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--INSTRUMENTS--
ACCORDEON
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Feeling Good - Vibes
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23
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Gymnopédie No.1 - Eric Satie - Concert Band
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Orchestre d'harmonie
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FACILE
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Classique
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Contemporain
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Erik Satie
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Thomas Graf
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Gymnopédie No.1 - Eric
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pages. Thomas Graf...
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Concert Band - Level 2 - SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pages. Thomas Graf - the-hit-factory.com #6355159. Published by Thomas Graf - the-hit-factory.com (A0.569465). This piece is perfect as warm up for your band. It will settle up a good intonation while feeling the warmth of this heart taking melody and harmony. It goes through 4! Different keys, from Bb over C, Db to the original key D-Major. So for wind players it might be a great challenge to master the original key, while Bb-major would be the perfect starter key for a rehearsal. The Gymnopédies are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, however they were at first published individually: the first and the third in 1888, the second in 1895. Instrumentation: All Band Instruments, including Piano. Part I (8vb) Baritone Horn, Part I (8vb) Horn in F, Part I (8vb) Tenor Saxophone, Part I (8vb) Trombone, Part I Alto Saxophone, Part I Clarinet 1 in Bb, Part I Flute, Part I Oboe, Part I Trumpet in Bb, Part II Alto Saxophone, Part II Clarinet 2 in Bb, Part II Horn in F, Part II Tenor Saxophone, Part II Trombone, Part II Trumpet in Bb, Part III Baritone, Part III Horn in Eb, Part III IV Alto Saxophone, Part III IV Clarinet 3 in Bb, Part III IV Horn in F, Part III IV Trumpet in Bb, Part III Tenor Saxophone, Part III Trombone, Part IV Bassoon, Part IV Euphonium, Part IV Horn in Eb, Part IV Tenor Saxophone, Part IV Trombone, Part V Baritone Saxophone, Part V Bass Clarinet in Bb, Part V Bass in Bb, Part V Bass in Eb, Part V Bassoon, Part V Tuba B.-Trombone E-Bass, Piano, Listen to the video recording - a challenge for your ensemble. .
$29.99
The Girl I Mean To Be
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Orchestre d'harmonie
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Sh...
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Concert Band - Level 2 - SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$79.99
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