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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sextet
Non classifié
1 531
Piano & claviers
Piano seul
23
Piano, Voix et Guitare
9
Piano Trio: piano, violon, violoncelle
7
Instruments en Do
4
Piano Facile
2
Piano, Voix
2
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
7
Guitare notes et tablatures
5
Guitare
3
2 Guitares (duo)
1
Voix
Chorale SATB
23
Chorale SSAA
3
Chorale Unison
2
Chorale 3 parties
2
Chorale
1
Voix Soprano, Piano
1
Voix haute
1
Chorale TTBB
1
Voix duo, Piano
1
+ 4 instrumentations
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Vents
Ensemble de saxophones
179
Flûte, Hautbois, Clarinette, Basson
99
Ensemble de Clarinettes
98
Ensemble de Flûtes
47
Quintette de Saxophone: 5 saxophones
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Quatuor de Saxophones: 4 saxophones
30
Clarinette
11
Ensemble De Flûte à bec
10
Hautbois (partie séparée)
8
Flute (partie séparée)
7
Hautbois, Piano (duo)
7
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
4
Flûte traversière
4
2 Saxophones (duo)
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
2
2 Clarinettes (duo)
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Flûte traversière et Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Flûte
1
Cor Anglais
1
Flûte et Quatuor à Cordes
1
Saxophone Tenor
1
3 Saxophones (trio)
1
Flûte et Trio à cordes
1
2 Flûtes traversières (duo)
1
Saxophone Alto et Piano
1
Saxophone Tenor et Piano
1
Flûte à Bec
1
Clarinette et Piano
1
Flûte, Clarinette et Basson
1
Piccolo
1
Instruments en Mib
1
+ 33 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Ensemble de Trompettes
56
Quatuor de Cuivres
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Ensemble de Trombones
16
Ensemble de Cors
14
Cor
9
Trio de Cuivres
6
Trompette (partie séparée)
5
Trombone (partie séparée)
4
Trompette
4
Trompette, Piano
2
Bass Clef Instruments
2
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 trompettes
2
Trombone et Piano
2
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
Trombone basse
1
Cor et Piano
1
Tuba
1
Instruments en Sib
1
Ensemble de Tubas
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 cors
1
+ 23 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
158
Violoncelle
18
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon et Piano
13
Violon
12
Ensemble de Violoncelles
11
Alto seul
6
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble de Violons
3
Ensemble d'Altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle, Piano
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Violon (partie séparée)
2
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
2 Violons, Piano
1
2 Violons (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
187
Orchestre de chambre
107
Jazz combo
38
Orchestre
26
Orchestre à Cordes
19
Ensemble Jazz
15
Ensemble de Percussions
14
Cloches
11
Orchestre d'harmonie
10
Batterie
5
Vibraphone
2
Percussion
1
Xylophone, Piano
1
+ 8 instrumentations
Retracter
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COR ANGLAIS
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Clarinette
Partitions à imprimer
11 partitions trouvées
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1
Draw on, Sweet Night for clarinet sextet (E flat, 3 B flats, alto and bass)
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Clarinette
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FACILE
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Renaissance
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John Wilbye
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David Warin Solomons
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Draw on, Sweet Night for clari
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David Warin Solomons
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SheetMusicPlus
Clarinet Solo - Level 2 - SKU: A0.579704 Composed by John Wilbye. Arranged by David Warin Solomons. Renaissance. Individual part. 24 pages. David Warin ...
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Clarinet Solo - Level 2 - SKU: A0.579704 Composed by John Wilbye. Arranged by David Warin Solomons. Renaissance. Individual part. 24 pages. David Warin Solomons #3236151. Published by David Warin Solomons (A0.579704). Arrangement of John Wilbye's madrigal for instrumental sextet.
$10.00
Pyotr Ilyich Tchaikovsky: Waltz From Serenade For Strings Op. 48 (COMPLETE) - clarinet sextet
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Clarinette
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INTERMÉDIAIRE
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Classique
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Pyotr Ilyich Tchaikovsky
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Virtualsheetmusic
Instantly printable sheet music by Pyotr Ilyich Tchaikovsky for clarinet sextet of MEDIUM skill level. Contents: serenata / classical
Instantly printable sheet music by Pyotr Ilyich Tchaikovsky for clarinet sextet of MEDIUM skill level. Contents: serenata / classical
$18.99
March for Winds
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Clarinette
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Bill Schuetter
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March for Winds
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Imagine Music - Digital
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SheetMusicPlus
(March). By Ludwig van Beethoven (1770-1827). Arranged by Bill Schuetter. For clarinet sextet (6 Bb clarinets). Level 3. Score and parts. Duration 1 minute 35 s...
