Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fugue
Non classifié
728
Piano & claviers
Piano seul
1 065
Orgue
419
Piano Facile
52
1 Piano, 4 mains
31
Clavecin
22
Orgue, Piano (duo)
22
2 Pianos, 4 mains
14
Piano, Voix et Guitare
6
Piano, Voix
5
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 8 mains
2
Instruments en Do
2
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
2 Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
62
Guitare notes et tablatures
19
2 Guitares (duo)
17
4 Guitares (Quatuor)
9
Ligne De Mélodie, (Paroles) et Accords
6
3 Guitares (trio)
3
2 Mandolines (duo)
1
Basse electrique
1
Ukulele
1
Partitions De Groupes
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale TTBB
13
Chorale 3 parties
12
Chorale 2 parties
5
Chorale SSAA
3
Chorale
2
Voix Tenor, Piano
1
Voix seule
1
Voix haute
1
Voix Baryton, Piano
1
+ 5 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
133
Quatuor de Clarinettes: 4 clarinettes
118
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Flûte à Bec
65
Flûte, Hautbois, Clarinette, Basson
53
Quatuor de Flûtes : 4 flûtes
50
Quatuor de Flûtes à bec
48
Quintette de Clarinettes: 5 clarinettes
41
3 Clarinettes (trio)
32
Clarinette (partie séparée)
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière et Piano
22
Quintette de Flûte : 5 flûtes
20
3 Saxophones (trio)
20
Saxophone (partie séparée)
19
Ensemble de Clarinettes
19
Hautbois, Piano (duo)
15
Clarinette et Piano
14
Saxophone Alto et Piano
13
Trio de Flûtes: 3 flûtes
13
Flute (partie séparée)
13
Ensemble de Flûtes
12
Ensemble de saxophones
11
Clarinette
10
Flûte, Clarinette et Basson
10
Saxophone Tenor et Piano
9
3 Flûtes à bec (trio)
8
Saxophone Baryton, Piano
8
Hautbois (partie séparée)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte traversière
7
2 Clarinettes (duo)
6
5 Flûtes à bec
6
Saxophone Soprano et Piano
5
2 Flûte à bec (duo)
5
Clarinette Basse, Piano
4
Cor anglais, Piano
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Hautbois, Basson
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
Ensemble De Flûte à bec
3
2 Flûtes traversières (duo)
3
Flûte, Clarinette (duo)
2
Saxophone Alto
2
Hautbois
2
Cor Anglais
2
Piccolo
2
Flûte, Alto (duo)
2
Saxophone et Orgue
2
3 Hautbois
1
Clarinette, Harpe (duo)
1
2 Hautbois et Cor anglais
1
Flûte et Guitare
1
Hautbois, Basson (duo)
1
Saxophone
1
2 Hautbois (duo)
1
Piccolo, Piano
1
Clarinette Basse
1
2 Saxophones (duo)
1
Flûte à bec Alto, Piano
1
Ensemble à vent
1
Cor anglais et Harpe (duo)
1
4 Hautbois
1
Clarinette, Orgue
1
Flûte, Violoncelle
1
2 Flûtes à bec, Piano
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
167
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
2 Euphoniums et 2 Tubas
32
Ensemble de Trombones
31
Quatuor de cuivres: 4 trombones
27
Trombone (partie séparée)
20
Trompette (partie séparée)
18
Quatuor de Cuivres
15
Cor (partie séparée)
14
Quatuor de cuivres: 4 cors
11
Trombone et Piano
11
Euphonium, Piano (duo)
10
Trompette
7
Trompette, Piano
7
Tuba (partie séparée)
7
4 Tubas
7
Cor et Piano
6
Trio de Cuivres
6
Quatuor de cuivres: 4 trompettes
5
Cornet A Pistons
5
Cor
5
Ensemble de Trompettes
4
Cor anglais, Piano
4
Tuba et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone
3
Trompette, Trombone (duo)
2
Euphonium, Tuba (duo)
2
Cor Anglais
2
Tuba
2
2 Trombones (duo)
2
Ensemble de Tubas
1
Euphonium
1
Tuba ou Euphonium ou Saxhorn
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
2 Cors (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Instruments en Sib
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
263
Trio à Cordes: violon, alto, violoncelle
48
Violon (partie séparée)
37
Violon et Piano
24
Violon
18
Violon, Violoncelle (duo)
16
Violon, Alto (duo)
15
Alto, Piano
14
Violoncelle, Piano
14
2 Violons (duo)
12
Violoncelle
11
Contrebasse (partie séparée)
10
Alto (partie séparée)
10
Alto seul
9
Violoncelle (partie séparée)
8
2 Violoncelles (duo)
8
Trio à cordes
7
4 Violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Altos (duo)
5
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
3
Contre Basse
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Harpe
1
Violoncelle, Contrebasse (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
210
Orchestre à Cordes
134
Ensemble de cuivres
83
Orchestre
47
Marimba
22
Orchestre de chambre
18
Percussion (partie séparée)
11
Ensemble Jazz
11
Quatuor à Vent : 4 instruments à vents
6
Cloches
6
Quintette à Vent
4
Timbales (partie séparée)
4
Ensemble de Percussions
4
Percussion
3
Jazz combo
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Timbales
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
2
Partitions Numériques
10
Librairie Musicale
9
Matériel de Musique
2
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Fugue
Clarinette
Partitions à imprimer
10 partitions trouvées
<
1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
#
Clarinette
#
AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
(+)
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Prelude and Fugue in B-flat Minor
#
Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Kathryn Woodard
#
Prelude and Fugue in B-flat Mi
#
Sonic Crossroads
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.816462 Composed by Johann Sebastian Bach. Arranged by Kathryn Woodard. Baroque,Standards. Individual part. 19 pages. S...
