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Violin Secular
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214
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36
Piano Trio: piano, violon, violoncelle
10
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8
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6
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3
2 Pianos, 4 mains
3
Piano Facile
3
Piano, Voix
2
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano, Voix et Guitare
1
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Guitare
10
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
6
4 Guitares (Quatuor)
6
Piano, Guitare (duo)
2
3 Guitares (trio)
1
+ 1 instrumentations
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Voix
Chorale SATB
4
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4
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3
Chorale TTBB
1
Chorale 2 parties
1
Chorale SSAA
1
Voix Baryton, Piano
1
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Vents
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9
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8
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8
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7
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6
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4
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4
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4
Saxophone Alto et Piano
3
Clarinette, Guitare (duo)
3
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3
2 Clarinettes (duo)
2
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2
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2
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2
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2
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2
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2
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1
Saxophone Soprano et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Flûtes à bec
1
Clarinette Basse, Piano
1
Cor anglais et Harpe (duo)
1
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4
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4
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3
Cor et Piano
2
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1
Tuba et Piano
1
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1
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1
Cor anglais et Harpe (duo)
1
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Violon
120
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75
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68
2 Violons (duo)
42
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34
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10
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10
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9
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9
Violoncelle, Piano
8
Violon, Guitare (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Trio à cordes: 3 violins
4
Alto (partie séparée)
3
Alto, Guitare (duo)
3
2 Violons, Piano
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Violoncelle
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Contrebasse (partie séparée)
2
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
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Orchestre à Cordes
36
Orchestre d'harmonie
2
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2
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1
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--INSTRUMENTS--
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Vous avez sélectionné:
Violin Secular
Clarinette
Partitions à imprimer
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Potpourri sur un thème suisse
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joseph Kuffner
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Potpourri sur un thème
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53271 „Alpenlied. Composed by Joseph Kuffner. Edited by Rainer Mohrs and Rudolf Ma...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53271 „Alpenlied. Composed by Joseph Kuffner. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 190. 20 pages. Schott Music - Digital #Q53271. Published by Schott Music - Digital (S9.Q53271). German • Danish.Joseph Küffner was born into a family of musicians in Würzburg. He learned to play several instruments including violin, flute, trombone, guitar and also clarinet. Küffner began working as a military musician in the Elector of Würzburg’s orchestra, moved to the court orchestra in the course of secularization (1806–1814) and later returned to military music in the Bavarian army. From 1825 Küffner worked as a teacher, composer and arranger in Würzburg. He composed symphonies, overtures, military and chamber music for wind instruments and strings with piano or guitar accompaniment. Schott also published his clarinet method ‘Principes Élémentaires de la Musique et Gamme de Clarinette suvis de 24 Duos instructifs (...) pour deux Clarinettes, op. 200‘. The Potpourri sur un thème suisse on a Swiss alpine melody was published in 1838 (plate number 2590). The theme is an old yodelling melody. A melodic introduction is followed by a theme and five variations. In the final Rondo, the triad motives of the opening are taken up again.
$4.99
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
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