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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Only Name
Non classifié
502
Piano & claviers
Piano seul
139
Piano Facile
99
Piano, Voix et Guitare
92
Piano, Voix
62
Accompagnement Piano
32
Orgue
17
Instruments en Do
10
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
32
Guitare
22
Ukulele
19
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
3
4 Guitares (Quatuor)
2
Banjo
2
Basse electrique
2
Mandoline
1
Dulcimer
1
Mandoline, Guitare (duo)
1
2 Guitares (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
44
Pack Instrumental pour Chorale
18
Chorale 3 parties
14
Chorale 2 parties
9
Chorale TTBB
9
Voix duo, Piano
4
Voix haute
3
Chorale SSAA
2
Voix duo
1
Chorale Unison
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix seule
1
Voix moyenne, Piano
1
+ 9 instrumentations
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Vents
Flûte traversière et Piano
31
Quatuor de Saxophones: 4 saxophones
27
2 Saxophones (duo)
25
Saxophone Alto et Piano
22
Clarinette et Piano
20
Saxophone Tenor et Piano
19
Hautbois, Piano (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Soprano et Piano
13
Saxophone Baryton, Piano
13
3 Saxophones (trio)
12
Flûte, Hautbois, Clarinette, Basson
12
2 Flûtes traversières (duo)
12
2 Clarinettes (duo)
11
Clarinette
10
Quatuor de Clarinettes: 4 clarinettes
9
Cor anglais, Piano
9
Clarinette et Alto
7
Flûte traversière
7
Flûte, Alto (duo)
7
Flûte, Violoncelle
7
2 Flûte à bec (duo)
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Flûte, Clarinette (duo)
5
3 Flûtes à bec (trio)
5
Flûte et Guitare
5
Clarinette Basse, Piano
5
Quintette de Flûte : 5 flûtes
4
Saxophone, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
3 Clarinettes (trio)
4
Flûte à Bec
4
Saxophone Alto
3
Clarinette, Guitare (duo)
3
Clarinette, Basson (duo)
3
5 Flûtes à bec
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Quatuor de Flûtes à bec
3
Clarinette, Violon (duo)
3
Flûte, Violon
2
Ensemble de Clarinettes
2
Clarinette, Trompette (duo)
2
Saxophone Tenor
2
Saxophone (partie séparée)
2
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
2 Flûtes traversières, Guitare
2
Ensemble de Flûtes
2
Flûte à bec Alto
2
Hautbois (partie séparée)
2
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Cor anglais, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
+ 64 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trombone et Piano
12
Trompette
11
Cor et Piano
10
Cor anglais, Piano
9
Trompette, Piano
8
Euphonium, Piano (duo)
8
2 Trompettes (duo)
6
Ensemble de Trompettes
4
2 Trombones (duo)
4
Quatuor de Cuivres
3
Tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trompettes
3
Ensemble de Cors
3
4 Tubas
3
Quatuor de cuivres: 4 trombones
3
Trombone
3
Tuba et Piano
2
Quatuor de cuivres: 4 cors
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
2 Cors (duo)
2
Ensemble de Trombones
2
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
3 Tubas (trio)
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon et Piano
32
Alto, Piano
20
Violoncelle, Piano
17
Violoncelle
12
Violon, Alto (duo)
9
Violon, Violoncelle (duo)
9
2 Violons (duo)
8
Violoncelle, Contrebasse (duo)
7
Violon
7
2 Altos (duo)
6
Trio à Cordes: 3 violoncelles
5
Flûte, Contrebasse (duo)
5
Harpe, Flûte (duo)
5
Harpe
4
Alto, Violoncelle (duo)
4
2 Violoncelles (duo)
4
4 Violoncelles
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
2
Alto seul
2
Trio à cordes: 3 violins
2
Ensemble de Violons
1
Harpe et Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
Ensemble d'Altos
1
Alto (partie séparée)
1
Alto, Guitare (duo)
1
2 Contrebasses (duo)
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
116
Orchestre à Cordes
46
Orchestre
30
Orchestre de chambre
12
Cloches
12
Ensemble de cuivres
11
Ensemble Jazz
11
Jazz combo
6
Ensemble de Percussions
2
Piano et Orchestre
1
Percussion
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
The Only Name
Clarinette
Partitions à imprimer
10 partitions trouvées
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1
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Dear Lord and Father of Mankind (Arrangements Level 1-3 for CLARINET + Written Acc) Hymn
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Clarinette
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FACILE
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Frederick Maker
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Dr Jerry Nelson
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Written
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Dear Lord and Father of Mankin
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Jerry Nelson
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SheetMusicPlus
Clarinet Solo - Level 2 - SKU: A0.875114 Composed by Frederick Maker. Arranged by Dr Jerry Nelson. Christian,Jazz,Sacred. Individual part. 6 pages. Jerr...