(+)
Clarinet Solo - Level 3 - SKU: A0.816462 Composed by Johann Sebastian Bach. Arranged by Kathryn Woodard. Baroque,Standards. Individual part. 19 pages. Sonic Crossroads #2025051. Published by Sonic Crossroads (A0.816462). This is an arrangement for 5-part clarinet choir of one of Bach's Preludes and Fugues from the Well-Tempered Clavier. Prelude calls for divisi in some places. Fugue can be performed by 5 players. Edited with dynamics. Subject entries in the fugue are indicated in the parts, making this an excellent instructional piece for Baroque counterpoint. Score and parts, 19 pp.
$5.95
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
#
Clarinette
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
(+)
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
'Fugue In D# Minor' J.S.Bach BWV 877
#
Clarinette
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Stephen Davies
#
Fugues BWV877 by J
#
'Fugue In D# Minor' J.S.Bach B
#
Stephen Davies
#
SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.891982 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Individual part. 14 pages. St...
(+)
Clarinet Solo - Level 4 - SKU: A0.891982 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Individual part. 14 pages. Stephen Davies #6645099. Published by Stephen Davies (A0.891982). The often avoided key of D# Minor gets an outing here with the Fugue No.8 from the second book of Preludes & Fugues BWV877 by J.S.Bach. With all its 6 sharps and attendant double sharps, this should prove to be a challenge!!..... The dynamics and articulation are my interpretation. .....don't worry though, they're only notes!! it's just 46 bars of absolutely exquisite harmony... Enjoy!
$15.99
Bach BWV 565 Tocata & Fugue in Dm Fantasy for Solo Unaccompanied Clarinet
#
Clarinette
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
R G Roth
#
Bach BWV 565 Tocata & Fugu
#
Rainer's Rainbow
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.902125 Composed by Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual part. 41 p...
(+)
Clarinet Solo - Level 5 - SKU: A0.902125 Composed by Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual part. 41 pages. Rainer's Rainbow #6404467. Published by Rainer's Rainbow (A0.902125). Bach wrote this Tocata & Fugue for Organ sometime in the years between 1730 and 1740. It wasn't published until the mid 19th century at the behest of Felix Mendelssohn. It is perhaps one of the most recognizable pieces for Organ. However, it is also one of the most often arranged themes. I have written it here for the first time for a single woodwind (Clarinet) and changed the barlines and time signatures, but melody is the same. I have also transposed for various harmony clarinets so it can be used as a technical study.
$4.99
Chromatic Fantasia BWV 903 (Clarinet)
#
Clarinette
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
John Romano
#
Chromatic Fantasia BWV 903
#
John Romano
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.874586 Composed by Johann Sebastian Bach. Arranged by John Romano. Baroque. Individual part. 7 pages. John Romano #462...
(+)
Clarinet Solo - Level 5 - SKU: A0.874586 Composed by Johann Sebastian Bach. Arranged by John Romano. Baroque. Individual part. 7 pages. John Romano #4625501. Published by John Romano (A0.874586). The Chromatic Fantasia (BWV 903) is a unique example of Bach's tonal experimentation that has been regarded as a masterpiece since the time of it's composition. A transcription for solo clarinet was done by Gustave Lengenus in the 1940s but has been permanently out of print for years. This current arrangement resurrects the monumental piece from oblivion and returns it the repertoire of the clarinet. The key has been kept in the original d minor to match the bass clarinet version and to work with the Chromatic Fugue for clarinet trio (sold separately).
$15.00
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
#
Clarinette
#
FACILE
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Alt
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
(+)
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Pachelbel: Canon for Alto Clarinet & Piano
#
Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Alto Clar
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
(+)
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Bach: Wachet auf for Alto Clarinet & Piano
#
Clarinette
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Clar
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
(+)
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
Lady Gaga Fugue - Eb Alto Clarinet
#
Clarinette
#
Rock
#
Lady Gaga
#
Lady Gaga Fugue - Eb Alto Clar
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Lady Gaga. Arranged by Johnnie Vinson, Stefani Germanotta, Nadir Khayat, and Giovanni Dettori. Pop; Rock. Concert Band. 1 pages. Published by Hal Leonard - D...
(+)
By Lady Gaga. Arranged by Johnnie Vinson, Stefani Germanotta, Nadir Khayat, and Giovanni Dettori. Pop; Rock. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Fugue 
