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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
5 9
Non classifié
92
Piano & claviers
Piano seul
88
Orgue
15
Piano, Voix
5
2 Pianos, 4 mains
4
Piano, Voix et Guitare
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Instruments en Do
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
7
Piano, Guitare (duo)
5
Guitare notes et tablatures
5
4 Guitares (Quatuor)
2
Dulcimer
2
2 Guitares (duo)
1
Ensemble de guitares
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
26
Voix seule
7
Chorale SSAA
7
Chorale 3 parties
4
Chorale TTBB
4
Voix haute
2
Voix Soprano, Piano
2
+ 2 instrumentations
Retracter
Vents
Saxophone Alto et Piano
24
Clarinette et Piano
21
Hautbois, Piano (duo)
21
Flûte traversière et Piano
18
Saxophone Tenor et Piano
16
Quintette de Saxophone: 5 saxophones
14
Quintette de Clarinettes: 5 clarinettes
10
2 Saxophones (duo)
7
2 Clarinettes (duo)
6
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Soprano et Piano
5
Ensemble de Clarinettes
5
Flûte, Hautbois, Clarinette, Basson
5
Ensemble de Flûtes
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Quatuor de Clarinettes: 4 clarinettes
3
Trio de Flûtes: 3 flûtes
3
2 Flûtes traversières (duo)
3
Hautbois
2
Clarinette Basse, Piano
2
Clarinette, Guitare (duo)
2
Hautbois (partie séparée)
2
Clarinette
2
2 Hautbois (duo)
1
3 Saxophones (trio)
1
2 Flûtes traversières, Piano
1
Hautbois, Flûte
1
Flûte et Guitare
1
Flûte, alto et harpe
1
Clarinette, Harpe (duo)
1
Saxophone Alto
1
Hautbois, Basson (duo)
1
Flûte traversière
1
Saxophone Tenor
1
Cor Anglais
1
Quatuor de Flûtes à bec
1
+ 33 instrumentations
Retracter
Cuivres
Trombone et Piano
13
Trompette, Piano
9
Trompette
7
Cor et Piano
6
2 Trombones (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba et Piano
3
Cor et Harpe
2
Tuba
2
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
1
Cor
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
Trombone
1
Ensemble de Trompettes
1
2 Cors (duo)
1
Cor Anglais
1
Trompette, Cor (duo)
1
+ 15 instrumentations
Retracter
Cordes
Violon et Piano
24
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violoncelle, Piano
20
Alto, Piano
15
Violon, Violoncelle (duo)
13
2 Violoncelles (duo)
6
Violon, Alto (duo)
4
2 Violons (duo)
4
2 Altos (duo)
3
Alto, Violoncelle (duo)
3
Violoncelle
2
4 Violoncelles
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe
1
Violon, Basse continue
1
Violon
1
Harpe, Flûte (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
24
Orchestre de chambre
11
Orchestre d'harmonie
8
Cloches
6
Ensemble Jazz
6
Orchestre
5
Ensemble de cuivres
4
Fanfare
2
Ensemble de Percussions
2
Batterie
1
Marimba
1
Jazz combo
1
+ 7 instrumentations
Retracter
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
5 9
avancé
Orchestre d'harmonie
Partitions à imprimer
8 partitions trouvées
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1
7 to 9
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ben Pritchard
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Ben Pritchard
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7 to 9
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Benjamin Pritchard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. B...
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Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
$49.99
Intermezzo Sinfonico from “Cavalleria Rusticana” (8/5 x 11)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Pietro Mascagni
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Shinji Kasama
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Intermezzo Sinfonico from &ldq
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1207725 Composed by Pietro Mascagni (1863–1945). Arranged by Shinji Kasama. Classical,Contest,Festival. Score an...
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Concert Band - Level 4 - SKU: A0.1207725 Composed by Pietro Mascagni (1863–1945). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 42 pages. Kasama Music Corporation #805851. Published by Kasama Music Corporation (A0.1207725). [This Publication is in letter size (8/5 x 11). A4 size is also available.]Intermezzo Sinfonico is from Pietro Mascagni’s one-act opera “Cavalleria Rusticana.†This transcription is for concert band with full score (pp. 1–7), piccolo–harp (pp. 9–31), and and transposed parts (pp. 32–42).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$7.50
Revelations 5 (Mvt. II)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...
