarinette
65
Flûte traversière
52
2 Clarinettes (duo)
47
Saxophone, Clarinette (duo)
40
Quatuor de Flûtes : 4 flûtes
40
Ensemble de Clarinettes
36
Quintette de Clarinettes: 5 clarinettes
35
Flûte, Clarinette (duo)
31
Clarinette, Violon (duo)
29
Cor anglais, Piano
28
Hautbois, Basson (duo)
27
Hautbois (partie séparée)
27
Clarinette Basse, Piano
23
Clarinette, Trompette (duo)
23
Quintette de Flûte : 5 flûtes
20
2 Hautbois (duo)
19
Saxophone Soprano
18
Flûte, Violon
16
Hautbois, Clarinette (duo)
15
Hautbois, Violoncelle
14
Flûte, Saxophone (duo)
14
Clarinette et Alto
13
3 Clarinettes (trio)
12
Ensemble de Flûtes
12
Quatuor de Flûtes à bec
11
Flûte et Guitare
10
Flûte, Alto (duo)
10
Flûte, Trompette (duo)
10
Hautbois
9
Clarinette (partie séparée)
9
Saxophone Baryton
9
Hautbois, Flûte
8
Saxophone et Harpe
8
2 Flûte à bec (duo)
7
Trio de Flûtes: 3 flûtes
7
5 Flûtes à bec
7
Flûte, Violon, Piano
6
Flûte à bec Soprano
6
Flûte à Bec
5
Clarinette, Guitare (duo)
5
Flute (partie séparée)
4
2 Saxophones, Piano
4
3 Flûtes à bec (trio)
4
Clarinette, Basson (duo)
4
Piccolo, Piano
4
Hautbois, Guitare (duo)
3
Flûte, Clarinette et Basson
3
Saxophone
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Cor anglais, Guitare (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec, Guitare (duo)
2
2 Clarinettes, Basson
2
Flûte à bec Tenor
2
Harmonica
2
Clarinette, Violoncelle (duo)
1
Flûte et Trio à cordes
1
Flûte, Violoncelle
1
Flûte, Trombone (duo)
1
Clarinette Basse
1
Saxophone et Orgue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Clarinette, Trombone (duo)
1
+ 88 instrumentations
Retracter
Cuivres
Trombone et Piano
506
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
379
Quatuor de Cuivres : 2 trompettes, trombone, tuba
274
Trombone
124
Quatuor de cuivres: 4 trombones
109
Quatuor de Cuivres: 2 trompettes, Cor, trombone
81
Ensemble de Trombones
78
Cor et Piano
73
Trompette
70
Trompette, Piano
67
2 Trombones (duo)
66
Trompette, Trombone (duo)
52
Quatuor de Cuivres
50
Euphonium, Piano (duo)
47
Trombone (partie séparée)
46
Ensemble de Trompettes
29
Trompette, Saxophone (duo)
28
Cor anglais, Piano
28
Tuba et Piano
28
2 Trompettes (duo)
26
Tuba
25
Trompette (partie séparée)
23
Cor
20
2 Cors (duo)
15
Quatuor de cuivres: 4 cors
12
Trompette, Cor (duo)
10
2 Tubas (duo)
9
3 Trombones (trio)
9
Ensemble de Cors
8
Trio de Cuivres
7
Trombone, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
4 Tubas
4
Trombone basse et Piano
4
3 Cors (trio)
3
3 Trompettes (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Euphoniums (duo)
3
Cor (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Orgue
2
Tuba et Orgue
2
3 Tubas (trio)
2
Cor anglais, Guitare (duo)
2
Trombone basse
2
Tuba (partie séparée)
2
Euphonium
1
Bass Clef Instruments
1
Trompette, Trombone, Piano
1
Trompette, Basson (duo)
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cornet et orchestre
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
247
Violon et Piano
135
Alto, Piano
104
Violoncelle, Piano
97
Violon
95
Violoncelle
81
Violon, Violoncelle (duo)
58
Trio à Cordes: violon, alto, violoncelle
43
Violon, Alto (duo)
39
2 Violons (duo)
34
Alto seul
29
2 Violoncelles (duo)
24
2 Altos (duo)
19
Harpe
17
Contrebasse, Piano (duo)
17
Contre Basse
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon (partie séparée)
12
4 Violoncelles
11
Trio à Cordes: 2 violons, violoncelle
11
Alto (partie séparée)
10
Contrebasse (partie séparée)
10
Ensemble de Violons
9
2 Harpes (duo)
8
Piano Trio: Violon, Alto, Piano
7
Ensemble d'Altos
7
Trio à Cordes: 2 violons, alto
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
5
Harpe, Trombone (duo)
4
Violon, Guitare (duo)
4
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
3
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
357
Orchestre à Cordes
129
Ensemble de cuivres
119
Orchestre
82
Ensemble Jazz
76
Orchestre de chambre
71
Ensemble de Percussions
18
Cloches
15
Fanfare
15
Jazz combo
10
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Instrumentation Flexible
4
Xylophone, Piano
2
Xylophone
2
Batterie
1
Caisse Claire
1
2 Marimbas
1
2 Xylophones
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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Vous avez sélectionné:
Famous One
Clarinette
Partitions à imprimer
65 partitions trouvées
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1
26
51
Someone You Loved
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Clarinette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by...
