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MANDOLINE
MARIMBA
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TROMPETTE
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hymn for the Night
Sheetmusicplus
Non classifié
167
Piano & claviers
Piano seul
93
Piano Facile
34
Orgue
29
Accompagnement Piano
15
Piano, Voix
13
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
6
Instruments en Do
5
1 Piano, 4 mains
4
Orgue, Piano (duo)
2
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare
1
Ukulele
1
2 Guitares (duo)
1
Voix
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84
Chorale 3 parties
13
Chorale 2 parties
11
Chorale TTBB
9
Chorale Unison
7
Voix duo, Piano
4
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1
Chorale SSATB
1
Voix seule
1
+ 4 instrumentations
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Flûte traversière et Piano
11
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
9
2 Flûtes traversières (duo)
8
Clarinette et Piano
8
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6
Saxophone Tenor et Piano
6
Saxophone Soprano et Piano
5
Quatuor de Saxophones: 4 saxophones
5
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4
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4
Quintette de Saxophone: 5 saxophones
4
3 Saxophones (trio)
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Clarinette (duo)
3
3 Clarinettes (trio)
2
Ensemble de saxophones
2
Flûte, Violon
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon, Piano
2
2 Clarinettes (duo)
2
Flûte, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Piccolo, Piano
1
Hautbois, Flûte
1
Clarinette, Harpe (duo)
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
5 Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
2 Flûtes traversières, Piano
1
Flute, harpe et violon
1
Flûte, Clarinette et Basson
1
Flûte, Violon et Violoncelle
1
Clarinette, Alto et Piano (trio)
1
Flûte traversière
1
Hautbois (partie séparée)
1
2 Saxophones (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
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Trombone et Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor et Piano
5
Trompette, Piano
5
Trompette
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 cors
3
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
1
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
4 Tubas
1
Trompette, Cor (duo)
1
2 Trombones (duo)
1
2 Cors (duo)
1
Cor et Harpe
1
Ensemble de Cors
1
Tuba et Piano
1
Trompette, Harpe
1
Ensemble de Trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone (duo)
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Harpe
14
Violon et Piano
12
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
8
Alto, Piano
8
2 Violons (duo)
5
2 Harpes (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Alto (duo)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Voix
4
2 Violoncelles (duo)
3
Harpe, Violon (duo)
2
2 Altos (duo)
2
Trio à cordes: 3 violins
2
Violon
2
Violon, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
1
Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Violon, Trompette et Piano
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
31
Cloches
13
Ensemble Jazz
11
Ensemble de cuivres
10
Orchestre
8
Orchestre à Cordes
4
Jazz combo
1
Marimba
1
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Vous avez sélectionné:
Hymn for the Night
SheetMusicPlus
Partitions à imprimer
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Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
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Hymn for the Night
