Partitions Numériques de New Order pour Orchestre d'harmonie

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 21 2 Pianos, 4 mains 4 Orgue 1 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Piano, Voix 1

Instruments en Do 1

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GUITARES

Guitare 3 Guitare notes et tablatures 1

VOIX

Chorale SATB 7 Voix duo 2 Chorale 3 parties 2 Voix Soprano 1 Chorale TTBB 1

VENTS

Ensemble de saxophones 10 2 Flûte à bec (duo) 10 Quintette de Saxophone: 5 saxophones 9 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3 Flûte à Bec 3

Quatuor de Flûtes à bec 2 Ensemble de Flûtes 2 Ensemble de Clarinettes 2 Quatuor de Saxophones: 4 saxophones 2 Saxophone Alto et Piano 2 Flûte à bec Alto 1 Quintette de Clarinettes: 5 clarinettes 1 Flûte traversière et Piano 1 Flûte traversière 1 Quintette de Flûte : 5 flûtes 1 Trio de Flûtes: 3 flûtes 1 Saxophone Tenor et Piano 1 Flûte à bec Soprano, Piano 1 Quatuor de Clarinettes: 4 clarinettes 1 Flûte, Hautbois, Clarinette, Basson 1

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CUIVRES

Quatuor de cuivres: 4 cors 7 Quatuor de Cuivres : 2 trompettes, trombone, tuba 7 Quatuor de Cuivres: 2 trompettes, Cor, trombone 6 Quatuor de Cuivres 3 Trio de Cuivres 2

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 Ensemble de Trombones 2 Trompette 2 Trompette, Trombone (duo) 1 Ensemble de Trompettes 1 Ensemble de Cors 1 Euphonium, Tuba (duo) 1 Bass Clef Instruments 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 7 Harpe 6 Trio à Cordes: violon, alto, violoncelle 2 Violon 2 Violon et Piano 2

Ensemble de Violons 1 Violon, Violoncelle (duo) 1 Ensemble d'Altos 1 Quintette à cordes: 2 violons, alto, violoncelle, basse 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 6 Orchestre 5 Orchestre à Cordes 4 Orchestre de chambre 3 Ensemble de cuivres 1

Ensemble Jazz 1

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AUTRES

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New Order

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Orchestre d'harmonie

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6 partitions trouvées

1917: The Halifax Disaster

Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…(+)

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion

$22.99 21.09 € #Orchestre d'harmonie #William Brenner #1917: The Halifax Disaster #William Brenner #SheetMusicPlus

The Opener March

Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.1181336 By Jaxson Salter. By Jaxs…(+)

Concert Band - Level 4 - Digital Download SKU: A0.1181336 By Jaxson Salter. By Jaxson Salter. Arranged by Jaxson Salter. Contest,Festival,March,New Age. Score and Parts. 81 pages. Wesley Besancon #781175. Published by Wesley Besancon (A0.1181336). In a standard concert program, the order is [Opener, Quick Lyrical , March, Chorale, and Premire/Exuberant Piece]. Well, this new and original march by Jaxson Salter is a great way to shorten the program, or add another march! This amazing, intelligent march feels like the opening of a movie, with the dominant 7th interrupting the F major, hinting at the transition to B flat in the Trio. Some minor is used to give the resolution to F feel more comfortable. This is an amazing, exuberant, and lively march, and is nescessary for your band's (or bands') next concert.

$44.99 41.26 € #Orchestre d'harmonie #Jaxson Salter #Jaxson Salter #The Opener March #Wesley Besancon #SheetMusicPlus

Our Flirtations

Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip S…(+)

Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousaâ€™s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. â€œOur Flirtationâ€ is the earliest march for which Simon documented Sousaâ€™s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousaâ€™s musicians or changes modeled on the customary practices of â€œThe March King.â€ Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.

$14.99 13.75 € #Orchestre d'harmonie #John Philip Sousa #Wesley Besancon #Our Flirtations #Wesley Besancon #SheetMusicPlus

Have You Met Miss Jones?

Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quinte…(+)

Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quintet. By Lorenz Hart and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. 81 pages. John Ivor Holland #1079611. Published by John Ivor Holland (A0.1504155). 'Have You Met Miss Jones?' is a song from the 1937 Broadway musical I'd Rather Be Right, a Depression-era political satire set in New York City about Washington politics and political figures such as President Franklin D. Roosevelt. The plot centres on Peggy Jones and her boyfriend Phil, who needs a raise in order for them to get married; the President ultimately steps in and solves their dilemma. This jazz standard has been covered by many artists over the years, including George Shearing, Anita O'Day, Frank Sinatra, Robbie Williams and Seth MacFarlane - it is also cited as a potential inspriation, in its bridge passage, for saxophonist John Coltrane. This arrangement has been created from the jazz combo version by Michael Philip Mossman and features short solos (with suggested lines and chords) for clarinet, flute, trumpet and alto sax, with drum breaks towards the end.

$49.99 45.85 € #Orchestre d'harmonie #George Shearing Quintet #John Ivor Holland #Have You Met Miss Jones? #John Ivor Holland #SheetMusicPlus

Carolina MAGTF March

Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.1448431 Composed by Seth Almond. …(+)

Concert Band - Level 4 - Digital Download SKU: A0.1448431 Composed by Seth Almond. March,Patriotic. 56 pages. Seth Almond #1028342. Published by Seth Almond (A0.1448431). This new composition by Seth Almond is a concert march that will be a great addition to your concert band setlist! Filled with memorable melodies and even a quote of Danny Boy, audiences are sure to love this piece!About:“The organizatonal structure of the MAGTF (Marine Air-Ground Task Force) provides our Nation with capabilities that are as distinct as they are decisive. In response to global conflicts and disasters, the MAGTF enables Marines to deliver rapid, powerful, and sustainable response on a global scale. Sea-to- shore, air-to-ground, door-to-door, there isn’t an organizational model more capable of quickly putting Marines where they need to be in order to fight and win for our country.” The Marine Corps units stationed on the North Carolina coastal region are commonly referred to as the “Carolina MAGTF” This march pays homage to those Marines who have and who continue to serve as a part of the Carolina MAGTF.

$59.99 55.02 € #Orchestre d'harmonie #Seth Almond #Carolina MAGTF March #Seth Almond #SheetMusicPlus

Marche Lorraine

Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.733026 Composed by Gustave Louis …(+)

Concert Band - Level 4 - Digital Download SKU: A0.733026 Composed by Gustave Louis Ganne. Arranged by Marc Oliver. 20th Century. Score and parts. 75 pages. Ayotte Custom Musical Engravings #2347279. Published by Ayotte Custom Musical Engravings (A0.733026). Gustave Louis Ganne was one of the leading composers of light music in France during his lifetime. As a young man he enrolled at the Paris Conservatory and while there Ganne studied composition with Jules Massenet and organ with Cesar Franck. Soon after leaving the conservatory Ganne made a name for himself with his compositions: marches waltzes mazurkas and many other types of music. He is best remembered for his theatrical works first his ballets and later the operettas. Ganne was also a highly competent conductor in the theaters of Paris and later in Monte Carlo. In Monte Carlo he established a series of extremely popular orchestral presentations known as Les Concerts de Louis Ganne. In 1901 he was elected president of the Societ des Auteurs Compositeurs et Editeurs de Musique. The French government later presented him with the Legion of Honor with extra orders. Ganne was loved and admired by those who knew him because of his character and prodigious talent. He died in Paris on July 13 (or 14) 1923. Marche Lorraine is one of Gustav Louis Gannes most well loved marches. It radiates a luminous sophisticated elegance. This march has played an important historic role in France and the Alsace Lorraine area.

$59.99 55.02 € #Orchestre d'harmonie #Gustave Louis Ganne #Marc Oliver #Marche Lorraine #Ayotte Custom Musical Engravings #SheetMusicPlus