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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lara
Non classifié
33
Piano & claviers
Piano seul
177
Piano, Voix
46
Piano, Voix et Guitare
32
Instruments en Do
8
Accordéon
5
Piano Facile
3
1 Piano, 4 mains
1
Orgue
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
5
Basse electrique
4
Guitare notes et tablatures
4
Ukulele
3
4 Guitares (Quatuor)
1
Partitions De Groupes
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
17
Chorale 3 parties
10
Chorale SSAA
5
Chorale 2 parties
3
Chorale TTBB
3
Chorale Unison
2
Voix seule
1
Chorale
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière
5
Saxophone Alto
4
Saxophone Tenor
4
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière et Piano
4
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone
3
Clarinette
3
Flûte, Violon
2
Saxophone Alto et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Piano (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble de saxophones
1
Saxophone (partie séparée)
1
Flûte à bec Soprano
1
Hautbois
1
3 Saxophones (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Basson (duo)
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
Ensemble de Flûtes
1
2 Saxophones (duo)
1
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
Clarinette et Piano
1
+ 23 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette
4
Euphonium
2
Trombone
2
Quatuor de cuivres: 4 trombones
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Piano
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon et Piano
15
Violoncelle, Piano
14
Violoncelle
12
2 Violoncelles (duo)
10
4 Violoncelles
10
Violon
9
Alto, Piano
7
Alto seul
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
2 Altos (duo)
2
Alto (partie séparée)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7
Orchestre
5
Ensemble de cuivres
5
Fanfare
2
Orchestre à Cordes
2
Ensemble Jazz
2
Batterie
2
Xylophone ou Marimba ou Vibraphone
1
Vibraphone
1
Jazz combo
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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Vous avez sélectionné:
Lara
intermédiaire
Orchestre d'harmonie
Partitions à imprimer
7 partitions trouvées
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Agustin Lara: Granada (COMPLETE) - concert band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Latin/Musique du monde
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Agustin Lara
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Virtualsheetmusic
Instantly printable sheet music by Agustin Lara for concert band of MEDIUM skill level. Contents: granata / latin
Instantly printable sheet music by Agustin Lara for concert band of MEDIUM skill level. Contents: granata / latin
$69.99
Granada
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Katherine Jenkins
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Jonathan Salas Ocanas
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Granada
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Jonathan Salas
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1425195 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Jonathan Salas Ocanas. Classical,...
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Concert Band - Level 3 - SKU: A0.1425195 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Jonathan Salas Ocanas. Classical,Folk,Latin,Patriotic,Traditional. 60 pages. Jonathan Salas #1006013. Published by Jonathan Salas (A0.1425195). The arrangement is an adaptation of Granada by Agustin Lara, 100% attached to the original piece.For symphonic band.
$55.00
Agustin Lara: Granada (COMPLETE) for band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Agustin Lara
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Virtualsheetmusic
Instantly downloadable sheet music by Agustin Lara for band of MEDIUM skill level.
Instantly downloadable sheet music by Agustin Lara for band of MEDIUM skill level.
$153.99
Granada (29-Piece Digital Pack)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Latin/Musique du monde
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Agustin Lara
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Robert Longfield
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Granada
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Hal Leonard - Digital
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SheetMusicPlus
Concert band String Bass - Level 3 - SKU: HX.155241 Composed by Agustin Lara. Arranged by Robert Longfield. Latin. Individual instrument part. 2 pages. ...
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Concert band String Bass - Level 3 - SKU: HX.155241 Composed by Agustin Lara. Arranged by Robert Longfield. Latin. Individual instrument part. 2 pages. Duration 240. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.155241).
Digital Pack includes
:
Granada - Full Score
Granada - Piccolo
Granada - Flute
Granada - Oboe
Granada - Bassoon
Granada - Bb Clarinet 1
Granada - Bb Clarinet 2
Granada - Bb Clarinet 3
Granada - Eb Alto Clarinet
Granada - Bb Bass Clarinet
Granada - Eb Alto Saxophone 1
Granada - Eb Alto Saxophone 2
Granada - Bb Tenor Saxophone
Granada - Percussion 1
Granada - Percussion 2
Granada - Mallet Percussion
Granada - Timpani
Granada - Eb Baritone Saxophone
Granada - Bb Trumpet 1
Granada - Bb Trumpet 2
Granada - Bb Trumpet 3
Granada - F Horn 1
Granada - F Horn 2
Granada - Trombone 1
Granada - Trombone 2
Granada - Baritone B.C.
Granada - Baritone T.C.
Granada - Tuba
Granada - String Bass
$65.00
Never Let Her Slip Away
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Andrew Gold
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John Ivor Holland
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Never Let Her Slip Away
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438061 By Andrew Gold. By Andrew Gold. Arranged by John Ivor Holland. 20th Century,Pop,Singer/Songwriter. 45 pages. Jo...
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Concert Band - Level 3 - SKU: A0.1438061 By Andrew Gold. By Andrew Gold. Arranged by John Ivor Holland. 20th Century,Pop,Singer/Songwriter. 45 pages. John Ivor Holland #1018130. Published by John Ivor Holland (A0.1438061). Never Let Her Slip Away is a song written by American musician Andrew Gold, who recorded it for his third album, 'All This and Heaven Too' (1978). The single reached number five on the UK Singles Chart and number 67 on the Billboard Hot 100 in 1978. Queen frontman Freddie Mercury contributed harmony vocals to the song, as an uncredited background singer. A 1992 cover version by British dance outfit Undercover was also an international hit. As revealed in his album liner notes, Gold wrote Never Let Her Slip Away about meeting actress and Saturday Night Live cast member Laraine Newman, who was his girlfriend when he composed the song; Dave Grohl of the rock band Foo Fighters called the song the most beautiful piece of music ever written, and maybe one of the most melodically sophisticated songs I've ever heard in my entire life. This joyful little song swings along with lovely melodic twists and turns and gorgeous harmonies, allowing your band to bring back the nostalgic, carefree sound of the Seventies.
$49.99
A peu del "Picayo"
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Salvador Rojo Gamón
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A peu del "Picayo"
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Salvador Rojo-Gamon
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 4...
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Concert Band - Level 3 - SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verÃdicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃLISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podrÃamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la ÉPOCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbologÃa mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la ÉPOCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN
$100.00
Clair de Lune
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Augusta Holmes
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John Ivor Holland
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Clair de Lune
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor ...
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Concert Band - Level 3 - SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor Holland #1024207. Published by John Ivor Holland (A0.1444294). Augusta Mary Anne Holmès (16 December 1847 – 28 January 1903) was a French composer of Irish descent. In 1871, Holmès became a French national and added the accent to her last name. She wrote the texts to almost all of her vocal music herself, including songs, oratorios, the libretto of her opera ('La Montagne noire') and the programmatic poems for her symphonic poems including 'Irlande' and 'Andromède'. Despite showing talent at the piano, she was not allowed to study at the Paris Conservatoire, but took lessons privately. Like other female composers from the nineteenth century including Fanny Mendelssohn and Clara Schumann, Holmès published some of her earlier works under a male pseudonym (Hermann Zenta) because women in European society at that time were not taken seriously as artists and were discouraged from publishing. 'Clair de Lune' is the second of the 'Trois Petites Pièces' for flute and piano, composed in 1896, bring together the homelands dear to Holmès’ heart: Ireland, her country of origin, and France, her country of adoption. Arranged for concert band as part of an ongoing project to bring more music by women composers into the worldwide repertoire.
$49.99
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