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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Simply Red
Non classifié
193
Piano & claviers
Piano, Voix
102
Piano seul
59
Piano, Voix et Guitare
16
Orgue
10
Accompagnement Piano
7
Piano Facile
3
Instruments en Do
3
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
3
Guitare
3
Ukulele
2
3 Guitares (trio)
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
36
Chorale 3 parties
7
Chorale SSAA
5
Chorale TTBB
4
Chorale 2 parties
2
Voix haute
1
+ 1 instrumentations
Retracter
Vents
2 Saxophones (duo)
76
Saxophone, Clarinette (duo)
43
2 Clarinettes (duo)
40
Clarinette, Violon (duo)
30
2 Flûtes traversières (duo)
28
Clarinette, Trompette (duo)
25
Hautbois, Piano (duo)
20
Flûte traversière et Piano
19
Flûte, Clarinette (duo)
17
Clarinette et Alto
17
Hautbois, Basson (duo)
17
2 Hautbois (duo)
16
Hautbois, Clarinette (duo)
15
Flûte, Saxophone (duo)
14
Flûte, Violon
13
Flûte, Alto (duo)
13
Clarinette et Piano
12
Quintette de Saxophone: 5 saxophones
12
Hautbois, Flûte
12
Quatuor de Saxophones: 4 saxophones
12
Flûte, Trompette (duo)
11
Flûte traversière
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Alto et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Ensemble de Clarinettes
8
Hautbois (partie séparée)
7
Saxophone Tenor et Piano
7
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Flûtes
6
Clarinette
5
3 Saxophones (trio)
5
Saxophone Alto
5
Quintette de Flûte : 5 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor
3
Ensemble de saxophones
3
Saxophone Soprano et Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
2 Flûte à bec (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Alto et Piano
2
Flûte, Violon, Violoncelle et Piano
2
Flute (partie séparée)
2
Saxophone (partie séparée)
1
Saxophone Baryton, Piano
1
Flûte, Basson et Piano
1
3 Clarinettes (trio)
1
Flute, harpe et violon
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Clarinette Basse, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Trombone (duo)
1
2 Clarinettes, Piano
1
Flûte, trombone et piano
1
Flûte, Hautbois, Basson
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
+ 59 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
31
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
2 Trompettes (duo)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trombone et Piano
9
Trompette
8
Trompette, Piano
8
Cor et Piano
4
Trombone
3
Ensemble de Trombones
3
Ensemble de Trompettes
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
3
Tuba et Piano
2
Quatuor de Cuivres
2
Cor
2
2 Cors (duo)
1
Tuba
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
+ 20 instrumentations
Retracter
Cordes
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
18
2 Altos (duo)
17
Violon, Alto (duo)
16
Violoncelle, Piano
14
2 Violons (duo)
13
Violon et Piano
13
Alto, Piano
10
Harpe
9
Violon
9
Violoncelle
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
4 Violoncelles
2
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
8
Ensemble de cuivres
6
Orchestre
4
Orchestre à Cordes
3
Jazz combo
2
Orchestre de chambre
2
Cloches
1
Batterie
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Simply Red
intermédiaire
Orchestre d'harmonie
Partitions à imprimer
8 partitions trouvées
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1
Nasjonaldag musikk for syttende mai for Flexible Band/Korps
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Nasjonaldag musikk for syttend
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1205281 By Keith Terrett. By Various. Arranged by Keith Terrett. Historic,March,Multicultural,Patriotic,Traditional,Wor...
