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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For One
Non classifié
42 037
Piano & claviers
Piano seul
14 242
Piano, Voix et Guitare
8 312
Piano, Voix
6 467
Piano Facile
4 338
Accompagnement Piano
1 761
Instruments en Do
1 239
Orgue
946
1 Piano, 4 mains
632
Piano grosses notes
337
Piano (partie séparée)
201
Piano Trio: piano, violon, violoncelle
194
Accordéon
184
2 Pianos, 4 mains
124
Piano Quatuor: piano, 2 violons, violoncelle
68
Orgue, Trompette (duo)
65
Piano Quatuor: piano, violon, alto, violoncelle
54
1 Piano, 6 mains
33
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
27
Clavecin
18
Ligne De Mélodie, Piano
17
2 Pianos, 8 mains
12
Clavier
11
Accordéon, Voix
5
Instrument seul et Orgue
3
2 Accordéons
2
Accordéon et Orchestre
2
3 Pianos
2
Concertina
2
Ensemble d'Accordéons
2
2 Orgues (duo)
1
Accordéon, Piano
1
Orgue et Orchestre
1
+ 28 instrumentations
Retracter
Guitares
Guitare notes et tablatures
4 110
Ligne De Mélodie, (Paroles) et Accords
2 074
Guitare
1 591
Basse electrique
961
Paroles et Accords
951
Ukulele
744
Guitare (partie séparée)
428
Ukulele Baryton
257
2 Guitares (duo)
146
4 Guitares (Quatuor)
70
Dulcimer
63
Mandoline
62
Piano, Guitare (duo)
54
Banjo
49
3 Guitares (trio)
34
Ensemble de guitares
32
2 Dulcimers (duo)
11
Mandoline, Piano (duo)
11
Partitions De Groupes
9
Mandoline, Guitare (duo)
7
Guitare Pedal Steel
7
Guitare, Violon, Violoncelle (trio)
7
Ensemble de Ukulélés
6
2 Ukuleles
6
2 Mandolines (duo)
3
Guitare, Orchestre
1
Basse électrique (partie séparée)
1
Orchestre à Plectres
1
+ 23 instrumentations
Retracter
Voix
Chorale SATB
6 500
Chorale 3 parties
2 231
Chorale 2 parties
1 732
Chorale TTBB
1 459
Chorale SSAA
789
Voix seule
741
Chorale Unison
727
Voix duo, Piano
535
Voix Baryton, Piano
428
Voix duo
306
Chorale
256
Pack Instrumental pour Chorale
248
Voix Soprano, Piano
196
Voix Tenor, Piano
121
Voix Alto, Piano
120
Voix haute
102
Voix basse, Piano
51
Voix moyenne, Piano
46
Voix, Guitare
20
Chorale SSAATTBB
19
Voix Tenor
18
Voix Baryton
17
Soli, choeur mixte et accompagnement
17
Voix basse
15
Voix Mezzo-Soprano, Piano
14
Voix Soprano
12
Chorale SSATB
11
Chorale SSAB a cappella
9
Chorale SSATTB
8
Chorale SSAB, Piano
6
Voix d'Enfants
4
Male Voice
2
Voix Soprano, Orchestre
1
Chorale SATTBB, Clavier
1
Chorale, Orgue
1
Chorale SSATBB
1
Chorale SATBB
1
Voix Moyenne
1
Chorale SAATB A Cappella
1
+ 34 instrumentations
Retracter
Vents
Saxophone
17 088
Saxophone (partie séparée)
14 851
Saxophone Alto
8 938
Quatuor de Saxophones: 4 saxophones
7 693
Saxophone Tenor
7 656
Saxophone Alto et Piano
5 759
2 Saxophones (duo)
5 396
Saxophone Tenor et Piano
4 289
Saxophone Soprano et Piano
2 564
Quintette de Saxophone: 5 saxophones
2 241
3 Saxophones (trio)
2 023
Flûte traversière et Piano
1 876
Flûte, Hautbois, Clarinette, Basson
1 527
Flûte traversière
1 335
Clarinette
1 253
Clarinette et Piano
1 237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 170
Saxophone Soprano
1 159
Saxophone Baryton, Piano
1 112
Ensemble de saxophones
1 020
Hautbois, Piano (duo)
1 007
Quatuor de Clarinettes: 4 clarinettes
936
2 Flûtes traversières (duo)
840
2 Clarinettes (duo)
750
Saxophone, Clarinette (duo)
633
Hautbois (partie séparée)
396
Flûte, Clarinette (duo)
388
Quatuor de Flûtes : 4 flûtes
387
Clarinette (partie séparée)
381
Clarinette, Violon (duo)
347
Instruments en Mib
343
Ensemble de Clarinettes
303
Flûte à bec Soprano
293
Ocarina
289
Clarinette, Trompette (duo)
276
Flute (partie séparée)
269
Flûte, Saxophone (duo)
259
Hautbois, Basson (duo)
247
Hautbois
243
2 Hautbois (duo)
241
Saxophone Baryton
231
Flûte à bec Alto
219
Ensemble de Flûtes
218
3 Clarinettes (trio)
217
Hautbois, Clarinette (duo)
210
Flûte et Guitare
207
2 Saxophones, Piano
192
Quintette de Clarinettes: 5 clarinettes
190
Flûte, Violon
181
Clarinette et Alto
178
2 Flûte à bec (duo)
162
Hautbois, Flûte
154
Trio de Flûtes: 3 flûtes
150
Cor anglais, Piano
148
Flûte, Trombone (duo)
147
Saxophone et Piano
146
Flûte, Alto (duo)
145
Flûte, Trompette (duo)
128
Saxophone et Guitare
117
Flûte à Bec
116
Flûte, Violon, Piano
105
Clarinette Basse, Piano
103
Quatuor de Flûtes à bec
102
