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ACCORDEON
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AUTOHARPE
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FORMATION MUSI…
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363
PIANO & CLAVIERS
Piano seul
193
Piano, Voix
48
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
28
Piano Facile
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Instruments en Do
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Accompagnement Piano
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Orgue
16
2 Pianos, 4 mains
10
1 Piano, 4 mains
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Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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Guitare
29
Guitare notes et tablatures
12
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4 Guitares (Quatuor)
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Chorale SATB
103
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12
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11
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8
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6
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5
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3
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3
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3
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1
Voix Mezzo-Soprano, Piano
1
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1
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VENTS
2 Saxophones (duo)
34
Flûte traversière et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
17
Quintette de Saxophone: 5 saxophones
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2 Clarinettes (duo)
16
Quatuor de Saxophones: 4 saxophones
14
2 Flûtes traversières (duo)
14
Clarinette, Trompette (duo)
14
Clarinette, Violon (duo)
13
Saxophone Tenor et Piano
12
Ensemble de saxophones
12
Clarinette
11
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10
Saxophone Soprano et Piano
10
Saxophone Baryton, Piano
9
Flûte, Clarinette (duo)
9
Saxophone (partie séparée)
8
Flûte traversière
8
Flûte, Violon, Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Ensemble de Flûtes
7
Saxophone Alto
7
3 Saxophones (trio)
7
Cor anglais, Piano
7
Clarinette et Alto
7
Hautbois, Basson (duo)
6
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
6
Clarinette Basse, Piano
6
2 Hautbois (duo)
6
Flûte, Violon
6
Flûte et Guitare
6
Hautbois (partie séparée)
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte à bec Soprano
5
Flûte, Trompette (duo)
5
Quintette de Flûte : 5 flûtes
5
Hautbois, Flûte
5
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette (partie séparée)
2
Clarinette, Guitare (duo)
2
Clarinette, Harpe (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Saxophone Tenor
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Alto, Basse continue
1
Saxophone et Orgue
1
Piccolo, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Ensemble de Hautbois
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette, Saxophone (duo)
14
Trompette
14
Trombone et Piano
13
Cor et Piano
12
Euphonium, Piano (duo)
10
Trompette, Piano
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trombone
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
7
Quatuor de cuivres: 4 cors
5
Ensemble de Trombones
5
Cor
4
Tuba et Piano
4
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Trombone (partie séparée)
2
Trompette (partie séparée)
1
Tuba et Orgue
1
Tuba
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Cor (partie séparée)
1
Trombone basse et Piano
1
Ensemble de Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon et Piano
42
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle, Piano
17
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Violon
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Harpe
7
2 Altos (duo)
6
2 Harpes (duo)
4
Violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
3
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle (partie séparée)
2
Alto, Guitare (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
Harpe, Trombone (duo)
1
Trio à cordes
1
Ensemble de Violons
1
Ensemble d'Altos
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Autoharp
1
Alto, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
84
Orchestre
32
Orchestre à Cordes
27
Ensemble de cuivres
19
Orchestre de chambre
8
Ensemble Jazz
8
Jazz combo
7
Cloches
6
Percussion (partie séparée)
1
Xylophone
1
Piano et Orchestre
1
Ensemble de Percussions
1
Percussion
1
2 Marimbas
1
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Bach: Wachet auf for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johan…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
23.13 €
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Clarinette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
23.13 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Elegy for Clarinet
Clarinette
Clarinet,Piano - Level 3 - Digital Download SKU: A0.723173 Composed by Joel Jacklic…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.723173 Composed by Joel Jacklich (ASCAP). Concert,Contemporary. Score and part. 9 pages. Joel Jacklich #6227859. Published by Joel Jacklich (A0.723173). Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band. This is the version with piano accompaniment. (The versions with full band accompaniment and with full orchestral accompaniment are also available on this web site.)
