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86374
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77391
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34939
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14794
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5863
1 Piano, 4 mains
2830
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1514
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441
2 Pianos, 4 mains
262
Piano (partie séparée)
223
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199
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156
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91
Piano Quatuor: piano, 2 violons, violoncelle
67
Clavier
65
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54
Piano Quintette: piano, 2 violons, alto, violoncelle
29
1 Piano, 6 mains
20
Accordéon
11
Ligne De Mélodie, Piano
10
2 Pianos, 8 mains
8
Clavecin
5
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2
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2
Accordéon, Piano
1
Instrument seul et Orgue
1
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1010
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305
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159
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149
Ukulele
71
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33
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30
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29
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14
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8
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3
Banjo
3
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Guitare Pedal Steel
2
Dulcimer
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1923
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1007
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968
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886
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410
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231
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125
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122
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105
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82
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72
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66
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1400
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1003
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892
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232
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185
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29
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18
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Ensemble Jazz
432
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293
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166
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Fanfare
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Big band
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Instrumentation Flexible
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Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
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Théorie de la musique
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Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.87 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johan…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
22.62 €
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Clarinette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: I Stand At The Threshold for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549128 Composed by Johan…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549128 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards. Score and part. 5 pages. Jmsgu3 #3453237. Published by jmsgu3 (A0.549128). J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold. Composed for the 3rd Sunday of Epiphany. Duration: 2:50, Score 2 pg. Program this during Epiphany, Lent, or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
$32.95
29.87 €
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Clarinette
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Johann Sebastian Bach
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James M
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Bach: I Stand At The Threshold for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
22.62 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.551426 Composed by Anton…
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E-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.551426 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 190 pages. Jmsgu3 #5204945. Published by jmsgu3 (A0.551426). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
45.28 €
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Clarinette
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Antonio Vivaldi
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James M
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Op
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Vivaldi: The Four Seasons Complete for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Reflections on Europa for clarinet and piano
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.867175 Composed by Julietta Anne…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.867175 Composed by Julietta Anne Rabens. Concert,Contemporary. Individual part. 46 pages. Juliettamusic #1750225. Published by Juliettamusic (A0.867175). The ice covered Europa is one of the principle moons of Jupiter. The sound world, which is meant to evoke this frigid environment, is created by using the high registers of both the clarinet and piano and by using square, metrical, brittle rhythms. In the first two movements, motives, and sometimes entire sections, are repeated in retrograde or inversion to further enhance this image of reflective ice. There is a progression from atonal writing which contains many chromatic passages in the first movements to more modal writing in the last movements. This narrowing of pitch material is intended to evoke a movement from the impersonal to the personal. The poetic idea behind the piece begins with an image of a moon in complete isolation which then makes a connection with the distant stars, and then the not so distant clouds surrounding the giant Jupiter which hangs heavily in its sky, and finally with an inward awakening of oceans which could be filled with life beneath the surface of ice. This intended for performers with an advanced level of skill.
$15.00
13.6 €
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Clarinette
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Julietta Anne Rabens
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Reflections on Europa for clarinet and piano
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Juliettamusic
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549516 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
29.87 €
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Clarinette
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549540 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.62 €
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Clarinette
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.62 €
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Clarinette
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.550478 Composed by Antoni…
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E-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Individual part. 21 pages. Jmsgu3 #4641515. Published by jmsgu3 (A0.550478). Sonata da Chiesa No. 4 in Bb Major for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.87 €
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Clarinette
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Scott Joplin : Augustan Club Waltz
Clarinette
Téléchargez la partition Clarinette Augustan Club Waltz de Joplin. Partition…
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Téléchargez la partition Clarinette Augustan Club Waltz de Joplin. Partition pour Clarinette avec piano d‘accompagnement -- Classique
2.99 €
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Clarinette
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Scott Joplin
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Augustan Club Waltz
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Tomplay
Sonata for Clarinet and Piano (clarinet part)
Clarinette
Clarinet Solo - Digital Download SKU: A0.918833 Composed by Celeste Leitch Gates. 2…
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Clarinet Solo - Digital Download SKU: A0.918833 Composed by Celeste Leitch Gates. 20th Century,Concert. Individual part. 8 pages. Celeste Leitch Gates #3425703. Published by Celeste Leitch Gates (A0.918833). This Sonata has equal parts between the clarinet and the piano. It is equally difficult and would be a good recital piece for music majors. It's final movement is full of vivaciousness and makes a great finale. It has been performed many times and each time the audience has received extremely well. It is filled with mixed meters and hemiolas, the rhythm gives this piece it's cohesiveness from beginning to end. The mp3 is of the composer performing it and unfortunately the person recording it did not get the audience applause at the end which was an immediate enthusiastic standing ovation.
$2.95
2.67 €
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Clarinette
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Celeste Leitch Gates
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Sonata for Clarinet and Piano
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Celeste Leitch Gates
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SheetMusicPlus
Bridal Chorus / Here Comes the Bride! for clarinet in Bb and easy piano
Clarinette
Clarinet Solo - Level 2 - Digital Download SKU: A0.531099 Composed by R. Wagner (18…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.531099 Composed by R. Wagner (1813-83). Arranged by Klas Krantz. Romantic Period,Wedding. Individual part. 4 pages. Amadeus Music #2028915. Published by Amadeus Music (A0.531099). The Bridal Chorus from the opera Lohengrin (1848), by German composer Richard Wagner (1813-1883), is the standard march played for the bride's entrance at most formal weddings in the United States and at many weddings throughout the Western world. In English-speaking countries it is generally known as Here Comes the Bride or Wedding March. Its usual placement at the beginning of a wedding ceremony is not entirely in accordance with its placement in the opera.
