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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
OCARINA
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SYNTHETISEUR
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59
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27
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20
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19
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18
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17
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15
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7
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7
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7
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7
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3
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8
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5
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Violoncelle (partie séparée)
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Alto seul
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2 Contrebasses (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
4
Ensemble Jazz
3
Orchestre de chambre
3
Orchestre
2
Orchestre d'harmonie
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.96 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Beethoven Greatest Hits
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1287608 Composed by Ludwig van Be…
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Concert Band - Level 3 - Digital Download SKU: A0.1287608 Composed by Ludwig van Beethoven. Arranged by Thomas PECHOT. 19th Century,Classical,Romantic Period. Score and Parts. 90 pages. Thomas PECHOT #878632. Published by Thomas PECHOT (A0.1287608). Concert band PDF sheet music Several extra-parts for brass Several optional parts.Do you recognize all these melodies? These were composed by Ludwig van Beethoven. This arrangement includes the introduction to Symphony No. 5, the main themes of Symphony No. 7’s Allegretto, Piano Sonata No. 8, For Elise and Ode to Joy: This is Beethoven Greatest Hits!More concert band PDF sheet music go to https://thomaspechot.com
$69.99
64.17 €
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Orchestre d'harmonie
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Ludwig van Beethoven
#
Thomas PECHOT
#
Beethoven Greatest Hits
#
Thomas PECHOT
#
SheetMusicPlus
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