Clarinette, Trombone (duo)
87
Saxophone, Violon (duo)
85
Clarinette, Guitare (duo)
79
Quintette de Flûte : 5 flûtes
74
Saxophone et Orgue
61
Clarinette, Basson (duo)
60
Flûte, Hautbois, Clarinette (trio)
57
3 Flûtes à bec (trio)
52
Flûte, Hautbois (duo)
50
Flûte, Violoncelle
49
Hautbois, Violoncelle
48
Hautbois, Clarinette, Basson (trio d'anches)
47
Clarinette, Violoncelle (duo)
46
Harmonica
44
Cor Anglais
44
Saxophone et Harpe
44
Flûte, Clarinette et Basson
43
Saxophone, Basson (duo)
43
Flûte à bec Alto, Piano
42
Ensemble De Flûte à bec
42
2 Flûtes traversières, Piano
38
Hautbois, trombone (duo)
36
5 Flûtes à bec
34
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Flûte, Hautbois, Basson
24
Ensemble à vent
22
Flûte, Violoncelle, Piano (trio)
22
Hautbois, violon (duo)
21
Piccolo, Piano
19
Saxophone et violoncelle
19
Flûte à bec Soprano, Piano
19
Piccolo
19
4 Hautbois
17
Flûte à bec Tenor
16
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte, Clarinette, Piano (trio)
16
Flûte, Violon et Violoncelle
14
2 Clarinettes, Piano
13
Flûte, Hautbois, Piano (trio)
13
Clarinette, Violoncelle, Piano (trio)
13
3 Hautbois
13
Flûte, Basson et Piano
12
Clarinette Basse
10
Flute, harpe et violon
9
Saxophone, Tuba (duo)
9
Clarinette, Harpe (duo)
9
Hautbois et alto (duo)
8
2 Clarinettes, Basson
8
Clarinette, Orgue
7
Flûte à Bec, Piano
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte, Alto et Piano
6
Flûte traversière, Orgue (duo)
5
Hautbois, Harpe
5
Flûte irlandaise
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
2 Cors Anglais Et Pianoforte
4
Flûte à bec, Guitare (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Harmonica, Piano
3
Flûte, Clarinette, Violon (trio)
3
Flûte, Harpe et Violoncelle
3
Flûte, trombone et piano
3
Clarinette, trompette et piano
2
Flûte de Pan
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte traversière, Basse continue
2
Flûte, Hautbois, Violon
2
Clarinette, Tuba
2
Flûte, alto et harpe
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violon, Piano
2
Cornemuse
2
2 Flûtes, Basse continue
1
Flute, Cor (duo)
1
Flûte à bec Alto, Basse continue
1
Clarinette, Saxophone, Piano
1
Hautbois, Violoncelle et Piano
1
Flûte, Tuba (duo)
1
Flûte, Violoncelle, Guitare
1
Melodica
1
Hautbois, Basson et Piano
1
2 Flûtes à bec, Guitare
1
2 Hautbois et Cor anglais
1
Clarinette, Orchestre
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
+ 148 instrumentations
Retracter
Cuivres
Trombone
11 755
Trombone (partie séparée)
11 153
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7 602
Trombone et Piano
4 573
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3 148
2 Trombones (duo)
2 141
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 545
Trompette
1 418
Trompette, Trombone (duo)
1 230
Quatuor de Cuivres
1 152
Quatuor de cuivres: 4 trombones
1 047
Trompette (partie séparée)
974
Trompette, Piano
872
Cor et Piano
679
Trompette, Saxophone (duo)
598
Cor
510
Trio de Cuivres
467
Ensemble de Trombones
416
Bass Clef Instruments
394
Instruments en Sib
389
2 Trompettes (duo)
359
3 Trombones (trio)
357
Tuba et Piano
333
Tuba
317
Euphonium, Piano (duo)
269
Cor (partie séparée)
265
Tuba (partie séparée)
224
Tuba ou Euphonium ou Saxhorn
203
2 Cors (duo)
158
Cor anglais, Piano
148
Ensemble de Trompettes
147
Trompette, Cor (duo)
124
Euphonium
116
Quatuor de cuivres: 4 cors
111
Trombone basse
103
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Trombone, Tuba (duo)
81
Trombone, Cor (duo)
80
Trombone basse et Piano
79
Trombone, Violon (duo)
76
2 Tubas (duo)
69
Trompette, Basson (duo)
58
Trombone, Orgue
57
2 Euphoniums et 2 Tubas
56
Ensemble de Cors
50
Cor Anglais
44
4 Tubas
43
Quatuor de cuivres: 4 trompettes
40
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
36
3 Trompettes (trio)
34
2 Euphoniums (duo)
30
Euphonium, Tuba (duo)
30
Cor anglais, Guitare (duo)
25
Cor, Violoncelle (duo)
22
Cor, Trompette, Trombone (trio)
19
2 Trombones, Piano
15
Tuba et Orgue
15
Trompette, Violoncelle (duo)
14
Trombone, Alto (duo)
14
2 Trompettes, Clavier (piano ou orgue)
13
Cor et Basson (duo)
13
3 Tubas (trio)
12
3 Cors (trio)
12
Trompette, Tuba (duo)
11
Instruments en Fa
10