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Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
10 Greatest Famous Marches
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Clarinette
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10 Greatest Famous Marches
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Editions Marc Reift - Digital
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SheetMusicPlus
Clarinet & Piano - Grade 3 - SKU: R0.39861 Under The Double Eagle / Aviators March / Celebration March / Colonel Bogey / Entry Of The Gladiators / Ha...
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Clarinet & Piano - Grade 3 - SKU: R0.39861 Under The Double Eagle / Aviators March / Celebration March / Colonel Bogey / Entry Of The Gladiators / Happy Times / Punchinello / Rayo Del Sol / The Liberty Bell / Alte Kameraden. Arranged by Colette Mourey and Jirka Kadlec. Clarinet & Piano. Score and parts. 61 pages. Duration 35'32. Editions Marc Reift - Digital #39861. Published by Editions Marc Reift - Digital (R0.39861).
$22.95
Now We Are Free
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Clarinette
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DÉBUTANT
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Hans Zimmer
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Erik B
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Now We Are Free
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Erik Brandão
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1312365 By Hans Zimmer. By Hans Zimmer, Klaus Badelt, and Lisa Gerrard. Arranged by Erik B. Costa. Early Music,...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1312365 By Hans Zimmer. By Hans Zimmer, Klaus Badelt, and Lisa Gerrard. Arranged by Erik B. Costa. Early Music,Film/TV. Individual part. 3 pages. Erik Brandão #901218. Published by Erik Brandão (A0.1312365). Play the song Now We Are Free on the Clarinet Bb! The soundtrack for the 2000 film Gladiator was composed by Hans Zimmer and Lisa Gerrard. It won a Golden Globe Award (Best Original Score) and was nominated for an Academy Award. Now We Are Free is the last track on the film's soundtrack, and arguably the most famous one - often considered to be the film's main theme.
$9.99
Concerto No. 3
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Clarinette
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Johann Melchior Molter
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Concerto No. 3
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Imagine Music - Digital
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SheetMusicPlus
E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Im...
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E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Imagine Music - Digital (IZ.PDP009). 9 x 12 in inches.Johann Melchior Molter achieved particular notoriety for his writing for unusual instruments, such as the chalumeau, the flauto d' amore, the flauto cornetto, and the harp. The clarinet was at the time a very new and quite unrefined instrument, but the Karlsruhe court orchestra possessed a musician (Johann Reusch) who played it. In 1747 Molter wrote four concerti for the piccolo clarinet in D, which are possibly the first clarinet concerti ever written. The motives and fanfare-like arpeggiated figures of these clarinet concerti reflect the early clarinet's reputed tonal similarity to the trumpet. It is interesting to note that the English referred to the early clarinet as the Mock Trumpet, and the name clarinet itself is derived from the Italian word for trumpet, clarino. The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and Stravinsky's Le sacre du printemps. The D clarinet is still in fairly common use today, but the majority of modem clarinetists perform parts written for the D clarinet on the much more common E-flat clarinet. For this arrangement I wished to allow the clarinetist to perform Molter's third concerto on the E-flat clarinet in the same key as it was written for the D clarinet. Therefore, I have transposed the piece from the original key of G to A-flat, which keeps the written solo part in the key of F. It is my sincere hope that this practicality will allow many more clarinetists to enjoy performing this historically significant piece of clarinet repertoire.
