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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian M
Non classifié
5 062
Piano & claviers
Piano seul
10 112
Piano, Voix
3 144
Piano, Voix et Guitare
3 059
Piano Facile
1 882
Orgue
234
Instruments en Do
222
1 Piano, 4 mains
202
Piano grosses notes
155
Accompagnement Piano
99
Piano Trio: piano, violon, violoncelle
77
2 Pianos, 4 mains
60
Piano Quatuor: piano, violon, alto, violoncelle
60
Orgue, Piano (duo)
30
Piano (partie séparée)
30
Accordéon
30
Piano Quintette: piano, 2 violons, alto, violoncelle
24
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
5
1 Piano, 6 mains
5
Clavecin
3
2 Pianos, 8 mains
2
Orgue, Voix
1
Accordéon, Piano
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5 203
Guitare
1 694
Guitare notes et tablatures
522
Basse electrique
69
Ukulele
46
Paroles et Accords
42
Piano, Guitare (duo)
27
2 Guitares (duo)
18
4 Guitares (Quatuor)
7
Dulcimer
2
Guitare (partie séparée)
2
Banjo
1
Guitare, Quatuor à cordes
1
3 Guitares (trio)
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 432
Pack Instrumental pour Chorale
505
Voix seule
441
Chorale 3 parties
351
Chorale TTBB
175
Chorale 2 parties
170
Chorale SSAA
115
Chorale Unison
54
Voix duo, Piano
52
Voix haute
48
Voix Soprano, Piano
41
Chorale
39
Voix moyenne, Piano
18
Voix basse, Piano
18
Voix Tenor, Piano
16
Voix Baryton, Piano
15
Voix Alto, Piano
12
Voix duo
9
Chorale SSATB
3
Voix basse
3
Voix Soprano
2
Chorale SSAATTBB
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
Voix Moyenne
1
Chorale SSAB, Piano
1
Voix, Guitare
1
Voix haute, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 294
Hautbois, Piano (duo)
784
Clarinette et Piano
594
Saxophone Alto et Piano
392
Clarinette
242
Saxophone Tenor et Piano
241
Saxophone Soprano et Piano
219
Flûte traversière
216
Saxophone
214
Cor anglais, Piano
197
Saxophone Baryton, Piano
146
Quintette de Saxophone: 5 saxophones
130
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
Ensemble de saxophones
112
Clarinette Basse, Piano
112
Quatuor de Saxophones: 4 saxophones
112
2 Saxophones (duo)
96
Hautbois
90
2 Flûtes traversières (duo)
83
Saxophone Alto
63
Ensemble de Clarinettes
57
2 Clarinettes (duo)
52
Saxophone Tenor
51
Flûte, Hautbois, Clarinette, Basson
48
Quatuor de Clarinettes: 4 clarinettes
42
Saxophone (partie séparée)
36
2 Flûte à bec (duo)
33
Flûte à Bec
32
Flute (partie séparée)
30
2 Flûtes traversières, Piano
29
3 Saxophones (trio)
28
Hautbois (partie séparée)
26
Ensemble de Flûtes
25
2 Hautbois (duo)
23
Quatuor de Flûtes : 4 flûtes
23
3 Clarinettes (trio)
20
Clarinette (partie séparée)
19
Trio de Flûtes: 3 flûtes
19
Saxophone Soprano
17
Flûte, Violon, Piano
17
Quintette de Flûte : 5 flûtes
15
Piccolo, Piano
15
Saxophone et Piano
15
Flûte à bec Soprano
14
Flûte, Clarinette (duo)
14
Flûte et Guitare
14
Quatuor de Flûtes à bec
12
Flûte, Violon
11
Hautbois, Basson (duo)
11
Saxophone, Clarinette (duo)
10
Flûte à bec Alto
10
Clarinette, Violon (duo)
9
Flûte, Violoncelle
9
Flûte, Violon et Violoncelle
8
Flûte, Alto (duo)
8
Flûte, Guitare, Piano
7
Clarinette et Alto
7
Hautbois, Clarinette (duo)
5
Flûte à bec Tenor
5
Clarinette, Guitare (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Harpe
5
Clarinette, Harpe (duo)
5
Flûte, Hautbois (duo)
4
Clarinette, Trompette (duo)
4
3 Flûtes à bec (trio)
4
Hautbois, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Violoncelle (duo)
3
Flûte à bec Soprano, Piano
3
Flûte à Bec, Piano
3
Ocarina
3
Flûte à bec Alto, Piano
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Flûte
3
Flûte, Clarinette et Basson
3
Clarinette, Basson (duo)
3
Flûte, Saxophone (duo)
3
Flûte, Basson et Piano
2
Flûte, Trompette (duo)
2
Harmonica, Piano
2
Saxophone et Guitare
2
Flûte et Trio à cordes
2
2 Saxophones, Piano
2
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Basson
2
Flute, harpe et violon
1
Flûte à bec Soprano, Basse continue
1
5 Flûtes à bec
1
Saxophone et violoncelle
1
Flûte, Alto et Piano
1
Cor Anglais
1
Clarinette Basse
1
Instruments en Mib
1
Cor anglais, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Ensemble De Flûte à bec
1
2 Hautbois, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Saxophone et Orgue
1
Flûte à bec, Guitare (duo)
1
Piccolo
1
+ 102 instrumentations
Retracter
Cuivres
Trompette, Piano
328
Trombone et Piano
250
Cor et Piano
246
Trompette
207
Cor anglais, Piano
197
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Euphonium, Piano (duo)
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Trombone
112
Tuba et Piano
109
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Trombone (partie séparée)
37
Cor
37
Ensemble de Trombones
32
2 Trombones (duo)
30
Trompette (partie séparée)
29
Tuba
28
2 Trompettes (duo)