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Cornet A Pistons
7
Trompette, Violoncelle et Piano
7
Cor et Orgue
6
Cor, Tuba (duo)
6
Trombone et orchestre
6
3 Euphoniums
5
Trompette, Euphonium (duo)
5
Trompette et Guitare
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Cor (duo)
3
Cor et Harpe
3
Ensemble de Tubas
2
Trompette, violon (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et Piano
1
Trompette, Orchestre
1
2 Cors, Piano
1
Cornet et orchestre
1
+ 83 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 557
Violon et Piano
1 770
Violon
1 753
Violoncelle, Piano
1 244
Alto, Piano
1 049
Violoncelle
1 035
Violon, Violoncelle (duo)
922
Harpe
872
Trio à Cordes: violon, alto, violoncelle
679
Alto seul
655
2 Violons (duo)
545
Violon, Alto (duo)
428
2 Violoncelles (duo)
425
Contrebasse (partie séparée)
365
Quintette à cordes: 2 violons, alto, violoncelle, basse
344
2 Altos (duo)
303
Violon (partie séparée)
281
Contrebasse, Piano (duo)
246
Contre Basse
242
Alto (partie séparée)
196
Trio à Cordes: 2 violons, violoncelle
193
Piano Trio: Violon, Alto, Piano
126
Alto, Violoncelle (duo)
122
4 Violoncelles
112
Violon, Guitare (duo)
106
Trio à cordes: 3 violins
80
Violoncelle (partie séparée)
73
2 Harpes (duo)
61
2 Contrebasses (duo)
58
Harpe, Flûte (duo)
57
Violoncelle , Guitare (duo)
55
Trio à Cordes: 3 violoncelles
49
Violoncelle, Contrebasse (duo)
43
Trio à cordes: 3 altos
42
Alto, Guitare (duo)
41
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
37
Violon, Basson (duo)
35
Harpe, Violon (duo)
34
Harpe, Voix
31
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
23
Alto et Harpe
21
Ensemble d'Altos
21
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Trio à cordes
20
Harpe, Violoncelle (duo)
19
Alto et Basson
19
Harpe, Trombone (duo)
14
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
10
Harpe et mandoline
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Orgue
7
Ensemble de Violoncelles
7
2 Violons, Piano
7
Violoncelle, Orchestre
6
Violon, Clarinette, Piano (trio)
6
Harpe, Violon, Violoncelle
6
4 Contrebasses
6
3 Harpes
4
Harpe et Piano
3
Autoharp
3
Alto et orchestre
2
5 Harpes
2
Violon, Basse continue
2
Harpe (partie séparée)
2
Violon, Trompette et Piano
2
2 Violoncelles, Piano
2
3 Contrebasses
2
Harpe, Orchestre
1
4 Harpes
1
Harpe, Quatuor à cordes
1
Violon, Tuba (duo)
1
Violoncelle, Basse continue
1
+ 70 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
11 242
Ensemble Jazz
3 257
Orchestre
2 425
Ensemble de cuivres
2 164
Orchestre à Cordes
1 577
Fanfare
1 026
Cloches
701
Orchestre de chambre
666
Jazz combo
659
Batterie
539
Xylophone
365
Ensemble de Percussions
290
Batterie (partie séparée)
233
Percussion (partie séparée)
225
Percussion
162
Xylophone, Piano
114
Marimba
70
2 Xylophones
56
Vibraphone
35
Timbales (partie séparée)
31
Quintette de Cuivres: autres combinaisons
16
Piano et Orchestre
12
Ensemble d'École
11
Big band
11
Xylophone ou Marimba ou Vibraphone
10
Instrumentation Flexible
7
Timbales
6
Orchestre, Violon
5
Caisse Claire
5
Quintette à Vent
4
Vibraphone et Marimba
3
2 Marimbas
3
Quatuor à Vent : 4 instruments à vents
3
Marimba ou Xylophone et Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Bongos
2
Cajon
2
Marimba, Piano (duo)
2
3 Marimbas
2
Xylophone (partie séparée)
2
Marimba, Saxophone (duo)
1
3 Percussions
1
Marimba et Orgue
1
Bodhran
1
Orchestre Symphonique
1
+ 40 instrumentations
Retracter
Autres
Formation musicale - Solfège
12
Papeterie
5
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
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Pertinence
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Nouveautes
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difficulté (tous)
débutant
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Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Talking to Myself, an Unaccompanied Discussion for One (Clarinet)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Matthew D
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Talking to Myself, an Unaccomp
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Matthew D Jones
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.996723 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743569. Published by Ma...