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(March). By Ludwig van Beethoven (1770-1827). Arranged by Bill Schuetter. For clarinet sextet (6 Bb clarinets). Level 3. Score and parts. Duration 1 minute 35 seconds. Published by Imagine Music - Digital
$14.00
Aubade: A Pairing with Beethoven's Symphony #1 - Clarinet 1 in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1018906 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. ...
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Clarinet Solo - Level 4 - SKU: A0.1018906 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. Published by Benjamin Sajo (A0.1018906). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by ...
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Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by Benjamin Sajo (A0.1018879). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. ...
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Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
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Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Cinema Paradiso
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Clarinette
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INTERMÉDIAIRE
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Contemporain
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Andrea Morricone and Ennio Mor
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Sean Sullivan
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Cinema Paradiso
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Sean Sullivan
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.981296 Composed by Andrea Morricone and Ennio Morricone. Arranged by Sean Sullivan. Contemporary. Individual part. 9 p...
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Clarinet Solo - Level 3 - SKU: A0.981296 Composed by Andrea Morricone and Ennio Morricone. Arranged by Sean Sullivan. Contemporary. Individual part. 9 pages. Sean Sullivan #6092915. Published by Sean Sullivan (A0.981296). One of Morricone's most beloved film themes, Cinema Paradiso has been recorded by artists ranging from trumpeter Chris Botti to violinist Joshua Bell. This arrangement is written for Clarinet Sextet.
$12.99
Le Portrait de Daisy Hamilton
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Clarinette
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AVANCÉ
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Charles Koechlin
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Robert Orledge
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Le Portrait de Daisy Hamilton
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - advanced - SKU: S9.Q16292 Eight Pieces for Clarinet and Piano. Composed by Charles Koechlin. Arranged by Robert Orledge. Thi...
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Clarinet and piano - advanced - SKU: S9.Q16292 Eight Pieces for Clarinet and Piano. Composed by Charles Koechlin. Arranged by Robert Orledge. This edition: Sheet music. Clarinet Library. Downloadable. Op. 140. Schott Music - Digital #Q16292. Published by Schott Music - Digital (S9.Q16292). German • English • French.Endlich ist die Musik von Charles Koechlin kein Geheimtipp mehr, sondern wird sowohl für den Konzertsaal als auch die CD entdeckt! Mit unserer Ausgabe präsentieren wir nun eine weithin noch unbekannte Facette seines Schaffens. Denn kaum jemand weiß, dass sich Koechlin in bereits fortgeschrittenem Alter dem Film zuwandte. Obwohl Koechlin bewusst war, dass keine Aussicht auf filmische Umsetzung bestand, entwarf er sogar ein Filmszenario in 20 Szenen, in dem er selbst in einer Doppelrolle erscheinen sollte! Im Alter von 66 Jahren sah er in einem Pariser Filmtheater die Schauspielerin Lilian Harvey als Prinzessin Marie-Christine in Princesse à vos ordres. Er war so verzaubert, dass er für sie die kleinen Stücke Le Portrait de Daisy Hamilton komponierte – hinreißende Miniaturen, die nicht als Filmmusik geschrieben, sondern durch Filmerlebnisse ausgelöst wurden. Von den unvollendet gebliebenen, auf zwei bis vier Linien notierten Kompositionen Le Portrait de Daisy Hamilton sind bei Schott bereits drei Hefte erschienen, nun publizieren wir zwei Bände mit je acht Stücken für Flöte und Klavier bzw. für Klarinette und Klavier. Zwei weitere Hefte (11 Stücke für Klavier und Streichquartett und 10 Stücke für Streichsextett) werden noch folgen. Mit den insgesamt sieben geplanten Heften werden Charles Koechlins letzte noch unveröffentlichte Werke aus dem Umfeld des Films endlich für die Nachwelt zugänglich.
$22.99
Sextet for Clarinets
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stephen Lanigan-O'Keeffe
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Sextet for Clarinets
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Stephen Lanigan-O'Keeffe
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SheetMusicPlus
By Stephen Lanigan-O'Keeffe. For Clarinet. 20th Century. Advanced Intermediate. Set of Parts. Stephen Lanigan-O'Keeffe #SLOK004. Published by Stephen ...
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By Stephen Lanigan-O'Keeffe. For Clarinet. 20th Century. Advanced Intermediate. Set of Parts. Stephen Lanigan-O'Keeffe #SLOK004. Published by Stephen Lanigan-O'Keeffe
$8.99
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