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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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PIANO & CLAVIERS
Piano seul
581
Piano, Voix
204
Piano Facile
156
Piano, Voix et Guitare
147
Accompagnement Piano
71
Instruments en Do
51
Orgue
35
1 Piano, 4 mains
25
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Clavecin
2
Accordéon
2
Clavier
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare
68
Guitare notes et tablatures
49
Ligne De Mélodie, (Paroles) et Accords
31
Ukulele
16
Basse electrique
11
Piano, Guitare (duo)
9
2 Guitares (duo)
8
Paroles et Accords
8
Guitare (partie séparée)
4
Banjo
3
Mandoline, Guitare (duo)
1
Mandoline
1
Dobro
1
Ensemble de guitares
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
220
Chorale 3 parties
61
Chorale TTBB
44
Chorale 2 parties
43
Chorale SSAA
34
Voix Tenor, Piano
18
Chorale Unison
18
Voix Alto, Piano
11
Voix Soprano, Piano
9
Voix duo, Piano
6
Voix Tenor
6
Voix seule
4
Voix moyenne, Piano
4
Voix haute
3
Chorale
3
Chorale SSATTB
1
Voix Soprano
1
Voix duo
1
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VENTS
Flûte traversière et Piano
109
Quatuor de Saxophones: 4 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Saxophone (partie séparée)
80
Clarinette et Piano
67
Hautbois, Piano (duo)
62
2 Saxophones (duo)
58
Saxophone Tenor et Piano
58
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
56
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
40
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Baryton, Piano
36
Clarinette
33
Cor anglais, Piano
32
Flûte traversière
31
2 Clarinettes (duo)
30
Ensemble de Clarinettes
26
Hautbois (partie séparée)
24
2 Flûtes traversières (duo)
24
Saxophone Alto
24
Ensemble de Flûtes
23
Quatuor de Flûtes : 4 flûtes
19
Clarinette Basse, Piano
18
Flûte, Clarinette (duo)
17
Ensemble de saxophones
16
3 Saxophones (trio)
16
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone, Clarinette (duo)
13
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Clarinette (partie séparée)
9
Hautbois, Clarinette (duo)
7
Clarinette, Trompette (duo)
7
Hautbois, Basson (duo)
7
Clarinette et Alto
6
Trio de Flûtes: 3 flûtes
6
2 Flûte à bec (duo)
6
Clarinette, Basson (duo)
6
Saxophone Tenor
6
Flûte et Guitare
5
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violon
5
Flûte, Saxophone (duo)
5
Hautbois, Flûte
4
Flûte à Bec
4
Flûte, Trompette (duo)
4
Flute (partie séparée)
3
Ensemble De Flûte à bec
3
Flûte à bec Alto, Piano
3
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Tenor
3
Flûte à bec Soprano, Piano
3
Piccolo, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
2 Flûtes traversières, Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Alto
2
Flûte, Violon, Violoncelle et Piano
2
5 Flûtes à bec
2
Saxophone Soprano
2
Flûte, Violoncelle
2
Saxophone et Orgue
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette et Basson
1
4 Hautbois
1
2 Saxophones, Piano
1
Harmonica
1
Flute, harpe et violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Ensemble de Hautbois
1
Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
2 Flûtes à bec, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violoncelle
1
Flûte, Violon, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trompette
42
Cor et Piano
38
Euphonium, Piano (duo)
36
Trompette, Piano
35
Cor anglais, Piano
32
Trombone (partie séparée)
28
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
17
Tuba et Piano
15
Trombone
14
2 Trompettes (duo)
14
2 Trombones (duo)
13
Cor
12
Ensemble de Trombones
11
2 Cors (duo)
10
Cor (partie séparée)
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Tuba
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
3 Tubas (trio)
3
Trombone, Cor (duo)
3
3 Trombones (trio)
3
Tuba et Orgue
3
4 Tubas
2
Trio de Cuivres
2
3 Cors (trio)
2
2 Tubas (duo)
2
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
Euphonium
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
167
Violon et Piano
92
Alto, Piano
60
Violoncelle, Piano
55
Violon
42
Harpe
34
Violon, Violoncelle (duo)
32
Violoncelle (partie séparée)
28
2 Violons (duo)
24
Violon, Alto (duo)
20
Trio à Cordes: violon, alto, violoncelle
15
Alto seul
14
2 Violoncelles (duo)
14
Violoncelle
13
2 Altos (duo)
13
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
10
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
Ensemble de Violons
5
Violon (partie séparée)
5
Contre Basse
5
Alto, Violoncelle (duo)
5
Contrebasse (partie séparée)
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
4
Ensemble d'Altos
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
3
Harpe, Voix
3
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Contrebasses (duo)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
239
Orchestre
91
Orchestre à Cordes
72
Ensemble de cuivres
38
Ensemble Jazz
31
Orchestre de chambre
27
Cloches
24
Ensemble de Percussions
11
Jazz combo
9
Fanfare
7
Percussion (partie séparée)
5
Piano et Orchestre
4
Batterie (partie séparée)
4
Batterie
3
Marimba
3
Vibraphone
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
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It's Late
Clarinette
Partitions à imprimer
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It's Been A Long, Long Time
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.592530 Composed by Jule …
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.592530 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366329. Published by David McKeown (A0.592530). It’s Been a Long Long Time is arranged as a solo for one Alto Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.53 €
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Clarinette
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Clarinet 1 in Bb
Clarinette
Clarinet Solo - Level 4 - Digital Download SKU: A0.1018906 Composed by Benjamin Har…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.1018906 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. Published by Benjamin Sajo (A0.1018906). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Clarinette
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Clarinet 1 in Bb
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Benjamin Sajo
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549540 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.04 €
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Clarinette
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Clarinet and Piano
Clarinette
Clarinet,Piano - Level 2 - Digital Download SKU: A0.587903 Composed by G F Handel. …
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.587903 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042567. Published by David McKeown (A0.587903). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Clarinet and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.25 €
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Clarinette
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Clarinet and Piano
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David McKeown
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Clarinette
Clarinet,Piano - Level 3 - Digital Download SKU: A0.791243 By Neil Diamond. By Bob …
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.791243 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771995. Published by Kevin P Holdgate (A0.791243). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.61 €
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Clarinette
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
It's Too Late
Clarinette
Interactive Download SKU: HX.335610 By Carole King and Gloria Estefan. This edition…
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Interactive Download SKU: HX.335610 By Carole King and Gloria Estefan. This edition: Interactive Download. Folk,Pop,Rock. Clarinet Solo. 1 pages. Published by Hal Leonard - Digital (HX.335610).