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Concert Band - Level 3 - SKU: A0.1205281 By Keith Terrett. By Various. Arranged by Keith Terrett. Historic,March,Multicultural,Patriotic,Traditional,World. 109 pages. Keith Terrett #803468. Published by Keith Terrett (A0.1205281). A new arrangement of music  especially for ’’National Day’’ in Norway, which falls on the 17th of May each year.Bands all over the land march around their towns and villages, in celebration of Norway’s independence from Sweden.The little set consists of ’’Ja vi elsker’’, ’’Fagert er landet’’, ’’Gud signe vårt dyre fedreland’,’’Smaa barnas nasjonalsang’’, ’’Kongsesangen’’, an original march entitled ’’17 mai (Constitution marsj)’’, and a small compilation of three marches which include,’'Alle fugler'', ’’Gammel Jegermarsj’’ and ’’Mellom bakkar og berg’’ by Lindeman; and finally Norge i rødt, hvitt og blått  (Norway in red, white and blue).These arrangements will work very well with just four players.  As long as you cover all four parts, you are guaranteed a very rich and full-sounding arrangement.If you have some percussion players to augment your group, it will sound even better.This arrangement comes with parts for flexible band.If you are interested in other music for brass, have a look at my Norwegian publisher’s web site, for my set of ’’7 Julesangs’’, for Brass Quartet, Flexible Band and Piano:www.musikk-huset.noThe Norwegian Constitution Day is the National Day of Norway and is an official national holiday each year. Among Norwegians, the day is referred to simply as syttende mai (meaning May Seventeenth), Nasjonaldagen (The National Day) or Grunnlovsdagen (The Constitution Day), although the latter is less frequent.If you require other parts, e-mail me your requirements, and I will up-load parts to my Sibelius store within 24hrs: keithterrett@gmail,com.
$30.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Sweet Child O' Mine
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Guns N' Roses
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Musiscorz
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Sweet Child O' Mine
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Musiscorz
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1279632 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Musiscorz....
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Concert Band - Level 3 - SKU: A0.1279632 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Musiscorz. Pop,Rock. Score and Parts. 153 pages. Musiscorz #871099. Published by Musiscorz (A0.1279632). A Concert band or large ensemble arrangement with the Slash Guitar solo of this awesome song by Guns N' Roses as a versatile option that can be performed with or without the added rhythm section. It is transcribed from the Album version so has the extra section in the middle which allows a true to the original performance with the full guitar solo. The original key of Db does pose a challenge for band members which transposed down to C and the arrangement for sale was performed with great success this summer to 800 people for an event with great results. It was easier to have the Lead guitarist down tune their guitar making it easier to learn quickly as a band. Many arrangements simply put in a repeat using the same music but this is a full arrangement encompassing the original song as close as possible. The rhythm section is fully written out for those musicians that don't read chords which are also included for more advanced musicians. The solo Guitar part is in the audio but there are more in depth transcriptions available from online sheet music Guitar specialist websites that will be a more accurate version. Instrumentation is as follows: Piccolo, Flute, Oboe, Clarinet 1,2,3, Bass Clarinet, Alto Sax 1,2, Tenor Sax, Baritone Sax, Bassoon, French Horn 1,2, Trumpet 1,2,3, Trombone 1,2, Tuba, Hammond Organ, Piano, Electric Guitar 2 written and TABS, Electric Bass, Drum Kit, Bongos, Tambourine, CowbellBy W. Axl Rose, Steven Adler, Duff Mckagan, Izzy Stradlin', Slash Copyright ©1987 Guns N' Roses Music (ASCAP) and Black Frog Music (ASCAP) All Rights for Black Frog Music in the U.S. and Canada Controlled and Administered by Universal - PolyGram International Publishing, Inc. International Copyright Secured All Rights Reserved.
$55.00
Down By The Riverside
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kurt Schulenburg
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Kurt Schulenburg
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Down By The Riverside
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Kurt Schulenburg
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1359843 By Kurt Schulenburg. By Traditional. Arranged by Kurt Schulenburg. 20th Century,Jazz,Ragtime,Traditional. 66 pa...
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Concert Band - Level 3 - SKU: A0.1359843 By Kurt Schulenburg. By Traditional. Arranged by Kurt Schulenburg. 20th Century,Jazz,Ragtime,Traditional. 66 pages. Kurt Schulenburg #944323. Published by Kurt Schulenburg (A0.1359843). A swinging jazz classic arranged for Concert Band, Down By The Riverside features plenty of toe tapping sections to get your audience engaged! There is also an improvisation section (complete with written solo - just in case!) for Tenor Saxophone, but any instrument can jump in on the easy chord changes. Inspired by the fact that there simply aren't enough Traditional Jazz arrangements for Grade 3 concert bands!
$60.00
Sunshine On My Shoulders
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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John Denver
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Brendan Elliget MAGA 537
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Sunshine On My Shoulders
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score a...
