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Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 ...
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Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 pages. Musik Fabrik Music Publishing #3133405. Published by Musik Fabrik Music Publishing (A0.534137). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part only for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
1871, Mayeur was also named Sa
#
Louis Adolphe Mayeur
#
Paul Wehage
#
Louis Mayeur: Grande Fantaisie
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204...
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Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204 pages. Musik Fabrik Music Publishing #3133407. Published by Musik Fabrik Music Publishing (A0.534138). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and complete parts for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$90.95
Pas De Deux
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Samuel Barber
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John Ivor Holland
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Pas De Deux
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1390298 Composed by Samuel Barber. Arranged by John Ivor Holland. 20th Century,Classical. 43 pages. John Ivor Holland #...
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Concert Band - Level 4 - SKU: A0.1390298 Composed by Samuel Barber. Arranged by John Ivor Holland. 20th Century,Classical. 43 pages. John Ivor Holland #973814. Published by John Ivor Holland (A0.1390298). The composer writes, of 'Souvenirs': In 1952 I was writing some duets for one piano to play with a friend, and Lincoln Kirstein suggested I orchestrate them for a ballet. Commissioned by the Ballet Society, the suite consists of a waltz, schottische, pas de deux, two step, hesitation tango, and gallop. One might imagine a divertissement in a setting of the Palm Court of the Hotel Plaza in New York, the year about 1914, epoch of the first tangos; 'Souvenirs, remembered with affection, not in irony or with tongue in cheek, but in amused tenderness'. This lovely movement would make a suitable quiet interlude in a concert of dance music and has been lowered by a tone to make the key more band-friendly.
$49.99
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