$20.00
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
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Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Deja Vu
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Clarinette
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DÉBUTANT
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Pop musique
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.643948 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arrang...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.643948 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253025. Published by M das Melodias (A0.643948). Music sheet music Deja Vu for Clarinet in Bb. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
$4.99
Imagine
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Clarinette
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DÉBUTANT
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Rock
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David Archuleta
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Alex Nunes Rodrigues
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Imagine
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Alex Rodrigues
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1351244 By David Archuleta. By John Lennon. Arranged by Alex Nunes Rodrigues. Pop,Rock. Individual part. 1 page...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1351244 By David Archuleta. By John Lennon. Arranged by Alex Nunes Rodrigues. Pop,Rock. Individual part. 1 pages. Alex Rodrigues #936093. Published by Alex Rodrigues (A0.1351244). Imagine is a song written by English musician John Lennon in 1971. It is one of the most famous and performed songs in the world and is about a world without war, hunger, or poverty. It is a message of peace, love, and equality that transcends time and place. You will be moved and inspire everyone with this unforgettable melody. Acquire your Imagine sheet music now and fulfill your dream of playing one of the most beautiful songs in music history.
$4.99
Cello Suite for solo Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Darren Lloyd
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Cello Suite for solo Clarinet
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Darren Lloyd
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.855979 Composed by Johann Sebastian Bach. Arranged by Darren Lloyd. Baroque,Concert,Instructional,Standards. Individua...
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Clarinet Solo - Level 4 - SKU: A0.855979 Composed by Johann Sebastian Bach. Arranged by Darren Lloyd. Baroque,Concert,Instructional,Standards. Individual part. 11 pages. Darren Lloyd #4745445. Published by Darren Lloyd (A0.855979). J S Bach's famous Cello suite arranged for solo Clarinet. Transcribed into the same keys. One small transposition made to suit advanced intermediate/advanced players. Great for developing breath control, stamina and general technique. I have purposely left out articulations, so you can add your own (try different ones)!
$4.99
Morning Mood by Grieg for Clarinet with Chords
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Clarinette
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INTERMÉDIAIRE
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Clar
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Glauco Fernandes
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.1412805 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.1412805 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #994809. Published by Glauco Fernandes (A0.1412805). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$4.99
Morning Mood by Grieg for Clarinet
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Clarinette
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FACILE
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Clar
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Glauco Fernandes
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1412821 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1412821 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #994826. Published by Glauco Fernandes (A0.1412821). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$4.99
Handel: Largo from Xerxes for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
The french touch collection - Book 3 : Sea shanties
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Clarinette
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Maëla Raoult
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Maëla Raoult
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The french touch collection -
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Maëla Raoult
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SheetMusicPlus
B-Flat Clarinet Solo - SKU: A0.1219935 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual p...
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B-Flat Clarinet Solo - SKU: A0.1219935 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual part. 27 pages. Maëla Raoult #816303. Published by Maëla Raoult (A0.1219935). Embark on a musical journey with “Book III: Sea Shanties,†thoughtfully arranged by the talented Maëla Raoult, and now available on sheetmusic direct and sheetmusic plus.Dive into the captivating world of “The French Touch’ Collection†as we unveil Book III, a collection of timeless Sea Shanties meticulously selected and expertly arranged by Maëla Raoult. This enchanting repertoire is tailored to nurture the young clarinetist’s development, offering an assortment of the most famous sailors’ songs. A Musical Voyage Within these pages, aspiring clarinetists, both young and old, will have the opportunity to expand their musical repertoire with a selection of beloved sea shanties. Rediscover the merriment of songs such as “Tri Martolod,†“Paddy Doyle’s Boots,†“A Sailor Went to Sea Sea Sea,†“Avec Jean Bart,†“Bonny Was a Warrior,†“Le Père Lancelot,†“Marins de Groix,†“Cheerly Man,†“Au Fait du Mât d’Misaine,†“Amsterdam Maid,†and many more. Perfectly Tailored for Second or Third-Year Clarinetists This method is thoughtfully designed for second or third-year clarinetists, providing an engaging repertoire to practice register transitions on the instrument. Most songs are initially presented in the lower notes and subsequently in the upper octave. These awesome melodies offer a comprehensive approach to improve various technical aspects encountered in the second or third year, including rhythms, articulations, ternary structures, register transitions, nuances, and more—all while enjoying the music. Video accompaniement for Enhanced Autonomy To facilitate your musical journey, each song is thoughtfully linked to a freely accessible video. Simply scan the QR code with your phone or tablet to immerse yourself in the melody of each composition. These videos empower students to learn and practice independently, with or without the guidance of a teacher, and to access the songs at their convenience. The French Touch Collection, Where Learning Meets Fun “The French Touch’ Collection†is the ultimate clarinet method that seamlessly blends learning with enjoyment. Transform yourself into a true musical pirate and bring to life the most renowned sea shanties.“The French Touch’ Collection – Sea Shanties – Book 3†is available in both eBook and print formats, on sheetmusic direct and sheetmusic plus. Don’t miss your chance to become a musical pirate and enjoy the most famous sea shanties.
