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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
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LUTH
MANDOLINE
MARIMBA
OCARINA
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Even Me
Non classifié
78
Piano & claviers
Piano seul
100
Piano, Voix et Guitare
29
Instruments en Do
18
Piano, Voix
12
Orgue
6
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
+ 3 instrumentations
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Ligne De Mélodie, (Paroles) et Accords
5
Guitare
4
Guitare notes et tablatures
2
Basse electrique
1
Guitare, Orchestre
1
Voix
Chorale SATB
38
Voix Soprano, Piano
5
Chorale SSAA
4
Voix Tenor, Piano
3
Voix duo, Piano
3
Chorale 3 parties
1
Voix Tenor
1
Chorale 2 parties
1
+ 3 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
6
Ensemble de Flûtes
6
Saxophone Tenor et Piano
5
Flûte traversière et Piano
4
Ensemble de Clarinettes
3
Hautbois, Piano (duo)
3
2 Clarinettes (duo)
2
Saxophone Tenor
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette et Piano
1
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1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Alto
1
Flûte et Guitare
1
2 Flûtes traversières (duo)
1
2 Flûtes traversières, Piano
1
Flûte traversière
1
Clarinette
1
+ 15 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette, Piano
3
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 trombones
2
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 4 trompettes
1
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1
Ensemble de Trombones
1
Tuba
1
Trombone et Piano
1
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1
Trompette (partie séparée)
1
Cor et Piano
1
Trio de Cuivres
1
+ 10 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
14
Violoncelle, Piano
6
Violon, Violoncelle (duo)
6
Violoncelle
6
Trio à Cordes: violon, alto, violoncelle
4
Violon, Alto (duo)
4
2 Violons (duo)
3
Alto, Piano
3
2 Violoncelles (duo)
2
Alto, Violoncelle (duo)
2
Harpe
2
Violon
2
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
4 Contrebasses
1
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
+ 15 instrumentations
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Orchestre
13
Orchestre d'harmonie
9
Orchestre de chambre
7
Orchestre à Cordes
6
Ensemble Jazz
4
Ensemble de cuivres
4
Ensemble de Percussions
1
Jazz combo
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR ANGLAIS
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CORNET
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Vous avez sélectionné:
Even Me
avancé
Orchestre d'harmonie
Partitions à imprimer
9 partitions trouvées
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1
Oot-kwa-tah, Dance of the Seven Sisters
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Publish...
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Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
Revelations 5 (Mvt. II)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...
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Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00
Never Enough
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Boyce Avenue
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Jason Howard
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Never Enough
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Jason Howard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Sc...
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Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99
Symphony No. 6 in G minor
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Charles -Marie Widor, Charles
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Nelson Ramos
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Symphony No. 6 in G minor
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1354678 Composed by Charles -Marie Widor, Charles Marie Widor, and Widor. Arranged by Nelson Ramos. 19th Century,Romant...
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Concert Band - Level 4 - SKU: A0.1354678 Composed by Charles -Marie Widor, Charles Marie Widor, and Widor. Arranged by Nelson Ramos. 19th Century,Romantic Period,Sacred. 194 pages. Published / Arranged by Nelson Ramos #939373. Published by Published / Arranged by Nelson Ramos (A0.1354678). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, that takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I decided to arrange the first movement of Widor's Sixth Symphony because I deem of paramount importance that Band Directors start making the concert band repertoire more varied, so as to avoid what usually happens: concert/wind bands keep playing the same pieces over and over again, usually Tchaikovsky overtures, or Wagnerian overtures. Namely, I think that the various textures this arrangement, when properly played, provides, will make for a very interesting piece.
$45.00
Symphonie Fantastique
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Hector Berlioz and Louis-Hecto
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Nelson Ramos
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Symphonie Fantastique
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Classical,Romantic ...
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Concert Band - Level 4 - SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Classical,Romantic Period. 266 pages. Published / Arranged by Nelson Ramos #741982. Published by Published / Arranged by Nelson Ramos (A0.1141642). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, that takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I decided to arrange the last movement of the Symphonie Fantastique, by Louis-Hector Berlioz, because I deem of paramount importance that Band Directors start making the concert band repertoire more varied, so as to avoid what usually happens: concert/wind bands keep playing the same pieces over and over again, usually Tchaikovsky overtures, or Wagnerian overtures.
$50.00
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Serenity and Dance
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ben Pritchard
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Serenity and Dance
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Benjamin Pritchard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.986862 Composed by Ben Pritchard. 20th Century. Score and parts. 20 pages. Benjamin Pritchard #5463. Published by Benja...
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Concert Band - Level 4 - SKU: A0.986862 Composed by Ben Pritchard. 20th Century. Score and parts. 20 pages. Benjamin Pritchard #5463. Published by Benjamin Pritchard (A0.986862). Serenity and Dance has many interest for both teachers and student performers. There is a broad range of dynamics, expression, and ensemble balance required. The tight harmonies, changing meter, textures, melodic layering, and intensity are exciting for both conductor and performer. The piece utilizes a variety of percussion instruments (including vocalizations) and every wind/brass line is an important part of the overall performance. I also find that, despite its frequent meter changes, the composition has a catchy melody. Many of the student performers have told me that they’ve gone home after school singing the woodwind melody from the Dance portion (even brass and percussionists!).
$59.99
Sweet Child O' Mine
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Guns N' Roses
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Rubinho
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Sweet Child O' Mine
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Rubinho
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.503638 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Rubinho. Po...
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Concert Band - Level 4 - SKU: A0.503638 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Rubinho. Pop,Rock. Score and parts. 130 pages. Rubinho #115722. Published by Rubinho (A0.503638). Sweet Child o 'Mine is a song by the American rock band Guns N' Roses . It is part of their debut album, Appetite for Destruction . The song was released in August 1988 as the third single from the album, and topped the Billboard Hot 100 chart , becoming the band's only number one single in the United States. The Billboard the ranked as the fifth best song of 1988. Relaunched in 1989, reached number six on the UK Singles Chart . Guitarist Slash said in 1990, [The song] has turned into a huge hit and now it makes me sick. I mean, I like it, but I hate what it represents. This arrangement is for Symphonic Band , includes: Score, Piccolo, (2) Flutes, Oboe, (3) Clarinets, Alto Clarinet Eb, Bass Clarinet Bb, (2) Alto Saxs, (2) Tenor Saxs, Baritone Sax, (4) Horn in F, (4) Trumpets, (3) Tenor Trombone, Bass Trombone, Eufonio C, Tuba C, Electric Guitar, Piano, Electric Bass, Timpani and Drums.
$49.99
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