$3.95
3.58 €
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Clarinette
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R
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Klas Krantz
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Bridal Chorus / Here Comes the Bride! for clarinet in Bb and easy piano
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Amadeus Music
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SheetMusicPlus
Debussy: Arabesque 2 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.551644 Composed by Claud…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.551644 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5327887. Published by jmsgu3 (A0.551644). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
29.87 €
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Clarinette
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir A…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.43 €
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Clarinette
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
DIVERTIMENTO Nbr. 3 for Clarinet and Piano, K. 439
Clarinette
Clarinet Solo - Level 4 - Digital Download SKU: A0.881455 Composed by Wolfgang Amad…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.881455 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Instructional,Standards. Individual part. 45 pages. John Grady #442789. Published by John Grady (A0.881455). These clever, miniature masterpieces by the 27 year old Mozart are from a collection of 5 Divertimenti for 2 Clarinets and Bassoon. This arrangement for a high-intermediate to advanced clarinetist and pianist keeps the original first clarinet part intact, but the remaining 2 parts of the trio are re-scored when needed. This re-scoring of the lower parts utilizes added harmony notes, changes in octave, and some melodic modifications to accommodate piano technique and a balanced sound. The piano part is not a reduction, but a fully realized independent part. The clarinet and piano parts together constitute a significant addition to the clarinet literature. Use this as a recital or jury piece or just to entertain yourself and friends. This series of Divertimentos is an excellent introduction to Mozart and Classical Period performance practices on the way to the more challenging chamber and solo works. Enjoy these gems from Mozart's pen recalling the days of aristocratic Viennese musical entertainment. Total performance time is about 25 minutes.
$25.00
22.66 €
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Clarinette
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Wolfgang Amadeus Mozart
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John Grady
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DIVERTIMENTO Nbr. 3 for Clarinet and Piano, K. 439
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John Grady
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SheetMusicPlus
Luther: Out of the Depths for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Marti…
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E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.62 €
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Clarinette
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
DIVERTIMENTO Nbr. 5 for Clarinet and Piano, K. 439
Clarinette
Clarinet Solo - Level 4 - Digital Download SKU: A0.881457 Composed by Wolfgang Amad…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.881457 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Standards. Individual part. 24 pages. John Grady #482395. Published by John Grady (A0.881457). These clever, miniature masterpieces by the 27 year old Mozart are from a collection of 5 Divertimenti for 2 Clarinets and Bassoon. This arrangement for a high-intermediate to advanced clarinetist and pianist keeps the original first clarinet part intact, but the remaining 2 parts of the trio are re-scored when needed. This re-scoring of the lower parts utilizes added harmony notes, changes in octave, and some melodic modifications to accommodate piano technique and a balanced sound. The piano part is not a reduction, but a fully realized independent part. The clarinet and piano parts together constitute a significant addition to the clarinet literature. Use this as a recital or jury piece or just to entertain yourself and friends. This series of Divertimentos is an excellent introduction to Mozart and Classical Period performance practices on the way to the more challenging chamber and solo works. Enjoy these gems from Mozart's pen recalling the days of aristocratic Viennese musical entertainment. Total performance time is about 14 minutes.
$25.00
22.66 €
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Clarinette
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Wolfgang Amadeus Mozart
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John Grady
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DIVERTIMENTO Nbr. 5 for Clarinet and Piano, K. 439
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John Grady
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SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549758 Composed by Peter…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549758 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533255. Published by jmsgu3 (A0.549758). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.87 €
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Clarinette
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Russian Dance from Nutcracker Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549712 Composed by Peter…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549712 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530309. Published by jmsgu3 (A0.549712). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.87 €
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Clarinette
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance from Nutcracker Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Franck: Panis Angelicus for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549173 Composed by Cé…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549173 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3456271. Published by jmsgu3 (A0.549173). César Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. Duration: 3:25, Score: 61 ms, 7 pg. solo part - 1 pg. piano part 3 pg. Poco lento. A popular Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version is suitable for Lent, Easter, or any Christian eucharistic service. It is also a great choice for a recital encore because of the potential for musical expressivity. This music emphasizes sensitive phrasing, dynamics, tone color, and rubato.
$32.95
29.87 €
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Clarinette
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César Franck
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James M
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Franck: Panis Angelicus for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549690 Composed by Peter…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549690 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3520445. Published by jmsgu3 (A0.549690). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.87 €
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Clarinette
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by Georg…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.87 €
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Clarinette
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mozart: Ave Verum Corpus for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549143 Composed by Wolfg…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549143 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Christian,Classical,Concert,Easter,Standards. Score and part. 7 pages. Jmsgu3 #3454711. Published by jmsgu3 (A0.549143). Mozart: Ave verum corpus K. 618 Duration: 2:30 Score: 4 pg, Solo part: 1 pg, Piano part: 2 pg. This is an amazing masterpiece of music written by one of the greatest composers in our history. This popular piece by Mozart was composed only 6 months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute.
$24.95
22.62 €
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Clarinette
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Wolfgang Amadeus Mozart
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James M
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Mozart: Ave Verum Corpus for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549736 Composed by Gabri…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549736 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531665. Published by jmsgu3 (A0.549736). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
29.87 €
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Clarinette
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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