26
Quatuor de Cuivres
26
Ensemble de Trompettes
23
2 Cors (duo)
20
Cor (partie séparée)
18
Trompette, Trombone (duo)
16
Euphonium
11
Trio de Cuivres
9
2 Euphoniums (duo)
9
Quatuor de cuivres: 4 cors
8
Tuba et Orgue
7
Trompette, Saxophone (duo)
6
Trombone basse et Piano
6
Ensemble de Cors
5
2 Tubas (duo)
4
Euphonium, Tuba (duo)
4
Tuba (partie séparée)
4
2 Cors Anglais Et Pianoforte
3
Trompette, Cor (duo)
3
Trombone, Cor (duo)
3
Trombone, Tuba (duo)
2
Trombone basse
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trombones
1
Instruments en Sib
1
Trompette, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
Cornet et Piano
1
Cor Anglais
1
Trompette, Trombone, Piano
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
+ 47 instrumentations
Retracter
Cordes
Violon et Piano
1 622
Quatuor à cordes: 2 violons, alto, violoncelle
569
Violoncelle, Piano
568
Alto, Piano
503
Violon
389
Violon, Violoncelle (duo)
210
Trio à Cordes: violon, alto, violoncelle
202
Violoncelle
140
Harpe
106
Alto seul
90
Contrebasse, Piano (duo)
83
2 Violoncelles (duo)
77
2 Violons (duo)
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
50
Violon, Alto (duo)
46
Contre Basse
40
2 Altos (duo)
36
Trio à Cordes: 2 violons, violoncelle
30
Violon (partie séparée)
28
Ensemble d'Altos
20
Ensemble de Violons
17
Violoncelle (partie séparée)
17
Alto (partie séparée)
15
Piano Trio: Violon, Alto, Piano
15
Harpe, Flûte (duo)
12
Alto, Violoncelle (duo)
10
Trio à Cordes: 2 violons, alto
10
4 Violoncelles
10
2 Contrebasses (duo)
10
Trio à cordes: 3 violins
7
Violon, Guitare (duo)
6
Trio à Cordes: 3 violoncelles
5
Harpe, Violon (duo)
5
Trio à cordes
4
Contrebasse (partie séparée)
4
2 Violons, Piano
4
Ensemble de Violoncelles
3
Violon, Orgue
3
Alto, Guitare (duo)
3
Alto et Basson
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Basson (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
2 Altos, Piano
2
2 Harpes (duo)
2
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
4 Harpes
1
Alto et Harpe
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
254
Orchestre d'harmonie
224
Orchestre
210
Batterie
171
Ensemble Jazz
98
Orchestre de chambre
95
Ensemble de cuivres
47
Cloches
42
Jazz combo
40
Timbales
16
Fanfare
16
Percussion (partie séparée)
14
Ensemble de Percussions
12
Piano et Orchestre
10
Xylophone, Piano
6
Marimba
5
Vibraphone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
4
Batterie (partie séparée)
2
Orchestre, Violon
2
Timbales (partie séparée)
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
2 Xylophones
1
Orchestre Symphonique
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
ORCHESTRE
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OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
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MANDOLINE
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226
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
#
Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
#
Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549758 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549758 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533255. Published by jmsgu3 (A0.549758). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Dvorak : Rusalka, Op. 114 - Měsíčku na nebi hlubokém (Le chant à la lune) (niveau intermédiaire)
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Clarinette
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INTERMÉDIAIRE
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Classique
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Dvorak
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Rusalka, Op. 114
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Tomplay
Telechargez la partition Clarinette Rusalka, Op. 114 - M?sí?ku na nebi hlubokem (Le chant à la lune) (niveau intermediaire) de Dvorak. Partition p...
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Telechargez la partition Clarinette Rusalka, Op. 114 - M?sí?ku na nebi hlubokem (Le chant à la lune) (niveau intermediaire) de Dvorak. Partition pour Clarinette avec accomp. orchestre -- Classique
5.99€
Dvorak : Rusalka, Op. 114 - Měsíčku na nebi hlubokém (Le chant à la lune) (niveau très facile)
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Clarinette
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DÉBUTANT
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Classique
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Dvorak
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Rusalka, Op. 114
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Tomplay
Telechargez la partition Clarinette Rusalka, Op. 114 - M?sí?ku na nebi hlubokem (Le chant à la lune) (niveau très facile) de Dvorak. Partit...