$19.40
O Holy Night for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Alto Clarinet
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548683 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548683 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410473. Published by jmsgu3 (A0.548683). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
The Godfather (Love Theme)
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Clarinette
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DÉBUTANT
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Nino Rota
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Erik B
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The Godfather
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Erik Brandão
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1386969 Composed by Nino Rota. Arranged by Erik B. Costa. 20th Century,Film/TV,Wedding. Individual part. 2 page...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1386969 Composed by Nino Rota. Arranged by Erik B. Costa. 20th Century,Film/TV,Wedding. Individual part. 2 pages. Erik Brandão #970854. Published by Erik Brandão (A0.1386969). Play the song Love Theme on the Clarinet Bb! The “Love Theme†from the movie “The Godfather†is one of the most iconic songs in the history of cinema. It was composed by the Italian Nino Rota and appears in the first film of the trilogy. The song is a romantic ballad that is always associated with “The Godfather†when thinking about its soundtrack. The song is older than the famous movie, but it became famous precisely because of its appearance in the trilogy, receiving versions and new interpretations until today. The song is one of the twelve tracks on the movie’s soundtrack and is often played at weddings and other romantic events.
$6.99
The Godfather (Love Theme)
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Clarinette
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DÉBUTANT
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Nino Rota
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Erik B
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The Godfather
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Erik Brandão
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SheetMusicPlus
A Clarinet Solo - Level 1 - SKU: A0.1386970 Composed by Nino Rota. Arranged by Erik B. Costa. 20th Century,Film/TV,Wedding. Individual part. 2 pages. Er...
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A Clarinet Solo - Level 1 - SKU: A0.1386970 Composed by Nino Rota. Arranged by Erik B. Costa. 20th Century,Film/TV,Wedding. Individual part. 2 pages. Erik Brandão #970855. Published by Erik Brandão (A0.1386970). Play the song Love Theme on the Clarinet A! The “Love Theme†from the movie “The Godfather†is one of the most iconic songs in the history of cinema. It was composed by the Italian Nino Rota and appears in the first film of the trilogy. The song is a romantic ballad that is always associated with “The Godfather†when thinking about its soundtrack. The song is older than the famous movie, but it became famous precisely because of its appearance in the trilogy, receiving versions and new interpretations until today. The song is one of the twelve tracks on the movie’s soundtrack and is often played at weddings and other romantic events.
$6.99
Ballade aux Tuileries
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Clarinette
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Pascal Proust
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Ballade aux Tuileries
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Bb Clarinet Piano - Grade 3 - SKU: FX.FX074151 Composed by Pascal Proust. Original Composition. Classical, Education...
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Chamber Music & Piano Accompaniment Bb Clarinet Piano - Grade 3 - SKU: FX.FX074151 Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 7 pages. FLEX Editions - Digital Sheet Music #FX074151. Published by FLEX Editions - Digital Sheet Music (FX.FX074151). Walk in the famous Parisian garden, inspired by Claude Monet's paintings. - Pascal PROUST ; A piece to be played from 4 years of practice. ; Instruments: 1 Bb Clarinet 1 Piano.
$12.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549758 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549758 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533255. Published by jmsgu3 (A0.549758). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Russian Dance from Nutcracker Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance fro
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549712 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549712 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530309. Published by jmsgu3 (A0.549712). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549690 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549690 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3520445. Published by jmsgu3 (A0.549690). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
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