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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Concerto In C
Sheetmusicplus
Non classifié
126
Piano & claviers
Piano seul
129
Piano Facile
32
2 Pianos, 4 mains
13
1 Piano, 4 mains
8
Piano, Voix
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
4
Piano, Voix et Guitare
3
Instruments en Do
3
Orgue, Piano (duo)
3
Accompagnement Piano
2
Orgue
1
+ 7 instrumentations
Retracter
Guitares
Guitare
4
Guitare notes et tablatures
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare, Orchestre
2
Voix
Chorale SATB
2
Voix Soprano, Piano
1
Vents
Flûte traversière et Piano
54
Clarinette et Piano
43
Hautbois, Piano (duo)
33
Saxophone Alto et Piano
20
Saxophone Soprano et Piano
16
Cor anglais, Piano
10
Clarinette
8
Saxophone Tenor et Piano
7
Quintette de Saxophone: 5 saxophones
5
Quatuor de Saxophones: 4 saxophones
4
2 Saxophones (duo)
4
Saxophone Baryton, Piano
4
Flûte, Violoncelle, Piano (trio)
3
Ensemble de Clarinettes
3
Flûte traversière
3
2 Flûtes traversières (duo)
3
Quatuor de Clarinettes: 4 clarinettes
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
2 Clarinettes (duo)
2
Ensemble de saxophones
2
Clarinette Basse, Piano
2
Saxophone Tenor
2
Piccolo, Piano
2
2 Hautbois (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Flûte : 5 flûtes
1
5 Flûtes à bec
1
Saxophone (partie séparée)
1
Quatuor de Flûtes à bec
1
Ensemble de Flûtes
1
Harmonica, Piano
1
Saxophone Alto
1
Hautbois, Violon, Piano
1
+ 30 instrumentations
Retracter
Cuivres
Trompette, Piano
25
Cor et Piano
16
Trombone et Piano
16
Cor anglais, Piano
10
Euphonium, Piano (duo)
8
Tuba et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
2 Cors (duo)
2
2 Euphoniums (duo)
2
2 Trombones (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette
2
Quatuor de Cuivres
1
Ensemble de Trompettes
1
Trombone
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
Trompette (partie séparée)
1
+ 17 instrumentations
Retracter
Cordes
Violon et Piano
72
Violoncelle, Piano
57
Alto, Piano
51
Contrebasse, Piano (duo)
5
Violon
4
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto seul
3
2 Violons, Piano
2
Violon, Alto (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
Violon, Violoncelle (duo)
1
Violoncelle
1
2 Violoncelles (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle, Basse continue
1
2 Altos (duo)
1
Harpe et Piano
1
4 Violoncelles
1
2 Violons (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
21
Orchestre
21
Orchestre de chambre
14
Orchestre à Cordes
8
Piano et Orchestre
4
Ensemble de cuivres
1
Quintette de Cuivres: autres combinaisons
1
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Piano Concerto In C
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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1
Mozart 1788 Piano Sonata KV 545 for Bb or A Clarinet Solo with Chords
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Rainer's Rainbow
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R G Roth
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Mozart 1788 Piano Sonata KV 54
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Rainer's Rainbow
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo - Level 4 - SKU: A0.1319012 By Rainer's Rainbow. By Wolgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Ce...
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A Clarinet Solo,B-Flat Clarinet Solo - Level 4 - SKU: A0.1319012 By Rainer's Rainbow. By Wolgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Century,Classical,Instructional,Romantic Period,Wedding. Individual part. 23 pages. Rainer's Rainbow #907610. Published by Rainer's Rainbow (A0.1319012). Mozart wrote this piano concerto in 1788. The complete 3 movements are arranged here as a leadsheet with chords for Bb or A Clarinet solo. Included is the fakechart for any C instrument.
$3.99
Piano Concerto Nº 1 - 1st Mov. Theme (P. Tchaikovsky) for Clarinet in Bb Solo (C Major)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Piotr Ilitch Tchaikovsky
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Fernando Britto
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Piano Concerto Nº 1 - 1st
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Minhas Partituras
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.685849 Composed by Piotr Ilitch Tchaikovsky. Arranged by Fernando Britto. Romantic Period,Wedding. Individual part. 1 ...
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Clarinet Solo - Level 4 - SKU: A0.685849 Composed by Piotr Ilitch Tchaikovsky. Arranged by Fernando Britto. Romantic Period,Wedding. Individual part. 1 pages. Minhas Partituras #6405185. Published by Minhas Partituras (A0.685849). Arrangement of Piano Concerto Nº 1 1st Mov. Theme (P. Tchaikovsky) for Clarinet in Bb Solo (In C Major).
$4.99
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Concerto For Clarinet
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Clarinette
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Rob...
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B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Robert C. Olivia #987223. Published by Robert C. Olivia (A0.1404050). This edition of the solo clarinet part of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture.Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. As many techniques as possible are carefully detailed to show ornaments, slurs, accents etc.The companion parts available here for big band and strings restores many elements missing in other versions available.  The strings here are restored to the original voicings so  important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available. I have performed from this solo part many times and I hope others will do so as well. I give great thanks to several people, who over the course of my career, taught me many skills that resulted in this. Special thanks to my teachers Bob Wilber, Leon Russianoff & Tom Martin and Marty Burlingame & JoAnn and Artie Kane.
$35.00
Verlornes Glück
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Verlornes Glück
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. ...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 30. 13 pages. Schott Music - Digital #Q53280. Published by Schott Music - Digital (S9.Q53280). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Verlornes Glück was published in 1854 (plate number 11437).
$3.99
Sternenhelle Nacht
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Sternenhelle Nacht
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudo...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 17. 22 pages. Schott Music - Digital #Q53278. Published by Schott Music - Digital (S9.Q53278). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Sternenhelle Nacht (plate number 6882) was published in 1843.
$4.99
Ein Abend auf den Bergen
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Baermann
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Ein Abend auf den Bergen
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited by Rainer Mohrs...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 25. 23 pages. Schott Music - Digital #Q53279. Published by Schott Music - Digital (S9.Q53279). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Ein Abend auf den Bergen was published in 1846 (plate number 8131).
$4.99
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Piano Concerto In C