$2.99
2.76 €
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Clarinette
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Carole King and Gloria Estefan
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It's Too Late
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Hal Leonard - Digital
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
23.04 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Crucifixus
Clarinette
Clarinet Solo - Digital Download SKU: A0.961261 Composed by James Sclater. 20th Cen…
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Clarinet Solo - Digital Download SKU: A0.961261 Composed by James Sclater. 20th Century,Concert,Contemporary,Easter,Sacred. Individual part. 4 pages. James S Sclater #5990025. Published by James S Sclater (A0.961261). This dramatic work for solo clarinet has been successfully used in lenten services and recital venues. The performer is urged to take a free approach to the tempo; playing this work metronomically just won't bring out the drama inherent in it. The work basically divides the instrument into three registers with varying types of music for each register. This can be a very powerful experience for the listener if the performer is willing to invest in the emotional content therein. Playable on either B flat or A clarinet.
$4.00
3.69 €
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Clarinette
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James Sclater
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Crucifixus
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James S Sclater
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SheetMusicPlus
It's Too Late by Carole King - Clarinet Solo
Clarinette
Performed by: Carole King: It's Too Late Digital Sheetmusic - instantly downloadable …
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Performed by: Carole King: It's Too Late Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Clarinet; 1 pages -- Pop Rock~~Singer-Songwriter~~Soft Rock~~Piano Rock
$2.95
2.72 €
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Clarinette
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Carole King
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Clarinet Solo
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Musicnotes
Morning Has Broken
Clarinette
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548731 By Cat Stevens. B…
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E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548731 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415185. Published by jmsgu3 (A0.548731). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
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44.28 €
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Easy
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.546885 By The Commodores. By Lio…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.546885 By The Commodores. By Lionel Richie. Arranged by Antônio S. Fernandes. Folk,Multicultural,Pop,Rock,Traditional,World. Individual part. 2 pages. Antônio S. Fernandes #156823. Published by Antônio S. Fernandes (A0.546885). Easy is a song by the Commodores for the Motown label, from their fifth studio album, Commodores. Group member Lionel Richie wrote Easy with the intention of it becoming another crossover hit for the group given the success of a previous single, Just to Be Close to You, which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as the Hot R&B/Hip-Hop Songs chart) and peaked at number seven on the Billboard Hot 100 in 1976.[2] Released in March 1977, Easy reached number one on the Billboard Hot Soul Singles chart and number four on the Billboard Hot 100. The success of Easy paved the way for similar Lionel Richie-composed hit ballads such as Three Times a Lady and Still, and also for Richie's later solo hits. Commodores é uma banda de soul dos EUA, liderada por Lionel Richie até 1983. Destacam-se músicas como para Still, Machine Gun, Easy e Three Times A Lady. Em 1968, os colegas de escola Milan Williams, Ronald LaPread, Willian King Jr.,Thomas McClary e Walter Clyde Orange juntam-se a Lionel Richie e formam os Commodores. Logo no inÃcio da carreira, a banda participou de uma audição onde foram escolhidos para abrir a turnê do grupo formado pelos irmãos de Michael Jackson, os Jackson 5. Dois anos depois de percorrer o mundo com a turnê dos Jackson 5, os Commodores lançam seu primeiro álbum. #Easy #TheCommodores #Clarinet.