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Clarinet Solo - Level 4 - SKU: A0.996723 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743569. Published by Matthew D Jones (A0.996723). Talking to Myself, an Unaccompanied Discussion for One (Clarinet) is a solo piece written for the technical and expressive qualities of woodwind instruments. The performer is encouraged to experiment with tempos and expressions to find their own interpretation, and to connect their own internal discussion to the music. The piece is approximately 2 minutes and 30 seconds in length, and is also arranged for Flute, Bass Flute, or Bassoon.The PDF file is 4 pages with a title page, 1 notes page, and 2 pages for solo Clarinet.The full audio recording is available at:https://soundcloud.com/matthewdjones/talking-to-myself-clarinetThanks for listening, and I hope you enjoy performing the piece!
$7.99
Handel: Largo from Xerxes for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
The Favorite for solo Alto Clarinet and Piano
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Clarinette
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Alto Cla
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime....
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E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and individual part. 7 pages. David McKeown #696756. Published by David McKeown (A0.1092655). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Alto Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Clarinet Quarter-Tone & Altissimo Fingering Chart
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Clarinette
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Jason Alder
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Clarinet Quarter-Tone & Al
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AMA Editions
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA ...
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A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA Editions #898359. Published by AMA Editions (A0.1309185). This is the newly updated 3rd Edition of the most comprehensive fingering chart for clarinet. The 2nd Edition became widely popular and used by clarinetists around the world, and this new 3rd Edition adds 127 fingerings for a total offering of over 300 fingerings through four and a half octaves in quarter-tones for clarinet, from written E3 to A7.Author's Notes:Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.The first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.The next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.
$9.00
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
O Holy Night for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Alto Clarinet
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548683 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548683 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410473. Published by jmsgu3 (A0.548683). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Chamber Music for Three Clarinets, Vol. 1 (Easy)
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Clarinette
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Various
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H
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Chamber Music for Three Clarin
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Rubank Publications
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SheetMusicPlus
Clarinet SKU: HL.4474550 Composed by Various. Edited by H. Voxman. Arranged by H. Voxman. Ensemble Collection. Classical, Collection. 40 pages. Rubank Pu...
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Clarinet SKU: HL.4474550 Composed by Various. Edited by H. Voxman. Arranged by H. Voxman. Ensemble Collection. Classical, Collection. 40 pages. Rubank Publications #RUBL273. Published by Rubank Publications (HL.4474550). ISBN 9781423444985. UPC: 073999745504. 9.0x12.0x0.101 inches.Easy clarinet trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Billings, Corelli, Faber, Grieg, Handel, Mozart, Schubert, Tchaikovsky and others.