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Concert Band - Level 3 - SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score and parts. 36 pages. BJE Music #6487663. Published by BJE Music (A0.751041). Sunshine On My Shoulders – Concert Band Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high Sunshine on My Shoulders (sometimes titled simply Sunshine) is a song recorded and co-written by American singer-songwriter John Denver. It was originally released as an album track on 1971's Poems, Prayers & Promises and later, as a single in 1973. Denver wrote this song on an early spring day in Minnesota when the rain was gently falling. He found himself looking forward to spending more time outdoors and enjoying the sunshine. He said of the song, On one level it was about the virtues of love. On another, more deeply felt level, it reached for something the whole world could embrace. This is an arrangement for Concert Band with an optional Piano part...Grade = 3 Duration = 2:45 mins The MP3 and Video audio was recorded with NotePerformer 3. Copyright © 1971; Renewed 1999 BMG Ruby Songs, My Pop's Songs, Dino Park Publishing, Jesse Belle Denver and Reservoir Media Music in the U.S. All Rights for BMG Ruby Songs Administered by BMG Rights Management (US) LLC All Rights for My Pop's Songs and Dino Park Publishing Administered by Kobalt Songs Music Publishing All Rights for Jesse Belle Denver Administered by WB Music Corp. All Rights for Reservoir Media Music Administered by Reservoir Media Management, Inc. (Publishing) and Alfred Music (Print) All Rights Reserved Used by Permission
$49.99
Holy, Holy, Holy - Tune Nicaea by JB Dykes - Flexible ensemble by David Catherwood
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Orchestre d'harmonie
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INTERMÉDIAIRE
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JB Dykes
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David Catherwood
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Holy, Holy, Holy - Tune Nicaea
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.739480 Composed by JB Dykes. Arranged by David Catherwood. Multicultural,Sacred,World. Score and parts. 20 pages. Opus ...
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Concert Band - Level 3 - SKU: A0.739480 Composed by JB Dykes. Arranged by David Catherwood. Multicultural,Sacred,World. Score and parts. 20 pages. Opus 3 Music #5287663. Published by Opus 3 Music (A0.739480). JB Dykes famous hymn tune Nicaea is associated with the wordsHoly, holy, holy Lord God Almighty, Early in the morning our song shall rise to thee...This arrangement will be useful to accompany congregational or choral singing as it is in suitable keys or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. This arrangement is suitable for school orchestras and ensembles as well as more experienced players. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case by the Campbell College Orchestra where this orchestra of around forty players use arrangements such as this regularly in Services and concerts in the college.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone 1, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone 2, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionOrgan/Keyboard
$9.50
Short Fantasy on Greensleeves - for Solo flute and Wind Ensemble
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Ivan Marini
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Short Fantasy on Greensleeves
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www.dalsegno.eu
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.770420 Composed by Ivan Marini. Christmas,Contemporary,Renaissance. Score and parts. 46 pages. Www.dalsegno.eu #4968579...
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Concert Band - Level 3 - SKU: A0.770420 Composed by Ivan Marini. Christmas,Contemporary,Renaissance. Score and parts. 46 pages. Www.dalsegno.eu #4968579. Published by www.dalsegno.eu (A0.770420). Colorful and catchy composition based on the world famous english tune Greensleeves (aka What Child is This).Useful and evocative concert piece in both secular and sacred venues: the ensemble stays below grade 2,5 but every part is still interesting to play. Accurate cross-cueing grants a successful playing even for smaller groups.The solo flute takes the lead in the more transparent passages and always gets the due space.Complete set with full score and parts:Solo FluteFlute 1+2Oboe (and Bb Soprano Sax instead of Oboe)BassoonClarinet 1, 2, 3 BbBass Clarinet BbAlto Sax 1, 2 EbTenor Sax BbBaritone Sax EbTrumpet 1, 2, 3F HornTrombone 1, 2, 3 in C (BC) and Bb (TC)Euphonium in C (BC) and Bb (TC)Tuba in C (but also in Bb TC and Eb TC)TimpaniBellsPercussion (Cymbals, Snare Drum, Wind chimes, Concert tom, Triangle, Bass drum)Other transpositions (e.g. Eb Horns) available for free at simply request.Duration ca. 4 mins., 46 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$19.99
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