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Telechargez la partition Clarinette Rusalka, Op. 114 - M?sí?ku na nebi hlubokem (Le chant à la lune) (niveau très facile) de Dvorak. Partition pour Clarinette avec accomp. orchestre -- Classique
5.99€
Smetana : Ma patrie (Má vlast) - La Moldau (Vltava)
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Clarinette
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INTERMÉDIAIRE
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Classique
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Smetana
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Ma patrie
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Tomplay
Telechargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) de Smetana. Partition pour Clarinette avec piano d‘accompagnement...
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Telechargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) de Smetana. Partition pour Clarinette avec piano d‘accompagnement -- Classique
2.99€
Grieg : Suite de Peer Gynt n° 1, Opus 46 – IV. Dans l'antre du roi de la montagne (M le maudit)
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Clarinette
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FACILE
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Film/TV
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Grieg
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Suite de Peer Gynt n° 1, Opus
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Tomplay
Telechargez la partition Clarinette Peer Gynt - Dans l'antre du roi de la montagne (M le maudit) de Grieg. Partition pour Clarinette avec piano d&lsquo...
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Telechargez la partition Clarinette Peer Gynt - Dans l'antre du roi de la montagne (M le maudit) de Grieg. Partition pour Clarinette avec piano d‘accompagnement -- Musique de film - Movie / TV
1.99€
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Sidney Bechet : Si tu vois ma mère (niveau intermédiaire)
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Clarinette
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INTERMÉDIAIRE
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Jazz
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Blues
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Sidney Bechet
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Si tu vois ma mère
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Tomplay
Telechargez la partition Clarinette Si tu vois ma mère (niveau intermediaire) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et blue...
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Telechargez la partition Clarinette Si tu vois ma mère (niveau intermediaire) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et blues
5.99€
Sidney Bechet : Si tu vois ma mère (niveau difficile)
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Clarinette
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AVANCÉ
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Jazz
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Blues
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Sidney Bechet
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Si tu vois ma mère
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Tomplay
Telechargez la partition Clarinette Si tu vois ma mère (niveau difficile) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et blues...
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Telechargez la partition Clarinette Si tu vois ma mère (niveau difficile) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et blues
5.99€
Elton John : I'm Still Standing (niveau intermédiaire)
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Clarinette
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INTERMÉDIAIRE
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Rock
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Pop musique
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Elton John
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I'm Still Standing
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Tomplay
Telechargez la partition Clarinette I'm Still Standing (niveau intermediaire) de Elton John. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette I'm Still Standing (niveau intermediaire) de Elton John. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Sidney Bechet : Si tu vois ma mère (niveau facile)
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Clarinette
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FACILE
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Jazz
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Blues
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Sidney Bechet
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Si tu vois ma mère
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Tomplay
Telechargez la partition Clarinette Si tu vois ma mère (niveau facile) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et blues...
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Telechargez la partition Clarinette Si tu vois ma mère (niveau facile) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et blues
5.99€
Smetana : Ma patrie (Má vlast) - La Moldau (Vltava) (niveau difficile)
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Clarinette
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AVANCÉ
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Smetana
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Ma patrie
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Tomplay
Téléchargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) (niveau difficile) de Smetana. Partition pour Clarinette avec accomp. orchestre...
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Téléchargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) (niveau difficile) de Smetana. Partition pour Clarinette avec accomp. orchestre -- Classique
5.99€
Smetana : Ma patrie (Má vlast) - La Moldau (Vltava) (niveau intermédiaire)
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Clarinette
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INTERMÉDIAIRE
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Smetana
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Ma patrie
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Tomplay
Téléchargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) (niveau intermédiaire) de Smetana. Partition pour Clarinette avec accomp. orch...
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Téléchargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) (niveau intermédiaire) de Smetana. Partition pour Clarinette avec accomp. orchestre -- Classique
5.99€
Sidney Bechet : Si tu vois ma mère (niveau très facile)
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Clarinette
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DÉBUTANT
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Jazz
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Blues
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Sidney Bechet
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Si tu vois ma mère
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Tomplay
Telechargez la partition Clarinette Si tu vois ma mère (niveau très facile) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et...
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Telechargez la partition Clarinette Si tu vois ma mère (niveau très facile) de Bechet. Partition pour Clarinette avec accomp. orchestre -- Jazz et blues
5.99€
Elton John : I'm Still Standing (niveau difficile)
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Clarinette
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AVANCÉ
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Rock
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Pop musique
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Elton John
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I'm Still Standing
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Tomplay
Telechargez la partition Clarinette I'm Still Standing (niveau difficile) de Elton John. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette I'm Still Standing (niveau difficile) de Elton John. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Smetana : Ma patrie (Má vlast) - La Moldau (Vltava) (niveau facile)
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Clarinette
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DÉBUTANT
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Smetana
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Ma patrie
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Tomplay
Téléchargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) (niveau facile) de Smetana. Partition pour Clarinette avec accomp. orchestre --...
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Téléchargez la partition Clarinette Ma patrie (Má vlast) - La Moldau (Vltava) (niveau facile) de Smetana. Partition pour Clarinette avec accomp. orchestre -- Classique
5.99€
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