Song List
: Allemande Gavotte Sweet Betsy From Pike The Three Kings Song Sailor's Dance Menuet(Div.In D K334) Mozart Allegro (Mozart) Minuet (Buttstedt) Begone, Dull Care Bourree(Ry.Fireworks Handel) Ecossaise (Hummel) Entr'acte (Rosamunde) Schubert Farewell To Forest (Mendelssohn) Gaillarde March (Fischer) March (Part.In F Faber) March In C (Kranz) May Dance Menuet (Trio #3op.57 Bouffil) Minuet (Faber) Sarabande (Schleswig) Three Old Dutch Dances Two Early American Airs Valse Lent (Kranz) Warily! (Ramann) Come, Companions (Round) Glass Was Just Tim'd,The (Catch) Great Apollo & Bacchus (Catch) Haste Thee, Nymph (Round) German Dance Chester Old French Song, Op. 39, No. 16 Come, Follow Me (Round) Scale, The (Round) Soldier's March (Soldatenmarsch), Op. 68, No. 2 Watchman's Song, Op. 12, No. 3 Drink To Me Only With Thine Eyes
$8.99
Squeak Big: Practical Fundamentals for the Successful Clarinetist
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Clarinette
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Phillip Paglialonga
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Squeak Big: Practical Fundamen
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Imagine Music - Digital
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SheetMusicPlus
Clarinet - SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music -...
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Clarinet - SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).
$32.00
Billy Joel : Honesty (niveau facile/intermédiaire)
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Clarinette
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FACILE
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Rock
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Pop musique
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Billy Joel
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Honesty
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Tomplay
Telechargez la partition Clarinette Honesty (niveau facile/intermediaire) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette Honesty (niveau facile/intermediaire) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Billy Joel : Honesty (niveau difficile)
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Clarinette
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AVANCÉ
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Rock
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Pop musique
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Billy Joel
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Honesty
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Tomplay
Telechargez la partition Clarinette Honesty (niveau difficile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette Honesty (niveau difficile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Billy Joel : Honesty (niveau très facile)
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Clarinette
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DÉBUTANT
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Rock
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Pop musique
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Billy Joel
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Honesty
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Tomplay
Telechargez la partition Clarinette Honesty (niveau très facile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette Honesty (niveau très facile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Billy Joel : Honesty (niveau facile)
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Clarinette
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FACILE
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Rock
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Pop musique
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Billy Joel
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Honesty
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Tomplay
Telechargez la partition Clarinette Honesty (niveau facile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette Honesty (niveau facile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Kenny Loggins : Top Gun - Danger Zone (niveau facile/intermédiaire)
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Clarinette
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FACILE
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Film/TV
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Kenny Loggins
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Top Gun
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Tomplay
Telechargez la partition Clarinette Top Gun - Danger Zone (niveau facile/intermediaire) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Mu...
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Telechargez la partition Clarinette Top Gun - Danger Zone (niveau facile/intermediaire) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Musique de film
5.99€
Kenny Loggins : Top Gun - Danger Zone (niveau difficile)
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Clarinette
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AVANCÉ
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Film/TV
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Kenny Loggins
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Top Gun
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Tomplay
Telechargez la partition Clarinette Top Gun - Danger Zone (niveau difficile) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Musique de fi...
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Telechargez la partition Clarinette Top Gun - Danger Zone (niveau difficile) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Musique de film
5.99€
Kenny Loggins : Top Gun - Danger Zone (niveau facile)
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Clarinette
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FACILE
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Film/TV
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Kenny Loggins
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Top Gun
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Tomplay
Telechargez la partition Clarinette Top Gun - Danger Zone (niveau facile) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Musique de film...
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Telechargez la partition Clarinette Top Gun - Danger Zone (niveau facile) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Musique de film
5.99€
Kenny Loggins : Top Gun - Danger Zone (niveau débutant)
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Clarinette
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DÉBUTANT
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Film/TV
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Kenny Loggins
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Top Gun
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Tomplay
Telechargez la partition Clarinette Top Gun - Danger Zone (niveau debutant) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Musique de fil...
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Telechargez la partition Clarinette Top Gun - Danger Zone (niveau debutant) de Kenny Loggins. Partition pour Clarinette avec accomp. orchestre -- Musique de film
5.99€
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