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CLARINETTE
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HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
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Women\\\\\\\'
Non classifié
602
Piano & claviers
Piano seul
270
Piano, Voix
211
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175
Piano Facile
51
Instruments en Do
11
Orgue
10
2 Pianos, 4 mains
10
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4
1 Piano, 4 mains
4
Ligne De Mélodie, Piano
1
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
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Guitare notes et tablatures
26
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18
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16
Guitare
11
Ukulele
7
Basse electrique
3
2 Guitares (duo)
1
+ 2 instrumentations
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Voix
Chorale SSAA
1 075
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560
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439
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169
Chorale TTBB
74
Chorale Unison
21
Pack Instrumental pour Chorale
20
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19
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17
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13
Voix duo
10
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5
Voix haute
4
Chorale SSAATTBB
3
Voix seule
2
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
1
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1
Chorale SSAB, Piano
1
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1
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
+ 18 instrumentations
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Vents
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14
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13
Clarinette et Piano
12
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8
Quatuor de Clarinettes: 4 clarinettes
7
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6
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
6
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6
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5
Ensemble de Flûtes
4
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4
Ensemble de Clarinettes
4
Hautbois (partie séparée)
3
Flute (partie séparée)
3
3 Clarinettes (trio)
3
Saxophone Soprano et Piano
3
Clarinette
3
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3
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3
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2
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2
Ensemble de saxophones
2
3 Saxophones (trio)
2
Saxophone Tenor et Piano
2
3 Flûtes à bec (trio)
1
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1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Flûte, alto et harpe
1
2 Flûtes traversières (duo)
1
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1
Cor anglais, Piano
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano
1
+ 30 instrumentations
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9
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9
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone et Piano
4
Cor et Piano
3
Trompette (partie séparée)
3
Trombone (partie séparée)
2
Cor (partie séparée)
2
2 Euphoniums et 2 Tubas
1
Cor anglais, Piano
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Euphonium, Piano (duo)
1
Cor
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Trombone
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
18
Harpe
9
Violon
8
Violoncelle, Piano
7
Violon (partie séparée)
5
Violon, Violoncelle (duo)
5
Alto (partie séparée)
4
Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
3
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2
Alto seul
2
Violoncelle (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Harpes (duo)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Guitare (duo)
1
Contrebasse (partie séparée)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
119
Fanfare
45
Orchestre
36
Orchestre à Cordes
11
Orchestre de chambre
8
Ensemble de cuivres
6
Ensemble Jazz
3
Cloches
3
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
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--INSTRUMENTS--
ACCORDEON
ALTO
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Women\\\\\\\'
Clarinette
Partitions à imprimer
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Dance of the Washerwomen (with Hupfauf) for alto clarinet and piano
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Clarinette
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INTERMÉDIAIRE
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Hans Neusiedler
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David Warin Solomons
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Dance of the Washerwomen
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David Warin Solomons
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SheetMusicPlus
E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.577232 Composed by Hans Neusiedler. Arranged by David Warin Solomons. Baroque,Classical,Rena...
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E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.577232 Composed by Hans Neusiedler. Arranged by David Warin Solomons. Baroque,Classical,Renaissance. Score and individual part. 8 pages. David Warin Solomons #3037669. Published by David Warin Solomons (A0.577232). The piano part comes from Hans Neusiedler’s dance for vihuela, transposed for piano
$10.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
#
Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
(+)
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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