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Quintette de Flûte : 5 flûtes
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CUIVRES
2 Trompettes (duo)
24
2 Trombones (duo)
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
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12
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11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
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8
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7
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6
Trompette
5
Cor Anglais
4
3 Trompettes (trio)
4
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3
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3
Euphonium
2
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2
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2
Trombone
2
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2
4 Tubas
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Tuba et Piano
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3 Trombones (trio)
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
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Cor et Piano
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3 Cors (trio)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
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Tuba
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CORDES
Trio à Cordes: violon, alto, violoncelle
156
Quatuor à cordes: 2 violons, alto, violoncelle
141
Violon, Violoncelle (duo)
123
Violon
106
2 Violons (duo)
29
2 Violoncelles (duo)
28
2 Altos (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Harpe
17
Violon, Alto (duo)
15
Trio à Cordes: 2 violons, violoncelle
12
Violon et Piano
9
Violoncelle
5
Violoncelle, Piano
5
Alto, Piano
5
Trio à Cordes: 2 violons, alto
4
Alto seul
4
Trio à cordes: 3 violins
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
2
Harpe, Flûte (duo)
2
2 Harpes (duo)
2
Alto (partie séparée)
1
Contre Basse
1
Violon (partie séparée)
1
Harpe et Piano
1
Ensemble de Violons
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
86
Ensemble de cuivres
18
Cloches
13
Orchestre de chambre
9
Orchestre d'harmonie
9
Ensemble Jazz
7
Jazz combo
5
Orchestre
5
Ensemble de Percussions
3
Xylophone
1
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.93 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.93 €
#
Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
#
SheetMusicPlus
Our Destiny in the Stars
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1240842 Composed by Jack Dennis. …
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Concert Band - Level 3 - Digital Download SKU: A0.1240842 Composed by Jack Dennis. 21st Century,Classical,Contemporary. Score and Parts. 50 pages. Jack Dennis #836232. Published by Jack Dennis (A0.1240842). Great for high school or other intermediate level concert bands!Approx 3.5 minutes in durationOur Destiny in the Stars is a symphonic concert band composition, with the first triumphant fanfares exemplify the joys of exploration, transitioning to the solemn reminder of leaving home behind. Cues- Several more challenging phrases in this piece, as well as the bass clarinet solo, may have cues written that may be played instead of the challenging phrases, or to be played by a different instrument, only if absolutely necessary. These cued phrases do not play back in audio playback.Instrumentation- Two flutes, one doubling as piccolo, two Bb Clarinets, one Bass Clarinet (soloist), one alto, tenor and baritone saxophone, two Bb Trumpets, two Horns in F, two trombones, one euphonium, one tuba, one glockenspiel, one vibraphone, one set of timpani, one snare drum, one bass drum, one crash cymbal and one suspended cymbal.
$19.99
18.31 €
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Orchestre d'harmonie
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Jack Dennis
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Our Destiny in the Stars
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Jack Dennis
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SheetMusicPlus
Offertoire (from 'In Memoriam')
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1460836 Composed by Hedwige Chré…
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Concert Band - Level 3 - Digital Download SKU: A0.1460836 Composed by Hedwige Chrétien. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Praise & Worship,Religious,World. 39 pages. John Ivor Holland #1039739. Published by John Ivor Holland (A0.1460836). Hedwige Chrétien (15 July 1859 – 1944) was a French composer, appointed professor at the Paris Conservatoire in 1889 where she had previously been a student from 1874. She was a prolific composer, yet not much else is known about her life. Her compositions, about 150 in all, consist of pieces for piano, orchestral and chamber works, songs, two ballets and two one-act operas. One of the most extensive collections of her work in the United States is held in the University of Michigan's Women Composers Collection, which is available on microfilm from there and other libraries. 'Offertoire' dates from 1926 and is taken from a collection of works for organ or harmonium called 'In Memoriam' for use in funeral services but works well as a standalone piece, particularly suitable for memorial events or moments of calm in a programme. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$59.99
54.96 €
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Orchestre d'harmonie
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Hedwige Chrétien
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John Ivor Holland
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Offertoire
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John Ivor Holland
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SheetMusicPlus
The Love of God
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. L…
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Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
27.49 €
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Orchestre d'harmonie
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Frederick M
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Leandro Bizama
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Romance in F for Soloist and Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.528184 Composed by Ludwig van Bee…
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Concert Band - Level 3 - Digital Download SKU: A0.528184 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 74 pages. Diego Marani #5200039. Published by Diego Marani (A0.528184). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this beautiful and flexible setting for soloist and band can feature flute, clarinet or alto sax.
$34.99
32.06 €
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Orchestre d'harmonie
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Ludwig van Beethoven
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Diego Marani
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Romance in F for Soloist and Concert Band
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Diego Marani
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SheetMusicPlus
A Mighty Fortress (Concert Band)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By …
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Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. Score and Parts. 65 pages. Jubal's Lyre Music Publishers #6567815. Published by Jubal's Lyre Music Publishers (A0.918905). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Concert Band with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. The Full Score is formatted for legal-size paper (8.5x14) while the parts are formatted for letter-size paper (8.5x11). Additional arrangements are available for Brass, Woodwind Quintet, and Strings. For more music and information, visit www.jubalslyre.com/music.
$40.00
36.65 €
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Orchestre d'harmonie
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Jubal's Lyre Music
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Martin Dicke
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A Mighty Fortress
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Jubal's Lyre Music Publishers
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SheetMusicPlus
All Of My Friends
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.834113 Composed by Amy Wadge and …
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Concert Band - Level 3 - Digital Download SKU: A0.834113 Composed by Amy Wadge and Delta Lea Goodrem. Arranged by RUSSELL T. KING. Contemporary. Score and parts. 45 pages. EMK Music #6610417. Published by EMK Music (A0.834113). This piece, made popular by Delta Goodrem, has been arranged by Russell T. King for Vocal and Concert Band or Concert Band alone in the key of B Flat (original is in B) to make it more band friendly. Arranged with schools in mind (there are many doublings which will help if there are instruments missing) it is a great opportunity for schools with a Voice and a Band Program to combine two learning areas. It is not often that a vocalist has the opportunity to sing with a large band backing.
$55.00
50.39 €
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Orchestre d'harmonie
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Amy Wadge and Delta Lea Goodrem
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RUSSELL T
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All Of My Friends
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EMK Music
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SheetMusicPlus
The Voice Within
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.834118 By Christina Aguilera. By …
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Concert Band - Level 3 - Digital Download SKU: A0.834118 By Christina Aguilera. By Christina Aguilera and Glen Ballard. Arranged by RUSSELL T. KING. Contemporary,Pop. Score and parts. 73 pages. EMK Music #6637993. Published by EMK Music (A0.834118). Arranged for Voice (or Solo Alto Saxophone) and Concert Band. This arrangement of the very popular Christina Aguilera hit is a half tone higher than the original in order to put it in a more Band friendly key. Alternate notes are provided if the range is too high for the vocalist. A Solo Alto Saxophone part has been included to make the arrangement useful as an instrumental solo if a vocalist is not available. Arranged with schools in mind (there are many doublings which will help if there are instruments missing) it is a great opportunity for schools with a Voice and a Band Program to combine two learning areas. It is not often that a vocalist has the opportunity to sing with a large band backing.
$55.00
50.39 €
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Orchestre d'harmonie
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Christina Aguilera
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RUSSELL T
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The Voice Within
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EMK Music
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SheetMusicPlus
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