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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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I'm Through
Non classifié
139
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204
Piano seul
65
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39
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9
Orgue
7
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3
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3
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1
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1
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21
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10
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7
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4
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2
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2
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1
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1
Mandoline, Guitare (duo)
1
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110
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5
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3
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2
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2
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1
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1
Voix Soprano, Piano
1
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10
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7
Clarinette
7
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5
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4
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4
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4
Clarinette et Piano
3
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3
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3
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3
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2
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2
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2
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1
2 Hautbois (duo)
1
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3 Clarinettes (trio)
1
Saxophone Baryton, Piano
1
Flûte et Trio à cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais, Piano
1
3 Saxophones (trio)
1
2 Clarinettes (duo)
1
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20
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6
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5
Trombone et Piano
4
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4
Tuba
3
Trompette, Piano
3
Trio de Cuivres
2
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1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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1
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Quatuor de cuivres: 4 trombones
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Cor anglais, Piano
1
2 Trompettes (duo)
1
Tuba et Piano
1
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Quatuor à cordes: 2 violons, alto, violoncelle
155
Violon, Violoncelle (duo)
146
Trio à Cordes: violon, alto, violoncelle
118
Violon
116
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violoncelle
9
Violon, Alto (duo)
7
Violon et Piano
5
4 Violoncelles
5
Violoncelle, Piano
4
Alto, Piano
3
2 Violoncelles (duo)
3
Alto seul
3
Harpe
3
Trio à Cordes: 2 violons, violoncelle
2
2 Violons (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
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88
Orchestre
13
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Vous avez sélectionné:
I'm Through
Clarinette
Partitions à imprimer
7 partitions trouvées
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With You I'm Born Again
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Billy Preston & Syreeta
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Bobby Hesch
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With You I'm Born Again
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.839541 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bo...
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Clarinet Solo - Level 4 - SKU: A0.839541 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6332323. Published by Bobby Hesch (A0.839541). WITH YOU I'M BORN AGAIN!!! I WAS HALF NOT WHOLE IN STEP WITH NONE, REACHING THROUGH THIS WORLD IN NEED OF ONE!!!LET'S PLAY SOME JAZZ!!! KEY OF F#/G!!! COURTESY ACCIDENTALS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! WRITTEN TO BE PLAYED AS A SOLO & DOES NOT INCLUDE A DUET PART!!!BEAUTIFUL LOVE SONG WITH MANY TENDER MOMENTS & BIG CLIMAXES CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch HAVE FUN!!!GREAT TUNE!!!
$4.99
Someone You Loved
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Clarinette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by...
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Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
My Immortal
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Clarinette
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
A Clarinet Solo - SKU: A0.1014850 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. In...
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A Clarinet Solo - SKU: A0.1014850 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619482. Published by M das Melodias (A0.1014850). Sheet music for Clarinet in A My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #clarinet I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99
Clarinet Quarter-Tone & Altissimo Fingering Chart
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Clarinette
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Jason Alder
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Clarinet Quarter-Tone & Al
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AMA Editions
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA ...
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A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA Editions #898359. Published by AMA Editions (A0.1309185). This is the newly updated 3rd Edition of the most comprehensive fingering chart for clarinet. The 2nd Edition became widely popular and used by clarinetists around the world, and this new 3rd Edition adds 127 fingerings for a total offering of over 300 fingerings through four and a half octaves in quarter-tones for clarinet, from written E3 to A7.Author's Notes:Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.The first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.The next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.
$9.00
Squeak Big: Practical Fundamentals for the Successful Clarinetist
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Clarinette
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Phillip Paglialonga
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Squeak Big: Practical Fundamen
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Imagine Music - Digital
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SheetMusicPlus
Clarinet - SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music -...
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Clarinet - SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).
$32.00
I'm Looking Through You by The Beatles - Clarinet Solo
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Clarinette
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The Beatles
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I'm Looking Through You
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Musicnotes
Performed by: The Beatles: I'm Looking Through You Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Sol...
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Performed by: The Beatles: I'm Looking Through You Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Clarinet; 1 pages -- Pop~~Rock~~British Invasion~~Folk-Rock~~Pop Rock~~Psychedelic~~Rock & Roll
$2.99
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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I'm Through
