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Orchestre d'harmonie
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Fanfare
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AUTRES
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Simply Red
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Orchestre d'harmonie
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I Came, I Saw, I Conga'd
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1273963 By Celia Lipton. By Celia…
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Concert Band - Level 2 - Digital Download SKU: A0.1273963 By Celia Lipton. By Celia Lipton, Frank Weldon, James Cavanaugh, and John Redmond. Arranged by John Ivor Holland. 20th Century,Holiday,Pop,Wedding. Score and Parts. 44 pages. John Ivor Holland #866095. Published by John Ivor Holland (A0.1273963). Often simply refered to as 'The Conga', this catchy little number has been recorded by many bands and artists over the years, with an infectious rhythm and cheeky lyrics to encourage everyone to dance along! Perfect for a concert or an event where your audience can get into the spirit and form a long, winding line - perhaps your band leader could start it, taking everyone by surprise and just leaving the band to it?
$49.99
46.03 €
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Orchestre d'harmonie
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Celia Lipton
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John Ivor Holland
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I Came, I Saw, I Conga'd
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John Ivor Holland
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SheetMusicPlus
Denmark: The Two National Anthems
Orchestre d'harmonie
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvi…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
8.28 €
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Orchestre d'harmonie
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anthems
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Colin Kirkpatrick Publications
#
SheetMusicPlus
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti …
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Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,Instructional,Sacred. 38 pages. Bandroom.com Publications #3134913. Published by Bandroom.com Publications (A0.859753). _______________________Choral work by Antonio Lotti (c.1667-1740); transcribed for band by Brian HarrisThe Kyrie is part of the Ordinary of the Roman Catholic Mass. This musical setting of the Kyrie was written for choir by Italian composer Antonio Lotti, who spent his entire career at the famous St. Mark's Basilica in Venice.The adaptation of choir literature for use by wind players provides an ideal tool for teaching basic musicianship such as intonation, balance, and blend as well as the advanced techniques of phrasing, nuance of line, and accuracy of ensemble articulation. Because the work consists of only 4 voices, players can more readily hear and address individual, section, and ensemble problems.The score and each part is notated with the specific voice assignment (S = soprano, A = alto, T = tenor, B = bass). This allows the conductor to rehearse like groups by simply asking for all players with the alto line and so forth. Knowing that another instrument is playing the exact same line can encourage them to listen across the band in order to match style/balance with the other players.You may view the entire score as well as additional part samples and detailed information for this work at my site www.bandroom.com - - - - - - - - - - - - - - -ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director at the public school and college level for over 30 years. His works are available from www.bandroom.com and as digital downloads.__________________________________
$30.00
27.62 €
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Orchestre d'harmonie
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Antonio Lotti
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Brian Harris
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KYRIE ELEISON
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Bandroom.com Publications
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
O LA, O CHE BON ECCHO (Orlando di Lasso) for Brass Quartet and Wind Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Las…
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Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Score and parts. 39 pages. Www.dalsegno.eu #3867431. Published by www.dalsegno.eu (A0.770366). The most famous Renaissance choral piece for two antiphonal ensembles finally arranged for Winds and Percussions, featuring a Brass Quartet (two trumpets and two trombones).This enjoyable concert piece is also useful to develope tone quality, intonation, phrasing and expression of every ensemble.Even smaller groups and young bands can perform this piece, because the four original parts are mostly doubled. The difficulty grade is very reasonable.Every conductor will take advantage of the performance stage/location, staging the better arrangement for the four solists (plus opt. Tenor Drums) and the ensemble.The soloist should stay, generally speaking, far away from the audience to emphasize the echo effect.A piano part (reduction of the ensemble) is also included, for both performance and rehearsal.Complete set with score and parts: Solos (Trumpet 1+2, Trombone 1+2),Piccolo, Flute 1+2, Oboe (or Soprano sax), Bassoon,Clarinets 1+2+3+bass, Saxes AATB,Trumpets/Cornets 1+2+3, F/Eb Horn, Trombones 1+2+3,Euphonium/Baritone BC+TC, Tuba, String Bass,Piano, Timpani, Side Drum(s), Tenor Drum(s).Other transpositions (e.g. Bb Trombones TC) available for free at simply requestDuration ca. 3 mins., 39 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
9.2 €
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Orchestre d'harmonie
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Orlande De Lassus
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Ivan Marini
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O LA, O CHE BON ECCHO
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www.dalsegno.eu
#
SheetMusicPlus
In the Crater of a Fallen Giant
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1015664 Composed by John Bratton.…
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Concert Band - Level 2 - Digital Download SKU: A0.1015664 Composed by John Bratton. Instructional,Standards. Score and parts. 98 pages. John Bratton #4810803. Published by John Bratton (A0.1015664). In the Crater of a Fallen GiantFor Concert BandDifficulty: METhis is a wonderful piece that was inspired by the Crater Lake National Park in Oregon. Crater Lake formed approximately 7,700 years ago when the 12,000ft Mount Mazama Volcano erupted explosively. This caused it to collapse and create an enormous caldera that has since filled with rainwater and snowmelt. This once massive volcano has created an absolutely stunning vista that is simply breathtaking.Learn more about John on his website: www.creativeintonationmusic.com
$70.00
64.46 €
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Orchestre d'harmonie
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John Bratton
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In the Crater of a Fallen Giant
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John Bratton
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SheetMusicPlus
Caminho no Deserto
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1427924 By Soraya Moraes. By Marc…
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Concert Band - Level 2 - Digital Download SKU: A0.1427924 By Soraya Moraes. By Marco Moraes. Arranged by Jhonatan Lucio Viana. 21st Century,Disco,Religious,Sacred,Spiritual. 33 pages. JLVPartitura #1008666. Published by JLVPartitura (A0.1427924). Caminho no Deserto Soraya Moraes for Concert Banda.Get ready to embark on a soulful journey through the desert sands with Caminho no Deserto by Soraya Moraes, now expertly arranged for concert band! This captivating adaptation captures the essence of the original song, blending heartfelt melodies, stirring harmonies, and vivid imagery that will transport you to a world of faith and resilience. Each note resonates with the spiritual atmosphere of Soraya Moraes' iconic composition, creating an immersive ambiance that will inspire audiences of all ages. Ideal for fans of Christian music and concert band enthusiasts alike, this arrangement is a celebration of musical devotion and the enduring power of Soraya Moraes' music. Don't miss the opportunity to experience the beauty of Caminho no Deserto with your concert band! Click now to immerse yourself in the uplifting sounds brought to life by this symphonic adaptation.I am thrilled to present this arrangement to you. I invite you to explore my diverse collection of concert band arrangements and music scores on my website. Simply search for 'Jhonatan Lucio Viana' to discover a wide variety of sheet music options awaiting you.Caminho no Deserto, Soraya Moraes, concert band arrangement, Christian music, heartfelt melodies, stirring harmonies, vivid imagery, concert band performance, dynamic adaptation, musical celebration, spiritual journey, Soraya Moraes' music, symphonic adaptation.
$59.99
55.24 €
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Orchestre d'harmonie
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Soraya Moraes
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Jhonatan Lucio Viana
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Caminho no Deserto
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JLVPartitura
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SheetMusicPlus
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