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Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00
Intermezzo Sinfonico from “Cavalleria Rusticana” (A4)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Pietro Mascagni
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Shinji Kasama
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Intermezzo Sinfonico from &ldq
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1207727 Composed by Pietro Mascagni (1863–1945). Arranged by Shinji Kasama. Classical,Contest,Festival. Score an...
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Concert Band - Level 4 - SKU: A0.1207727 Composed by Pietro Mascagni (1863–1945). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 42 pages. Kasama Music Corporation #805853. Published by Kasama Music Corporation (A0.1207727). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]Intermezzo Sinfonico is from Pietro Mascagni’s one-act opera “Cavalleria Rusticana.†This transcription is for concert band with full score (pp. 1–7), piccolo–harp (pp. 9–31), and and transposed parts (pp. 32–42).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$7.50
4 PINWHEELS original composition for CONCERT BAND. Grade 4
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Glen Poehlmann
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4 PINWHEELS original compositi
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arrangements by GPoehlmann
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.806759 Composed by Glen Poehlmann. Contemporary. Score and parts. 70 pages. Arrangements by GPoehlmann #5808097. Publis...
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Concert Band - Level 4 - SKU: A0.806759 Composed by Glen Poehlmann. Contemporary. Score and parts. 70 pages. Arrangements by GPoehlmann #5808097. Published by arrangements by GPoehlmann (A0.806759). 4 PINWHEELS - original composition for CONCERT BAND. Medium Difficult.149 measures. Performance Time approx 5:15. Key Ab. Meter: 4/4 - 6/8 - 9/8.PARTS INCLUDED: Score, Piccolo, Flute, Oboe, English Horn, Bassoon, Eb Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2/3, Horn 1/3, Horn 2/4, Trombone 1, Trombone 2/3, Euphonium, Baritone TC, Tuba, Timpani, Percussion 1 (Suspended Cymbal, Triangle, Shaker), Percussion 2 (Tambourine, Wood Block, Cowbell, Mark Tree), Percussion 3 (Glockenspiel, Xylophone, Vibraphone), Percussion 4 (Snare Drum, Bass Drum)
$15.00
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
Beethoven in Samba
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fábio Mesquita
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Fábio Mesquita
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Beethoven in Samba
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Fábio Mesquita
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1271779 By Fábio Mesquita. By Ludwig van Beethoven. Arranged by Fábio Mesquita. Classical,Historic,Jazz,Multicult...
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Concert Band - Level 4 - SKU: A0.1271779 By Fábio Mesquita. By Ludwig van Beethoven. Arranged by Fábio Mesquita. Classical,Historic,Jazz,Multicultural,World. Score and Parts. 85 pages. Fábio Mesquita #864134. Published by Fábio Mesquita (A0.1271779). Coletânea de obras de Beethoven em ritmo de Samba, orquestradas para banda de música, sendo elas: 5ª sinfonica, Pour Elise, Sonata ao luar e 9ª sinfonia.
$49.00
A Day on Hellroaring Plateau
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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A Day on Hellroaring Plateau
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. ...
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Concert Band - Level 4 - SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. Published by WheatMyer Music (A0.976732). A Day on Hellroaring Plateau for Concert Band or Wind SymphonyDownload includes transposed score and all parts.Difficulty is Grade 5.Duration is approximately 9:30.Preview the entire score at https://wheatmyermusic.com/product/a-day-on-hellroaring-plateau/The Hellroaring Plateau is a landmass on the northeast extremity of the Absaroka mountain range straddling the Montana-Wyoming border. Its relatively flat topography and high elevation lead to intense winds and unpredictable storms bestowing the plateau's colorful moniker. Contrary to the title, the music reflects a compilation of impressions from multiple visits over a decade’s time, gathered with my son’s first-hand reports of overnight stays, rather than a single day’s experience. My original objective for the music was to portray the stark and stony landscape alternatively caressed and buffeted in a stew of breezes and gales, sunshine and storms. However, as I was writing the piece it became apparent the true theme of the music is rather a daily high-altitude drama pitting light versus darkness, a drama staged on the plateau’s rocks, meadows, streams, and lakes depicting a perpetually shifting kaleidoscope of distinctive lighting unlike any I have experienced elsewhere. The transparent, thin air reveals indigo blue skies and scalding-white clouds overarching stunning vistas stretching a hundred miles or more. The landscape glitters under the radiance of high latitude sunlight. The only word I can think of to describe the golden glow of sunbeams slicing through a summer snow squall is ethereal. The utter absence of artificial light makes for the darkest night skies and brightest stars one can experience on earth.
$125.00
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