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--INSTRUMENTS--
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Vous avez sélectionné:
Can Method
intermédiaire
Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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Jump In The Line
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Cherry Poppin Daddies
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Patrick Jillett
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Jump In The Line
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Patrick Jillett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1451101 By Cherry Poppin Daddies. By Gabriel Oller, Harry Belafonte, Jeff Simmons, Ralph De Leon, Steve Primatic, and S...
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Concert Band - Level 3 - SKU: A0.1451101 By Cherry Poppin Daddies. By Gabriel Oller, Harry Belafonte, Jeff Simmons, Ralph De Leon, Steve Primatic, and Steve Samuel. Arranged by Patrick Jillett. 20th Century,Contest,Festival,Latin,Multicultural,Pop,World. 42 pages. Patrick Jillett #1030555. Published by Patrick Jillett (A0.1451101). Jump in the Line (Shake, Señora) is a calypso song composed, by a Lord Kitchener on November 17, 1961, from the album “Jump Up Calypso” Most famously recorded by singer Harry Belafonte in 1961. Appropriate for a variety of occasions, it is striking, memorable piece for any concert bands repertoire, and can be used as a method to teach elements of the calypso music genre. It is in the key of C major, beginning with slow melodic riff introduction, played by the woodwinds, establishing a stable calypso style. The rest of the piece gains pace as the remainder of he band joins in with rhythmic and melodic ostinto in a ABA form. “Jump in the Line (Shake, Señora)” uses medium concert band skill level, perfect for learning and mastering calypso style.
$50.00
Chromatic Challenge: 10 Creative Exercises for Saxophone Vol. 1
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Aldo Salvent
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Chromatic Challenge: 10 Creati
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SALVENT MUSIC LLC
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.969256 Composed by Aldo Salvent. Instructional. Score and parts. 34 pages. SALVENT MUSIC LLC #6135413. Published by SAL...
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Concert Band - Level 3 - SKU: A0.969256 Composed by Aldo Salvent. Instructional. Score and parts. 34 pages. SALVENT MUSIC LLC #6135413. Published by SALVENT MUSIC LLC (A0.969256). Chromatic Challenge: 10 Creative Exercises for Saxophone Vol. 1 was conceived to develop great technique and control of the saxophone by using these modern, dynamic and creative exercises. It is a didactic method that focuses on mastering original chromatic patterns throughout the whole range of the instrument. The book was originally designed for saxophone players, but can be also used effectively on most instruments by adjusting both the starting and ending note according to their practical register..
$12.99
Grandfather’s Clock with Hickory Dickory Dock
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Stephen R Dalrymple
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Grandfather’s Clock with
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818278 By Stephen R Dalrymple. By Henry A Work. Arranged by Stephen R Dalrymple. Folk. Score and parts. 30 pages. Steph...
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Concert Band - Level 3 - SKU: A0.818278 By Stephen R Dalrymple. By Henry A Work. Arranged by Stephen R Dalrymple. Folk. Score and parts. 30 pages. Stephen R Dalrymple #4884975. Published by Stephen R Dalrymple (A0.818278). Grandfather’s Clock ♫ by Henry A Work ♫ with Hickory Dickory Dock ♫ arranged for concert band by Stephen R Dalrymple ♫ My Grandfather’s clock was written in 1876 by Henry Clay Work (written in England by an American author.) Our first print record of the poem Hickory Dickory Dock is in 1744. The origin of the music is lost in history. ♫ The teaching point of this piece is to instruct the young band how to switch back and forth from duple and triple time signatures. My method is to count the triplet or duplet inside a pulse (instead of counting 1, 2, 3, 4, 5, 6). This helps solidify the basic nature of 6 8 time in the student. ♫ The Percussion section has a critical role in the piece. ♫ sequenced by the arranger ♫ arrangement © 2001, 2005 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file 17 files (30 pages): 1) Condensed Conductor’s Score 2) Individual parts for: Flute, Oboe, Clarinet, Bass Clarinet, Alto Sax/Alto Clarinet, Tenor Sax, Baritone Sax, Trumpet, F Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Wood Block/Triangle, Claves/Slide Whistle and Bells. ♫ The YouTube video contains the full recording.
$19.00
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by ...
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Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$5.99
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