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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What's Up
Non classifié
264
Piano & claviers
Piano seul
170
Piano, Voix et Guitare
78
Piano, Voix
55
Piano grosses notes
43
Piano Facile
33
Orgue
33
Instruments en Do
15
Accompagnement Piano
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Ligne De Mélodie, Piano
1
2 Pianos, 8 mains
1
Clavier
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
35
Basse electrique
30
Guitare
14
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
7
Guitare (partie séparée)
4
Paroles et Accords
4
4 Guitares (Quatuor)
3
Banjo
2
2 Guitares (duo)
2
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Basse électrique (partie séparée)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 2 parties
20
Chorale 3 parties
19
Chorale Unison
16
Voix Alto, Piano
13
Chorale TTBB
12
Voix duo
5
Chorale SSAA
5
Voix seule
4
Voix Soprano
3
Voix Soprano, Piano
2
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix haute
1
Voix Tenor, Piano
1
+ 10 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
2 Saxophones (duo)
13
Hautbois (partie séparée)
10
2 Flûtes traversières (duo)
9
Clarinette
9
Flûte traversière et Piano
8
Flûte traversière
8
Flute (partie séparée)
7
Clarinette et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Piano (duo)
6
Saxophone Alto
6
2 Clarinettes (duo)
6
Saxophone Tenor
6
Clarinette (partie séparée)
5
Flûte, Clarinette (duo)
5
2 Hautbois (duo)
4
Saxophone Alto et Piano
4
Flûte à Bec
4
Saxophone Soprano
4
Hautbois, Basson (duo)
4
Ensemble de Flûtes
4
Saxophone Soprano et Piano
4
Flûte à bec Soprano
3
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Cor anglais, Piano
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette, Trompette (duo)
3
Saxophone Baryton, Piano
2
Clarinette et Alto
2
Flûte, Trompette (duo)
2
Flûte, Violon
2
Flûte, Alto (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon, Piano
2
Hautbois, Clarinette (duo)
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
2 Flûtes traversières, Piano
2
2 Clarinettes, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Instruments en Mib
1
Trio de Flûtes: 3 flûtes
1
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Hautbois, Piano
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
+ 52 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette (partie séparée)
14
Quatuor de cuivres: 4 trombones
12
Trompette
9
Trombone
9
Cor
6
Cor (partie séparée)
5
Trompette, Piano
5
2 Trombones (duo)
5
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Cors (duo)
4
Tuba
4
2 Trompettes (duo)
4
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
Tuba et Piano
2
Tuba (partie séparée)
2
Cor et Piano
2
Quatuor de Cuivres
2
2 Cors, Piano
1
4 Tubas
1
Euphonium, Piano (duo)
1
Instruments en Sib
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
Trompette, Cor (duo)
1
Bass Clef Instruments
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Harpe
14
Violon et Piano
13
Violon
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Violoncelle (duo)
7
2 Violons (duo)
6
Violon, Alto (duo)
6
Violon (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
Alto, Piano
5
Contrebasse (partie séparée)
5
Violoncelle
5
Violoncelle, Piano
5
2 Violoncelles (duo)
4
Harpe, Voix
4
Trio à Cordes: violon, alto, violoncelle
4
Alto (partie séparée)
3
Alto seul
3
2 Altos, Piano
2
2 Altos (duo)
2
Contre Basse
2
Violoncelle (partie séparée)
2
Contrebasse, Piano (duo)
2
4 Contrebasses
1
Violoncelle, Orgue
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
84
Orchestre
30
Batterie
19
Orchestre à Cordes
17
Ensemble Jazz
14
Ensemble de cuivres
13
Cloches
8
Orchestre de chambre
6
Percussion (partie séparée)
6
Batterie (partie séparée)
6
Jazz combo
5
Ensemble de Percussions
3
Fanfare
2
Timbales (partie séparée)
2
Xylophone (partie séparée)
1
Xylophone, Piano
1
Vibraphone
1
Piano et Orchestre
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
What's Up
Clarinette
Partitions à imprimer
9 partitions trouvées
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1
4 Non Blondes : What's Up (niveau très facile)
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Clarinette
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DÉBUTANT
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Rock
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4 Non Blondes
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What's Up
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Tomplay
Telechargez la partition Clarinette What's Up (niveau très facile) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette What's Up (niveau très facile) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
4 Non Blondes : What's Up (niveau intermédiaire)
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Clarinette
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INTERMÉDIAIRE
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Rock
#
4 Non Blondes
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What's Up
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Tomplay
Telechargez la partition Clarinette What's Up (niveau intermediaire) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Clarinette What's Up (niveau intermediaire) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
4 Non Blondes : What's Up (niveau facile/intermédiaire)
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Clarinette
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FACILE
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Rock
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4 Non Blondes
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What's Up
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Tomplay
Telechargez la partition Clarinette What's Up (niveau facile/intermediaire) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Clarinette What's Up (niveau facile/intermediaire) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
4 Non Blondes : What's Up (niveau difficile)
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Clarinette
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AVANCÉ
#
Rock
#
4 Non Blondes
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What's Up
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Tomplay
Telechargez la partition Clarinette What's Up (niveau difficile) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Clarinette What's Up (niveau difficile) de 4 Non Blondes. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
(+)
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. ...
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Clarinet Solo - Level 4 - SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Linus And Lucy
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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The Vince Guaraldi Trio
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Bobby Hesch
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Linus And Lucy
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.839484 By The Vince Guaraldi Trio. By Vince Guaraldi. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages....
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Clarinet Solo - Level 4 - SKU: A0.839484 By The Vince Guaraldi Trio. By Vince Guaraldi. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6022453. Published by Bobby Hesch (A0.839484). !!!***LINUS AND LUCY***!!! BY THE GREAT VINCE GUARALDI FROM A CHARLIE BROWN CHRISTMAS!!! CAN'T ANYONE TELL ME WHAT CHRISTMAS IS ALL ABOUT?!!! LET'S PLAY SOME JAZZ!!! KEY OF Bb!!! LOW A-HIGH G!!MP3 FOR JAZZ STYLE & INTERPRETATION!!! STRAIGHT 8THS/SWING MARKED!!! CROWDS LOVE THIS TUNE!!!CHALLENGING JAZZ 47-79!!! CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch JAZZ UP YOUR CHRISTMAS PARTIES THIS YEAR!!! HAVE FUN!!!
$4.99
Pierrots Galgenlieder
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Clarinette
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AVANCÉ
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Volker David Kirchner
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Pierrots Galgenlieder
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb solo - difficult - SKU: S9.Q5908 Composed by Volker David Kirchner. This edition: Sheet music. Clarinet Library. Downloadable. Duration 6...
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Clarinet in Bb solo - difficult - SKU: S9.Q5908 Composed by Volker David Kirchner. This edition: Sheet music. Clarinet Library. Downloadable. Duration 6 minutes. Schott Music - Digital #Q5908. Published by Schott Music - Digital (S9.Q5908). Kirchner’s Å“uvre spans a wide range of musical genres. Apart from numerous compositions for orchestra and for the music theatre the former professional viola player has always had a soft spot for chamber music. Though even in this sphere of “absolute and pure†art Kirchner’s music has strong connections with the more theatrical, the “Comédie huMayne†which is also reflected in his choice of titles (e.g. Mysterion, Il canto della notte, Lamento d’Orfeo, Exil). The clarinet proves to be the ideal instrument to bring out the somewhat scurrilous humour and character of Pierrot; no doubt, player and audience alike will conjure up suitable images (“scenesâ€) from the Commedia del’ arte.
$11.99
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