$10.00
9.27 €
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Clarinette
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Joel Jacklich
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Elegy for Clarinet
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Joel Jacklich
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.54 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Marti…
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E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.13 €
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Clarinette
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.54 €
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Clarinette
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Reflections on Europa for clarinet and piano
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.867175 Composed by Julietta Anne…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.867175 Composed by Julietta Anne Rabens. Concert,Contemporary. Individual part. 46 pages. Juliettamusic #1750225. Published by Juliettamusic (A0.867175). The ice covered Europa is one of the principle moons of Jupiter. The sound world, which is meant to evoke this frigid environment, is created by using the high registers of both the clarinet and piano and by using square, metrical, brittle rhythms. In the first two movements, motives, and sometimes entire sections, are repeated in retrograde or inversion to further enhance this image of reflective ice. There is a progression from atonal writing which contains many chromatic passages in the first movements to more modal writing in the last movements. This narrowing of pitch material is intended to evoke a movement from the impersonal to the personal. The poetic idea behind the piece begins with an image of a moon in complete isolation which then makes a connection with the distant stars, and then the not so distant clouds surrounding the giant Jupiter which hangs heavily in its sky, and finally with an inward awakening of oceans which could be filled with life beneath the surface of ice. This intended for performers with an advanced level of skill.
$15.00
13.9 €
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Clarinette
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Julietta Anne Rabens
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Reflections on Europa for clarinet and piano
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Juliettamusic
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SheetMusicPlus
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.1464964 Composed by Joe Davis an…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.1464964 Composed by Joe Davis and Osvaldo Farres. Arranged by Leo Silva. Pop. Individual part. 1 pages. MP Sheet Music #1043666. Published by MP Sheet Music (A0.1464964). Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps), sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.63 €
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Clarinette
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Joe Davis and Osvaldo Farres
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Leo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Quizas, Quizas, Quizas (perhaps, Perhaps, Perhaps)
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.484753 Composed by Joe Davis and…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.484753 Composed by Joe Davis and Osvaldo Farres. Arranged by Leonardo Silva. Latin. Individual part. 1 pages. MP Sheet Music #103972. Published by MP Sheet Music (A0.484753). Quizás, Quizás, Quizás, sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.63 €
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Clarinette
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Joe Davis and Osvaldo Farres
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Leonardo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Quizas, Quizas, Quizas (perhaps, Perhaps, Perhaps)
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.484754 Composed by Joe Davis and…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.484754 Composed by Joe Davis and Osvaldo Farres. Arranged by Leonardo Silva. Latin. Individual part. 1 pages. MP Sheet Music #103973. Published by MP Sheet Music (A0.484754). Quizás, Quizás, Quizás, sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.63 €
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Clarinette
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Joe Davis and Osvaldo Farres
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Leonardo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Daily Exercises
Clarinette
Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. …
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Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. This edition: Sheet music. Musikpadagogik, Klarinette, Clarinet. Downloadable. Op. 63. Schott Music - Digital #Q25351. Published by Schott Music - Digital
When the clarinet method was revised and newly published, the Daily Exercises, which were originally a part of the Clarinet Method Op. 63 by Carl Baermann, were published as a separate edition. The essential improvement consists in the arrangement of the individual exercises, which simplifies their use in teaching practice. As with the two volumes of the Clarinet Method, the musical text is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. By adding exercises with fourths, fifths, sevenths and octaves, the Daily Exercises contain everything that is necessary for the thorough technical education of a clarinettist and thus are an independent volume that can be used either as a supplement to the Baermann method or totally independently of it.<br> <br> Thanks to the revision by Robert Erdt, the result is a textbook that is oriented towards the original as regards content and, at the same time, has been adjusted to the current times with regard to language, education and instrumental technique so that this clarinet method by Carl Baermann can maintain its position in modern clarinet lessons as important educational literature for the classical clarinet.
$17.99
16.67 €
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Clarinette
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Daily Exercises
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Schott Music - Digital
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SheetMusicPlus
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