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6.46 €
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Clarinette
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The Commodores
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Antônio S
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Easy
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Antônio S. Fernandes
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.43 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Marti…
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E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by Georg…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
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30.43 €
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Clarinette
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Clarinet Stories
Clarinette
Clarinet (B) and piano - easy - Digital Download SKU: S9.Q6196 Eight Easy Pieces…
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Clarinet (B) and piano - easy - Digital Download SKU: S9.Q6196 Eight Easy Pieces. Composed by Hermann Regner. This edition: Sheet music. Clarinet Library. Easy pieces written for tuition purposes, with which Regner (who studied with Orff) aims to stimulate the player's imagination and introduce them gently to the sounds of modern music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6196. Published by Schott Music - Digital (S9.Q6196). Easy pieces written for tuition purposes, with which Regner (who studied with Orff) aims to stimulate the player’s imagination and introduce them gently to the sounds of modern music. From the introduction by the composer: ”Even an instrument can tell stories. The players a nd audience may not ”understand” every word, but playing and listening can awaken their memories and imagination, stirring their creative thoughts. The more expressively the players perform, the easier it is for listeners to be carried away by the music.&rdquo.
$15.99
14.77 €
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Clarinette
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Hermann Regner
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Clarinet Stories
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Schott Music - Digital
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SheetMusicPlus
When I'm Sixty-four
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.588374 By The Beatles. By John L…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.588374 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319393. Published by David McKeown (A0.588374). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Clarinet. Piano/Guitar chords are also included in concert pitch above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
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4.61 €
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Chanson du Toreador by Bizet for Clarinet
Clarinette
B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1244295 Composed by Georg…
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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1244295 Composed by Georges Bizet. Arranged by Langanho. 19th Century,Classical,Opera,Romantic Period. Individual part. 2 pages. Avery Lynn Jordan #839276. Published by Avery Lynn Jordan (A0.1244295). We present to you the sheet music of Bizet's arrangement of the aria Toreador Song, adapted for Clarinet with Chords. This condensed version of the music perfectly meets the needs of musicians, offering a simplified way to play this beautiful masterpiece. The Toreador Song is one of the most iconic arias from Bizet's opera Carmen. It portrays the character of the toreador, a brave and seductive bullfighter, singing about his exploits in the world of bullfighting. With this sheet music in hand, beginner musicians will have the opportunity to explore and learn this captivating melody, while teachers can use it as part of their students' repertoire, helping them develop their musical skills. Additionally, this sheet music is an ideal choice for parents who wish to encourage their children to engage with music. By offering them the chance to play a famous and exciting piece, parents can stimulate a love for music and instrumental practice. Our arrangement has been carefully adapted to ensure that all essential aspects of the original music are preserved while being presented in an accessible and easily playable format. With this sheet music, you will have the opportunity to experience the grandeur of Bizet's opera Carmen, even if you are just beginning your musical journey.
$3.99
3.68 €
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offering them the chance to play a famous and exciting piece, parents can stimulate a love for music and instrumental practice
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Georges Bizet
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Langanho
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Chanson du Toreador by Bizet for Clarinet
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Avery Lynn Jordan
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SheetMusicPlus
SCARBOROUGH FAIR
Clarinette
B-Flat Clarinet Solo - Level 1 - Digital Download SKU: A0.1197186 Composed by Tradi…
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B-Flat Clarinet Solo - Level 1 - Digital Download SKU: A0.1197186 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796349. Published by Alex Rodrigues (A0.1197186). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
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1.84 €
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Clarinette
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Traditional English
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Alex Nunes Rodrigues
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
Pachelbel: Canon for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.548464 Composed by Johan…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
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30.43 €
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Squeak Big: Practical Fundamentals for the Successful Clarinetist
Clarinette
Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. …
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Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).
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29.55 €
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Clarinette
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Phillip Paglialonga
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Squeak Big: Practical Fundamentals for the Successful Clarinetist
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Imagine Music - Digital
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SheetMusicPlus
O Holy Night for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548683 Composed by Adam.…
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E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548683 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410473. Published by jmsgu3 (A0.548683). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.04 €
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Clarinette
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Adam
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James M
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O Holy Night for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Hurt
Clarinette
Clarinet Solo - Digital Download SKU: A0.503312 By Johnny Cash and Nine Inch Nails.…
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Clarinet Solo - Digital Download SKU: A0.503312 By Johnny Cash and Nine Inch Nails. By Trent Reznor. Arranged by Antônio S. Fernandes. Country,Multicultural,Pop,World. Individual part. 2 pages. Published by Antônio S. Fernandes (A0.503312). Hurt is a song by American industrial rock band Nine Inch Nails from their second studio album, The Downward Spiral (1994), written by Trent Reznor. It was released on April 17, 1995 as a promotional single from the album. The song received a Grammy Award nomination for Best Rock Song in 1996. In 2002, Johnny Cash covered Hurt to commercial and critical acclaim. The related music video is considered one of the greatest of all time by publications such as NME. Reznor praised Cash's interpretation of the song for its sincerity and meaning, going so far as to say that song isn't mine anymore. Johnny Cash - Hurt (sheet music) Clarinet #JohnnyCash #Hurt #Clarinet.
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4.62 €
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Clarinette
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Johnny Cash and Nine Inch Nails
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Antônio S
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Hurt
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Antônio S. Fernandes
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SheetMusicPlus
Bach: Wachet auf for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johan…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
23.04 €
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Clarinette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549516 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30.43 €
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Clarinette
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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