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Clarinet Solo - Level 2 - SKU: A0.875114 Composed by Frederick Maker. Arranged by Dr Jerry Nelson. Christian,Jazz,Sacred. Individual part. 6 pages. Jerry Nelson #3873807. Published by Jerry Nelson (A0.875114). Oo, Luscious. Imaginative harmonies easing into a subtle rhythm. Only slightly jazzy. Simple enough to be manageable by most any player, these arrangements move you step-by-step from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Perform or rehearse it with this gorgeous Orchestral Accompaniment Track (#SO.432389). Congrats! You found the Gold Mine! Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name). VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Opt. Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 3. (Time 3:25)
$4.99
The Nativity - Mvt. III from Rosary Sonatas, trans. for solo clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joel Denney
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The Nativity - Mvt. III from R
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Joel Denney Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - SKU: A0.1350796 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joel Denney. Baroque,Classical,Sacred. Individu...
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B-Flat Clarinet Solo - Level 4 - SKU: A0.1350796 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joel Denney. Baroque,Classical,Sacred. Individual part. 7 pages. Joel Denney Music #935623. Published by Joel Denney Music (A0.1350796). Originally composed for solo scordatura violin and continuo, this transcription for clarinet may be performed as an unaccompanied solo or with continuo parts available on IMSLP. The original violin part makes extensive use of double, triple, and quadruple stops, often to the extent of imitating multiple voices in counterpoint. This transcription attempts to imitate this effect through the use of grace notes and quick arpeggios. As in the original score, dynamics are not provided for the soloist, and may be freely added at the player’s discretion.Performers will immensely benefit from listening to one or more recordings of violinists performing this piece to compare interpretations and performance practices. While this transcription largely follows the interpretation given on violinist Lina Tur Bonet’s excellent recording with the Musica Alchemica ensemble, the transcription is by no means intended to exclude other interpretations. Players may change whatever ornamental and rhythmic elements they wish in order to accomplish their artistic goals. This transcription includes three options for key signature. Any of the three included versions may be played by any key/size of clarinet for unaccompanied performance. 1.   Written key of C# minor, for Clarinet in Bâ™â€”can be accompanied by the original continuo parts2.   Written key of D minor, for Clarinet in A—can be accompanied by the original continuo parts3.   Written key of B minor, for Clarinet in Bâ™ or A—only for unaccompanied performancePerformance notes, links to free IMSLP continuo parts, and links to recommended reference recordings are incuded in a separate page at the end of the PDF.©2023 Joel Denney Music. All Rights Reserved.
$2.99
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
#
Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Concerto For Clarinet
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Clarinette
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Rob...
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B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Robert C. Olivia #987223. Published by Robert C. Olivia (A0.1404050). This edition of the solo clarinet part of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture.Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. As many techniques as possible are carefully detailed to show ornaments, slurs, accents etc.The companion parts available here for big band and strings restores many elements missing in other versions available.  The strings here are restored to the original voicings so  important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available. I have performed from this solo part many times and I hope others will do so as well. I give great thanks to several people, who over the course of my career, taught me many skills that resulted in this. Special thanks to my teachers Bob Wilber, Leon Russianoff & Tom Martin and Marty Burlingame & JoAnn and Artie Kane.
$35.00
Song of Soaring Mountains for solo clarinet
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Clarinette
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AVANCÉ
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Yuan-Chen Li
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Song of Soaring Mountains for
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Yuan-Chen Li
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.926748 Composed by Yuan-Chen Li. Contemporary,Standards,World. Individual part. 3 pages. Yuan-Chen Li #6866395. Publis...
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Clarinet Solo - Level 5 - SKU: A0.926748 Composed by Yuan-Chen Li. Contemporary,Standards,World. Individual part. 3 pages. Yuan-Chen Li #6866395. Published by Yuan-Chen Li (A0.926748). Hakka is identified as the common theme running through three pieces for solo clarinet, and clarinet and piano duet, written for students of beginner, intermediate, and intermediate/advanced levels: Singing in the Hakka Village, Mountain Dance, and Song of Soaring Mountains. It takes students to expand simple elements into examples of expression by employing changes in dynamics, tempos, and ornaments. The tune by the ethnic group Hakka is rooted in triadic arpeggiations. Supplied with techniques such as call and response, tempo modulations, and extreme register shifts, one shall recognize these techniques meant to depict not only the geographical features where the Hakka villages often situate but also practices in Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
$4.99
Ave Maria
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Clarinette
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FACILE
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Classique
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Franz Schubert
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1172603 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individua...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1172603 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772835. Published by Fabio Eduardo (A0.1172603). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
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